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Color name
RGB 120 168 42

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 120 168 42 it is the complementary color RGB 135 87 213. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 120 168 42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 120 168 42 shade: RGB 125 168 37, RGB 142 186 56, RGB 159 204 75, RGB 176 222 94 and RGB 193 240 113

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 120 168 42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 120 168 42 shade: RGB 120 168 42, RGB 103 150 23, RGB 86 132 4, RGB 69 114 0 and RGB 52 96 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 120 168 42 shade: RGB 119 167 41, RGB 153 167 41, RGB 167 147 41, RGB 167 113 41 and RGB 167 79 41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 120 168 42 shade: RGB 119 167 41, RGB 85 167 41, RGB 51 167 41, RGB 41 167 65 and RGB 41 167 99

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 120 168 42 shade matches the following richer shades: RGB 119 167 41, RGB 123 184 24 and RGB 127 201 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 120 168 42 shade: RGB 119 167 41, RGB 115 150 58, RGB 111 133 75, RGB 107 116 92 and RGB 103 99 109

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 120 168 42 shade: RGB 167 146 41, RGB 154 167 41, RGB 121 167 41, RGB 87 167 41 and RGB 54 167 41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 120 168 42 shade: RGB 72 101 25, RGB 95 134 33, RGB 119 167 41, RGB 143 200 50 and RGB 161 211 80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 120 168 42 shade: RGB 120 168 42, RGB 41 167 112 and RGB 163 41 167

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 120 168 42 shade: RGB 120 168 42, RGB 41 121 167 and RGB 167 41 121

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 120 168 42 shade: RGB 120 168 42, RGB 41 167 112, RGB 87 41 167 and RGB 167 41 96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 120 168 42 shade: RGB 120 168 42, RGB 41 167 150, RGB 87 41 167 and RGB 167 41 58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 75 / 34

HEX #78A82A

RGB 120 168 42

HSL 82.86, 0.6%, 0.41%

LAB 63.48, -34.82, 56.04

 

Complementary color

CMYK 37 / 59 / 0 / 16

HEX #8757D5

RGB 135 87 213

HSL 262.86, 0.6%, 0.59%

LAB 47.97, 46.37, -57.98

 

CMYK 26 / 0 / 78 / 34

HEX #7DA825

RGB 125 168 37

HSL 79.69, 0.64%, 0.4%

LAB 63.75, -33.12, 58.07

 

CMYK 24 / 0 / 70 / 27

HEX #8EBA38

RGB 142 186 56

HSL 80.31, 0.54%, 0.47%

LAB 70.28, -33.66, 58.13

 

CMYK 22 / 0 / 63 / 20

HEX #9FCC4B

RGB 159 204 75

HSL 80.93, 0.56%, 0.55%

LAB 76.72, -34.04, 57.6

 

CMYK 21 / 0 / 58 / 13

HEX #B0DE5E

RGB 176 222 94

HSL 81.56, 0.66%, 0.62%

LAB 83.06, -34.3, 56.76

 

CMYK 20 / 0 / 53 / 6

HEX #C1F071

RGB 193 240 113

HSL 82.2, 0.81%, 0.69%

LAB 89.32, -34.48, 55.77

 

CMYK 29 / 0 / 75 / 34

HEX #78A82A

RGB 120 168 42

HSL 82.86, 0.6%, 0.41%

LAB 63.48, -34.82, 56.04

 

CMYK 31 / 0 / 85 / 41

HEX #679617

RGB 103 150 23

HSL 82.2, 0.73%, 0.34%

LAB 56.84, -34.17, 55.37

 

CMYK 35 / 0 / 97 / 48

HEX #568404

RGB 86 132 4

HSL 81.56, 0.94%, 0.27%

LAB 50.08, -33.24, 53.23

 

CMYK 39 / 0 / 100 / 55

HEX #457200

RGB 69 114 0

HSL 83.68, 1%, 0.22%

LAB 43.21, -31.88, 48.28

 

CMYK 46 / 0 / 100 / 62

HEX #346000

RGB 52 96 0

HSL 87.5, 1%, 0.19%

LAB 36.17, -30.31, 42.42

 

