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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 11 157 144 it is the complementary color RGB 244 98 111. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 11 157 144. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 11 157 144 shade: RGB 16 157 139, RGB 33 175 158, RGB 50 193 177, RGB 67 211 196 and RGB 84 229 215

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 11 157 144. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 11 157 144 shade: RGB 11 157 144, RGB 0 139 125, RGB 0 121 106, RGB 0 103 87 and RGB 0 85 68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 11 157 144 shade: RGB 10 157 144, RGB 10 157 104, RGB 10 157 65, RGB 10 157 25 and RGB 35 157 10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 11 157 144 shade: RGB 10 157 144, RGB 10 130 157, RGB 10 91 157, RGB 10 51 157 and RGB 10 12 157

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 11 157 144 shade matches the following richer shades: RGB 10 157 144

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 11 157 144 shade: RGB 10 157 144, RGB 24 143 133, RGB 38 130 121, RGB 51 116 110 and RGB 65 102 99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 11 157 144 shade: RGB 10 157 64, RGB 10 157 103, RGB 10 157 142, RGB 10 132 157 and RGB 10 93 157

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 11 157 144 shade: RGB 5 80 73, RGB 8 118 108, RGB 10 157 144, RGB 13 195 179 and RGB 16 234 215

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 11 157 144 shade: RGB 11 157 144, RGB 25 10 157 and RGB 157 84 10

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 11 157 144 shade: RGB 11 157 144, RGB 142 10 157 and RGB 157 142 10

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 11 157 144 shade: RGB 11 157 144, RGB 25 10 157, RGB 157 10 25 and RGB 142 157 10

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 11 157 144 shade: RGB 11 157 144, RGB 69 10 157, RGB 157 10 25 and RGB 98 157 10

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 8 / 38

HEX #0B9D90

RGB 11 157 144

HSL 174.66, 0.87%, 0.33%

LAB 58.23, -36.96, -2.94

 

Complementary color

CMYK 0 / 60 / 55 / 4

HEX #F4626F

RGB 244 98 111

HSL 354.66, 0.87%, 0.67%

LAB 60.88, 56.98, 22.16

 

CMYK 90 / 0 / 11 / 38

HEX #109D8B

RGB 16 157 139

HSL 172.34, 0.82%, 0.34%

LAB 58.12, -38.16, -0.24

 

CMYK 81 / 0 / 10 / 31

HEX #21AF9E

RGB 33 175 158

HSL 172.82, 0.68%, 0.41%

LAB 64.53, -39.5, -1.53

 

CMYK 74 / 0 / 8 / 24

HEX #32C1B1

RGB 50 193 177

HSL 173.29, 0.59%, 0.48%

LAB 70.87, -40.46, -2.67

 

CMYK 68 / 0 / 7 / 17

HEX #43D3C4

RGB 67 211 196

HSL 173.75, 0.62%, 0.55%

LAB 77.14, -41.15, -3.69

 

CMYK 63 / 0 / 6 / 10

HEX #54E5D7

RGB 84 229 215

HSL 174.21, 0.74%, 0.61%

LAB 83.35, -41.63, -4.62

 

CMYK 93 / 0 / 8 / 38

HEX #0B9D90

RGB 11 157 144

HSL 174.66, 0.87%, 0.33%

LAB 58.23, -36.96, -2.94

 

CMYK 100 / 0 / 10 / 45

HEX #008B7D

RGB 0 139 125

HSL 173.96, 1%, 0.27%

LAB 51.78, -34.96, -1.51

 

CMYK 100 / 0 / 12 / 53

HEX #00796A

RGB 0 121 106

HSL 172.56, 1%, 0.24%

LAB 45.24, -32.43, 0.1

 

CMYK 100 / 0 / 16 / 60

HEX #006757

RGB 0 103 87

HSL 170.68, 1%, 0.2%

LAB 38.53, -29.84, 1.8

 

CMYK 100 / 0 / 20 / 67

HEX #005544

RGB 0 85 68

HSL 168, 1%, 0.17%

LAB 31.61, -27.17, 3.61

 

