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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 120 54 134 it is the complementary color RGB 135 201 121. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 120 54 134. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 120 54 134 shade: RGB 125 54 129, RGB 142 72 148, RGB 159 90 167, RGB 176 108 186 and RGB 193 126 205

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 120 54 134. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 120 54 134 shade: RGB 120 54 134, RGB 103 36 115, RGB 86 18 96, RGB 69 0 77 and RGB 52 0 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 120 54 134 shade: RGB 120 53 134, RGB 134 53 127, RGB 134 53 105, RGB 134 53 83 and RGB 134 53 61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 120 54 134 shade: RGB 120 53 134, RGB 98 53 134, RGB 76 53 134, RGB 55 53 134 and RGB 53 53 134

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 120 54 134 shade matches the following richer shades: RGB 120 53 134, RGB 130 38 150, RGB 140 23 165 and RGB 150 7 180

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 120 54 134 shade: RGB 120 53 134, RGB 110 69 119, RGB 100 84 104, RGB 90 99 89 and RGB 81 114 73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 120 54 134 shade: RGB 76 53 134, RGB 98 53 134, RGB 120 53 134, RGB 134 53 128 and RGB 134 53 106

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 120 54 134 shade: RGB 67 30 75, RGB 94 42 105, RGB 120 53 134, RGB 147 65 164 and RGB 168 84 186

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 120 54 134 shade: RGB 120 54 134, RGB 134 55 53 and RGB 53 134 87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 120 54 134 shade: RGB 120 54 134, RGB 134 120 53 and RGB 53 134 120

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 120 54 134 shade: RGB 120 54 134, RGB 134 55 53, RGB 68 134 53 and RGB 53 133 134

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 120 54 134 shade: RGB 120 54 134, RGB 134 79 53, RGB 68 134 53 and RGB 53 109 134

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 60 / 0 / 47

HEX #783686

RGB 120 54 134

HSL 289.5, 0.43%, 0.37%

LAB 34.71, 41.46, -32.48

 

Complementary color

CMYK 33 / 0 / 40 / 21

HEX #87C979

RGB 135 201 121

HSL 109.5, 0.43%, 0.63%

LAB 75.02, -36.23, 33.48

 

CMYK 3 / 58 / 0 / 49

HEX #7D3681

RGB 125 54 129

HSL 296.8, 0.41%, 0.36%

LAB 35.17, 41.85, -28.6

 

CMYK 4 / 51 / 0 / 42

HEX #8E4894

RGB 142 72 148

HSL 295.26, 0.35%, 0.43%

LAB 42.04, 41.26, -29.27

 

CMYK 5 / 46 / 0 / 35

HEX #9F5AA7

RGB 159 90 167

HSL 293.77, 0.3%, 0.5%

LAB 48.85, 40.53, -29.76

 

CMYK 5 / 42 / 0 / 27

HEX #B06CBA

RGB 176 108 186

HSL 292.31, 0.36%, 0.58%

LAB 55.58, 39.75, -30.15

 

CMYK 6 / 39 / 0 / 20

HEX #C17ECD

RGB 193 126 205

HSL 290.89, 0.44%, 0.65%

LAB 62.23, 38.99, -30.49

 

CMYK 10 / 60 / 0 / 47

HEX #783686

RGB 120 54 134

HSL 289.5, 0.43%, 0.37%

LAB 34.71, 41.46, -32.48

 

CMYK 10 / 69 / 0 / 55

HEX #672473

RGB 103 36 115

HSL 290.89, 0.52%, 0.3%

LAB 27.8, 41.77, -31.68

 

CMYK 10 / 81 / 0 / 62

HEX #561260

RGB 86 18 96

HSL 292.31, 0.68%, 0.22%

LAB 21.04, 41.24, -30.32

 

CMYK 10 / 100 / 0 / 70

HEX #45004D

RGB 69 0 77

HSL 293.77, 1%, 0.15%

LAB 14.41, 39.81, -28.33

 

CMYK 10 / 100 / 0 / 77

HEX #34003A

RGB 52 0 58

HSL 293.79, 1%, 0.11%

LAB 9.28, 33.08, -23.38

 

