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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 119 33 17 it is the complementary color RGB 136 222 238. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 119 33 17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 119 33 17 shade: RGB 124 33 12, RGB 141 51 31, RGB 158 69 50, RGB 175 87 69 and RGB 192 105 88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 119 33 17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 119 33 17 shade: RGB 119 33 17, RGB 102 15 0, RGB 85 0 0, RGB 68 0 0 and RGB 51 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 119 33 17 shade: RGB 120 33 17 and RGB 120 17 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 119 33 17 shade: RGB 120 33 17, RGB 120 61 17, RGB 120 89 17, RGB 120 116 17 and RGB 96 120 17

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 119 33 17 shade matches the following richer shades: RGB 120 33 17 and RGB 131 25 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 119 33 17 shade: RGB 120 33 17, RGB 109 41 28, RGB 98 48 39, RGB 87 56 50 and RGB 75 63 61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 119 33 17 shade: RGB 120 17 56, RGB 120 17 29, RGB 120 32 17, RGB 120 60 17 and RGB 120 87 17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 119 33 17 shade: RGB 48 13 6, RGB 84 23 12, RGB 120 33 17, RGB 156 43 22 and RGB 192 53 27

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 119 33 17 shade: RGB 119 33 17, RGB 84 120 17 and RGB 17 43 120

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 119 33 17 shade: RGB 119 33 17, RGB 17 120 32 and RGB 32 17 120

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 119 33 17 shade: RGB 119 33 17, RGB 84 120 17, RGB 17 104 120 and RGB 53 17 120

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 119 33 17 shade: RGB 119 33 17, RGB 53 120 17, RGB 17 104 120 and RGB 84 17 120

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 86 / 53

HEX #772111

RGB 119 33 17

HSL 9.41, 0.75%, 0.27%

LAB 26.88, 36.59, 31.09

 

Complementary color

CMYK 43 / 7 / 0 / 7

HEX #88DEEE

RGB 136 222 238

HSL 189.41, 0.75%, 0.73%

LAB 83.78, -21.93, -15.97

 

CMYK 0 / 73 / 90 / 51

HEX #7C210C

RGB 124 33 12

HSL 11.25, 0.82%, 0.27%

LAB 27.84, 38.26, 34.85

 

CMYK 0 / 64 / 78 / 45

HEX #8D331F

RGB 141 51 31

HSL 10.91, 0.64%, 0.34%

LAB 34.25, 37.1, 32.07

 

CMYK 0 / 56 / 68 / 38

HEX #9E4532

RGB 158 69 50

HSL 10.56, 0.52%, 0.41%

LAB 40.83, 35.69, 29.34

 

CMYK 0 / 50 / 61 / 31

HEX #AF5745

RGB 175 87 69

HSL 10.19, 0.43%, 0.48%

LAB 47.44, 34.28, 26.97

 

CMYK 0 / 45 / 54 / 25

HEX #C06958

RGB 192 105 88

HSL 9.81, 0.45%, 0.55%

LAB 54.04, 32.96, 24.93

 

CMYK 0 / 72 / 86 / 53

HEX #772111

RGB 119 33 17

HSL 9.41, 0.75%, 0.27%

LAB 26.88, 36.59, 31.09

 

CMYK 0 / 85 / 100 / 60

HEX #660F00

RGB 102 15 0

HSL 8.82, 1%, 0.2%

LAB 20.7, 36.96, 31.2

 

CMYK 0 / 100 / 100 / 67

HEX #550000

RGB 85 0 0

HSL 0, 1%, 0.17%

LAB 15.12, 36.01, 23.57

 

CMYK 0 / 100 / 100 / 73

HEX #440000

RGB 68 0 0

HSL 0, 1%, 0.13%

LAB 10.77, 30.97, 16.97

 

CMYK 0 / 100 / 100 / 80

HEX #330000

RGB 51 0 0

HSL 0, 1%, 0.1%

LAB 6.36, 25.17, 10.05

 

CMYK 0 / 73 / 86 / 53

HEX #782111

RGB 120 33 17

HSL 9.32, 0.75%, 0.27%

LAB 27.08, 36.96, 31.35

 

CMYK 0 / 86 / 86 / 53

HEX #781111

RGB 120 17 17

HSL 0, 0.75%, 0.27%

LAB 25.06, 42.58, 29.44

 

CMYK 0 / 73 / 86 / 53

HEX #782111

RGB 120 33 17

HSL 9.32, 0.75%, 0.27%

LAB 27.08, 36.96, 31.35

 

CMYK 0 / 49 / 86 / 53

HEX #783D11

RGB 120 61 17

HSL 25.63, 0.75%, 0.27%

LAB 32.64, 22.53, 36.43

 

CMYK 0 / 26 / 86 / 53

HEX #785911

RGB 120 89 17

HSL 41.94, 0.75%, 0.27%

LAB 39.88, 5.86, 42.83

 

CMYK 0 / 3 / 86 / 53

HEX #787411

RGB 120 116 17

HSL 57.67, 0.75%, 0.27%

LAB 47.66, -9.74, 49.5

 

CMYK 20 / 0 / 86 / 53

HEX #607811

RGB 96 120 17

HSL 73.98, 0.75%, 0.27%

LAB 46.92, -22.91, 48.1

 

CMYK 0 / 73 / 86 / 53

HEX #782111

RGB 120 33 17

HSL 9.32, 0.75%, 0.27%

LAB 27.08, 36.96, 31.35

 

CMYK 0 / 81 / 95 / 49

HEX #831906

RGB 131 25 6

HSL 9.12, 0.91%, 0.27%

LAB 28.2, 43.45, 38.23

 

