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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 120 217 121 it is the complementary color RGB 135 38 134. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 120 217 121. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 120 217 121 shade: RGB 125 217 116, RGB 142 235 135, RGB 159 253 154, RGB 176 255 173 and RGB 193 255 192

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 120 217 121. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 120 217 121 shade: RGB 120 217 121, RGB 103 199 102, RGB 86 181 83, RGB 69 163 64 and RGB 52 145 45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 120 217 121 shade: RGB 119 216 120, RGB 144 216 119, RGB 171 216 119, RGB 197 216 119 and RGB 216 210 119

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 120 217 121 shade: RGB 119 216 120, RGB 119 216 146, RGB 119 216 173, RGB 119 216 199 and RGB 119 208 216

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 120 217 121 shade matches the following richer shades: RGB 119 216 120, RGB 105 230 107 and RGB 91 244 93

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 120 217 121 shade: RGB 119 216 120, RGB 133 202 134, RGB 147 188 148, RGB 161 174 161 and RGB 175 160 175

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 120 217 121 shade: RGB 171 216 119, RGB 145 216 119, RGB 119 216 119, RGB 119 216 145 and RGB 119 216 171

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 120 217 121 shade: RGB 55 198 57, RGB 87 207 88, RGB 119 216 120, RGB 151 225 152 and RGB 184 235 184

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 120 217 121 shade: RGB 120 217 121, RGB 119 197 216 and RGB 216 119 158

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 120 217 121 shade: RGB 120 217 121, RGB 119 119 216 and RGB 216 119 119

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 120 217 121 shade: RGB 120 217 121, RGB 119 197 216, RGB 216 119 216 and RGB 216 139 119

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 120 217 121 shade: RGB 120 217 121, RGB 119 168 216, RGB 216 119 216 and RGB 216 168 119

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 44 / 15

HEX #78D979

RGB 120 217 121

HSL 120.62, 0.56%, 0.66%

LAB 79.04, -47.86, 38.51

 

Complementary color

CMYK 0 / 72 / 1 / 47

HEX #872686

RGB 135 38 134

HSL 300.62, 0.56%, 0.34%

LAB 34.52, 52.39, -32.63

 

CMYK 42 / 0 / 47 / 15

HEX #7DD974

RGB 125 217 116

HSL 114.65, 0.57%, 0.65%

LAB 79.18, -47.1, 41.21

 

CMYK 40 / 0 / 43 / 8

HEX #8EEB87

RGB 142 235 135

HSL 115.8, 0.71%, 0.73%

LAB 85.46, -46.96, 39.98

 

CMYK 37 / 0 / 39 / 1

HEX #9FFD9A

RGB 159 253 154

HSL 116.97, 0.96%, 0.8%

LAB 91.66, -46.77, 38.79

 

CMYK 31 / 0 / 32 / 0

HEX #B0FFAD

RGB 176 255 173

HSL 117.8, 1%, 0.84%

LAB 93.35, -39.56, 31.73

 

CMYK 24 / 0 / 25 / 0

HEX #C1FFC0

RGB 193 255 192

HSL 119.05, 1%, 0.88%

LAB 94.6, -31.13, 23.98

 

CMYK 45 / 0 / 44 / 15

HEX #78D979

RGB 120 217 121

HSL 120.62, 0.56%, 0.66%

LAB 79.04, -47.86, 38.51

 

CMYK 48 / 0 / 49 / 22

HEX #67C766

RGB 103 199 102

HSL 119.38, 0.46%, 0.59%

LAB 72.69, -47.94, 39.79

 

CMYK 52 / 0 / 54 / 29

HEX #56B553

RGB 86 181 83

HSL 118.16, 0.4%, 0.52%

LAB 66.25, -47.9, 41.09

 

CMYK 58 / 0 / 61 / 36

HEX #45A340

RGB 69 163 64

HSL 116.97, 0.44%, 0.45%

LAB 59.73, -47.65, 42.33

 

CMYK 64 / 0 / 69 / 43

HEX #34912D

RGB 52 145 45

HSL 115.8, 0.53%, 0.37%

LAB 53.14, -47.06, 43.36

 

