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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 121 165 76 it is the complementary color RGB 134 90 179. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 121 165 76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 121 165 76 shade: RGB 126 165 71, RGB 143 183 90, RGB 160 201 109, RGB 177 219 128 and RGB 194 237 147

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 121 165 76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 121 165 76 shade: RGB 121 165 76, RGB 104 147 57, RGB 87 129 38, RGB 70 111 19 and RGB 53 93 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 121 165 76 shade: RGB 120 164 75, RGB 144 164 75, RGB 164 160 75, RGB 164 136 75 and RGB 164 112 75

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 121 165 76 shade: RGB 120 164 75, RGB 96 164 75, RGB 75 164 78, RGB 75 164 102 and RGB 75 164 126

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 121 165 76 shade matches the following richer shades: RGB 120 164 75, RGB 120 183 56, RGB 120 202 36 and RGB 121 222 17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 121 165 76 shade: RGB 120 164 75, RGB 120 144 94, RGB 119 125 114, RGB 119 106 133 and RGB 119 86 153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 121 165 76 shade: RGB 164 159 75, RGB 144 164 75, RGB 121 164 75, RGB 97 164 75 and RGB 75 164 76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 121 165 76 shade: RGB 78 107 49, RGB 99 135 62, RGB 120 164 75, RGB 140 182 98 and RGB 161 195 126

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 121 165 76 shade: RGB 121 165 76, RGB 75 164 136 and RGB 164 75 156

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 121 165 76 shade: RGB 121 165 76, RGB 75 121 164 and RGB 164 75 121

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 121 165 76 shade: RGB 121 165 76, RGB 75 164 136, RGB 118 75 164 and RGB 164 75 103

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 121 165 76 shade: RGB 121 165 76, RGB 75 164 162, RGB 118 75 164 and RGB 164 75 76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 54 / 35

HEX #79A54C

RGB 121 165 76

HSL 89.66, 0.37%, 0.47%

LAB 62.92, -30.23, 40.93

 

Complementary color

CMYK 25 / 50 / 0 / 30

HEX #865AB3

RGB 134 90 179

HSL 269.66, 0.37%, 0.53%

LAB 46.49, 35.87, -40.7

 

CMYK 24 / 0 / 57 / 35

HEX #7EA547

RGB 126 165 71

HSL 84.89, 0.4%, 0.46%

LAB 63.18, -28.82, 43.71

 

CMYK 22 / 0 / 51 / 28

HEX #8FB75A

RGB 143 183 90

HSL 85.81, 0.39%, 0.54%

LAB 69.79, -28.93, 42.6

 

CMYK 20 / 0 / 46 / 21

HEX #A0C96D

RGB 160 201 109

HSL 86.74, 0.46%, 0.61%

LAB 76.28, -28.97, 41.44

 

CMYK 19 / 0 / 42 / 14

HEX #B1DB80

RGB 177 219 128

HSL 87.69, 0.56%, 0.68%

LAB 82.68, -28.97, 40.28

 

CMYK 18 / 0 / 38 / 7

HEX #C2ED93

RGB 194 237 147

HSL 88.67, 0.71%, 0.75%

LAB 88.99, -28.94, 39.14

 

CMYK 27 / 0 / 54 / 35

HEX #79A54C

RGB 121 165 76

HSL 89.66, 0.37%, 0.47%

LAB 62.92, -30.23, 40.93

 

CMYK 29 / 0 / 61 / 42

HEX #689339

RGB 104 147 57

HSL 88.67, 0.44%, 0.4%

LAB 56.19, -30.12, 42

 

CMYK 33 / 0 / 71 / 49

HEX #578126

RGB 87 129 38

HSL 87.69, 0.54%, 0.33%

LAB 49.33, -29.87, 42.77

 

CMYK 37 / 0 / 83 / 56

HEX #466F13

RGB 70 111 19

HSL 86.74, 0.71%, 0.25%

LAB 42.34, -29.37, 42.75

 

CMYK 43 / 0 / 100 / 64

HEX #355D00

RGB 53 93 0

HSL 85.81, 1%, 0.18%

LAB 35.17, -28.57, 41.67

 

CMYK 27 / 0 / 54 / 36

HEX #78A44B

RGB 120 164 75

HSL 89.66, 0.37%, 0.47%

LAB 62.55, -30.24, 40.96

 