CMYK 94 / 0 / 8 / 38

HEX #0A9D90

RGB 10 157 144

HSL 174.69, 0.88%, 0.33%

LAB 58.22, -37.01, -2.95

 

CMYK 94 / 0 / 34 / 38

HEX #0A9D68

RGB 10 157 104

HSL 158.37, 0.88%, 0.33%

LAB 57.25, -47.45, 18.21

 

CMYK 94 / 0 / 59 / 38

HEX #0A9D41

RGB 10 157 65

HSL 142.45, 0.88%, 0.33%

LAB 56.64, -54.61, 37.97

 

CMYK 94 / 0 / 84 / 38

HEX #0A9D19

RGB 10 157 25

HSL 126.12, 0.88%, 0.33%

LAB 56.34, -58.49, 53.34

 

CMYK 78 / 0 / 94 / 38

HEX #239D0A

RGB 35 157 10

HSL 109.8, 0.88%, 0.33%

LAB 56.58, -56.52, 56.82

 

CMYK 94 / 0 / 8 / 38

HEX #0A9D90

RGB 10 157 144

HSL 174.69, 0.88%, 0.33%

LAB 58.22, -37.01, -2.95

 

CMYK 94 / 17 / 0 / 38

HEX #0A829D

RGB 10 130 157

HSL 191.02, 0.88%, 0.33%

LAB 50.05, -19.45, -22.74

 

CMYK 94 / 42 / 0 / 38

HEX #0A5B9D

RGB 10 91 157

HSL 206.94, 0.88%, 0.33%

LAB 37.81, 3.73, -41.98

 

CMYK 94 / 68 / 0 / 38

HEX #0A339D

RGB 10 51 157

HSL 223.27, 0.88%, 0.33%

LAB 26.35, 30.9, -60.57

 

CMYK 94 / 92 / 0 / 38

HEX #0A0C9D

RGB 10 12 157

HSL 239.18, 0.88%, 0.33%

LAB 19.06, 51.67, -72.65

 

CMYK 94 / 0 / 8 / 38

HEX #0A9D90

RGB 10 157 144

HSL 174.69, 0.88%, 0.33%

LAB 58.22, -37.01, -2.95

 

CMYK 94 / 0 / 8 / 38

HEX #0A9D90

RGB 10 157 144

HSL 174.69, 0.88%, 0.33%

LAB 58.22, -37.01, -2.95

 

CMYK 83 / 0 / 7 / 44

HEX #188F85

RGB 24 143 133

HSL 174.96, 0.71%, 0.33%

LAB 53.53, -32.94, -3.54

 

CMYK 71 / 0 / 7 / 49

HEX #268279

RGB 38 130 121

HSL 174.13, 0.55%, 0.33%

LAB 49.2, -28.59, -2.9

 

CMYK 56 / 0 / 5 / 55

HEX #33746E

RGB 51 116 110

HSL 174.46, 0.39%, 0.33%

LAB 44.69, -22.25, -2.99

 

CMYK 36 / 0 / 3 / 60

HEX #416663

RGB 65 102 99

HSL 175.14, 0.22%, 0.33%

LAB 40.45, -13.91, -2.5

 

CMYK 94 / 0 / 59 / 38

HEX #0A9D40

RGB 10 157 64

HSL 142.04, 0.88%, 0.33%

LAB 56.63, -54.75, 38.44

 

CMYK 94 / 0 / 34 / 38

HEX #0A9D67

RGB 10 157 103

HSL 157.96, 0.88%, 0.33%

LAB 57.23, -47.68, 18.74

 

CMYK 94 / 0 / 10 / 38

HEX #0A9D8E

RGB 10 157 142

HSL 173.88, 0.88%, 0.33%

LAB 58.16, -37.59, -1.89

 

CMYK 94 / 16 / 0 / 38

HEX #0A849D

RGB 10 132 157

HSL 190.2, 0.88%, 0.33%

LAB 50.69, -20.52, -21.77

 