CMYK 10 / 60 / 0 / 47

HEX #783586

RGB 120 53 134

HSL 289.63, 0.43%, 0.37%

LAB 34.52, 41.97, -32.77

 

CMYK 0 / 60 / 5 / 47

HEX #86357F

RGB 134 53 127

HSL 305.19, 0.43%, 0.37%

LAB 36.27, 44.53, -25.55

 

CMYK 0 / 60 / 22 / 47

HEX #863569

RGB 134 53 105

HSL 321.48, 0.43%, 0.37%

LAB 35.27, 40.87, -13.29

 

CMYK 0 / 60 / 38 / 47

HEX #863553

RGB 134 53 83

HSL 337.78, 0.43%, 0.37%

LAB 34.48, 37.82, -0.44

 

CMYK 0 / 60 / 54 / 47

HEX #86353D

RGB 134 53 61

HSL 354.07, 0.43%, 0.37%

LAB 33.88, 35.46, 12.89

 

CMYK 10 / 60 / 0 / 47

HEX #783586

RGB 120 53 134

HSL 289.63, 0.43%, 0.37%

LAB 34.52, 41.97, -32.77

 

CMYK 27 / 60 / 0 / 47

HEX #623586

RGB 98 53 134

HSL 273.33, 0.43%, 0.37%

LAB 31.5, 36.05, -37.77

 

CMYK 43 / 60 / 0 / 47

HEX #4C3586

RGB 76 53 134

HSL 257.04, 0.43%, 0.37%

LAB 28.91, 30.5, -42.06

 

CMYK 59 / 60 / 0 / 47

HEX #373586

RGB 55 53 134

HSL 241.48, 0.43%, 0.37%

LAB 26.96, 25.91, -45.31

 

CMYK 60 / 60 / 0 / 47

HEX #353586

RGB 53 53 134

HSL 240, 0.43%, 0.37%

LAB 26.8, 25.53, -45.57

 

CMYK 10 / 60 / 0 / 47

HEX #783586

RGB 120 53 134

HSL 289.63, 0.43%, 0.37%

LAB 34.52, 41.97, -32.77

 

CMYK 13 / 75 / 0 / 41

HEX #822696

RGB 130 38 150

HSL 289.29, 0.6%, 0.37%

LAB 34.67, 54.2, -42.27

 

CMYK 15 / 86 / 0 / 35

HEX #8C17A5

RGB 140 23 165

HSL 289.44, 0.76%, 0.37%

LAB 35.8, 63.39, -49.46

 

CMYK 17 / 96 / 0 / 29

HEX #9607B4

RGB 150 7 180

HSL 289.6, 0.93%, 0.37%

LAB 37.72, 70.21, -55.24

 

CMYK 10 / 60 / 0 / 47

HEX #783586

RGB 120 53 134

HSL 289.63, 0.43%, 0.37%

LAB 34.52, 41.97, -32.77

 

CMYK 8 / 42 / 0 / 53

HEX #6E4577

RGB 110 69 119

HSL 289.2, 0.27%, 0.37%

LAB 35.8, 26.79, -21.56

 

CMYK 4 / 19 / 0 / 59

HEX #645468

RGB 100 84 104

HSL 288, 0.11%, 0.37%

LAB 37.93, 10.64, -9.06

 

CMYK 9 / 0 / 10 / 61

HEX #5A6359

RGB 90 99 89

HSL 114, 0.05%, 0.37%

LAB 40.93, -5.6, 4.5

 

CMYK 29 / 0 / 36 / 55

HEX #517249

RGB 81 114 73

HSL 108.29, 0.22%, 0.37%

LAB 44.61, -20.48, 19.03

 

CMYK 43 / 60 / 0 / 47

HEX #4C3586

RGB 76 53 134

HSL 257.04, 0.43%, 0.37%

LAB 28.91, 30.5, -42.06

 

CMYK 27 / 60 / 0 / 47

HEX #623586

RGB 98 53 134

HSL 273.33, 0.43%, 0.37%

LAB 31.5, 36.05, -37.77

 

CMYK 10 / 60 / 0 / 47

HEX #783586

RGB 120 53 134

HSL 289.63, 0.43%, 0.37%

LAB 34.52, 41.97, -32.77

 

