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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 121 113 82 it is the complementary color RGB 134 142 173. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 121 113 82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 121 113 82 shade: RGB 126 113 77, RGB 143 131 96, RGB 160 149 115, RGB 177 167 134 and RGB 194 185 153

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 121 113 82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 121 113 82 shade: RGB 121 113 82, RGB 104 95 63, RGB 87 77 44, RGB 70 59 25 and RGB 53 41 6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 121 113 82 shade: RGB 121 113 82, RGB 121 102 82, RGB 121 92 82 and RGB 121 82 82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 121 113 82 shade: RGB 121 113 82, RGB 118 121 82, RGB 108 121 82, RGB 97 121 82 and RGB 87 121 82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 121 113 82 shade matches the following richer shades: RGB 121 113 82, RGB 137 123 66, RGB 154 132 49, RGB 170 142 33 and RGB 187 152 16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 121 113 82 shade: RGB 121 113 82, RGB 104 103 99, RGB 88 93 115, RGB 71 84 132 and RGB 55 74 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 121 113 82 shade: RGB 121 92 82, RGB 121 102 82, RGB 121 112 82, RGB 119 121 82 and RGB 109 121 82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 121 113 82 shade: RGB 72 67 49, RGB 96 90 65, RGB 121 113 82, RGB 145 136 99 and RGB 164 155 122

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 121 113 82 shade: RGB 121 113 82, RGB 83 121 82 and RGB 97 82 121

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 121 113 82 shade: RGB 121 113 82, RGB 82 121 112 and RGB 112 82 121

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 121 113 82 shade: RGB 121 113 82, RGB 83 121 82, RGB 82 91 121 and RGB 120 82 121

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 121 113 82 shade: RGB 121 113 82, RGB 82 121 93, RGB 82 91 121 and RGB 121 82 110

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 32 / 53

HEX #797152

RGB 121 113 82

HSL 47.69, 0.19%, 0.4%

LAB 47.6, -2.08, 18.36

 

Complementary color

CMYK 23 / 18 / 0 / 32

HEX #868EAD

RGB 134 142 173

HSL 227.69, 0.19%, 0.6%

LAB 59.37, 4, -17.24

 

CMYK 0 / 10 / 39 / 51

HEX #7E714D

RGB 126 113 77

HSL 44.08, 0.24%, 0.4%

LAB 47.98, -0.59, 21.85

 

CMYK 0 / 8 / 33 / 44

HEX #8F8360

RGB 143 131 96

HSL 44.68, 0.2%, 0.47%

LAB 54.99, -1.06, 20.6

 

CMYK 0 / 7 / 28 / 37

HEX #A09573

RGB 160 149 115

HSL 45.33, 0.19%, 0.54%

LAB 61.83, -1.45, 19.46

 

CMYK 0 / 6 / 24 / 31

HEX #B1A786

RGB 177 167 134

HSL 46.05, 0.22%, 0.61%

LAB 68.54, -1.78, 18.4

 

CMYK 0 / 5 / 21 / 24

HEX #C2B999

RGB 194 185 153

HSL 46.83, 0.25%, 0.68%

LAB 75.12, -2.06, 17.41

 

CMYK 0 / 7 / 32 / 53

HEX #797152

RGB 121 113 82

HSL 47.69, 0.19%, 0.4%

LAB 47.6, -2.08, 18.36

 

CMYK 0 / 9 / 39 / 59

HEX #685F3F

RGB 104 95 63

HSL 46.83, 0.25%, 0.33%

LAB 40.39, -1.64, 19.64

 

CMYK 0 / 11 / 49 / 66

HEX #574D2C

RGB 87 77 44

HSL 46.05, 0.33%, 0.26%

LAB 32.95, -1.03, 21.04

 

CMYK 0 / 16 / 64 / 73

HEX #463B19

RGB 70 59 25

HSL 45.33, 0.47%, 0.19%

LAB 25.26, -0.17, 22.53

 

CMYK 0 / 23 / 89 / 79

HEX #352906

RGB 53 41 6

HSL 44.68, 0.8%, 0.12%

LAB 17.25, 1.16, 22.51

 

