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Color name
RGB 119 22 105

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 119 22 105 it is the complementary color RGB 136 233 150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 119 22 105. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 119 22 105 shade: RGB 124 22 100, RGB 141 40 119, RGB 158 58 138, RGB 175 76 157 and RGB 192 94 176

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 119 22 105. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 119 22 105 shade: RGB 119 22 105, RGB 102 4 86, RGB 85 0 67, RGB 68 0 48 and RGB 51 0 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 119 22 105 shade: RGB 120 22 106, RGB 120 22 79, RGB 120 22 53, RGB 120 22 26 and RGB 120 22 22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 119 22 105 shade: RGB 120 22 106, RGB 108 22 120, RGB 81 22 120, RGB 55 22 120 and RGB 28 22 120

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 119 22 105 shade matches the following richer shades: RGB 120 22 106 and RGB 132 10 114

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 119 22 105 shade: RGB 120 22 106, RGB 109 33 98, RGB 97 45 90, RGB 86 56 81 and RGB 74 68 73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 119 22 105 shade: RGB 81 22 120, RGB 107 22 120, RGB 120 22 107, RGB 120 22 81 and RGB 120 22 54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 119 22 105 shade: RGB 50 9 44, RGB 85 15 75, RGB 120 22 106, RGB 155 28 137 and RGB 190 34 167

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 119 22 105 shade: RGB 119 22 105, RGB 120 54 22 and RGB 22 120 94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 119 22 105 shade: RGB 119 22 105, RGB 107 120 22 and RGB 22 107 120

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 119 22 105 shade: RGB 119 22 105, RGB 120 54 22, RGB 22 120 35 and RGB 22 87 120

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 119 22 105 shade: RGB 119 22 105, RGB 120 84 22, RGB 22 120 35 and RGB 22 58 120

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 12 / 53

HEX #771669

RGB 119 22 105

HSL 308.66, 0.69%, 0.28%

LAB 28.16, 49.16, -24.52

 

Complementary color

CMYK 42 / 0 / 36 / 9

HEX #88E996

RGB 136 233 150

HSL 128.66, 0.69%, 0.72%

LAB 84.85, -45.59, 31.63

 

CMYK 0 / 82 / 19 / 51

HEX #7C1664

RGB 124 22 100

HSL 314.12, 0.7%, 0.29%

LAB 28.85, 49.61, -20.13

 

CMYK 0 / 72 / 16 / 45

HEX #8D2877

RGB 141 40 119

HSL 313.07, 0.56%, 0.35%

LAB 35.03, 50.69, -22.4

 

CMYK 0 / 63 / 13 / 38

HEX #9E3A8A

RGB 158 58 138

HSL 312, 0.46%, 0.42%

LAB 41.42, 50.88, -23.99

 

CMYK 0 / 57 / 10 / 31

HEX #AF4C9D

RGB 175 76 157

HSL 310.91, 0.39%, 0.49%

LAB 47.9, 50.58, -25.16

 

CMYK 0 / 51 / 8 / 25

HEX #C05EB0

RGB 192 94 176

HSL 309.8, 0.44%, 0.56%

LAB 54.39, 50.04, -26.07

 

CMYK 0 / 82 / 12 / 53

HEX #771669

RGB 119 22 105

HSL 308.66, 0.69%, 0.28%

LAB 28.16, 49.16, -24.52

 

CMYK 0 / 96 / 16 / 60

HEX #660456

RGB 102 4 86

HSL 309.8, 0.92%, 0.21%

LAB 22.24, 46.74, -21.56

 

CMYK 0 / 100 / 21 / 67

HEX #550043

RGB 85 0 67

HSL 312.71, 1%, 0.17%

LAB 17.16, 41.35, -16.8

 

CMYK 0 / 100 / 29 / 73

HEX #440030

RGB 68 0 48

HSL 317.65, 1%, 0.13%

LAB 12.24, 34.84, -11.19

 

CMYK 0 / 100 / 43 / 80

HEX #33001D

RGB 51 0 29

HSL 325.88, 1%, 0.1%

LAB 7.16, 27.97, -4.97

 

