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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 121 129 120 it is the complementary color RGB 134 126 135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 121 129 120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 121 129 120 shade: RGB 126 129 115, RGB 143 147 134, RGB 160 165 153, RGB 177 183 172 and RGB 194 201 191

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 121 129 120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 121 129 120 shade: RGB 121 129 120, RGB 104 111 101, RGB 87 93 82, RGB 70 75 63 and RGB 53 57 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 121 129 120 shade: RGB 121 129 119, RGB 123 129 119, RGB 126 129 119, RGB 129 129 119 and RGB 129 128 119

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 121 129 120 shade: RGB 121 129 119, RGB 119 129 121, RGB 119 129 124, RGB 119 129 126 and RGB 119 129 129

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 121 129 120 shade matches the following richer shades: RGB 121 129 119, RGB 105 150 99, RGB 89 170 79, RGB 73 190 59 and RGB 58 210 39

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 121 129 120 shade: RGB 121 129 119, RGB 136 109 140, RGB 152 89 160, RGB 168 69 180 and RGB 183 49 200

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 121 129 120 shade: RGB 126 129 119, RGB 123 129 119, RGB 121 129 119, RGB 119 129 121 and RGB 119 129 124

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 121 129 120 shade: RGB 81 87 80, RGB 101 108 100, RGB 121 129 119, RGB 142 149 141 and RGB 163 169 162

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 121 129 120 shade: RGB 121 129 120, RGB 119 129 129 and RGB 129 119 125

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 121 129 120 shade: RGB 121 129 120, RGB 119 121 129 and RGB 129 119 121

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 121 129 120 shade: RGB 121 129 120, RGB 119 129 129, RGB 128 119 129 and RGB 129 120 119

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 121 129 120 shade: RGB 121 129 120, RGB 119 126 129, RGB 128 119 129 and RGB 129 123 119

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 7 / 49

HEX #798178

RGB 121 129 120

HSL 113.33, 0.04%, 0.49%

LAB 53.08, -4.77, 3.85

 

Complementary color

CMYK 1 / 7 / 0 / 47

HEX #867E87

RGB 134 126 135

HSL 293.33, 0.04%, 0.51%

LAB 53.75, 4.79, -3.78

 

CMYK 2 / 0 / 11 / 49

HEX #7E8173

RGB 126 129 115

HSL 72.86, 0.06%, 0.48%

LAB 53.36, -3.81, 7.2

 

CMYK 3 / 0 / 9 / 42

HEX #8F9386

RGB 143 147 134

HSL 78.46, 0.06%, 0.55%

LAB 60.27, -3.92, 6.37

 

CMYK 3 / 0 / 7 / 35

HEX #A0A599

RGB 160 165 153

HSL 85, 0.06%, 0.62%

LAB 67.04, -4.03, 5.59

 

CMYK 3 / 0 / 6 / 28

HEX #B1B7AC

RGB 177 183 172

HSL 92.73, 0.07%, 0.7%

LAB 73.67, -4.13, 4.85

 

CMYK 3 / 0 / 5 / 21

HEX #C2C9BF

RGB 194 201 191

HSL 102, 0.08%, 0.77%

LAB 80.18, -4.23, 4.15

 

CMYK 6 / 0 / 7 / 49

HEX #798178

RGB 121 129 120

HSL 113.33, 0.04%, 0.49%

LAB 53.08, -4.77, 3.85

 

CMYK 6 / 0 / 9 / 56

HEX #686F65

RGB 104 111 101

HSL 102, 0.05%, 0.42%

LAB 45.98, -4.71, 4.65

 

CMYK 6 / 0 / 12 / 64

HEX #575D52

RGB 87 93 82

HSL 92.73, 0.06%, 0.34%

LAB 38.66, -4.66, 5.51

 

CMYK 7 / 0 / 16 / 71

HEX #464B3F

RGB 70 75 63

HSL 85, 0.09%, 0.27%

LAB 31.1, -4.6, 6.47

 

CMYK 7 / 0 / 23 / 78

HEX #35392C

RGB 53 57 44

HSL 78.46, 0.13%, 0.2%

LAB 23.22, -4.53, 7.55

 