CMYK 0 / 7 / 32 / 53

HEX #797152

RGB 121 113 82

HSL 47.69, 0.19%, 0.4%

LAB 47.6, -2.08, 18.36

 

CMYK 0 / 16 / 32 / 53

HEX #796652

RGB 121 102 82

HSL 30.77, 0.19%, 0.4%

LAB 44.49, 4.34, 14.13

 

CMYK 0 / 24 / 32 / 53

HEX #795C52

RGB 121 92 82

HSL 15.38, 0.19%, 0.4%

LAB 41.73, 10.31, 10.33

 

CMYK 0 / 32 / 32 / 53

HEX #795252

RGB 121 82 82

HSL 0, 0.19%, 0.4%

LAB 39.09, 16.33, 6.6

 

CMYK 0 / 7 / 32 / 53

HEX #797152

RGB 121 113 82

HSL 47.69, 0.19%, 0.4%

LAB 47.6, -2.08, 18.36

 

CMYK 2 / 0 / 32 / 53

HEX #767952

RGB 118 121 82

HSL 64.62, 0.19%, 0.4%

LAB 49.66, -7.91, 21.06

 

CMYK 11 / 0 / 32 / 53

HEX #6C7952

RGB 108 121 82

HSL 80, 0.19%, 0.4%

LAB 48.85, -12.08, 19.84

 

CMYK 20 / 0 / 32 / 53

HEX #617952

RGB 97 121 82

HSL 96.92, 0.19%, 0.4%

LAB 48.04, -16.51, 18.61

 

CMYK 28 / 0 / 32 / 53

HEX #577952

RGB 87 121 82

HSL 112.31, 0.19%, 0.4%

LAB 47.38, -20.34, 17.61

 

CMYK 0 / 7 / 32 / 53

HEX #797152

RGB 121 113 82

HSL 47.69, 0.19%, 0.4%

LAB 47.6, -2.08, 18.36

 

CMYK 0 / 10 / 52 / 46

HEX #897B42

RGB 137 123 66

HSL 48.17, 0.35%, 0.4%

LAB 51.7, -2.65, 32.88

 

CMYK 0 / 14 / 68 / 40

HEX #9A8431

RGB 154 132 49

HSL 47.43, 0.52%, 0.4%

LAB 55.68, -1.35, 46.26

 

CMYK 0 / 16 / 81 / 33

HEX #AA8E21

RGB 170 142 33

HSL 47.74, 0.67%, 0.4%

LAB 59.89, -0.37, 57.16

 

CMYK 0 / 19 / 91 / 27

HEX #BB9810

RGB 187 152 16

HSL 47.72, 0.84%, 0.4%

LAB 64.21, 1.44, 65.75

 

CMYK 0 / 7 / 32 / 53

HEX #797152

RGB 121 113 82

HSL 47.69, 0.19%, 0.4%

LAB 47.6, -2.08, 18.36

 

CMYK 0 / 1 / 5 / 59

HEX #686763

RGB 104 103 99

HSL 48, 0.02%, 0.4%

LAB 43.57, -0.41, 2.39

 

CMYK 23 / 19 / 0 / 55

HEX #585D73

RGB 88 93 115

HSL 228.89, 0.13%, 0.4%

LAB 39.82, 3.32, -13.1

 

CMYK 46 / 36 / 0 / 48

HEX #475484

RGB 71 84 132

HSL 227.21, 0.3%, 0.4%

LAB 36.64, 8.61, -28.54

 

CMYK 63 / 50 / 0 / 42

HEX #374A94

RGB 55 74 148

HSL 227.74, 0.46%, 0.4%

LAB 33.66, 16.91, -43.11

 

CMYK 0 / 24 / 32 / 53

HEX #795C52

RGB 121 92 82

HSL 15.38, 0.19%, 0.4%

LAB 41.73, 10.31, 10.33

 

CMYK 0 / 16 / 32 / 53

HEX #796652

RGB 121 102 82

HSL 30.77, 0.19%, 0.4%

LAB 44.49, 4.34, 14.13

 

CMYK 0 / 7 / 32 / 53

HEX #797052

RGB 121 112 82

HSL 46.15, 0.19%, 0.4%

LAB 47.32, -1.51, 17.98

 

