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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 120 41 248 it is the complementary color RGB 135 214 7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 120 41 248. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 120 41 248 shade: RGB 125 41 243, RGB 142 59 255, RGB 159 77 255, RGB 176 95 255 and RGB 193 113 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 120 41 248. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 120 41 248 shade: RGB 120 41 248, RGB 103 23 229, RGB 86 5 210, RGB 69 0 191 and RGB 52 0 172

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 120 41 248 shade: RGB 120 42 248, RGB 176 42 248, RGB 232 42 248, RGB 248 42 209 and RGB 248 42 153

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 120 41 248 shade: RGB 120 42 248, RGB 65 42 248 and RGB 42 42 248

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 120 41 248 shade matches the following richer shades: RGB 120 42 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 120 41 248 shade: RGB 120 42 248, RGB 125 60 230, RGB 129 77 212, RGB 133 95 195 and RGB 137 113 177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 120 41 248 shade: RGB 42 76 248, RGB 62 42 248, RGB 117 42 248, RGB 172 42 248 and RGB 227 42 248

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 120 41 248 shade: RGB 80 6 201, RGB 96 7 241, RGB 120 42 248, RGB 146 82 249 and RGB 171 122 250

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 120 41 248 shade: RGB 120 41 248, RGB 248 42 131 and RGB 49 248 42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 120 41 248 shade: RGB 120 41 248, RGB 248 117 42 and RGB 42 248 117

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 120 41 248 shade: RGB 120 41 248, RGB 248 42 131, RGB 172 248 42 and RGB 42 248 159

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 120 41 248 shade: RGB 120 41 248, RGB 248 42 69, RGB 172 248 42 and RGB 42 248 220

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 83 / 0 / 3

HEX #7829F8

RGB 120 41 248

HSL 262.9, 0.94%, 0.57%

LAB 41.78, 73.37, -87.98

 

Complementary color

CMYK 37 / 0 / 97 / 16

HEX #87D607

RGB 135 214 7

HSL 82.9, 0.94%, 0.43%

LAB 78.03, -50.09, 76.02

 

CMYK 49 / 83 / 0 / 5

HEX #7D29F3

RGB 125 41 243

HSL 264.95, 0.89%, 0.56%

LAB 41.87, 72.73, -84.99

 

CMYK 44 / 77 / 0 / 0

HEX #8E3BFF

RGB 142 59 255

HSL 265.41, 1%, 0.62%

LAB 47.1, 71.32, -83.04

 

CMYK 38 / 70 / 0 / 0

HEX #9F4DFF

RGB 159 77 255

HSL 267.64, 1%, 0.65%

LAB 51.72, 66.48, -75.42

 

CMYK 31 / 63 / 0 / 0

HEX #B05FFF

RGB 176 95 255

HSL 270.38, 1%, 0.69%

LAB 56.72, 61.4, -67.23

 

CMYK 24 / 56 / 0 / 0

HEX #C171FF

RGB 193 113 255

HSL 273.8, 1%, 0.72%

LAB 61.97, 56.34, -58.7

 

CMYK 52 / 83 / 0 / 3

HEX #7829F8

RGB 120 41 248

HSL 262.9, 0.94%, 0.57%

LAB 41.78, 73.37, -87.98

 

CMYK 55 / 90 / 0 / 10

HEX #6717E5

RGB 103 23 229

HSL 263.3, 0.82%, 0.49%

LAB 36.28, 72.27, -86.37

 

CMYK 59 / 98 / 0 / 18

HEX #5605D2

RGB 86 5 210

HSL 263.71, 0.95%, 0.42%

LAB 31.21, 69.84, -83.89

 

CMYK 64 / 100 / 0 / 25

HEX #4500BF

RGB 69 0 191

HSL 261.68, 1%, 0.37%

LAB 26.81, 65.31, -80.11

 