CMYK 6 / 0 / 8 / 49

HEX #798177

RGB 121 129 119

HSL 108, 0.04%, 0.49%

LAB 53.06, -4.97, 4.4

 

CMYK 5 / 0 / 8 / 49

HEX #7B8177

RGB 123 129 119

HSL 96, 0.04%, 0.49%

LAB 53.21, -4.21, 4.64

 

CMYK 2 / 0 / 8 / 49

HEX #7E8177

RGB 126 129 119

HSL 78, 0.04%, 0.49%

LAB 53.46, -3.07, 5.03

 

CMYK 0 / 0 / 8 / 49

HEX #818177

RGB 129 129 119

HSL 60, 0.04%, 0.49%

LAB 53.71, -1.91, 5.42

 

CMYK 0 / 1 / 8 / 49

HEX #818077

RGB 129 128 119

HSL 54, 0.04%, 0.49%

LAB 53.42, -1.34, 5.01

 

CMYK 6 / 0 / 8 / 49

HEX #798177

RGB 121 129 119

HSL 108, 0.04%, 0.49%

LAB 53.06, -4.97, 4.4

 

CMYK 8 / 0 / 6 / 49

HEX #778179

RGB 119 129 121

HSL 132, 0.04%, 0.49%

LAB 52.95, -5.32, 3.06

 

CMYK 8 / 0 / 4 / 49

HEX #77817C

RGB 119 129 124

HSL 150, 0.04%, 0.49%

LAB 53.03, -4.72, 1.43

 

CMYK 8 / 0 / 2 / 49

HEX #77817E

RGB 119 129 126

HSL 162, 0.04%, 0.49%

LAB 53.09, -4.31, 0.35

 

CMYK 8 / 0 / 0 / 49

HEX #778181

RGB 119 129 129

HSL 180, 0.04%, 0.49%

LAB 53.18, -3.68, -1.27

 

CMYK 6 / 0 / 8 / 49

HEX #798177

RGB 121 129 119

HSL 108, 0.04%, 0.49%

LAB 53.06, -4.97, 4.4

 

CMYK 30 / 0 / 34 / 41

HEX #699663

RGB 105 150 99

HSL 112.94, 0.2%, 0.49%

LAB 57.77, -25.69, 22.16

 

CMYK 48 / 0 / 54 / 33

HEX #59AA4F

RGB 89 170 79

HSL 113.41, 0.37%, 0.49%

LAB 62.88, -43.05, 39.01

 

CMYK 62 / 0 / 69 / 25

HEX #49BE3B

RGB 73 190 59

HSL 113.59, 0.53%, 0.49%

LAB 68.43, -57.16, 54.08

 

CMYK 72 / 0 / 81 / 18

HEX #3AD227

RGB 58 210 39

HSL 113.33, 0.69%, 0.49%

LAB 74.28, -68.1, 66.35

 

CMYK 6 / 0 / 8 / 49

HEX #798177

RGB 121 129 119

HSL 108, 0.04%, 0.49%

LAB 53.06, -4.97, 4.4

 

CMYK 3 / 22 / 0 / 45

HEX #886D8C

RGB 136 109 140

HSL 292.26, 0.12%, 0.49%

LAB 49.57, 16.5, -12.94

 

CMYK 5 / 44 / 0 / 37

HEX #9859A0

RGB 152 89 160

HSL 293.24, 0.29%, 0.49%

LAB 47.44, 37.52, -27.9

 

CMYK 7 / 62 / 0 / 29

HEX #A845B4

RGB 168 69 180

HSL 293.51, 0.45%, 0.49%

LAB 46.81, 55.96, -40.51

 

CMYK 9 / 76 / 0 / 22

HEX #B731C8

RGB 183 49 200

HSL 293.25, 0.61%, 0.49%

LAB 47.54, 70.49, -50.86

 

CMYK 2 / 0 / 8 / 49

HEX #7E8177

RGB 126 129 119

HSL 78, 0.04%, 0.49%

LAB 53.46, -3.07, 5.03

 

CMYK 5 / 0 / 8 / 49

HEX #7B8177

RGB 123 129 119

HSL 96, 0.04%, 0.49%

LAB 53.21, -4.21, 4.64

 