CMYK 2 / 0 / 32 / 53

HEX #777952

RGB 119 121 82

HSL 63.08, 0.19%, 0.4%

LAB 49.74, -7.49, 21.19

 

CMYK 10 / 0 / 32 / 53

HEX #6D7952

RGB 109 121 82

HSL 78.46, 0.19%, 0.4%

LAB 48.93, -11.67, 19.96

 

CMYK 0 / 7 / 32 / 72

HEX #484331

RGB 72 67 49

HSL 46.96, 0.19%, 0.24%

LAB 28.42, -1.22, 11.72

 

CMYK 0 / 6 / 32 / 62

HEX #605A41

RGB 96 90 65

HSL 48.39, 0.19%, 0.32%

LAB 38.16, -1.97, 15.35

 

CMYK 0 / 7 / 32 / 53

HEX #797152

RGB 121 113 82

HSL 47.69, 0.19%, 0.4%

LAB 47.6, -2.08, 18.36

 

CMYK 0 / 6 / 32 / 43

HEX #918863

RGB 145 136 99

HSL 48.26, 0.19%, 0.48%

LAB 56.61, -2.62, 21.13

 

CMYK 0 / 5 / 26 / 36

HEX #A49B7A

RGB 164 155 122

HSL 47.14, 0.19%, 0.56%

LAB 63.95, -2.13, 18.52

 

CMYK 0 / 7 / 32 / 53

HEX #797152

RGB 121 113 82

HSL 47.69, 0.19%, 0.4%

LAB 47.6, -2.08, 18.36

 

CMYK 31 / 0 / 32 / 53

HEX #537952

RGB 83 121 82

HSL 118.46, 0.19%, 0.4%

LAB 47.14, -21.81, 17.24

 

CMYK 20 / 32 / 0 / 53

HEX #615279

RGB 97 82 121

HSL 263.08, 0.19%, 0.4%

LAB 37.76, 14.83, -19.86

 

CMYK 0 / 7 / 32 / 53

HEX #797152

RGB 121 113 82

HSL 47.69, 0.19%, 0.4%

LAB 47.6, -2.08, 18.36

 

CMYK 32 / 0 / 7 / 53

HEX #527970

RGB 82 121 112

HSL 166.15, 0.19%, 0.4%

LAB 47.8, -15.8, 0.56

 

CMYK 7 / 32 / 0 / 53

HEX #705279

RGB 112 82 121

HSL 286.15, 0.19%, 0.4%

LAB 39.34, 20.06, -17.3

 

CMYK 0 / 7 / 32 / 53

HEX #797152

RGB 121 113 82

HSL 47.69, 0.19%, 0.4%

LAB 47.6, -2.08, 18.36

 

CMYK 31 / 0 / 32 / 53

HEX #537952

RGB 83 121 82

HSL 118.46, 0.19%, 0.4%

LAB 47.14, -21.81, 17.24

 

CMYK 32 / 25 / 0 / 53

HEX #525B79

RGB 82 91 121

HSL 226.15, 0.19%, 0.4%

LAB 39, 4.16, -18.07

 

CMYK 1 / 32 / 0 / 53

HEX #785279

RGB 120 82 121

HSL 298.46, 0.19%, 0.4%

LAB 40.26, 22.9, -15.82

 

CMYK 0 / 7 / 32 / 53

HEX #797152

RGB 121 113 82

HSL 47.69, 0.19%, 0.4%

LAB 47.6, -2.08, 18.36

 

CMYK 32 / 0 / 23 / 53

HEX #52795D

RGB 82 121 93

HSL 136.92, 0.19%, 0.4%

LAB 47.31, -20.04, 11.07

 

CMYK 32 / 25 / 0 / 53

HEX #525B79

RGB 82 91 121

HSL 226.15, 0.19%, 0.4%

LAB 39, 4.16, -18.07

 

CMYK 0 / 32 / 9 / 53

HEX #79526E

RGB 121 82 110

HSL 316.92, 0.19%, 0.4%

LAB 39.96, 21.07, -9.49

 

Description

Color code: RGB 121 113 82 | qconv.com Color code: RGB 121 113 82 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 113 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 113 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 32 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 32% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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