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Color name
RGB 119 80 68

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 119 80 68 it is the complementary color RGB 136 175 187. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 119 80 68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 119 80 68 shade: RGB 124 80 63, RGB 141 98 82, RGB 158 116 101, RGB 175 134 120 and RGB 192 152 139

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 119 80 68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 119 80 68 shade: RGB 119 80 68, RGB 102 62 49, RGB 85 44 30, RGB 68 26 11 and RGB 51 8 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 119 80 68 shade: RGB 119 80 68 and RGB 119 68 68

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 119 80 68 shade: RGB 119 80 68, RGB 119 94 68, RGB 119 108 68, RGB 117 119 68 and RGB 103 119 68

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 119 80 68 shade matches the following richer shades: RGB 119 80 68, RGB 135 72 53, RGB 150 64 38, RGB 165 56 23 and RGB 180 48 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 119 80 68 shade: RGB 119 80 68, RGB 104 88 84, RGB 89 97 99, RGB 74 105 114 and RGB 58 113 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 119 80 68 shade: RGB 119 68 84, RGB 119 68 70, RGB 119 80 68, RGB 119 94 68 and RGB 119 107 68

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 119 80 68 shade: RGB 67 45 38, RGB 93 63 53, RGB 119 80 68, RGB 146 98 83 and RGB 167 118 103

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 119 80 68 shade: RGB 119 80 68, RGB 97 119 68 and RGB 68 77 119

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 119 80 68 shade: RGB 119 80 68, RGB 68 119 80 and RGB 80 68 119

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 119 80 68 shade: RGB 119 80 68, RGB 97 119 68, RGB 68 107 119 and RGB 90 68 119

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 119 80 68 shade: RGB 119 80 68, RGB 82 119 68, RGB 68 107 119 and RGB 106 68 119

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 43 / 53

HEX #775044

RGB 119 80 68

HSL 14.12, 0.27%, 0.37%

LAB 37.98, 14.77, 13.69

 

Complementary color

CMYK 27 / 6 / 0 / 27

HEX #88AFBB

RGB 136 175 187

HSL 194.12, 0.27%, 0.63%

LAB 69.1, -10.3, -10.42

 

CMYK 0 / 35 / 49 / 51

HEX #7C503F

RGB 124 80 63

HSL 16.72, 0.33%, 0.37%

LAB 38.52, 16.38, 17.6

 

CMYK 0 / 30 / 42 / 45

HEX #8D6252

RGB 141 98 82

HSL 16.27, 0.26%, 0.44%

LAB 45.64, 15.31, 16.08

 

CMYK 0 / 27 / 36 / 38

HEX #9E7465

RGB 158 116 101

HSL 15.79, 0.23%, 0.51%

LAB 52.62, 14.42, 14.76

 

CMYK 0 / 23 / 31 / 31

HEX #AF8678

RGB 175 134 120

HSL 15.27, 0.26%, 0.58%

LAB 59.45, 13.66, 13.59

 

CMYK 0 / 21 / 28 / 25

HEX #C0988B

RGB 192 152 139

HSL 14.72, 0.3%, 0.65%

LAB 66.16, 13.01, 12.53

 

CMYK 0 / 33 / 43 / 53

HEX #775044

RGB 119 80 68

HSL 14.12, 0.27%, 0.37%

LAB 37.98, 14.77, 13.69

 

CMYK 0 / 39 / 52 / 60

HEX #663E31

RGB 102 62 49

HSL 14.72, 0.35%, 0.3%

LAB 30.62, 15.92, 15.31

 

CMYK 0 / 48 / 65 / 67

HEX #552C1E

RGB 85 44 30

HSL 15.27, 0.48%, 0.23%

LAB 23.09, 17.37, 17.31

 

CMYK 0 / 62 / 84 / 73

HEX #441A0B

RGB 68 26 11

HSL 15.79, 0.72%, 0.15%

LAB 15.44, 19.14, 18.72

 

CMYK 0 / 84 / 100 / 80

HEX #330800

RGB 51 8 0

HSL 9.41, 1%, 0.1%

LAB 7.93, 20.94, 12.34

 

