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Color name
RGB 120 181 37

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 120 181 37 it is the complementary color RGB 135 74 218. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 120 181 37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 120 181 37 shade: RGB 125 181 32, RGB 142 199 51, RGB 159 217 70, RGB 176 235 89 and RGB 193 253 108

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 120 181 37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 120 181 37 shade: RGB 120 181 37, RGB 103 163 18, RGB 86 145 0, RGB 69 127 0 and RGB 52 109 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 120 181 37 shade: RGB 120 182 37, RGB 159 182 37, RGB 182 165 37, RGB 182 126 37 and RGB 182 87 37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 120 181 37 shade: RGB 120 182 37, RGB 81 182 37, RGB 42 182 37, RGB 37 182 70 and RGB 37 182 109

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 120 181 37 shade matches the following richer shades: RGB 120 182 37, RGB 123 199 19 and RGB 126 217 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 120 181 37 shade: RGB 120 182 37, RGB 117 164 55, RGB 115 146 72, RGB 112 128 90 and RGB 109 111 108

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 120 181 37 shade: RGB 182 165 37, RGB 160 182 37, RGB 121 182 37, RGB 83 182 37 and RGB 44 182 37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 120 181 37 shade: RGB 75 113 23, RGB 97 147 30, RGB 120 182 37, RGB 142 212 47 and RGB 161 219 82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 120 181 37 shade: RGB 120 181 37, RGB 37 182 126 and RGB 182 37 179

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 120 181 37 shade: RGB 120 181 37, RGB 37 121 182 and RGB 182 37 121

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 120 181 37 shade: RGB 120 181 37, RGB 37 182 126, RGB 97 37 182 and RGB 182 37 92

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 120 181 37 shade: RGB 120 181 37, RGB 37 182 169, RGB 97 37 182 and RGB 182 37 49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 80 / 29

HEX #78B525

RGB 120 181 37

HSL 85.42, 0.66%, 0.43%

LAB 67.41, -40.86, 61.36

 

Complementary color

CMYK 38 / 66 / 0 / 15

HEX #874ADA

RGB 135 74 218

HSL 265.42, 0.66%, 0.57%

LAB 45.79, 54.45, -64.36

 

CMYK 31 / 0 / 82 / 29

HEX #7DB520

RGB 125 181 32

HSL 82.55, 0.7%, 0.42%

LAB 67.66, -39.21, 63.08

 

CMYK 29 / 0 / 74 / 22

HEX #8EC733

RGB 142 199 51

HSL 83.11, 0.59%, 0.49%

LAB 74.09, -39.83, 63.67

 

CMYK 27 / 0 / 68 / 15

HEX #9FD946

RGB 159 217 70

HSL 83.67, 0.66%, 0.56%

LAB 80.43, -40.26, 63.51

 

CMYK 25 / 0 / 62 / 8

HEX #B0EB59

RGB 176 235 89

HSL 84.25, 0.78%, 0.64%

LAB 86.69, -40.56, 62.91

 

CMYK 24 / 0 / 57 / 1

HEX #C1FD6C

RGB 193 253 108

HSL 84.83, 0.97%, 0.71%

LAB 92.87, -40.77, 62.07

 

CMYK 34 / 0 / 80 / 29

HEX #78B525

RGB 120 181 37

HSL 85.42, 0.66%, 0.43%

LAB 67.41, -40.86, 61.36

 

CMYK 37 / 0 / 89 / 36

HEX #67A312

RGB 103 163 18

HSL 84.83, 0.8%, 0.35%

LAB 60.89, -40.09, 59.99

 

CMYK 41 / 0 / 100 / 43

HEX #569100

RGB 86 145 0

HSL 84.41, 1%, 0.28%

LAB 54.27, -39.06, 57.23

 

CMYK 46 / 0 / 100 / 50

HEX #457F00

RGB 69 127 0

HSL 87.4, 1%, 0.25%

LAB 47.55, -37.54, 51.65

 

CMYK 52 / 0 / 100 / 57

HEX #346D00

RGB 52 109 0

HSL 91.38, 1%, 0.21%

LAB 40.68, -35.89, 45.95

 

