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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 11 1 208 it is the complementary color RGB 244 254 47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 11 1 208. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 11 1 208 shade: RGB 16 1 203, RGB 33 19 222, RGB 50 37 241, RGB 67 55 255 and RGB 84 73 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 11 1 208. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 11 1 208 shade: RGB 11 1 208, RGB 0 0 189, RGB 0 0 170, RGB 0 0 151 and RGB 0 0 132

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 11 1 208 shade: RGB 11 1 208, RGB 66 1 208, RGB 122 1 208, RGB 178 1 208 and RGB 208 1 181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 11 1 208 shade: RGB 11 1 208 and RGB 1 1 208

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 11 1 208 shade matches the following richer shades: RGB 11 1 208

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 11 1 208 shade: RGB 11 1 208, RGB 26 17 191, RGB 41 34 174, RGB 56 51 157 and RGB 72 68 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 11 1 208 shade: RGB 1 104 208, RGB 1 49 208, RGB 7 1 208, RGB 63 1 208 and RGB 118 1 208

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 11 1 208 shade: RGB 6 0 125, RGB 8 0 167, RGB 11 1 208, RGB 13 1 249 and RGB 48 37 253

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 11 1 208 shade: RGB 11 1 208, RGB 208 1 159 and RGB 76 208 1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 11 1 208 shade: RGB 11 1 208, RGB 208 7 1 and RGB 1 208 7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 11 1 208 shade: RGB 11 1 208, RGB 208 1 159, RGB 201 208 1 and RGB 1 208 49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 11 1 208 shade: RGB 11 1 208, RGB 208 1 97, RGB 201 208 1 and RGB 1 208 111

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 100 / 0 / 18

HEX #0B01D0

RGB 11 1 208

HSL 242.9, 0.99%, 0.41%

LAB 25.7, 67.78, -92.03

 

Complementary color

CMYK 4 / 0 / 81 / 0

HEX #F4FE2F

RGB 244 254 47

HSL 62.9, 0.99%, 0.59%

LAB 96.13, -24.88, 87.22

 

CMYK 92 / 100 / 0 / 20

HEX #1001CB

RGB 16 1 203

HSL 244.46, 0.99%, 0.4%

LAB 25.09, 66.59, -90.14

 

CMYK 85 / 91 / 0 / 13

HEX #2113DE

RGB 33 19 222

HSL 244.14, 0.84%, 0.47%

LAB 29.57, 67.91, -93.66

 

CMYK 79 / 85 / 0 / 5

HEX #3225F1

RGB 50 37 241

HSL 243.82, 0.88%, 0.55%

LAB 34.71, 67.8, -95.93

 

CMYK 74 / 78 / 0 / 0

HEX #4337FF

RGB 67 55 255

HSL 243.6, 1%, 0.61%

LAB 39.82, 65.11, -95.27

 

CMYK 67 / 71 / 0 / 0

HEX #5449FF

RGB 84 73 255

HSL 243.63, 1%, 0.64%

LAB 44.05, 57.6, -88.26

 

CMYK 95 / 100 / 0 / 18

HEX #0B01D0

RGB 11 1 208

HSL 242.9, 0.99%, 0.41%

LAB 25.7, 67.78, -92.03

 

CMYK 100 / 100 / 0 / 26

HEX #0000BD

RGB 0 0 189

HSL 240, 1%, 0.37%

LAB 22.56, 63.23, -86.12

 

CMYK 100 / 100 / 0 / 33

HEX #0000AA

RGB 0 0 170

HSL 240, 1%, 0.33%

LAB 19.65, 58.45, -79.61

 

CMYK 100 / 100 / 0 / 41

HEX #000097

RGB 0 0 151

HSL 240, 1%, 0.3%

LAB 16.67, 53.57, -72.96

 

CMYK 100 / 100 / 0 / 48

HEX #000084

RGB 0 0 132

HSL 240, 1%, 0.26%

LAB 13.63, 48.58, -66.16

 

CMYK 95 / 100 / 0 / 18

HEX #0B01D0

RGB 11 1 208

HSL 242.9, 0.99%, 0.41%

LAB 25.7, 67.78, -92.03

 

CMYK 68 / 100 / 0 / 18

HEX #4201D0

RGB 66 1 208

HSL 258.84, 0.99%, 0.41%

LAB 28.73, 68.99, -86.9

 

CMYK 41 / 100 / 0 / 18

HEX #7A01D0

RGB 122 1 208

HSL 275.07, 0.99%, 0.41%

LAB 35.43, 72.84, -75.6

 

CMYK 14 / 100 / 0 / 18

HEX #B201D0

RGB 178 1 208

HSL 291.3, 0.99%, 0.41%

LAB 44.29, 79.63, -60.76

 

CMYK 0 / 100 / 13 / 18

HEX #D001B5

RGB 208 1 181

HSL 307.83, 0.99%, 0.41%

LAB 47.97, 80.48, -38.84

 

CMYK 95 / 100 / 0 / 18

HEX #0B01D0

RGB 11 1 208

HSL 242.9, 0.99%, 0.41%

LAB 25.7, 67.78, -92.03

 

CMYK 100 / 100 / 0 / 18

HEX #0101D0

RGB 1 1 208

HSL 240, 0.99%, 0.41%

LAB 25.51, 67.72, -92.36

 

CMYK 95 / 100 / 0 / 18

HEX #0B01D0

RGB 11 1 208

HSL 242.9, 0.99%, 0.41%

LAB 25.7, 67.78, -92.03

 

CMYK 95 / 100 / 0 / 18

HEX #0B01D0

RGB 11 1 208

HSL 242.9, 0.99%, 0.41%

LAB 25.7, 67.78, -92.03

 