CMYK 12 / 0 / 54 / 36

HEX #90A44B

RGB 144 164 75

HSL 73.48, 0.37%, 0.47%

LAB 64.15, -20.71, 43.24

 

CMYK 0 / 2 / 54 / 36

HEX #A4A04B

RGB 164 160 75

HSL 57.3, 0.37%, 0.47%

LAB 64.6, -10.21, 44.16

 

CMYK 0 / 17 / 54 / 36

HEX #A4884B

RGB 164 136 75

HSL 41.12, 0.37%, 0.47%

LAB 58.05, 2.83, 36.42

 

CMYK 0 / 32 / 54 / 36

HEX #A4704B

RGB 164 112 75

HSL 24.94, 0.37%, 0.47%

LAB 51.82, 16.38, 28.75

 

CMYK 27 / 0 / 54 / 36

HEX #78A44B

RGB 120 164 75

HSL 89.66, 0.37%, 0.47%

LAB 62.55, -30.24, 40.96

 

CMYK 41 / 0 / 54 / 36

HEX #60A44B

RGB 96 164 75

HSL 105.84, 0.37%, 0.47%

LAB 61.26, -38.78, 39.11

 

CMYK 54 / 0 / 52 / 36

HEX #4BA44E

RGB 75 164 78

HSL 122.02, 0.37%, 0.47%

LAB 60.42, -44.68, 36.41

 

CMYK 54 / 0 / 38 / 36

HEX #4BA466

RGB 75 164 102

HSL 138.2, 0.37%, 0.47%

LAB 60.79, -40.82, 24.3

 

CMYK 54 / 0 / 23 / 36

HEX #4BA47E

RGB 75 164 126

HSL 154.38, 0.37%, 0.47%

LAB 61.27, -35.93, 11.75

 

CMYK 27 / 0 / 54 / 36

HEX #78A44B

RGB 120 164 75

HSL 89.66, 0.37%, 0.47%

LAB 62.55, -30.24, 40.96

 

CMYK 34 / 0 / 69 / 28

HEX #78B738

RGB 120 183 56

HSL 89.76, 0.53%, 0.47%

LAB 68.13, -40.59, 55.52

 

CMYK 41 / 0 / 82 / 21

HEX #78CA24

RGB 120 202 36

HSL 89.64, 0.7%, 0.47%

LAB 73.78, -49.66, 67.42

 

CMYK 45 / 0 / 92 / 13

HEX #79DE11

RGB 121 222 17

HSL 89.56, 0.86%, 0.47%

LAB 79.81, -57.67, 76.15

 

CMYK 27 / 0 / 54 / 36

HEX #78A44B

RGB 120 164 75

HSL 89.66, 0.37%, 0.47%

LAB 62.55, -30.24, 40.96

 

CMYK 17 / 0 / 35 / 44

HEX #78905E

RGB 120 144 94

HSL 88.8, 0.21%, 0.47%

LAB 56.83, -17.82, 23.84

 

CMYK 5 / 0 / 9 / 51

HEX #777D72

RGB 119 125 114

HSL 92.73, 0.05%, 0.47%

LAB 51.61, -4.43, 5.22

 

CMYK 11 / 20 / 0 / 48

HEX #776A85

RGB 119 106 133

HSL 268.89, 0.11%, 0.47%

LAB 46.87, 10.68, -13.02

 

CMYK 22 / 44 / 0 / 40

HEX #775699

RGB 119 86 153

HSL 269.55, 0.28%, 0.47%

LAB 42.58, 27.47, -31.62

 

CMYK 0 / 3 / 54 / 36

HEX #A49F4B

RGB 164 159 75

HSL 56.63, 0.37%, 0.47%

LAB 64.32, -9.68, 43.84

 

CMYK 12 / 0 / 54 / 36

HEX #90A44B

RGB 144 164 75

HSL 73.48, 0.37%, 0.47%

LAB 64.15, -20.71, 43.24

 

CMYK 26 / 0 / 54 / 36

HEX #79A44B

RGB 121 164 75

HSL 88.99, 0.37%, 0.47%

LAB 62.61, -29.86, 41.05

 