CMYK 0 / 73 / 86 / 53

HEX #782111

RGB 120 33 17

HSL 9.32, 0.75%, 0.27%

LAB 27.08, 36.96, 31.35

 

CMYK 0 / 62 / 74 / 57

HEX #6D291C

RGB 109 41 28

HSL 9.63, 0.59%, 0.27%

LAB 26.51, 29.4, 23.67

 

CMYK 0 / 51 / 60 / 62

HEX #623027

RGB 98 48 39

HSL 9.15, 0.43%, 0.27%

LAB 26.32, 21.62, 16

 

CMYK 0 / 36 / 43 / 66

HEX #573832

RGB 87 56 50

HSL 9.73, 0.27%, 0.27%

LAB 26.98, 12.96, 9.39

 

CMYK 0 / 16 / 19 / 71

HEX #4B3F3D

RGB 75 63 61

HSL 8.57, 0.1%, 0.27%

LAB 27.81, 4.8, 3.14

 

CMYK 0 / 86 / 53 / 53

HEX #781138

RGB 120 17 56

HSL 337.28, 0.75%, 0.27%

LAB 25.8, 44.81, 4.56

 

CMYK 0 / 86 / 76 / 53

HEX #78111D

RGB 120 17 29

HSL 353.01, 0.75%, 0.27%

LAB 25.21, 43.03, 22.09

 

CMYK 0 / 73 / 86 / 53

HEX #782011

RGB 120 32 17

HSL 8.74, 0.75%, 0.27%

LAB 26.92, 37.38, 31.2

 

CMYK 0 / 50 / 86 / 53

HEX #783C11

RGB 120 60 17

HSL 25.05, 0.75%, 0.27%

LAB 32.4, 23.1, 36.22

 

CMYK 0 / 28 / 86 / 53

HEX #785711

RGB 120 87 17

HSL 40.78, 0.75%, 0.27%

LAB 39.33, 7.05, 42.35

 

CMYK 0 / 73 / 88 / 81

HEX #300D06

RGB 48 13 6

HSL 10, 0.78%, 0.11%

LAB 8.39, 17.32, 10.49

 

CMYK 0 / 73 / 86 / 67

HEX #54170C

RGB 84 23 12

HSL 9.17, 0.75%, 0.19%

LAB 18.03, 27.67, 22.18

 

CMYK 0 / 73 / 86 / 53

HEX #782111

RGB 120 33 17

HSL 9.32, 0.75%, 0.27%

LAB 27.08, 36.96, 31.35

 

CMYK 0 / 72 / 86 / 39

HEX #9C2B16

RGB 156 43 22

HSL 9.4, 0.75%, 0.35%

LAB 35.7, 45.65, 39.23

 

CMYK 0 / 72 / 86 / 25

HEX #C0351B

RGB 192 53 27

HSL 9.45, 0.75%, 0.43%

LAB 43.99, 53.94, 46.71

 

CMYK 0 / 72 / 86 / 53

HEX #772111

RGB 119 33 17

HSL 9.41, 0.75%, 0.27%

LAB 26.88, 36.59, 31.09

 

CMYK 30 / 0 / 86 / 53

HEX #547811

RGB 84 120 17

HSL 80.97, 0.75%, 0.27%

LAB 46.12, -28.05, 47.09

 

CMYK 86 / 64 / 0 / 53

HEX #112B78

RGB 17 43 120

HSL 224.85, 0.75%, 0.27%

LAB 20.84, 21.89, -46.56

 

CMYK 0 / 72 / 86 / 53

HEX #772111

RGB 119 33 17

HSL 9.41, 0.75%, 0.27%

LAB 26.88, 36.59, 31.09

 

CMYK 86 / 0 / 73 / 53

HEX #117820

RGB 17 120 32

HSL 128.74, 0.75%, 0.27%

LAB 43.74, -45.84, 38.67

 

CMYK 73 / 86 / 0 / 53

HEX #201178

RGB 32 17 120

HSL 248.74, 0.75%, 0.27%

LAB 15.82, 39.42, -54.8

 

CMYK 0 / 72 / 86 / 53

HEX #772111

RGB 119 33 17

HSL 9.41, 0.75%, 0.27%

LAB 26.88, 36.59, 31.09

 

CMYK 30 / 0 / 86 / 53

HEX #547811

RGB 84 120 17

HSL 80.97, 0.75%, 0.27%

LAB 46.12, -28.05, 47.09

 

CMYK 86 / 13 / 0 / 53

HEX #116878

RGB 17 104 120

HSL 189.32, 0.75%, 0.27%

LAB 40.21, -18.05, -15.85

 

CMYK 56 / 86 / 0 / 53

HEX #351178

RGB 53 17 120

HSL 260.97, 0.75%, 0.27%

LAB 17.98, 41.61, -51.15

 

CMYK 0 / 72 / 86 / 53

HEX #772111

RGB 119 33 17

HSL 9.41, 0.75%, 0.27%

LAB 26.88, 36.59, 31.09

 

CMYK 56 / 0 / 86 / 53

HEX #357811

RGB 53 120 17

HSL 99.03, 0.75%, 0.27%

LAB 44.56, -39.34, 45.1

 

CMYK 86 / 13 / 0 / 53

HEX #116878

RGB 17 104 120

HSL 189.32, 0.75%, 0.27%

LAB 40.21, -18.05, -15.85

 

CMYK 30 / 86 / 0 / 53

HEX #541178

RGB 84 17 120

HSL 279.03, 0.75%, 0.27%

LAB 22.45, 46.29, -43.66

 

Description

Color code: RGB 119 33 17 | qconv.com Color code: RGB 119 33 17 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 33 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 33 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 86 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 86% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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