CMYK 34 / 0 / 80 / 29

HEX #78B625

RGB 120 182 37

HSL 85.66, 0.66%, 0.43%

LAB 67.71, -41.29, 61.64

 

CMYK 13 / 0 / 80 / 29

HEX #9FB625

RGB 159 182 37

HSL 69.52, 0.66%, 0.43%

LAB 70.15, -25.83, 64.75

 

CMYK 0 / 9 / 80 / 29

HEX #B6A525

RGB 182 165 37

HSL 52.97, 0.66%, 0.43%

LAB 67.27, -7.21, 62.89

 

CMYK 0 / 31 / 80 / 29

HEX #B67E25

RGB 182 126 37

HSL 36.83, 0.66%, 0.43%

LAB 57.08, 14.05, 53.67

 

CMYK 0 / 52 / 80 / 29

HEX #B65725

RGB 182 87 37

HSL 20.69, 0.66%, 0.43%

LAB 48.13, 35.32, 45.22

 

CMYK 34 / 0 / 80 / 29

HEX #78B625

RGB 120 182 37

HSL 85.66, 0.66%, 0.43%

LAB 67.71, -41.29, 61.64

 

CMYK 55 / 0 / 80 / 29

HEX #51B625

RGB 81 182 37

HSL 101.79, 0.66%, 0.43%

LAB 66.01, -53.86, 59.44

 

CMYK 77 / 0 / 80 / 29

HEX #2AB625

RGB 42 182 37

HSL 117.93, 0.66%, 0.43%

LAB 65.03, -62.04, 58.16

 

CMYK 80 / 0 / 62 / 29

HEX #25B646

RGB 37 182 70

HSL 133.66, 0.66%, 0.43%

LAB 65.19, -59.7, 45.63

 

CMYK 80 / 0 / 40 / 29

HEX #25B66D

RGB 37 182 109

HSL 149.79, 0.66%, 0.43%

LAB 65.71, -53.57, 26.92

 

CMYK 34 / 0 / 80 / 29

HEX #78B625

RGB 120 182 37

HSL 85.66, 0.66%, 0.43%

LAB 67.71, -41.29, 61.64

 

CMYK 38 / 0 / 90 / 22

HEX #7BC713

RGB 123 199 19

HSL 85.33, 0.83%, 0.43%

LAB 72.96, -47.97, 70.29

 

CMYK 42 / 0 / 100 / 15

HEX #7ED901

RGB 126 217 1

HSL 85.28, 0.99%, 0.43%

LAB 78.5, -54.41, 76.78

 

CMYK 34 / 0 / 80 / 29

HEX #78B625

RGB 120 182 37

HSL 85.66, 0.66%, 0.43%

LAB 67.71, -41.29, 61.64

 

CMYK 29 / 0 / 66 / 36

HEX #75A437

RGB 117 164 55

HSL 85.87, 0.5%, 0.43%

LAB 62.18, -33.26, 49.65

 

CMYK 21 / 0 / 51 / 43

HEX #739248

RGB 115 146 72

HSL 85.14, 0.34%, 0.43%

LAB 56.75, -23.73, 35.45

 

CMYK 13 / 0 / 30 / 50

HEX #70805A

RGB 112 128 90

HSL 85.26, 0.17%, 0.43%

LAB 51.41, -13.06, 18.75

 

CMYK 2 / 0 / 3 / 56

HEX #6D6F6C

RGB 109 111 108

HSL 100, 0.01%, 0.43%

LAB 46.58, -1.38, 1.39

 

CMYK 0 / 9 / 80 / 29

HEX #B6A525

RGB 182 165 37

HSL 52.97, 0.66%, 0.43%

LAB 67.27, -7.21, 62.89

 

CMYK 12 / 0 / 80 / 29

HEX #A0B625

RGB 160 182 37

HSL 69.1, 0.66%, 0.43%

LAB 70.22, -25.41, 64.84

 

CMYK 34 / 0 / 80 / 29

HEX #79B625

RGB 121 182 37

HSL 85.24, 0.66%, 0.43%

LAB 67.77, -40.92, 61.7

 