CMYK 41 / 0 / 54 / 36

HEX #61A44B

RGB 97 164 75

HSL 105.17, 0.37%, 0.47%

LAB 61.31, -38.45, 39.18

 

CMYK 54 / 0 / 54 / 36

HEX #4BA44C

RGB 75 164 76

HSL 120.67, 0.37%, 0.47%

LAB 60.4, -44.96, 37.37

 

CMYK 27 / 0 / 54 / 58

HEX #4E6B31

RGB 78 107 49

HSL 90, 0.37%, 0.31%

LAB 41.78, -21.53, 28.87

 

CMYK 27 / 0 / 54 / 47

HEX #63873E

RGB 99 135 62

HSL 89.59, 0.37%, 0.39%

LAB 52.21, -25.73, 34.86

 

CMYK 27 / 0 / 54 / 36

HEX #78A44B

RGB 120 164 75

HSL 89.66, 0.37%, 0.47%

LAB 62.55, -30.24, 40.96

 

CMYK 23 / 0 / 46 / 29

HEX #8CB662

RGB 140 182 98

HSL 90, 0.37%, 0.55%

LAB 69.41, -28.66, 38.12

 

CMYK 17 / 0 / 35 / 24

HEX #A1C37E

RGB 161 195 126

HSL 89.57, 0.37%, 0.63%

LAB 74.9, -23.52, 31.03

 

CMYK 27 / 0 / 54 / 35

HEX #79A54C

RGB 121 165 76

HSL 89.66, 0.37%, 0.47%

LAB 62.92, -30.23, 40.93

 

CMYK 54 / 0 / 17 / 36

HEX #4BA488

RGB 75 164 136

HSL 161.12, 0.37%, 0.47%

LAB 61.5, -33.62, 6.5

 

CMYK 0 / 54 / 5 / 36

HEX #A44B9C

RGB 164 75 156

HSL 305.39, 0.37%, 0.47%

LAB 46.08, 47.7, -27.52

 

CMYK 27 / 0 / 54 / 35

HEX #79A54C

RGB 121 165 76

HSL 89.66, 0.37%, 0.47%

LAB 62.92, -30.23, 40.93

 

CMYK 54 / 26 / 0 / 36

HEX #4B79A4

RGB 75 121 164

HSL 208.99, 0.37%, 0.47%

LAB 49.31, -2.95, -27.83

 

CMYK 0 / 54 / 26 / 36

HEX #A44B79

RGB 164 75 121

HSL 328.99, 0.37%, 0.47%

LAB 44.67, 42.1, -8.57

 

CMYK 27 / 0 / 54 / 35

HEX #79A54C

RGB 121 165 76

HSL 89.66, 0.37%, 0.47%

LAB 62.92, -30.23, 40.93

 

CMYK 54 / 0 / 17 / 36

HEX #4BA488

RGB 75 164 136

HSL 161.12, 0.37%, 0.47%

LAB 61.5, -33.62, 6.5

 

CMYK 28 / 54 / 0 / 36

HEX #764BA4

RGB 118 75 164

HSL 268.99, 0.37%, 0.47%

LAB 40.51, 36.38, -41.46

 

CMYK 0 / 54 / 37 / 36

HEX #A44B67

RGB 164 75 103

HSL 341.12, 0.37%, 0.47%

LAB 44.09, 39.72, 1.6

 

CMYK 27 / 0 / 54 / 35

HEX #79A54C

RGB 121 165 76

HSL 89.66, 0.37%, 0.47%

LAB 62.92, -30.23, 40.93

 

CMYK 54 / 0 / 1 / 36

HEX #4BA4A2

RGB 75 164 162

HSL 178.65, 0.37%, 0.47%

LAB 62.22, -26.93, -7.06

 

CMYK 28 / 54 / 0 / 36

HEX #764BA4

RGB 118 75 164

HSL 268.99, 0.37%, 0.47%

LAB 40.51, 36.38, -41.46

 

CMYK 0 / 54 / 54 / 36

HEX #A44B4C

RGB 164 75 76

HSL 359.33, 0.37%, 0.47%

LAB 43.43, 36.86, 17.24

 

Description

Color code: RGB 121 165 76 | qconv.com Color code: RGB 121 165 76 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 165 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 165 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 54 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 54% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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