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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 121 177 184 it is the complementary color RGB 134 78 71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 121 177 184. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 121 177 184 shade: RGB 126 177 179, RGB 143 195 198, RGB 160 213 217, RGB 177 231 236 and RGB 194 249 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 121 177 184. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 121 177 184 shade: RGB 121 177 184, RGB 104 159 165, RGB 87 141 146, RGB 70 123 127 and RGB 53 105 108

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 121 177 184 shade: RGB 121 177 184, RGB 121 160 184, RGB 121 143 184, RGB 121 126 184 and RGB 133 121 184

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 121 177 184 shade: RGB 121 177 184, RGB 121 160 184, RGB 121 143 184, RGB 121 126 184 and RGB 121 121 184

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 121 177 184 shade matches the following richer shades: RGB 121 177 184, RGB 104 190 201, RGB 88 203 217, RGB 71 216 234 and RGB 55 228 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 121 177 184 shade: RGB 121 177 184, RGB 137 164 168, RGB 154 151 151, RGB 170 139 135 and RGB 187 126 118

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 121 177 184 shade: RGB 121 184 157, RGB 121 184 174, RGB 121 178 184, RGB 121 161 184 and RGB 121 144 184

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 121 177 184 shade: RGB 77 138 146, RGB 94 161 170, RGB 121 177 184, RGB 148 193 198 and RGB 175 208 213

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 121 177 184 shade: RGB 121 177 184, RGB 140 121 184 and RGB 184 165 121

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 121 177 184 shade: RGB 121 177 184, RGB 184 121 178 and RGB 178 184 121

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 121 177 184 shade: RGB 121 177 184, RGB 140 121 184, RGB 184 127 121 and RGB 165 184 121

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 121 177 184 shade: RGB 121 177 184, RGB 159 121 184, RGB 184 127 121 and RGB 146 184 121

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 4 / 0 / 28

HEX #79B1B8

RGB 121 177 184

HSL 186.67, 0.31%, 0.6%

LAB 68.73, -16.44, -9.41

 

Complementary color

CMYK 0 / 42 / 47 / 47

HEX #864E47

RGB 134 78 71

HSL 6.67, 0.31%, 0.4%

LAB 39.53, 22.75, 14.29

 

CMYK 30 / 1 / 0 / 30

HEX #7EB1B3

RGB 126 177 179

HSL 182.26, 0.26%, 0.6%

LAB 68.85, -16.22, -6.44

 

CMYK 28 / 2 / 0 / 22

HEX #8FC3C6

RGB 143 195 198

HSL 183.27, 0.33%, 0.67%

LAB 75.42, -16.14, -7

 

CMYK 26 / 2 / 0 / 15

HEX #A0D5D9

RGB 160 213 217

HSL 184.21, 0.43%, 0.74%

LAB 81.88, -16.07, -7.53

 

CMYK 25 / 2 / 0 / 7

HEX #B1E7EC

RGB 177 231 236

HSL 185.08, 0.61%, 0.81%

LAB 88.24, -16.01, -8.05

 

CMYK 24 / 2 / 0 / 0

HEX #C2F9FF

RGB 194 249 255

HSL 185.9, 1%, 0.88%

LAB 94.5, -15.96, -8.56

 

CMYK 34 / 4 / 0 / 28

HEX #79B1B8

RGB 121 177 184

HSL 186.67, 0.31%, 0.6%

LAB 68.73, -16.44, -9.41

 

CMYK 37 / 4 / 0 / 35

HEX #689FA5

RGB 104 159 165

HSL 185.9, 0.25%, 0.53%

LAB 62.05, -16.48, -8.87

 

CMYK 40 / 3 / 0 / 43

HEX #578D92

RGB 87 141 146

HSL 185.08, 0.25%, 0.46%

LAB 55.23, -16.5, -8.31

 

CMYK 45 / 3 / 0 / 50

HEX #467B7F

RGB 70 123 127

HSL 184.21, 0.29%, 0.39%

LAB 48.26, -16.5, -7.71

 

CMYK 51 / 3 / 0 / 58

HEX #35696C

RGB 53 105 108

HSL 183.27, 0.34%, 0.32%

LAB 41.12, -16.44, -7.06

 