CMYK 94 / 41 / 0 / 38

HEX #0A5D9D

RGB 10 93 157

HSL 206.12, 0.88%, 0.33%

LAB 38.42, 2.44, -40.99

 

CMYK 94 / 0 / 9 / 69

HEX #055049

RGB 5 80 73

HSL 174.4, 0.88%, 0.17%

LAB 30.04, -22.6, -1.85

 

CMYK 93 / 0 / 8 / 54

HEX #08766C

RGB 8 118 108

HSL 174.55, 0.87%, 0.25%

LAB 44.36, -29.91, -2.38

 

CMYK 94 / 0 / 8 / 38

HEX #0A9D90

RGB 10 157 144

HSL 174.69, 0.88%, 0.33%

LAB 58.22, -37.01, -2.95

 

CMYK 93 / 0 / 8 / 24

HEX #0DC3B3

RGB 13 195 179

HSL 174.73, 0.88%, 0.41%

LAB 71.13, -43.57, -3.42

 

CMYK 93 / 0 / 8 / 8

HEX #10EAD7

RGB 16 234 215

HSL 174.77, 0.87%, 0.49%

LAB 83.89, -50.03, -3.93

 

CMYK 93 / 0 / 8 / 38

HEX #0B9D90

RGB 11 157 144

HSL 174.66, 0.87%, 0.33%

LAB 58.23, -36.96, -2.94

 

CMYK 84 / 94 / 0 / 38

HEX #190A9D

RGB 25 10 157

HSL 246.12, 0.88%, 0.33%

LAB 19.47, 52.59, -71.96

 

CMYK 0 / 46 / 94 / 38

HEX #9D540A

RGB 157 84 10

HSL 30.2, 0.88%, 0.33%

LAB 43.55, 25.74, 49.94

 

CMYK 93 / 0 / 8 / 38

HEX #0B9D90

RGB 11 157 144

HSL 174.66, 0.87%, 0.33%

LAB 58.23, -36.96, -2.94

 

CMYK 10 / 94 / 0 / 38

HEX #8E0A9D

RGB 142 10 157

HSL 293.88, 0.88%, 0.33%

LAB 34.81, 64.64, -46.21

 

CMYK 0 / 10 / 94 / 38

HEX #9D8E0A

RGB 157 142 10

HSL 53.88, 0.88%, 0.33%

LAB 58.54, -6.9, 61.14

 

CMYK 93 / 0 / 8 / 38

HEX #0B9D90

RGB 11 157 144

HSL 174.66, 0.87%, 0.33%

LAB 58.23, -36.96, -2.94

 

CMYK 84 / 94 / 0 / 38

HEX #190A9D

RGB 25 10 157

HSL 246.12, 0.88%, 0.33%

LAB 19.47, 52.59, -71.96

 

CMYK 0 / 94 / 84 / 38

HEX #9D0A19

RGB 157 10 25

HSL 353.88, 0.88%, 0.33%

LAB 32.82, 54.8, 35.08

 

CMYK 10 / 0 / 94 / 38

HEX #8E9D0A

RGB 142 157 10

HSL 66.12, 0.88%, 0.33%

LAB 61.56, -21.52, 62.92

 

CMYK 93 / 0 / 8 / 38

HEX #0B9D90

RGB 11 157 144

HSL 174.66, 0.87%, 0.33%

LAB 58.23, -36.96, -2.94

 

CMYK 56 / 94 / 0 / 38

HEX #450A9D

RGB 69 10 157

HSL 264.08, 0.88%, 0.33%

LAB 23.39, 55.09, -65.33

 

CMYK 0 / 94 / 84 / 38

HEX #9D0A19

RGB 157 10 25

HSL 353.88, 0.88%, 0.33%

LAB 32.82, 54.8, 35.08

 

CMYK 38 / 0 / 94 / 38

HEX #629D0A

RGB 98 157 10

HSL 84.08, 0.88%, 0.33%

LAB 58.73, -39.56, 59.47

 

Description

Color code: RGB 11 157 144 | qconv.com Color code: RGB 11 157 144 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 157 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 157 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 8 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 8% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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