CMYK 0 / 33 / 43 / 53

HEX #775044

RGB 119 80 68

HSL 14.12, 0.27%, 0.37%

LAB 37.98, 14.77, 13.69

 

CMYK 0 / 43 / 43 / 53

HEX #774444

RGB 119 68 68

HSL 0, 0.27%, 0.37%

LAB 34.95, 21.95, 9.52

 

CMYK 0 / 33 / 43 / 53

HEX #775044

RGB 119 80 68

HSL 14.12, 0.27%, 0.37%

LAB 37.98, 14.77, 13.69

 

CMYK 0 / 21 / 43 / 53

HEX #775E44

RGB 119 94 68

HSL 30.59, 0.27%, 0.37%

LAB 41.76, 6.35, 18.77

 

CMYK 0 / 9 / 43 / 53

HEX #776C44

RGB 119 108 68

HSL 47.06, 0.27%, 0.37%

LAB 45.72, -1.9, 23.93

 

CMYK 2 / 0 / 43 / 53

HEX #757744

RGB 117 119 68

HSL 62.35, 0.27%, 0.37%

LAB 48.75, -9.04, 27.75

 

CMYK 13 / 0 / 43 / 53

HEX #677744

RGB 103 119 68

HSL 78.82, 0.27%, 0.37%

LAB 47.62, -15.06, 26.07

 

CMYK 0 / 33 / 43 / 53

HEX #775044

RGB 119 80 68

HSL 14.12, 0.27%, 0.37%

LAB 37.98, 14.77, 13.69

 

CMYK 0 / 47 / 61 / 47

HEX #874835

RGB 135 72 53

HSL 13.9, 0.44%, 0.37%

LAB 37.92, 24.89, 23.19

 

CMYK 0 / 57 / 75 / 41

HEX #964026

RGB 150 64 38

HSL 13.93, 0.6%, 0.37%

LAB 38.36, 34.45, 33.04

 

CMYK 0 / 66 / 86 / 35

HEX #A53817

RGB 165 56 23

HSL 13.94, 0.76%, 0.37%

LAB 39.39, 43.42, 42.63

 

CMYK 0 / 73 / 96 / 29

HEX #B43007

RGB 180 48 7

HSL 14.22, 0.93%, 0.37%

LAB 40.95, 51.52, 50.94

 

CMYK 0 / 33 / 43 / 53

HEX #775044

RGB 119 80 68

HSL 14.12, 0.27%, 0.37%

LAB 37.98, 14.77, 13.69

 

CMYK 0 / 15 / 19 / 59

HEX #685854

RGB 104 88 84

HSL 12, 0.11%, 0.37%

LAB 38.83, 5.82, 4.74

 

CMYK 10 / 2 / 0 / 61

HEX #596163

RGB 89 97 99

HSL 192, 0.05%, 0.37%

LAB 40.53, -2.64, -2.21

 

CMYK 35 / 8 / 0 / 55

HEX #4A6972

RGB 74 105 114

HSL 193.5, 0.21%, 0.37%

LAB 42.42, -8.8, -8.65

 

CMYK 55 / 12 / 0 / 49

HEX #3A7181

RGB 58 113 129

HSL 193.52, 0.38%, 0.37%

LAB 44.65, -13.33, -14.39

 

CMYK 0 / 43 / 29 / 53

HEX #774454

RGB 119 68 84

HSL 341.18, 0.27%, 0.37%

LAB 35.39, 24.16, -0.01

 

CMYK 0 / 43 / 41 / 53

HEX #774446

RGB 119 68 70

HSL 357.65, 0.27%, 0.37%

LAB 35, 22.2, 8.32

 

CMYK 0 / 33 / 43 / 53

HEX #775044

RGB 119 80 68

HSL 14.12, 0.27%, 0.37%

LAB 37.98, 14.77, 13.69

 

CMYK 0 / 21 / 43 / 53

HEX #775E44

RGB 119 94 68

HSL 30.59, 0.27%, 0.37%

LAB 41.76, 6.35, 18.77

 