CMYK 70 / 100 / 0 / 33

HEX #3400AC

RGB 52 0 172

HSL 258.14, 1%, 0.34%

LAB 22.68, 59.99, -75.68

 

CMYK 52 / 83 / 0 / 3

HEX #782AF8

RGB 120 42 248

HSL 262.72, 0.94%, 0.57%

LAB 41.89, 73.04, -87.8

 

CMYK 29 / 83 / 0 / 3

HEX #B02AF8

RGB 176 42 248

HSL 279.03, 0.94%, 0.57%

LAB 49.09, 80.13, -75.71

 

CMYK 6 / 83 / 0 / 3

HEX #E82AF8

RGB 232 42 248

HSL 295.34, 0.94%, 0.57%

LAB 57.64, 89, -61.45

 

CMYK 0 / 83 / 16 / 3

HEX #F82AD1

RGB 248 42 209

HSL 311.36, 0.94%, 0.57%

LAB 58.24, 86.42, -38.38

 

CMYK 0 / 83 / 38 / 3

HEX #F82A99

RGB 248 42 153

HSL 327.67, 0.94%, 0.57%

LAB 56, 80.19, -9.34

 

CMYK 52 / 83 / 0 / 3

HEX #782AF8

RGB 120 42 248

HSL 262.72, 0.94%, 0.57%

LAB 41.89, 73.04, -87.8

 

CMYK 74 / 83 / 0 / 3

HEX #412AF8

RGB 65 42 248

HSL 246.7, 0.94%, 0.57%

LAB 37.04, 68.55, -95.98

 

CMYK 83 / 83 / 0 / 3

HEX #2A2AF8

RGB 42 42 248

HSL 240, 0.94%, 0.57%

LAB 35.84, 67.49, -98

 

CMYK 52 / 83 / 0 / 3

HEX #782AF8

RGB 120 42 248

HSL 262.72, 0.94%, 0.57%

LAB 41.89, 73.04, -87.8

 

CMYK 52 / 83 / 0 / 3

HEX #782AF8

RGB 120 42 248

HSL 262.72, 0.94%, 0.57%

LAB 41.89, 73.04, -87.8

 

CMYK 46 / 74 / 0 / 10

HEX #7D3CE6

RGB 125 60 230

HSL 262.94, 0.77%, 0.57%

LAB 43.22, 62.33, -75.42

 

CMYK 39 / 64 / 0 / 17

HEX #814DD4

RGB 129 77 212

HSL 263.11, 0.61%, 0.57%

LAB 45.26, 50.17, -61.81

 

CMYK 32 / 51 / 0 / 24

HEX #855FC3

RGB 133 95 195

HSL 262.8, 0.45%, 0.57%

LAB 48.4, 36.75, -46.97

 

CMYK 23 / 36 / 0 / 31

HEX #8971B1

RGB 137 113 177

HSL 262.5, 0.29%, 0.57%

LAB 52.18, 22.85, -30.58

 

CMYK 83 / 69 / 0 / 3

HEX #2A4CF8

RGB 42 76 248

HSL 230.1, 0.94%, 0.57%

LAB 41.9, 50.18, -87.95

 

CMYK 75 / 83 / 0 / 3

HEX #3E2AF8

RGB 62 42 248

HSL 245.83, 0.94%, 0.57%

LAB 36.85, 68.39, -96.29

 

CMYK 53 / 83 / 0 / 3

HEX #752AF8

RGB 117 42 248

HSL 261.84, 0.94%, 0.57%

LAB 41.56, 72.73, -88.35

 

CMYK 31 / 83 / 0 / 3

HEX #AC2AF8

RGB 172 42 248

HSL 277.86, 0.94%, 0.57%

LAB 48.52, 79.56, -76.67

 

CMYK 8 / 83 / 0 / 3

HEX #E32AF8

RGB 227 42 248

HSL 293.88, 0.94%, 0.57%

LAB 56.84, 88.15, -62.78

 

