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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 119 79 48 it is the complementary color RGB 136 176 207. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 119 79 48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 119 79 48 shade: RGB 124 79 43, RGB 141 97 62, RGB 158 115 81, RGB 175 133 100 and RGB 192 151 119

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 119 79 48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 119 79 48 shade: RGB 119 79 48, RGB 102 61 29, RGB 85 43 10, RGB 68 25 0 and RGB 51 7 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 119 79 48 shade: RGB 120 79 47, RGB 120 60 47 and RGB 120 47 47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 119 79 48 shade: RGB 120 79 47, RGB 120 99 47, RGB 120 118 47, RGB 102 120 47 and RGB 83 120 47

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 119 79 48 shade matches the following richer shades: RGB 120 79 47, RGB 133 77 34, RGB 147 76 20 and RGB 161 74 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 119 79 48 shade: RGB 120 79 47, RGB 106 81 61, RGB 93 83 75, RGB 79 84 88 and RGB 65 86 102

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 119 79 48 shade: RGB 120 47 55, RGB 120 60 47, RGB 120 79 47, RGB 120 98 47 and RGB 120 117 47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 119 79 48 shade: RGB 61 40 24, RGB 90 60 36, RGB 120 79 47, RGB 149 99 59 and RGB 179 118 71

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 119 79 48 shade: RGB 119 79 48, RGB 74 120 47 and RGB 50 47 120

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 119 79 48 shade: RGB 119 79 48, RGB 47 120 79 and RGB 79 47 120

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 119 79 48 shade: RGB 119 79 48, RGB 74 120 47, RGB 47 88 120 and RGB 93 47 120

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 119 79 48 shade: RGB 119 79 48, RGB 52 120 47, RGB 47 88 120 and RGB 115 47 120

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 60 / 53

HEX #774F30

RGB 119 79 48

HSL 26.2, 0.43%, 0.33%

LAB 37.35, 13.25, 24.96

 

Complementary color

CMYK 34 / 15 / 0 / 19

HEX #88B0CF

RGB 136 176 207

HSL 206.2, 0.43%, 0.67%

LAB 70.03, -5.92, -20.04

 

CMYK 0 / 36 / 65 / 51

HEX #7C4F2B

RGB 124 79 43

HSL 26.67, 0.49%, 0.33%

LAB 37.93, 15.14, 28.7

 

CMYK 0 / 31 / 56 / 45

HEX #8D613E

RGB 141 97 62

HSL 26.58, 0.39%, 0.4%

LAB 45.03, 13.77, 26.98

 

CMYK 0 / 27 / 49 / 38

HEX #9E7351

RGB 158 115 81

HSL 26.49, 0.32%, 0.47%

LAB 51.98, 12.66, 25.42

 

CMYK 0 / 24 / 43 / 31

HEX #AF8564

RGB 175 133 100

HSL 26.4, 0.32%, 0.54%

LAB 58.8, 11.74, 24

 

CMYK 0 / 21 / 38 / 25

HEX #C09777

RGB 192 151 119

HSL 26.3, 0.37%, 0.61%

LAB 65.49, 10.95, 22.72

 

CMYK 0 / 34 / 60 / 53

HEX #774F30

RGB 119 79 48

HSL 26.2, 0.43%, 0.33%

LAB 37.35, 13.25, 24.96

 

CMYK 0 / 40 / 72 / 60

HEX #663D1D

RGB 102 61 29

HSL 26.3, 0.56%, 0.26%

LAB 30.04, 14.78, 26.78

 

CMYK 0 / 49 / 88 / 67

HEX #552B0A

RGB 85 43 10

HSL 26.4, 0.79%, 0.19%

LAB 22.59, 16.74, 28.19

 

CMYK 0 / 63 / 100 / 73

HEX #441900

RGB 68 25 0

HSL 22.06, 1%, 0.13%

LAB 15.08, 19.17, 22.75

 

CMYK 0 / 86 / 100 / 80

HEX #330700

RGB 51 7 0

HSL 8.24, 1%, 0.1%

LAB 7.73, 21.47, 12.05

 

