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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 11 233 20 it is the complementary color RGB 244 22 235. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 11 233 20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 11 233 20 shade: RGB 16 233 15, RGB 33 251 34, RGB 50 255 53, RGB 67 255 72 and RGB 84 255 91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 11 233 20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 11 233 20 shade: RGB 11 233 20, RGB 0 215 1, RGB 0 197 0, RGB 0 179 0 and RGB 0 161 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 11 233 20 shade: RGB 11 233 20, RGB 62 233 11, RGB 122 233 11, RGB 182 233 11 and RGB 233 225 11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 11 233 20 shade: RGB 11 233 20, RGB 11 233 80, RGB 11 233 140, RGB 11 233 200 and RGB 11 207 233

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 11 233 20 shade matches the following richer shades: RGB 11 233 20

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 11 233 20 shade: RGB 11 233 20, RGB 30 213 38, RGB 50 194 56, RGB 70 174 74 and RGB 90 154 92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 11 233 20 shade: RGB 122 233 11, RGB 62 233 11, RGB 11 233 18, RGB 11 233 77 and RGB 11 233 137

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 11 233 20 shade: RGB 7 154 13, RGB 9 194 16, RGB 11 233 20, RGB 41 244 49 and RGB 80 246 87

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 11 233 20 shade: RGB 11 233 20, RGB 11 181 233 and RGB 233 11 92

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 11 233 20 shade: RGB 11 233 20, RGB 18 11 233 and RGB 233 18 11

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 11 233 20 shade: RGB 11 233 20, RGB 11 181 233, RGB 233 11 226 and RGB 233 62 11

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 11 233 20 shade: RGB 11 233 20, RGB 11 114 233, RGB 233 11 226 and RGB 233 129 11

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 91 / 9

HEX #0BE914

RGB 11 233 20

HSL 122.43, 0.91%, 0.48%

LAB 80.96, -79.77, 75.8

 

Complementary color

CMYK 0 / 91 / 4 / 4

HEX #F416EB

RGB 244 22 235

HSL 302.43, 0.91%, 0.52%

LAB 57.85, 92.16, -53.74

 

CMYK 93 / 0 / 94 / 9

HEX #10E90F

RGB 16 233 15

HSL 119.72, 0.88%, 0.49%

LAB 80.97, -79.69, 76.43

 

CMYK 87 / 0 / 86 / 2

HEX #21FB22

RGB 33 251 34

HSL 120.28, 0.96%, 0.56%

LAB 86.72, -82.96, 78.49

 

CMYK 80 / 0 / 79 / 0

HEX #32FF35

RGB 50 255 53

HSL 120.88, 1%, 0.6%

LAB 88.19, -81.65, 75.51

 

CMYK 74 / 0 / 72 / 0

HEX #43FF48

RGB 67 255 72

HSL 121.6, 1%, 0.63%

LAB 88.53, -78.26, 70.08

 

CMYK 67 / 0 / 64 / 0

HEX #54FF5B

RGB 84 255 91

HSL 122.46, 1%, 0.66%

LAB 89, -73.85, 63.61

 

CMYK 95 / 0 / 91 / 9

HEX #0BE914

RGB 11 233 20

HSL 122.43, 0.91%, 0.48%

LAB 80.96, -79.77, 75.8

 

CMYK 100 / 0 / 100 / 16

HEX #00D701

RGB 0 215 1

HSL 120.28, 1%, 0.42%

LAB 75.2, -75.75, 73.03

 

CMYK 100 / 0 / 100 / 23

HEX #00C500

RGB 0 197 0

HSL 120, 1%, 0.39%

LAB 69.42, -70.97, 68.49

 

CMYK 100 / 0 / 100 / 30

HEX #00B300

RGB 0 179 0

HSL 120, 1%, 0.35%

LAB 63.54, -66.08, 63.78

 

CMYK 100 / 0 / 100 / 37

HEX #00A100

RGB 0 161 0

HSL 120, 1%, 0.32%

LAB 57.55, -61.1, 58.98

 