CMYK 45 / 0 / 44 / 15

HEX #77D878

RGB 119 216 120

HSL 120.62, 0.55%, 0.66%

LAB 78.69, -47.88, 38.55

 

CMYK 33 / 0 / 45 / 15

HEX #90D877

RGB 144 216 119

HSL 104.54, 0.55%, 0.66%

LAB 79.83, -40.27, 40.73

 

CMYK 21 / 0 / 45 / 15

HEX #ABD877

RGB 171 216 119

HSL 87.84, 0.55%, 0.66%

LAB 81.35, -30.83, 42.96

 

CMYK 9 / 0 / 45 / 15

HEX #C5D877

RGB 197 216 119

HSL 71.75, 0.55%, 0.66%

LAB 83.08, -21, 45.49

 

CMYK 0 / 3 / 45 / 15

HEX #D8D277

RGB 216 210 119

HSL 56.29, 0.55%, 0.66%

LAB 82.93, -10.52, 45.63

 

CMYK 45 / 0 / 44 / 15

HEX #77D878

RGB 119 216 120

HSL 120.62, 0.55%, 0.66%

LAB 78.69, -47.88, 38.55

 

CMYK 45 / 0 / 32 / 15

HEX #77D892

RGB 119 216 146

HSL 136.7, 0.55%, 0.66%

LAB 79.1, -43.69, 25.85

 

CMYK 45 / 0 / 20 / 15

HEX #77D8AD

RGB 119 216 173

HSL 153.4, 0.55%, 0.66%

LAB 79.64, -38.48, 12.41

 

CMYK 45 / 0 / 8 / 15

HEX #77D8C7

RGB 119 216 199

HSL 169.48, 0.55%, 0.66%

LAB 80.27, -32.69, -0.52

 

CMYK 45 / 4 / 0 / 15

HEX #77D0D8

RGB 119 208 216

HSL 184.95, 0.55%, 0.66%

LAB 78.46, -24.62, -12.3

 

CMYK 45 / 0 / 44 / 15

HEX #77D878

RGB 119 216 120

HSL 120.62, 0.55%, 0.66%

LAB 78.69, -47.88, 38.55

 

CMYK 54 / 0 / 53 / 10

HEX #69E66B

RGB 105 230 107

HSL 120.96, 0.71%, 0.66%

LAB 82.19, -58.91, 49.03

 

CMYK 63 / 0 / 62 / 4

HEX #5BF45D

RGB 91 244 93

HSL 120.78, 0.87%, 0.66%

LAB 85.86, -68.67, 59.36

 

CMYK 45 / 0 / 44 / 15

HEX #77D878

RGB 119 216 120

HSL 120.62, 0.55%, 0.66%

LAB 78.69, -47.88, 38.55

 

CMYK 34 / 0 / 34 / 21

HEX #85CA86

RGB 133 202 134

HSL 120.87, 0.39%, 0.66%

LAB 75.42, -35.34, 27.26

 

CMYK 22 / 0 / 21 / 26

HEX #93BC94

RGB 147 188 148

HSL 121.46, 0.23%, 0.66%

LAB 72.43, -21.57, 15.85

 

CMYK 7 / 0 / 7 / 32

HEX #A1AEA1

RGB 161 174 161

HSL 120, 0.07%, 0.66%

LAB 69.77, -7.04, 5.11

 

CMYK 0 / 9 / 0 / 31

HEX #AFA0AF

RGB 175 160 175

HSL 300, 0.09%, 0.66%

LAB 67.54, 8.22, -5.78

 

CMYK 21 / 0 / 45 / 15

HEX #ABD877

RGB 171 216 119

HSL 87.84, 0.55%, 0.66%

LAB 81.35, -30.83, 42.96

 

CMYK 33 / 0 / 45 / 15

HEX #91D877

RGB 145 216 119

HSL 103.92, 0.55%, 0.66%

LAB 79.88, -39.94, 40.8

 

CMYK 45 / 0 / 45 / 15

HEX #77D877

RGB 119 216 119

HSL 120, 0.55%, 0.66%

LAB 78.67, -48.02, 39.03

 