CMYK 0 / 60 / 4 / 47

HEX #863580

RGB 134 53 128

HSL 304.44, 0.43%, 0.37%

LAB 36.32, 44.71, -26.09

 

CMYK 0 / 60 / 21 / 47

HEX #86356A

RGB 134 53 106

HSL 320.74, 0.43%, 0.37%

LAB 35.31, 41.03, -13.86

 

CMYK 11 / 60 / 0 / 71

HEX #431E4B

RGB 67 30 75

HSL 289.33, 0.43%, 0.21%

LAB 18.5, 25.94, -20.46

 

CMYK 10 / 60 / 0 / 59

HEX #5E2A69

RGB 94 42 105

HSL 289.52, 0.43%, 0.29%

LAB 26.89, 34.19, -26.8

 

CMYK 10 / 60 / 0 / 47

HEX #783586

RGB 120 53 134

HSL 289.63, 0.43%, 0.37%

LAB 34.52, 41.97, -32.77

 

CMYK 10 / 60 / 0 / 36

HEX #9341A4

RGB 147 65 164

HSL 289.7, 0.43%, 0.45%

LAB 42.25, 49.37, -38.47

 

CMYK 10 / 55 / 0 / 27

HEX #A854BA

RGB 168 84 186

HSL 289.41, 0.43%, 0.53%

LAB 49.75, 50, -39.36

 

CMYK 10 / 60 / 0 / 47

HEX #783686

RGB 120 54 134

HSL 289.5, 0.43%, 0.37%

LAB 34.71, 41.46, -32.48

 

CMYK 0 / 59 / 60 / 47

HEX #863735

RGB 134 55 53

HSL 1.48, 0.43%, 0.37%

LAB 34.1, 33.75, 18.28

 

CMYK 60 / 0 / 35 / 47

HEX #358657

RGB 53 134 87

HSL 145.19, 0.43%, 0.37%

LAB 50.09, -36.06, 18.14

 

CMYK 10 / 60 / 0 / 47

HEX #783686

RGB 120 54 134

HSL 289.5, 0.43%, 0.37%

LAB 34.71, 41.46, -32.48

 

CMYK 0 / 10 / 60 / 47

HEX #867835

RGB 134 120 53

HSL 49.63, 0.43%, 0.37%

LAB 50.4, -3.46, 38.03

 

CMYK 60 / 0 / 10 / 47

HEX #358678

RGB 53 134 120

HSL 169.63, 0.43%, 0.37%

LAB 50.88, -28.14, 0.19

 

CMYK 10 / 60 / 0 / 47

HEX #783686

RGB 120 54 134

HSL 289.5, 0.43%, 0.37%

LAB 34.71, 41.46, -32.48

 

CMYK 0 / 59 / 60 / 47

HEX #863735

RGB 134 55 53

HSL 1.48, 0.43%, 0.37%

LAB 34.1, 33.75, 18.28

 

CMYK 49 / 0 / 60 / 47

HEX #448635

RGB 68 134 53

HSL 108.89, 0.43%, 0.37%

LAB 50.14, -37.42, 36.53

 

CMYK 60 / 1 / 0 / 47

HEX #358586

RGB 53 133 134

HSL 180.74, 0.43%, 0.37%

LAB 50.98, -23.66, -7.83

 

CMYK 10 / 60 / 0 / 47

HEX #783686

RGB 120 54 134

HSL 289.5, 0.43%, 0.37%

LAB 34.71, 41.46, -32.48

 

CMYK 0 / 41 / 60 / 47

HEX #864F35

RGB 134 79 53

HSL 19.26, 0.43%, 0.37%

LAB 39.44, 20.42, 25.05

 

CMYK 49 / 0 / 60 / 47

HEX #448635

RGB 68 134 53

HSL 108.89, 0.43%, 0.37%

LAB 50.14, -37.42, 36.53

 

CMYK 60 / 19 / 0 / 47

HEX #356D86

RGB 53 109 134

HSL 198.52, 0.43%, 0.37%

LAB 43.38, -10.54, -19.35

 

Description

Color code: RGB 120 54 134 | qconv.com Color code: RGB 120 54 134 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 54 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 54 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 60 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 60% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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