CMYK 29 / 0 / 75 / 35

HEX #77A729

RGB 119 167 41

HSL 82.86, 0.61%, 0.41%

LAB 63.11, -34.81, 56.01

 

CMYK 8 / 0 / 75 / 35

HEX #99A729

RGB 153 167 41

HSL 66.67, 0.61%, 0.41%

LAB 65.41, -20.79, 59.01

 

CMYK 0 / 12 / 75 / 35

HEX #A79329

RGB 167 147 41

HSL 50.48, 0.61%, 0.41%

LAB 61, -4.13, 55.27

 

CMYK 0 / 32 / 75 / 35

HEX #A77129

RGB 167 113 41

HSL 34.29, 0.61%, 0.41%

LAB 52.05, 14.81, 46.56

 

CMYK 0 / 53 / 75 / 35

HEX #A74F29

RGB 167 79 41

HSL 18.1, 0.61%, 0.41%

LAB 44.19, 33.61, 38.49

 

CMYK 29 / 0 / 75 / 35

HEX #77A729

RGB 119 167 41

HSL 82.86, 0.61%, 0.41%

LAB 63.11, -34.81, 56.01

 

CMYK 49 / 0 / 75 / 35

HEX #55A729

RGB 85 167 41

HSL 99.05, 0.61%, 0.41%

LAB 61.42, -46.76, 53.79

 

CMYK 69 / 0 / 75 / 35

HEX #33A729

RGB 51 167 41

HSL 115.24, 0.61%, 0.41%

LAB 60.34, -55.38, 52.36

 

CMYK 75 / 0 / 61 / 35

HEX #29A741

RGB 41 167 65

HSL 131.43, 0.61%, 0.41%

LAB 60.33, -54.74, 42.36

 

CMYK 75 / 0 / 41 / 35

HEX #29A763

RGB 41 167 99

HSL 147.62, 0.61%, 0.41%

LAB 60.79, -49.36, 25.75

 

CMYK 29 / 0 / 75 / 35

HEX #77A729

RGB 119 167 41

HSL 82.86, 0.61%, 0.41%

LAB 63.11, -34.81, 56.01

 

CMYK 33 / 0 / 87 / 28

HEX #7BB818

RGB 123 184 24

HSL 82.88, 0.77%, 0.41%

LAB 68.43, -41.55, 65.59

 

CMYK 37 / 0 / 97 / 21

HEX #7FC907

RGB 127 201 7

HSL 82.89, 0.93%, 0.41%

LAB 73.74, -47.6, 72.47

 

CMYK 29 / 0 / 75 / 35

HEX #77A729

RGB 119 167 41

HSL 82.86, 0.61%, 0.41%

LAB 63.11, -34.81, 56.01

 

CMYK 23 / 0 / 61 / 41

HEX #73963A

RGB 115 150 58

HSL 82.83, 0.44%, 0.41%

LAB 57.81, -27.14, 43.54

 

CMYK 17 / 0 / 44 / 48

HEX #6F854B

RGB 111 133 75

HSL 82.76, 0.28%, 0.41%

LAB 52.58, -18.3, 28.64

 

CMYK 8 / 0 / 21 / 55

HEX #6B745C

RGB 107 116 92

HSL 82.5, 0.12%, 0.41%

LAB 47.48, -8.06, 12.15

 

CMYK 6 / 9 / 0 / 57

HEX #67636D

RGB 103 99 109

HSL 264, 0.05%, 0.41%

LAB 42.63, 3.68, -5.08

 

CMYK 0 / 13 / 75 / 35

HEX #A79229

RGB 167 146 41

HSL 50, 0.61%, 0.41%

LAB 60.72, -3.59, 55.01

 

CMYK 8 / 0 / 75 / 35

HEX #9AA729

RGB 154 167 41

HSL 66.19, 0.61%, 0.41%

LAB 65.49, -20.36, 59.11

 

CMYK 28 / 0 / 75 / 35

HEX #79A729

RGB 121 167 41

HSL 81.9, 0.61%, 0.41%

LAB 63.23, -34.03, 56.17

 

