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Color name
RGB 119 88 78

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 119 88 78 it is the complementary color RGB 136 167 177. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 119 88 78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 119 88 78 shade: RGB 124 88 73, RGB 141 106 92, RGB 158 124 111, RGB 175 142 130 and RGB 192 160 149

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 119 88 78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 119 88 78 shade: RGB 119 88 78, RGB 102 70 59, RGB 85 52 40, RGB 68 34 21 and RGB 51 16 2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 119 88 78 shade: RGB 120 88 78 and RGB 120 78 78

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 119 88 78 shade: RGB 120 88 78, RGB 120 100 78, RGB 120 111 78, RGB 118 120 78 and RGB 106 120 78

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 119 88 78 shade matches the following richer shades: RGB 120 88 78, RGB 136 80 62, RGB 152 72 46, RGB 168 64 30 and RGB 184 55 14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 119 88 78 shade: RGB 120 88 78, RGB 104 96 94, RGB 88 105 110, RGB 72 113 126 and RGB 55 121 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 119 88 78 shade: RGB 120 78 91, RGB 120 78 79, RGB 120 88 78, RGB 120 99 78 and RGB 120 110 78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 119 88 78 shade: RGB 70 51 45, RGB 95 70 62, RGB 120 88 78, RGB 145 107 94 and RGB 164 128 116

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 119 88 78 shade: RGB 119 88 78, RGB 102 120 78 and RGB 78 85 120

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 119 88 78 shade: RGB 119 88 78, RGB 78 120 88 and RGB 88 78 120

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 119 88 78 shade: RGB 119 88 78, RGB 102 120 78, RGB 78 110 120 and RGB 96 78 120

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 119 88 78 shade: RGB 119 88 78, RGB 89 120 78, RGB 78 110 120 and RGB 109 78 120

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 34 / 53

HEX #77584E

RGB 119 88 78

HSL 14.63, 0.21%, 0.39%

LAB 40.33, 11.28, 10.78

 

Complementary color

CMYK 23 / 6 / 0 / 31

HEX #88A7B1

RGB 136 167 177

HSL 194.63, 0.21%, 0.61%

LAB 66.56, -8.34, -8.68

 

CMYK 0 / 29 / 41 / 51

HEX #7C5849

RGB 124 88 73

HSL 17.65, 0.26%, 0.39%

LAB 40.81, 12.78, 14.58

 

CMYK 0 / 25 / 35 / 45

HEX #8D6A5C

RGB 141 106 92

HSL 17.14, 0.21%, 0.46%

LAB 47.94, 11.92, 13.28

 

CMYK 0 / 22 / 30 / 38

HEX #9E7C6F

RGB 158 124 111

HSL 16.6, 0.2%, 0.53%

LAB 54.9, 11.21, 12.13

 

CMYK 0 / 19 / 26 / 31

HEX #AF8E82

RGB 175 142 130

HSL 16, 0.22%, 0.6%

LAB 61.72, 10.6, 11.09

 

CMYK 0 / 17 / 22 / 25

HEX #C0A095

RGB 192 160 149

HSL 15.35, 0.25%, 0.67%

LAB 68.4, 10.07, 10.13

 

CMYK 0 / 26 / 34 / 53

HEX #77584E

RGB 119 88 78

HSL 14.63, 0.21%, 0.39%

LAB 40.33, 11.28, 10.78

 

CMYK 0 / 31 / 42 / 60

HEX #66463B

RGB 102 70 59

HSL 15.35, 0.27%, 0.32%

LAB 32.96, 12.18, 12.12

 

CMYK 0 / 39 / 53 / 67

HEX #553428

RGB 85 52 40

HSL 16, 0.36%, 0.25%

LAB 25.38, 13.33, 13.75

 

CMYK 0 / 50 / 69 / 73

HEX #442215

RGB 68 34 21

HSL 16.6, 0.53%, 0.17%

LAB 17.59, 14.83, 15.81

 

CMYK 0 / 69 / 96 / 80

HEX #331002

RGB 51 16 2

HSL 17.14, 0.92%, 0.1%

LAB 9.63, 16.63, 13.98

 