CMYK 0 / 82 / 12 / 53

HEX #78166A

RGB 120 22 106

HSL 308.57, 0.69%, 0.28%

LAB 28.4, 49.55, -24.77

 

CMYK 0 / 82 / 34 / 53

HEX #78164F

RGB 120 22 79

HSL 325.1, 0.69%, 0.28%

LAB 27.11, 45.78, -9.06

 

CMYK 0 / 82 / 56 / 53

HEX #781635

RGB 120 22 53

HSL 341.02, 0.69%, 0.28%

LAB 26.23, 43.11, 7.21

 

CMYK 0 / 82 / 78 / 53

HEX #78161A

RGB 120 22 26

HSL 357.55, 0.69%, 0.28%

LAB 25.69, 41.42, 24.58

 

CMYK 0 / 82 / 82 / 53

HEX #781616

RGB 120 22 22

HSL 0, 0.69%, 0.28%

LAB 25.64, 41.26, 27.03

 

CMYK 0 / 82 / 12 / 53

HEX #78166A

RGB 120 22 106

HSL 308.57, 0.69%, 0.28%

LAB 28.4, 49.55, -24.77

 

CMYK 10 / 82 / 0 / 53

HEX #6C1678

RGB 108 22 120

HSL 292.65, 0.69%, 0.28%

LAB 27.07, 49.31, -35.99

 

CMYK 33 / 82 / 0 / 53

HEX #511678

RGB 81 22 120

HSL 276.12, 0.69%, 0.28%

LAB 22.58, 43.99, -43.46

 

CMYK 54 / 82 / 0 / 53

HEX #371678

RGB 55 22 120

HSL 260.2, 0.69%, 0.28%

LAB 18.98, 39.67, -49.5

 

CMYK 77 / 82 / 0 / 53

HEX #1C1678

RGB 28 22 120

HSL 243.67, 0.69%, 0.28%

LAB 16.39, 36.54, -53.86

 

CMYK 0 / 82 / 12 / 53

HEX #78166A

RGB 120 22 106

HSL 308.57, 0.69%, 0.28%

LAB 28.4, 49.55, -24.77

 

CMYK 0 / 92 / 14 / 48

HEX #840A72

RGB 132 10 114

HSL 308.85, 0.86%, 0.28%

LAB 30.25, 56.01, -26.84

 

CMYK 0 / 82 / 12 / 53

HEX #78166A

RGB 120 22 106

HSL 308.57, 0.69%, 0.28%

LAB 28.4, 49.55, -24.77

 

CMYK 0 / 70 / 10 / 57

HEX #6D2162

RGB 109 33 98

HSL 308.68, 0.54%, 0.28%

LAB 27.35, 41.49, -21.37

 

CMYK 0 / 54 / 7 / 62

HEX #612D5A

RGB 97 45 90

HSL 308.08, 0.37%, 0.28%

LAB 27.18, 30.37, -16.57

 

CMYK 0 / 35 / 6 / 66

HEX #563851

RGB 86 56 81

HSL 310, 0.21%, 0.28%

LAB 27.85, 17.93, -9.78

 

CMYK 0 / 8 / 1 / 71

HEX #4A4449

RGB 74 68 73

HSL 310, 0.04%, 0.28%

LAB 29.59, 3.6, -2.1

 

CMYK 33 / 82 / 0 / 53

HEX #511678

RGB 81 22 120

HSL 276.12, 0.69%, 0.28%

LAB 22.58, 43.99, -43.46

 

CMYK 11 / 82 / 0 / 53

HEX #6B1678

RGB 107 22 120

HSL 292.04, 0.69%, 0.28%

LAB 26.89, 49.1, -36.28

 

CMYK 0 / 82 / 11 / 53

HEX #78166B

RGB 120 22 107

HSL 307.96, 0.69%, 0.28%

LAB 28.45, 49.71, -25.33

 

CMYK 0 / 82 / 33 / 53

HEX #781651

RGB 120 22 81

HSL 323.88, 0.69%, 0.28%

LAB 27.19, 46.03, -10.27

 