CMYK 6 / 0 / 8 / 49

HEX #798177

RGB 121 129 119

HSL 108, 0.04%, 0.49%

LAB 53.06, -4.97, 4.4

 

CMYK 8 / 0 / 6 / 49

HEX #778179

RGB 119 129 121

HSL 132, 0.04%, 0.49%

LAB 52.95, -5.32, 3.06

 

CMYK 8 / 0 / 4 / 49

HEX #77817C

RGB 119 129 124

HSL 150, 0.04%, 0.49%

LAB 53.03, -4.72, 1.43

 

CMYK 7 / 0 / 8 / 66

HEX #515750

RGB 81 87 80

HSL 111.43, 0.04%, 0.33%

LAB 36.26, -3.89, 3.24

 

CMYK 6 / 0 / 7 / 58

HEX #656C64

RGB 101 108 100

HSL 112.5, 0.04%, 0.41%

LAB 44.82, -4.34, 3.55

 

CMYK 6 / 0 / 8 / 49

HEX #798177

RGB 121 129 119

HSL 108, 0.04%, 0.49%

LAB 53.06, -4.97, 4.4

 

CMYK 5 / 0 / 5 / 42

HEX #8E958D

RGB 142 149 141

HSL 112.5, 0.04%, 0.57%

LAB 60.93, -4.09, 3.34

 

CMYK 4 / 0 / 4 / 34

HEX #A3A9A2

RGB 163 169 162

HSL 111.43, 0.04%, 0.65%

LAB 68.59, -3.45, 2.86

 

CMYK 6 / 0 / 7 / 49

HEX #798178

RGB 121 129 120

HSL 113.33, 0.04%, 0.49%

LAB 53.08, -4.77, 3.85

 

CMYK 8 / 0 / 0 / 49

HEX #778181

RGB 119 129 129

HSL 180, 0.04%, 0.49%

LAB 53.18, -3.68, -1.27

 

CMYK 0 / 8 / 3 / 49

HEX #81777D

RGB 129 119 125

HSL 324, 0.04%, 0.49%

LAB 51.08, 4.99, -1.9

 

CMYK 6 / 0 / 7 / 49

HEX #798178

RGB 121 129 120

HSL 113.33, 0.04%, 0.49%

LAB 53.08, -4.77, 3.85

 

CMYK 8 / 6 / 0 / 49

HEX #777981

RGB 119 121 129

HSL 228, 0.04%, 0.49%

LAB 50.9, 0.92, -4.63

 

CMYK 0 / 8 / 6 / 49

HEX #817779

RGB 129 119 121

HSL 348, 0.04%, 0.49%

LAB 50.97, 4.22, 0.28

 

CMYK 6 / 0 / 7 / 49

HEX #798178

RGB 121 129 120

HSL 113.33, 0.04%, 0.49%

LAB 53.08, -4.77, 3.85

 

CMYK 8 / 0 / 0 / 49

HEX #778181

RGB 119 129 129

HSL 180, 0.04%, 0.49%

LAB 53.18, -3.68, -1.27

 

CMYK 1 / 8 / 0 / 49

HEX #807781

RGB 128 119 129

HSL 294, 0.04%, 0.49%

LAB 51.11, 5.41, -4.22

 

CMYK 0 / 7 / 8 / 49

HEX #817877

RGB 129 120 119

HSL 6, 0.04%, 0.49%

LAB 51.19, 3.26, 1.78

 

CMYK 6 / 0 / 7 / 49

HEX #798178

RGB 121 129 120

HSL 113.33, 0.04%, 0.49%

LAB 53.08, -4.77, 3.85

 

CMYK 8 / 2 / 0 / 49

HEX #777E81

RGB 119 126 129

HSL 198, 0.04%, 0.49%

LAB 52.32, -1.96, -2.53

 

CMYK 1 / 8 / 0 / 49

HEX #807781

RGB 128 119 129

HSL 294, 0.04%, 0.49%

LAB 51.11, 5.41, -4.22

 

CMYK 0 / 5 / 8 / 49

HEX #817B77

RGB 129 123 119

HSL 24, 0.04%, 0.49%

LAB 52.02, 1.52, 2.99

 

Description

Color code: RGB 121 129 120 | qconv.com Color code: RGB 121 129 120 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 129 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 129 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 7 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 7% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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