CMYK 0 / 27 / 35 / 53

HEX #78584E

RGB 120 88 78

HSL 14.29, 0.21%, 0.39%

LAB 40.45, 11.71, 10.96

 

CMYK 0 / 35 / 35 / 53

HEX #784E4E

RGB 120 78 78

HSL 0, 0.21%, 0.39%

LAB 37.83, 17.73, 7.29

 

CMYK 0 / 27 / 35 / 53

HEX #78584E

RGB 120 88 78

HSL 14.29, 0.21%, 0.39%

LAB 40.45, 11.71, 10.96

 

CMYK 0 / 17 / 35 / 53

HEX #78644E

RGB 120 100 78

HSL 31.43, 0.21%, 0.39%

LAB 43.74, 4.53, 15.48

 

CMYK 0 / 8 / 35 / 53

HEX #786F4E

RGB 120 111 78

HSL 47.14, 0.21%, 0.39%

LAB 46.86, -1.92, 19.68

 

CMYK 2 / 0 / 35 / 53

HEX #76784E

RGB 118 120 78

HSL 62.86, 0.21%, 0.39%

LAB 49.29, -7.9, 22.86

 

CMYK 12 / 0 / 35 / 53

HEX #6A784E

RGB 106 120 78

HSL 80, 0.21%, 0.39%

LAB 48.32, -12.96, 21.39

 

CMYK 0 / 27 / 35 / 53

HEX #78584E

RGB 120 88 78

HSL 14.29, 0.21%, 0.39%

LAB 40.45, 11.71, 10.96

 

CMYK 0 / 41 / 54 / 47

HEX #88503E

RGB 136 80 62

HSL 14.59, 0.37%, 0.39%

LAB 40.11, 21.51, 20.6

 

CMYK 0 / 53 / 70 / 40

HEX #98482E

RGB 152 72 46

HSL 14.72, 0.54%, 0.39%

LAB 40.42, 31.49, 30.93

 

CMYK 0 / 62 / 82 / 34

HEX #A8401E

RGB 168 64 30

HSL 14.78, 0.7%, 0.39%

LAB 41.35, 41.07, 41.28

 

CMYK 0 / 70 / 92 / 28

HEX #B8370E

RGB 184 55 14

HSL 14.47, 0.86%, 0.39%

LAB 42.69, 50.29, 50.27

 

CMYK 0 / 27 / 35 / 53

HEX #78584E

RGB 120 88 78

HSL 14.29, 0.21%, 0.39%

LAB 40.45, 11.71, 10.96

 

CMYK 0 / 8 / 10 / 59

HEX #68605E

RGB 104 96 94

HSL 12, 0.05%, 0.39%

LAB 41.4, 2.8, 2.28

 

CMYK 20 / 5 / 0 / 57

HEX #58696E

RGB 88 105 110

HSL 193.64, 0.11%, 0.39%

LAB 43.22, -5.18, -4.94

 

CMYK 43 / 10 / 0 / 51

HEX #48717E

RGB 72 113 126

HSL 194.44, 0.27%, 0.39%

LAB 45.21, -10.64, -11.69

 

CMYK 61 / 15 / 0 / 44

HEX #37798E

RGB 55 121 142

HSL 194.48, 0.44%, 0.39%

LAB 47.55, -14.36, -17.72

 

CMYK 0 / 35 / 24 / 53

HEX #784E5B

RGB 120 78 91

HSL 341.43, 0.21%, 0.39%

LAB 38.19, 19.71, -0.31

 

CMYK 0 / 35 / 34 / 53

HEX #784E4F

RGB 120 78 79

HSL 358.57, 0.21%, 0.39%

LAB 37.85, 17.88, 6.7

 

CMYK 0 / 27 / 35 / 53

HEX #78584E

RGB 120 88 78

HSL 14.29, 0.21%, 0.39%

LAB 40.45, 11.71, 10.96

 

CMYK 0 / 18 / 35 / 53

HEX #78634E

RGB 120 99 78

HSL 30, 0.21%, 0.39%

LAB 43.46, 5.12, 15.1

 