CMYK 0 / 82 / 55 / 53

HEX #781636

RGB 120 22 54

HSL 340.41, 0.69%, 0.28%

LAB 26.25, 43.19, 6.56

 

CMYK 0 / 82 / 12 / 80

HEX #32092C

RGB 50 9 44

HSL 308.78, 0.69%, 0.12%

LAB 9.44, 25.25, -12.89

 

CMYK 0 / 82 / 12 / 67

HEX #550F4B

RGB 85 15 75

HSL 308.57, 0.7%, 0.2%

LAB 19.14, 38.17, -19.22

 

CMYK 0 / 82 / 12 / 53

HEX #78166A

RGB 120 22 106

HSL 308.57, 0.69%, 0.28%

LAB 28.4, 49.55, -24.77

 

CMYK 0 / 82 / 12 / 39

HEX #9B1C89

RGB 155 28 137

HSL 308.5, 0.69%, 0.36%

LAB 37.12, 60.51, -30.13

 

CMYK 0 / 82 / 12 / 25

HEX #BE22A7

RGB 190 34 167

HSL 308.85, 0.7%, 0.44%

LAB 45.47, 70.8, -34.72

 

CMYK 0 / 82 / 12 / 53

HEX #771669

RGB 119 22 105

HSL 308.66, 0.69%, 0.28%

LAB 28.16, 49.16, -24.52

 

CMYK 0 / 55 / 82 / 53

HEX #783616

RGB 120 54 22

HSL 19.59, 0.69%, 0.28%

LAB 31.09, 26.68, 32.56

 

CMYK 82 / 0 / 22 / 53

HEX #16785E

RGB 22 120 94

HSL 164.08, 0.69%, 0.28%

LAB 44.82, -33.68, 6.65

 

CMYK 0 / 82 / 12 / 53

HEX #771669

RGB 119 22 105

HSL 308.66, 0.69%, 0.28%

LAB 28.16, 49.16, -24.52

 

CMYK 11 / 0 / 82 / 53

HEX #6B7816

RGB 107 120 22

HSL 67.96, 0.69%, 0.28%

LAB 47.77, -17.77, 47.69

 

CMYK 82 / 11 / 0 / 53

HEX #166B78

RGB 22 107 120

HSL 187.96, 0.69%, 0.28%

LAB 41.28, -19.19, -14.2

 

CMYK 0 / 82 / 12 / 53

HEX #771669

RGB 119 22 105

HSL 308.66, 0.69%, 0.28%

LAB 28.16, 49.16, -24.52

 

CMYK 0 / 55 / 82 / 53

HEX #783616

RGB 120 54 22

HSL 19.59, 0.69%, 0.28%

LAB 31.09, 26.68, 32.56

 

CMYK 82 / 0 / 71 / 53

HEX #167823

RGB 22 120 35

HSL 127.96, 0.69%, 0.28%

LAB 43.84, -44.89, 37.51

 

CMYK 82 / 28 / 0 / 53

HEX #165778

RGB 22 87 120

HSL 200.2, 0.69%, 0.28%

LAB 34.69, -7.61, -24.38

 

CMYK 0 / 82 / 12 / 53

HEX #771669

RGB 119 22 105

HSL 308.66, 0.69%, 0.28%

LAB 28.16, 49.16, -24.52

 

CMYK 0 / 30 / 82 / 53

HEX #785416

RGB 120 84 22

HSL 37.96, 0.69%, 0.28%

LAB 38.54, 9.04, 39.7

 

CMYK 82 / 0 / 71 / 53

HEX #167823

RGB 22 120 35

HSL 127.96, 0.69%, 0.28%

LAB 43.84, -44.89, 37.51

 

CMYK 82 / 52 / 0 / 53

HEX #163A78

RGB 22 58 120

HSL 217.96, 0.69%, 0.28%

LAB 25.42, 11.69, -39.1

 

Description

Color code: RGB 119 22 105 | qconv.com Color code: RGB 119 22 105 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 22 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 22 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 12 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 12% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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