CMYK 34 / 4 / 0 / 28

HEX #79B1B8

RGB 121 177 184

HSL 186.67, 0.31%, 0.6%

LAB 68.73, -16.44, -9.41

 

CMYK 34 / 13 / 0 / 28

HEX #79A0B8

RGB 121 160 184

HSL 202.86, 0.31%, 0.6%

LAB 63.89, -7.33, -16.68

 

CMYK 34 / 22 / 0 / 28

HEX #798FB8

RGB 121 143 184

HSL 219.05, 0.31%, 0.6%

LAB 59.13, 2.22, -23.94

 

CMYK 34 / 32 / 0 / 28

HEX #797EB8

RGB 121 126 184

HSL 235.24, 0.31%, 0.6%

LAB 54.5, 12.15, -31.1

 

CMYK 28 / 34 / 0 / 28

HEX #8579B8

RGB 133 121 184

HSL 251.43, 0.31%, 0.6%

LAB 54.16, 18.65, -31.56

 

CMYK 34 / 4 / 0 / 28

HEX #79B1B8

RGB 121 177 184

HSL 186.67, 0.31%, 0.6%

LAB 68.73, -16.44, -9.41

 

CMYK 34 / 13 / 0 / 28

HEX #79A0B8

RGB 121 160 184

HSL 202.86, 0.31%, 0.6%

LAB 63.89, -7.33, -16.68

 

CMYK 34 / 22 / 0 / 28

HEX #798FB8

RGB 121 143 184

HSL 219.05, 0.31%, 0.6%

LAB 59.13, 2.22, -23.94

 

CMYK 34 / 32 / 0 / 28

HEX #797EB8

RGB 121 126 184

HSL 235.24, 0.31%, 0.6%

LAB 54.5, 12.15, -31.1

 

CMYK 34 / 34 / 0 / 28

HEX #7979B8

RGB 121 121 184

HSL 240, 0.31%, 0.6%

LAB 53.17, 15.12, -33.18

 

CMYK 34 / 4 / 0 / 28

HEX #79B1B8

RGB 121 177 184

HSL 186.67, 0.31%, 0.6%

LAB 68.73, -16.44, -9.41

 

CMYK 48 / 5 / 0 / 21

HEX #68BEC9

RGB 104 190 201

HSL 186.8, 0.47%, 0.6%

LAB 72.22, -23.02, -13.6

 

CMYK 59 / 6 / 0 / 15

HEX #58CBD9

RGB 88 203 217

HSL 186.51, 0.63%, 0.6%

LAB 75.94, -28.28, -16.73

 

CMYK 70 / 8 / 0 / 8

HEX #47D8EA

RGB 71 216 234

HSL 186.63, 0.8%, 0.6%

LAB 79.84, -32.23, -20.01

 

CMYK 78 / 9 / 0 / 2

HEX #37E4FA

RGB 55 228 250

HSL 186.77, 0.95%, 0.6%

LAB 83.55, -34.9, -22.89

 

CMYK 34 / 4 / 0 / 28

HEX #79B1B8

RGB 121 177 184

HSL 186.67, 0.31%, 0.6%

LAB 68.73, -16.44, -9.41

 

CMYK 18 / 2 / 0 / 34

HEX #89A4A8

RGB 137 164 168

HSL 187.74, 0.15%, 0.6%

LAB 65.51, -8.43, -5.2

 

CMYK 0 / 2 / 2 / 40

HEX #9A9797

RGB 154 151 151

HSL 0, 0.01%, 0.6%

LAB 62.71, 1.1, 0.38

 

CMYK 0 / 18 / 21 / 33

HEX #AA8B87

RGB 170 139 135

HSL 6.86, 0.17%, 0.6%

LAB 60.57, 11.08, 6.55

 

CMYK 0 / 33 / 37 / 27

HEX #BB7E76

RGB 187 126 118

HSL 6.96, 0.34%, 0.6%

LAB 58.78, 22.66, 14

 

CMYK 34 / 0 / 15 / 28

HEX #79B89D

RGB 121 184 157

HSL 154.29, 0.31%, 0.6%

LAB 70.02, -26.2, 7.34

 

CMYK 34 / 0 / 5 / 28

HEX #79B8AE

RGB 121 184 174

HSL 170.48, 0.31%, 0.6%

LAB 70.46, -22.43, -1.35

 