CMYK 95 / 0 / 91 / 9

HEX #0BE914

RGB 11 233 20

HSL 122.43, 0.91%, 0.48%

LAB 80.96, -79.77, 75.8

 

CMYK 73 / 0 / 95 / 9

HEX #3EE90B

RGB 62 233 11

HSL 106.22, 0.91%, 0.48%

LAB 81.47, -75.27, 77.45

 

CMYK 48 / 0 / 95 / 9

HEX #7AE90B

RGB 122 233 11

HSL 90, 0.91%, 0.48%

LAB 83.15, -61.53, 79.5

 

CMYK 22 / 0 / 95 / 9

HEX #B6E90B

RGB 182 233 11

HSL 73.78, 0.91%, 0.48%

LAB 86.13, -40.69, 83.12

 

CMYK 0 / 3 / 95 / 9

HEX #E9E10B

RGB 233 225 11

HSL 57.84, 0.91%, 0.48%

LAB 87.58, -16.15, 85.82

 

CMYK 95 / 0 / 91 / 9

HEX #0BE914

RGB 11 233 20

HSL 122.43, 0.91%, 0.48%

LAB 80.96, -79.77, 75.8

 

CMYK 95 / 0 / 66 / 9

HEX #0BE950

RGB 11 233 80

HSL 138.65, 0.91%, 0.48%

LAB 81.25, -76.04, 59.26

 

CMYK 95 / 0 / 40 / 9

HEX #0BE98C

RGB 11 233 140

HSL 154.86, 0.91%, 0.48%

LAB 81.97, -67.31, 32.37

 

CMYK 95 / 0 / 14 / 9

HEX #0BE9C8

RGB 11 233 200

HSL 171.08, 0.91%, 0.48%

LAB 83.19, -53.78, 2.94

 

CMYK 95 / 11 / 0 / 9

HEX #0BCFE9

RGB 11 207 233

HSL 187.03, 0.91%, 0.48%

LAB 76.42, -32.77, -24.73

 

CMYK 95 / 0 / 91 / 9

HEX #0BE914

RGB 11 233 20

HSL 122.43, 0.91%, 0.48%

LAB 80.96, -79.77, 75.8

 

CMYK 95 / 0 / 91 / 9

HEX #0BE914

RGB 11 233 20

HSL 122.43, 0.91%, 0.48%

LAB 80.96, -79.77, 75.8

 

CMYK 86 / 0 / 82 / 16

HEX #1ED526

RGB 30 213 38

HSL 122.62, 0.75%, 0.48%

LAB 74.83, -72.51, 66.97

 

CMYK 74 / 0 / 71 / 24

HEX #32C238

RGB 50 194 56

HSL 122.5, 0.59%, 0.48%

LAB 69.15, -63.2, 55.82

 

CMYK 60 / 0 / 57 / 32

HEX #46AE4A

RGB 70 174 74

HSL 122.31, 0.43%, 0.48%

LAB 63.4, -50.41, 41.89

 

CMYK 42 / 0 / 40 / 40

HEX #5A9A5C

RGB 90 154 92

HSL 121.88, 0.26%, 0.48%

LAB 58.09, -33.81, 26.27

 

CMYK 48 / 0 / 95 / 9

HEX #7AE90B

RGB 122 233 11

HSL 90, 0.91%, 0.48%

LAB 83.15, -61.53, 79.5

 

CMYK 73 / 0 / 95 / 9

HEX #3EE90B

RGB 62 233 11

HSL 106.22, 0.91%, 0.48%

LAB 81.47, -75.27, 77.45

 

CMYK 95 / 0 / 92 / 9

HEX #0BE912

RGB 11 233 18

HSL 121.89, 0.91%, 0.48%

LAB 80.96, -79.82, 76.05

 

CMYK 95 / 0 / 67 / 9

HEX #0BE94D

RGB 11 233 77

HSL 137.84, 0.91%, 0.48%

LAB 81.23, -76.34, 60.42

 