CMYK 45 / 0 / 33 / 15

HEX #77D891

RGB 119 216 145

HSL 136.08, 0.55%, 0.66%

LAB 79.09, -43.87, 26.35

 

CMYK 45 / 0 / 21 / 15

HEX #77D8AB

RGB 119 216 171

HSL 152.16, 0.55%, 0.66%

LAB 79.6, -38.89, 13.41

 

CMYK 72 / 0 / 71 / 22

HEX #37C639

RGB 55 198 57

HSL 120.84, 0.57%, 0.5%

LAB 70.52, -63.6, 56.9

 

CMYK 58 / 0 / 57 / 19

HEX #57CF58

RGB 87 207 88

HSL 120.5, 0.56%, 0.58%

LAB 74.42, -57.02, 48.41

 

CMYK 45 / 0 / 44 / 15

HEX #77D878

RGB 119 216 120

HSL 120.62, 0.55%, 0.66%

LAB 78.69, -47.88, 38.55

 

CMYK 33 / 0 / 32 / 12

HEX #97E198

RGB 151 225 152

HSL 120.81, 0.55%, 0.74%

LAB 83.28, -37.22, 28.64

 

CMYK 22 / 0 / 22 / 8

HEX #B8EBB8

RGB 184 235 184

HSL 120, 0.56%, 0.82%

LAB 88.48, -25.94, 19.53

 

CMYK 45 / 0 / 44 / 15

HEX #78D979

RGB 120 217 121

HSL 120.62, 0.56%, 0.66%

LAB 79.04, -47.86, 38.51

 

CMYK 45 / 9 / 0 / 15

HEX #77C5D8

RGB 119 197 216

HSL 191.75, 0.55%, 0.66%

LAB 75.33, -19.09, -17

 

CMYK 0 / 45 / 27 / 15

HEX #D8779E

RGB 216 119 158

HSL 335.88, 0.55%, 0.66%

LAB 61.88, 42.37, -4.05

 

CMYK 45 / 0 / 44 / 15

HEX #78D979

RGB 120 217 121

HSL 120.62, 0.56%, 0.66%

LAB 79.04, -47.86, 38.51

 

CMYK 45 / 45 / 0 / 15

HEX #7777D8

RGB 119 119 216

HSL 240, 0.55%, 0.66%

LAB 54.1, 24.87, -49.94

 

CMYK 0 / 45 / 45 / 15

HEX #D87777

RGB 216 119 119

HSL 0, 0.55%, 0.66%

LAB 60.89, 37.71, 16.91

 

CMYK 45 / 0 / 44 / 15

HEX #78D979

RGB 120 217 121

HSL 120.62, 0.56%, 0.66%

LAB 79.04, -47.86, 38.51

 

CMYK 45 / 9 / 0 / 15

HEX #77C5D8

RGB 119 197 216

HSL 191.75, 0.55%, 0.66%

LAB 75.33, -19.09, -17

 

CMYK 0 / 45 / 0 / 15

HEX #D877D8

RGB 216 119 216

HSL 300, 0.55%, 0.66%

LAB 63.96, 51.61, -33.76

 

CMYK 0 / 36 / 45 / 15

HEX #D88B77

RGB 216 139 119

HSL 12.37, 0.55%, 0.66%

LAB 65.28, 27.1, 22.88

 

CMYK 45 / 0 / 44 / 15

HEX #78D979

RGB 120 217 121

HSL 120.62, 0.56%, 0.66%

LAB 79.04, -47.86, 38.51

 

CMYK 45 / 22 / 0 / 15

HEX #77A8D8

RGB 119 168 216

HSL 209.69, 0.55%, 0.66%

LAB 67.19, -3.63, -29.42

 

CMYK 0 / 45 / 0 / 15

HEX #D877D8

RGB 216 119 216

HSL 300, 0.55%, 0.66%

LAB 63.96, 51.61, -33.76

 

CMYK 0 / 22 / 45 / 15

HEX #D8A877

RGB 216 168 119

HSL 30.31, 0.55%, 0.66%

LAB 72.19, 11.46, 32.03

 

Description

Color code: RGB 120 217 121 | qconv.com Color code: RGB 120 217 121 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 217 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 217 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 44 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 44% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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