CMYK 0 / 8 / 35 / 53

HEX #786E4E

RGB 120 110 78

HSL 45.71, 0.21%, 0.39%

LAB 46.57, -1.34, 19.29

 

CMYK 0 / 27 / 36 / 73

HEX #46332D

RGB 70 51 45

HSL 14.4, 0.22%, 0.23%

LAB 23.2, 7.57, 7.13

 

CMYK 0 / 26 / 35 / 63

HEX #5F463E

RGB 95 70 62

HSL 14.55, 0.21%, 0.31%

LAB 32.17, 9.45, 8.99

 

CMYK 0 / 27 / 35 / 53

HEX #78584E

RGB 120 88 78

HSL 14.29, 0.21%, 0.39%

LAB 40.45, 11.71, 10.96

 

CMYK 0 / 26 / 35 / 43

HEX #916B5E

RGB 145 107 94

HSL 15.29, 0.21%, 0.47%

LAB 48.69, 13.29, 13.21

 

CMYK 0 / 22 / 29 / 36

HEX #A48074

RGB 164 128 116

HSL 15, 0.21%, 0.55%

LAB 56.68, 12.07, 11.82

 

CMYK 0 / 26 / 34 / 53

HEX #77584E

RGB 119 88 78

HSL 14.63, 0.21%, 0.39%

LAB 40.33, 11.28, 10.78

 

CMYK 15 / 0 / 35 / 53

HEX #66784E

RGB 102 120 78

HSL 85.71, 0.21%, 0.39%

LAB 48.02, -14.6, 20.94

 

CMYK 35 / 29 / 0 / 53

HEX #4E5578

RGB 78 85 120

HSL 230, 0.21%, 0.39%

LAB 36.88, 6.38, -20.75

 

CMYK 0 / 26 / 34 / 53

HEX #77584E

RGB 119 88 78

HSL 14.63, 0.21%, 0.39%

LAB 40.33, 11.28, 10.78

 

CMYK 35 / 0 / 27 / 53

HEX #4E7858

RGB 78 120 88

HSL 134.29, 0.21%, 0.39%

LAB 46.65, -21.91, 13.05

 

CMYK 27 / 35 / 0 / 53

HEX #584E78

RGB 88 78 120

HSL 254.29, 0.21%, 0.39%

LAB 35.75, 14.07, -22.44

 

CMYK 0 / 26 / 34 / 53

HEX #77584E

RGB 119 88 78

HSL 14.63, 0.21%, 0.39%

LAB 40.33, 11.28, 10.78

 

CMYK 15 / 0 / 35 / 53

HEX #66784E

RGB 102 120 78

HSL 85.71, 0.21%, 0.39%

LAB 48.02, -14.6, 20.94

 

CMYK 35 / 8 / 0 / 53

HEX #4E6E78

RGB 78 110 120

HSL 194.29, 0.21%, 0.39%

LAB 44.42, -8.83, -9.26

 

CMYK 20 / 35 / 0 / 53

HEX #604E78

RGB 96 78 120

HSL 265.71, 0.21%, 0.39%

LAB 36.54, 16.74, -21.15

 

CMYK 0 / 26 / 34 / 53

HEX #77584E

RGB 119 88 78

HSL 14.63, 0.21%, 0.39%

LAB 40.33, 11.28, 10.78

 

CMYK 26 / 0 / 35 / 53

HEX #59784E

RGB 89 120 78

HSL 104.29, 0.21%, 0.39%

LAB 47.11, -19.75, 19.58

 

CMYK 35 / 8 / 0 / 53

HEX #4E6E78

RGB 78 110 120

HSL 194.29, 0.21%, 0.39%

LAB 44.42, -8.83, -9.26

 

CMYK 9 / 35 / 0 / 53

HEX #6D4E78

RGB 109 78 120

HSL 284.29, 0.21%, 0.39%

LAB 37.94, 21.22, -18.87

 

Description

Color code: RGB 119 88 78 | qconv.com Color code: RGB 119 88 78 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 88 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 88 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 34 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 34% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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