CMYK 86 / 91 / 0 / 25

HEX #1A11BF

RGB 26 17 191

HSL 243.1, 0.84%, 0.41%

LAB 24.9, 60, -83.38

 

CMYK 76 / 80 / 0 / 32

HEX #2922AE

RGB 41 34 174

HSL 243, 0.67%, 0.41%

LAB 25.78, 48.88, -71.76

 

CMYK 64 / 68 / 0 / 38

HEX #38339D

RGB 56 51 157

HSL 242.83, 0.51%, 0.41%

LAB 28.49, 35.28, -56.97

 

CMYK 49 / 51 / 0 / 45

HEX #48448C

RGB 72 68 140

HSL 243.33, 0.35%, 0.41%

LAB 32.71, 21.86, -39.68

 

CMYK 100 / 50 / 0 / 18

HEX #0168D0

RGB 1 104 208

HSL 210.14, 0.99%, 0.41%

LAB 44.89, 15.62, -60.44

 

CMYK 100 / 76 / 0 / 18

HEX #0131D0

RGB 1 49 208

HSL 226.09, 0.99%, 0.41%

LAB 31.25, 50.59, -82.8

 

CMYK 97 / 100 / 0 / 18

HEX #0701D0

RGB 7 1 208

HSL 241.74, 0.99%, 0.41%

LAB 25.63, 67.76, -92.16

 

CMYK 70 / 100 / 0 / 18

HEX #3F01D0

RGB 63 1 208

HSL 257.97, 0.99%, 0.41%

LAB 28.47, 68.86, -87.35

 

CMYK 43 / 100 / 0 / 18

HEX #7601D0

RGB 118 1 208

HSL 273.91, 0.99%, 0.41%

LAB 34.86, 72.46, -76.56

 

CMYK 95 / 100 / 0 / 51

HEX #06007D

RGB 6 0 125

HSL 242.88, 1%, 0.25%

LAB 12.73, 46.78, -63.19

 

CMYK 95 / 100 / 0 / 35

HEX #0800A7

RGB 8 0 167

HSL 242.87, 1%, 0.33%

LAB 19.4, 57.75, -78.2

 

CMYK 95 / 100 / 0 / 18

HEX #0B01D0

RGB 11 1 208

HSL 242.9, 0.99%, 0.41%

LAB 25.7, 67.78, -92.03

 

CMYK 95 / 100 / 0 / 2

HEX #0D01F9

RGB 13 1 249

HSL 242.9, 0.99%, 0.49%

LAB 31.69, 77.69, -105.52

 

CMYK 81 / 85 / 0 / 1

HEX #3025FD

RGB 48 37 253

HSL 243.06, 0.98%, 0.57%

LAB 36.07, 71.02, -100.42

 

CMYK 95 / 100 / 0 / 18

HEX #0B01D0

RGB 11 1 208

HSL 242.9, 0.99%, 0.41%

LAB 25.7, 67.78, -92.03

 

CMYK 0 / 100 / 24 / 18

HEX #D0019F

RGB 208 1 159

HSL 314.2, 0.99%, 0.41%

LAB 46.89, 77.78, -27.49

 

CMYK 63 / 0 / 100 / 18

HEX #4CD001

RGB 76 208 1

HSL 98.26, 0.99%, 0.41%

LAB 73.97, -65.13, 72.45

 

CMYK 95 / 100 / 0 / 18

HEX #0B01D0

RGB 11 1 208

HSL 242.9, 0.99%, 0.41%

LAB 25.7, 67.78, -92.03

 

CMYK 0 / 97 / 100 / 18

HEX #D00701

RGB 208 7 1

HSL 1.74, 0.99%, 0.41%

LAB 43.6, 68.06, 57.39

 

CMYK 100 / 0 / 97 / 18

HEX #01D007

RGB 1 208 7

HSL 121.74, 0.99%, 0.41%

LAB 72.98, -73.74, 70.63

 

CMYK 95 / 100 / 0 / 18

HEX #0B01D0

RGB 11 1 208

HSL 242.9, 0.99%, 0.41%

LAB 25.7, 67.78, -92.03

 

CMYK 0 / 100 / 24 / 18

HEX #D0019F

RGB 208 1 159

HSL 314.2, 0.99%, 0.41%

LAB 46.89, 77.78, -27.49

 

CMYK 3 / 0 / 100 / 18

HEX #C9D001

RGB 201 208 1

HSL 62.03, 0.99%, 0.41%

LAB 80.48, -21.45, 80.28

 

CMYK 100 / 0 / 76 / 18

HEX #01D031

RGB 1 208 49

HSL 133.91, 0.99%, 0.41%

LAB 73.12, -71.99, 62.11

 

CMYK 95 / 100 / 0 / 18

HEX #0B01D0

RGB 11 1 208

HSL 242.9, 0.99%, 0.41%

LAB 25.7, 67.78, -92.03

 

CMYK 0 / 100 / 53 / 18

HEX #D00161

RGB 208 1 97

HSL 332.17, 0.99%, 0.41%

LAB 44.65, 71.97, 7.16

 

CMYK 3 / 0 / 100 / 18

HEX #C9D001

RGB 201 208 1

HSL 62.03, 0.99%, 0.41%

LAB 80.48, -21.45, 80.28

 

CMYK 100 / 0 / 47 / 18

HEX #01D06F

RGB 1 208 111

HSL 151.88, 0.99%, 0.41%

LAB 73.72, -64.5, 36.22

 

Description

Color code: RGB 11 1 208 | qconv.com Color code: RGB 11 1 208 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 1 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 1 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, 100 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 100% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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