CMYK 0 / 10 / 43 / 53

HEX #776B44

RGB 119 107 68

HSL 45.88, 0.27%, 0.37%

LAB 45.43, -1.32, 23.56

 

CMYK 0 / 33 / 43 / 74

HEX #432D26

RGB 67 45 38

HSL 14.48, 0.28%, 0.21%

LAB 20.87, 9.06, 8.57

 

CMYK 0 / 32 / 43 / 64

HEX #5D3F35

RGB 93 63 53

HSL 15, 0.27%, 0.29%

LAB 29.76, 11.68, 11.39

 

CMYK 0 / 33 / 43 / 53

HEX #775044

RGB 119 80 68

HSL 14.12, 0.27%, 0.37%

LAB 37.98, 14.77, 13.69

 

CMYK 0 / 33 / 43 / 43

HEX #926253

RGB 146 98 83

HSL 14.29, 0.28%, 0.45%

LAB 46.27, 17.56, 16.44

 

CMYK 0 / 29 / 38 / 35

HEX #A77667

RGB 167 118 103

HSL 14.06, 0.27%, 0.53%

LAB 54.19, 17.24, 15.92

 

CMYK 0 / 33 / 43 / 53

HEX #775044

RGB 119 80 68

HSL 14.12, 0.27%, 0.37%

LAB 37.98, 14.77, 13.69

 

CMYK 18 / 0 / 43 / 53

HEX #617744

RGB 97 119 68

HSL 85.88, 0.27%, 0.37%

LAB 47.17, -17.56, 25.42

 

CMYK 43 / 35 / 0 / 53

HEX #444D77

RGB 68 77 119

HSL 229.41, 0.27%, 0.37%

LAB 33.71, 8.17, -25.13

 

CMYK 0 / 33 / 43 / 53

HEX #775044

RGB 119 80 68

HSL 14.12, 0.27%, 0.37%

LAB 37.98, 14.77, 13.69

 

CMYK 43 / 0 / 33 / 53

HEX #447750

RGB 68 119 80

HSL 134.12, 0.27%, 0.37%

LAB 45.64, -26.31, 16.23

 

CMYK 33 / 43 / 0 / 53

HEX #504477

RGB 80 68 119

HSL 254.12, 0.27%, 0.37%

LAB 32.19, 17.65, -27.44

 

CMYK 0 / 33 / 43 / 53

HEX #775044

RGB 119 80 68

HSL 14.12, 0.27%, 0.37%

LAB 37.98, 14.77, 13.69

 

CMYK 18 / 0 / 43 / 53

HEX #617744

RGB 97 119 68

HSL 85.88, 0.27%, 0.37%

LAB 47.17, -17.56, 25.42

 

CMYK 43 / 10 / 0 / 53

HEX #446B77

RGB 68 107 119

HSL 194.12, 0.27%, 0.37%

LAB 42.88, -10.33, -11.02

 

CMYK 24 / 43 / 0 / 53

HEX #5A4477

RGB 90 68 119

HSL 265.88, 0.27%, 0.37%

LAB 33.22, 20.8, -25.75

 

CMYK 0 / 33 / 43 / 53

HEX #775044

RGB 119 80 68

HSL 14.12, 0.27%, 0.37%

LAB 37.98, 14.77, 13.69

 

CMYK 31 / 0 / 43 / 53

HEX #527744

RGB 82 119 68

HSL 103.53, 0.27%, 0.37%

LAB 46.18, -23.49, 23.95

 

CMYK 43 / 10 / 0 / 53

HEX #446B77

RGB 68 107 119

HSL 194.12, 0.27%, 0.37%

LAB 42.88, -10.33, -11.02

 

CMYK 11 / 43 / 0 / 53

HEX #6A4477

RGB 106 68 119

HSL 284.71, 0.27%, 0.37%

LAB 35.06, 26.05, -22.74

 

Description

Color code: RGB 119 80 68 | qconv.com Color code: RGB 119 80 68 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 80 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 80 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 43 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 43% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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