CMYK 0 / 34 / 61 / 53

HEX #784F2F

RGB 120 79 47

HSL 26.3, 0.44%, 0.33%

LAB 37.46, 13.62, 25.71

 

CMYK 0 / 50 / 61 / 53

HEX #783C2F

RGB 120 60 47

HSL 10.68, 0.44%, 0.33%

LAB 32.77, 24.85, 19.87

 

CMYK 0 / 61 / 61 / 53

HEX #782F2F

RGB 120 47 47

HSL 0, 0.44%, 0.33%

LAB 29.99, 31.97, 16.29

 

CMYK 0 / 34 / 61 / 53

HEX #784F2F

RGB 120 79 47

HSL 26.3, 0.44%, 0.33%

LAB 37.46, 13.62, 25.71

 

CMYK 0 / 18 / 61 / 53

HEX #78632F

RGB 120 99 47

HSL 42.74, 0.44%, 0.33%

LAB 42.95, 1.68, 32.22

 

CMYK 0 / 2 / 61 / 53

HEX #78762F

RGB 120 118 47

HSL 58.36, 0.44%, 0.33%

LAB 48.45, -9.21, 38.46

 

CMYK 15 / 0 / 61 / 53

HEX #66782F

RGB 102 120 47

HSL 74.79, 0.44%, 0.33%

LAB 47.58, -18.36, 37.06

 

CMYK 31 / 0 / 61 / 53

HEX #53782F

RGB 83 120 47

HSL 90.41, 0.44%, 0.33%

LAB 46.28, -26.3, 35.25

 

CMYK 0 / 34 / 61 / 53

HEX #784F2F

RGB 120 79 47

HSL 26.3, 0.44%, 0.33%

LAB 37.46, 13.62, 25.71

 

CMYK 0 / 42 / 74 / 48

HEX #854D22

RGB 133 77 34

HSL 26.06, 0.59%, 0.33%

LAB 38.57, 19.84, 34.65

 

CMYK 0 / 48 / 86 / 42

HEX #934C14

RGB 147 76 20

HSL 26.46, 0.76%, 0.33%

LAB 40.28, 26.05, 43.49

 

CMYK 0 / 54 / 96 / 37

HEX #A14A07

RGB 161 74 7

HSL 26.1, 0.92%, 0.33%

LAB 41.98, 32.8, 49.93

 

CMYK 0 / 34 / 61 / 53

HEX #784F2F

RGB 120 79 47

HSL 26.3, 0.44%, 0.33%

LAB 37.46, 13.62, 25.71

 

CMYK 0 / 24 / 42 / 58

HEX #6A513D

RGB 106 81 61

HSL 26.67, 0.27%, 0.33%

LAB 36.53, 7.47, 15.77

 

CMYK 0 / 11 / 19 / 64

HEX #5D534B

RGB 93 83 75

HSL 26.67, 0.11%, 0.33%

LAB 36.03, 2.61, 6.18

 

CMYK 10 / 5 / 0 / 65

HEX #4F5458

RGB 79 84 88

HSL 206.67, 0.05%, 0.33%

LAB 35.41, -1.08, -3.02

 

CMYK 36 / 16 / 0 / 60

HEX #415666

RGB 65 86 102

HSL 205.95, 0.22%, 0.33%

LAB 35.48, -3.62, -11.81

 

CMYK 0 / 61 / 54 / 53

HEX #782F37

RGB 120 47 55

HSL 353.42, 0.44%, 0.33%

LAB 30.16, 32.68, 11.31

 

CMYK 0 / 50 / 61 / 53

HEX #783C2F

RGB 120 60 47

HSL 10.68, 0.44%, 0.33%

LAB 32.77, 24.85, 19.87

 

CMYK 0 / 34 / 61 / 53

HEX #784F2F

RGB 120 79 47

HSL 26.3, 0.44%, 0.33%

LAB 37.46, 13.62, 25.71

 

CMYK 0 / 18 / 61 / 53

HEX #78622F

RGB 120 98 47

HSL 41.92, 0.44%, 0.33%

LAB 42.66, 2.27, 31.89

 