CMYK 54 / 0 / 80 / 29

HEX #53B625

RGB 83 182 37

HSL 100.97, 0.66%, 0.43%

LAB 66.08, -53.32, 59.53

 

CMYK 76 / 0 / 80 / 29

HEX #2CB625

RGB 44 182 37

HSL 117.1, 0.66%, 0.43%

LAB 65.06, -61.74, 58.21

 

CMYK 34 / 0 / 80 / 56

HEX #4B7117

RGB 75 113 23

HSL 85.33, 0.66%, 0.27%

LAB 43.31, -28.09, 42.41

 

CMYK 34 / 0 / 80 / 42

HEX #61931E

RGB 97 147 30

HSL 85.64, 0.66%, 0.35%

LAB 55.59, -34.82, 52.08

 

CMYK 34 / 0 / 80 / 29

HEX #78B625

RGB 120 182 37

HSL 85.66, 0.66%, 0.43%

LAB 67.71, -41.29, 61.64

 

CMYK 33 / 0 / 78 / 17

HEX #8ED42F

RGB 142 212 47

HSL 85.45, 0.66%, 0.51%

LAB 77.9, -45.64, 68.55

 

CMYK 26 / 0 / 63 / 14

HEX #A1DB52

RGB 161 219 82

HSL 85.4, 0.66%, 0.59%

LAB 81.21, -39.52, 59.59

 

CMYK 34 / 0 / 80 / 29

HEX #78B525

RGB 120 181 37

HSL 85.42, 0.66%, 0.43%

LAB 67.41, -40.86, 61.36

 

CMYK 80 / 0 / 31 / 29

HEX #25B67E

RGB 37 182 126

HSL 156.83, 0.66%, 0.43%

LAB 66.02, -50.06, 18.23

 

CMYK 0 / 80 / 2 / 29

HEX #B625B3

RGB 182 37 179

HSL 301.24, 0.66%, 0.43%

LAB 44.97, 70.23, -42.7

 

CMYK 34 / 0 / 80 / 29

HEX #78B525

RGB 120 181 37

HSL 85.42, 0.66%, 0.43%

LAB 67.41, -40.86, 61.36

 

CMYK 80 / 34 / 0 / 29

HEX #2579B6

RGB 37 121 182

HSL 205.24, 0.66%, 0.43%

LAB 48.82, -3.05, -39.16

 

CMYK 0 / 80 / 34 / 29

HEX #B62579

RGB 182 37 121

HSL 325.24, 0.66%, 0.43%

LAB 42.23, 62.4, -11.95

 

CMYK 34 / 0 / 80 / 29

HEX #78B525

RGB 120 181 37

HSL 85.42, 0.66%, 0.43%

LAB 67.41, -40.86, 61.36

 

CMYK 80 / 0 / 31 / 29

HEX #25B67E

RGB 37 182 126

HSL 156.83, 0.66%, 0.43%

LAB 66.02, -50.06, 18.23

 

CMYK 47 / 80 / 0 / 29

HEX #6125B6

RGB 97 37 182

HSL 264.83, 0.66%, 0.43%

LAB 32.35, 55.87, -65.52

 

CMYK 0 / 80 / 49 / 29

HEX #B6255C

RGB 182 37 92

HSL 337.24, 0.66%, 0.43%

LAB 41.28, 59.56, 4.78

 

CMYK 34 / 0 / 80 / 29

HEX #78B525

RGB 120 181 37

HSL 85.42, 0.66%, 0.43%

LAB 67.41, -40.86, 61.36

 

CMYK 80 / 0 / 7 / 29

HEX #25B6A9

RGB 37 182 169

HSL 174.62, 0.66%, 0.43%

LAB 67.06, -39.16, -3.89

 

CMYK 47 / 80 / 0 / 29

HEX #6125B6

RGB 97 37 182

HSL 264.83, 0.66%, 0.43%

LAB 32.35, 55.87, -65.52

 

CMYK 0 / 80 / 73 / 29

HEX #B62531

RGB 182 37 49

HSL 355.03, 0.66%, 0.43%

LAB 40.39, 56.81, 30.51

 

Description

Color code: RGB 120 181 37 | qconv.com Color code: RGB 120 181 37 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 181 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 181 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 80 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 80% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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