CMYK 48 / 0 / 75 / 35

HEX #57A729

RGB 87 167 41

HSL 98.1, 0.61%, 0.41%

LAB 61.5, -46.14, 53.9

 

CMYK 68 / 0 / 75 / 35

HEX #36A729

RGB 54 167 41

HSL 113.81, 0.61%, 0.41%

LAB 60.41, -54.78, 52.45

 

CMYK 29 / 0 / 75 / 60

HEX #486519

RGB 72 101 25

HSL 82.89, 0.6%, 0.25%

LAB 39.17, -23.31, 37.52

 

CMYK 29 / 0 / 75 / 47

HEX #5F8621

RGB 95 134 33

HSL 83.17, 0.6%, 0.33%

LAB 51.37, -29.41, 46.97

 

CMYK 29 / 0 / 75 / 35

HEX #77A729

RGB 119 167 41

HSL 82.86, 0.61%, 0.41%

LAB 63.11, -34.81, 56.01

 

CMYK 29 / 0 / 75 / 22

HEX #8FC832

RGB 143 200 50

HSL 82.8, 0.6%, 0.49%

LAB 74.43, -39.95, 64.36

 

CMYK 24 / 0 / 62 / 17

HEX #A1D350

RGB 161 211 80

HSL 82.9, 0.6%, 0.57%

LAB 78.89, -36.09, 57.9

 

CMYK 29 / 0 / 75 / 34

HEX #78A82A

RGB 120 168 42

HSL 82.86, 0.6%, 0.41%

LAB 63.48, -34.82, 56.04

 

CMYK 75 / 0 / 33 / 35

HEX #29A770

RGB 41 167 112

HSL 153.81, 0.61%, 0.41%

LAB 61.03, -46.71, 19.02

 

CMYK 2 / 75 / 0 / 35

HEX #A329A7

RGB 163 41 167

HSL 298.1, 0.61%, 0.41%

LAB 41.47, 63.27, -41.35

 

CMYK 29 / 0 / 75 / 34

HEX #78A82A

RGB 120 168 42

HSL 82.86, 0.6%, 0.41%

LAB 63.48, -34.82, 56.04

 

CMYK 75 / 28 / 0 / 35

HEX #2979A7

RGB 41 121 167

HSL 201.9, 0.61%, 0.41%

LAB 48.18, -8.08, -31.44

 

CMYK 0 / 75 / 28 / 35

HEX #A72979

RGB 167 41 121

HSL 321.9, 0.61%, 0.41%

LAB 39.89, 57.4, -15.77

 

CMYK 29 / 0 / 75 / 34

HEX #78A82A

RGB 120 168 42

HSL 82.86, 0.6%, 0.41%

LAB 63.48, -34.82, 56.04

 

CMYK 75 / 0 / 33 / 35

HEX #29A770

RGB 41 167 112

HSL 153.81, 0.61%, 0.41%

LAB 61.03, -46.71, 19.02

 

CMYK 48 / 75 / 0 / 35

HEX #5729A7

RGB 87 41 167

HSL 261.9, 0.61%, 0.41%

LAB 30.41, 48.69, -59.78

 

CMYK 0 / 75 / 43 / 35

HEX #A72960

RGB 167 41 96

HSL 333.81, 0.61%, 0.41%

LAB 38.98, 54.56, -1.44

 

CMYK 29 / 0 / 75 / 34

HEX #78A82A

RGB 120 168 42

HSL 82.86, 0.6%, 0.41%

LAB 63.48, -34.82, 56.04

 

CMYK 75 / 0 / 10 / 35

HEX #29A796

RGB 41 167 150

HSL 171.9, 0.61%, 0.41%

LAB 61.92, -37.3, -0.86

 

CMYK 48 / 75 / 0 / 35

HEX #5729A7

RGB 87 41 167

HSL 261.9, 0.61%, 0.41%

LAB 30.41, 48.69, -59.78

 

CMYK 0 / 75 / 65 / 35

HEX #A7293A

RGB 167 41 58

HSL 351.9, 0.61%, 0.41%

LAB 38.03, 51.51, 21.39

 

Description

Color code: RGB 120 168 42 | qconv.com Color code: RGB 120 168 42 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 168 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 168 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 75 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 75% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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