CMYK 0 / 3 / 61 / 53

HEX #78752F

RGB 120 117 47

HSL 57.53, 0.44%, 0.33%

LAB 48.16, -8.65, 38.13

 

CMYK 0 / 34 / 61 / 76

HEX #3D2818

RGB 61 40 24

HSL 25.95, 0.44%, 0.17%

LAB 18.26, 7.64, 14.42

 

CMYK 0 / 33 / 60 / 65

HEX #5A3C24

RGB 90 60 36

HSL 26.67, 0.43%, 0.25%

LAB 28.2, 10.22, 20.03

 

CMYK 0 / 34 / 61 / 53

HEX #784F2F

RGB 120 79 47

HSL 26.3, 0.44%, 0.33%

LAB 37.46, 13.62, 25.71

 

CMYK 0 / 34 / 60 / 42

HEX #95633B

RGB 149 99 59

HSL 26.67, 0.43%, 0.41%

LAB 46.48, 15.91, 30.69

 

CMYK 0 / 34 / 60 / 30

HEX #B37647

RGB 179 118 71

HSL 26.11, 0.43%, 0.49%

LAB 55.07, 19.1, 35.35

 

CMYK 0 / 34 / 60 / 53

HEX #774F30

RGB 119 79 48

HSL 26.2, 0.43%, 0.33%

LAB 37.35, 13.25, 24.96

 

CMYK 38 / 0 / 61 / 53

HEX #4A782F

RGB 74 120 47

HSL 97.81, 0.44%, 0.33%

LAB 45.76, -29.75, 34.52

 

CMYK 58 / 61 / 0 / 53

HEX #322F78

RGB 50 47 120

HSL 242.47, 0.44%, 0.33%

LAB 23.89, 24.01, -41.5

 

CMYK 0 / 34 / 60 / 53

HEX #774F30

RGB 119 79 48

HSL 26.2, 0.43%, 0.33%

LAB 37.35, 13.25, 24.96

 

CMYK 61 / 0 / 34 / 53

HEX #2F784F

RGB 47 120 79

HSL 146.3, 0.44%, 0.33%

LAB 45.08, -32.89, 15.92

 

CMYK 34 / 61 / 0 / 53

HEX #4F2F78

RGB 79 47 120

HSL 266.3, 0.44%, 0.33%

LAB 26.88, 30.87, -36.52

 

CMYK 0 / 34 / 60 / 53

HEX #774F30

RGB 119 79 48

HSL 26.2, 0.43%, 0.33%

LAB 37.35, 13.25, 24.96

 

CMYK 38 / 0 / 61 / 53

HEX #4A782F

RGB 74 120 47

HSL 97.81, 0.44%, 0.33%

LAB 45.76, -29.75, 34.52

 

CMYK 61 / 27 / 0 / 53

HEX #2F5878

RGB 47 88 120

HSL 206.3, 0.44%, 0.33%

LAB 35.87, -3.97, -22.47

 

CMYK 23 / 61 / 0 / 53

HEX #5D2F78

RGB 93 47 120

HSL 277.81, 0.44%, 0.33%

LAB 28.69, 34.62, -33.53

 

CMYK 0 / 34 / 60 / 53

HEX #774F30

RGB 119 79 48

HSL 26.2, 0.43%, 0.33%

LAB 37.35, 13.25, 24.96

 

CMYK 57 / 0 / 61 / 53

HEX #34782F

RGB 52 120 47

HSL 115.89, 0.44%, 0.33%

LAB 44.76, -37.01, 33.1

 

CMYK 61 / 27 / 0 / 53

HEX #2F5878

RGB 47 88 120

HSL 206.3, 0.44%, 0.33%

LAB 35.87, -3.97, -22.47

 

CMYK 4 / 61 / 0 / 53

HEX #732F78

RGB 115 47 120

HSL 295.89, 0.44%, 0.33%

LAB 31.88, 40.74, -28.26

 

Description

Color code: RGB 119 79 48 | qconv.com Color code: RGB 119 79 48 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 79 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 79 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 60 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 60% 53% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

12% - Schuler Hardwood Flo...
Link: http://schulerhardwoodflooring.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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