CMYK 60 / 97 / 0 / 21

HEX #5006C9

RGB 80 6 201

HSL 262.77, 0.94%, 0.41%

LAB 29.55, 67.21, -81.42

 

CMYK 60 / 97 / 0 / 5

HEX #6007F1

RGB 96 7 241

HSL 262.82, 0.94%, 0.49%

LAB 35.96, 77.21, -93.73

 

CMYK 52 / 83 / 0 / 3

HEX #782AF8

RGB 120 42 248

HSL 262.72, 0.94%, 0.57%

LAB 41.89, 73.04, -87.8

 

CMYK 41 / 67 / 0 / 2

HEX #9252F9

RGB 146 82 249

HSL 262.99, 0.93%, 0.65%

LAB 50.67, 60.36, -73.86

 

CMYK 32 / 51 / 0 / 2

HEX #AB7AFA

RGB 171 122 250

HSL 262.97, 0.93%, 0.73%

LAB 61.2, 45.05, -57.31

 

CMYK 52 / 83 / 0 / 3

HEX #7829F8

RGB 120 41 248

HSL 262.9, 0.94%, 0.57%

LAB 41.78, 73.37, -87.98

 

CMYK 0 / 83 / 47 / 3

HEX #F82A83

RGB 248 42 131

HSL 334.08, 0.94%, 0.57%

LAB 55.33, 78.26, 2.74

 

CMYK 80 / 0 / 83 / 3

HEX #31F82A

RGB 49 248 42

HSL 117.96, 0.94%, 0.57%

LAB 85.98, -80.35, 76.23

 

CMYK 52 / 83 / 0 / 3

HEX #7829F8

RGB 120 41 248

HSL 262.9, 0.94%, 0.57%

LAB 41.78, 73.37, -87.98

 

CMYK 0 / 53 / 83 / 3

HEX #F8752A

RGB 248 117 42

HSL 21.84, 0.94%, 0.57%

LAB 64.04, 46.13, 61.33

 

CMYK 83 / 0 / 53 / 3

HEX #2AF875

RGB 42 248 117

HSL 141.84, 0.94%, 0.57%

LAB 86.46, -74.16, 49.26

 

CMYK 52 / 83 / 0 / 3

HEX #7829F8

RGB 120 41 248

HSL 262.9, 0.94%, 0.57%

LAB 41.78, 73.37, -87.98

 

CMYK 0 / 83 / 47 / 3

HEX #F82A83

RGB 248 42 131

HSL 334.08, 0.94%, 0.57%

LAB 55.33, 78.26, 2.74

 

CMYK 31 / 0 / 83 / 3

HEX #ACF82A

RGB 172 248 42

HSL 82.14, 0.94%, 0.57%

LAB 89.89, -50.14, 81.18

 

CMYK 83 / 0 / 36 / 3

HEX #2AF89F

RGB 42 248 159

HSL 154.08, 0.94%, 0.57%

LAB 87.06, -67.11, 29.62

 

CMYK 52 / 83 / 0 / 3

HEX #7829F8

RGB 120 41 248

HSL 262.9, 0.94%, 0.57%

LAB 41.78, 73.37, -87.98

 

CMYK 0 / 83 / 72 / 3

HEX #F82A45

RGB 248 42 69

HSL 352.14, 0.94%, 0.57%

LAB 54.07, 74.57, 37.95

 

CMYK 31 / 0 / 83 / 3

HEX #ACF82A

RGB 172 248 42

HSL 82.14, 0.94%, 0.57%

LAB 89.89, -50.14, 81.18

 

CMYK 83 / 0 / 11 / 3

HEX #2AF8DC

RGB 42 248 220

HSL 171.84, 0.94%, 0.57%

LAB 88.35, -53.16, 0

 

Description

Color code: RGB 120 41 248 | qconv.com Color code: RGB 120 41 248 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 41 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 41 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 83 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 83% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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