CMYK 95 / 0 / 41 / 9

HEX #0BE989

RGB 11 233 137

HSL 154.05, 0.91%, 0.48%

LAB 81.92, -67.87, 33.82

 

CMYK 95 / 0 / 92 / 40

HEX #079A0D

RGB 7 154 13

HSL 122.45, 0.91%, 0.32%

LAB 55.26, -58.33, 55.08

 

CMYK 95 / 0 / 92 / 24

HEX #09C210

RGB 9 194 16

HSL 122.27, 0.91%, 0.4%

LAB 68.52, -69.42, 65.87

 

CMYK 95 / 0 / 91 / 9

HEX #0BE914

RGB 11 233 20

HSL 122.43, 0.91%, 0.48%

LAB 80.96, -79.77, 75.8

 

CMYK 83 / 0 / 80 / 4

HEX #29F431

RGB 41 244 49

HSL 122.36, 0.9%, 0.56%

LAB 84.69, -79.69, 73.27

 

CMYK 67 / 0 / 65 / 4

HEX #50F657

RGB 80 246 87

HSL 122.53, 0.9%, 0.64%

LAB 86.16, -72.05, 62.07

 

CMYK 95 / 0 / 91 / 9

HEX #0BE914

RGB 11 233 20

HSL 122.43, 0.91%, 0.48%

LAB 80.96, -79.77, 75.8

 

CMYK 95 / 22 / 0 / 9

HEX #0BB5E9

RGB 11 181 233

HSL 194.05, 0.91%, 0.48%

LAB 68.75, -19.78, -36.55

 

CMYK 0 / 95 / 61 / 9

HEX #E90B5C

RGB 233 11 92

HSL 338.11, 0.91%, 0.48%

LAB 49.9, 76.55, 18.31

 

CMYK 95 / 0 / 91 / 9

HEX #0BE914

RGB 11 233 20

HSL 122.43, 0.91%, 0.48%

LAB 80.96, -79.77, 75.8

 

CMYK 92 / 95 / 0 / 9

HEX #120BE9

RGB 18 11 233

HSL 241.89, 0.91%, 0.48%

LAB 30.04, 72.23, -99.2

 

CMYK 0 / 92 / 95 / 9

HEX #E9120B

RGB 233 18 11

HSL 1.89, 0.91%, 0.48%

LAB 49.23, 73.36, 60.02

 

CMYK 95 / 0 / 91 / 9

HEX #0BE914

RGB 11 233 20

HSL 122.43, 0.91%, 0.48%

LAB 80.96, -79.77, 75.8

 

CMYK 95 / 22 / 0 / 9

HEX #0BB5E9

RGB 11 181 233

HSL 194.05, 0.91%, 0.48%

LAB 68.75, -19.78, -36.55

 

CMYK 0 / 95 / 3 / 9

HEX #E90BE2

RGB 233 11 226

HSL 301.89, 0.91%, 0.48%

LAB 55.13, 90.06, -53.13

 

CMYK 0 / 73 / 95 / 9

HEX #E93E0B

RGB 233 62 11

HSL 13.78, 0.91%, 0.48%

LAB 52.72, 63.48, 61.91

 

CMYK 95 / 0 / 91 / 9

HEX #0BE914

RGB 11 233 20

HSL 122.43, 0.91%, 0.48%

LAB 80.96, -79.77, 75.8

 

CMYK 95 / 51 / 0 / 9

HEX #0B72E9

RGB 11 114 233

HSL 212.16, 0.91%, 0.48%

LAB 49.48, 19.36, -67.17

 

CMYK 0 / 95 / 3 / 9

HEX #E90BE2

RGB 233 11 226

HSL 301.89, 0.91%, 0.48%

LAB 55.13, 90.06, -53.13

 

CMYK 0 / 45 / 95 / 9

HEX #E9810B

RGB 233 129 11

HSL 31.89, 0.91%, 0.48%

LAB 64.2, 33.68, 69.09

 

Description

Color code: RGB 11 233 20 | qconv.com Color code: RGB 11 233 20 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 233 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 233 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 91 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 91% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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