CMYK 34 / 3 / 0 / 28

HEX #79B2B8

RGB 121 178 184

HSL 185.71, 0.31%, 0.6%

LAB 69.02, -16.96, -8.98

 

CMYK 34 / 13 / 0 / 28

HEX #79A1B8

RGB 121 161 184

HSL 201.9, 0.31%, 0.6%

LAB 64.17, -7.88, -16.25

 

CMYK 34 / 22 / 0 / 28

HEX #7990B8

RGB 121 144 184

HSL 218.1, 0.31%, 0.6%

LAB 59.41, 1.65, -23.51

 

CMYK 47 / 5 / 0 / 43

HEX #4D8A92

RGB 77 138 146

HSL 186.96, 0.31%, 0.44%

LAB 53.85, -17.5, -10.43

 

CMYK 45 / 5 / 0 / 33

HEX #5EA1AA

RGB 94 161 170

HSL 187.11, 0.31%, 0.52%

LAB 62.31, -18.85, -11.34

 

CMYK 34 / 4 / 0 / 28

HEX #79B1B8

RGB 121 177 184

HSL 186.67, 0.31%, 0.6%

LAB 68.73, -16.44, -9.41

 

CMYK 25 / 3 / 0 / 22

HEX #94C1C6

RGB 148 193 198

HSL 186, 0.3%, 0.68%

LAB 75.15, -13.63, -7.37

 

CMYK 18 / 2 / 0 / 16

HEX #AFD0D5

RGB 175 208 213

HSL 187.89, 0.31%, 0.76%

LAB 81.31, -9.85, -6.14

 

CMYK 34 / 4 / 0 / 28

HEX #79B1B8

RGB 121 177 184

HSL 186.67, 0.31%, 0.6%

LAB 68.73, -16.44, -9.41

 

CMYK 24 / 34 / 0 / 28

HEX #8C79B8

RGB 140 121 184

HSL 258.1, 0.31%, 0.6%

LAB 54.77, 20.78, -30.56

 

CMYK 0 / 10 / 34 / 28

HEX #B8A579

RGB 184 165 121

HSL 41.9, 0.31%, 0.6%

LAB 68.37, 0.33, 25.36

 

CMYK 34 / 4 / 0 / 28

HEX #79B1B8

RGB 121 177 184

HSL 186.67, 0.31%, 0.6%

LAB 68.73, -16.44, -9.41

 

CMYK 0 / 34 / 3 / 28

HEX #B879B2

RGB 184 121 178

HSL 305.71, 0.31%, 0.6%

LAB 59.05, 33.67, -20.15

 

CMYK 3 / 0 / 34 / 28

HEX #B2B879

RGB 178 184 121

HSL 65.71, 0.31%, 0.6%

LAB 72.98, -12.12, 31.35

 

CMYK 34 / 4 / 0 / 28

HEX #79B1B8

RGB 121 177 184

HSL 186.67, 0.31%, 0.6%

LAB 68.73, -16.44, -9.41

 

CMYK 24 / 34 / 0 / 28

HEX #8C79B8

RGB 140 121 184

HSL 258.1, 0.31%, 0.6%

LAB 54.77, 20.78, -30.56

 

CMYK 0 / 31 / 34 / 28

HEX #B87F79

RGB 184 127 121

HSL 5.71, 0.31%, 0.6%

LAB 58.74, 21.3, 12.17

 

CMYK 10 / 0 / 34 / 28

HEX #A5B879

RGB 165 184 121

HSL 78.1, 0.31%, 0.6%

LAB 72, -17.19, 29.89

 

CMYK 34 / 4 / 0 / 28

HEX #79B1B8

RGB 121 177 184

HSL 186.67, 0.31%, 0.6%

LAB 68.73, -16.44, -9.41

 

CMYK 14 / 34 / 0 / 28

HEX #9F79B8

RGB 159 121 184

HSL 276.19, 0.31%, 0.6%

LAB 56.59, 26.73, -27.59

 

CMYK 0 / 31 / 34 / 28

HEX #B87F79

RGB 184 127 121

HSL 5.71, 0.31%, 0.6%

LAB 58.74, 21.3, 12.17

 

CMYK 21 / 0 / 34 / 28

HEX #92B879

RGB 146 184 121

HSL 96.19, 0.31%, 0.6%

LAB 70.71, -24.32, 27.96

 

Description

Color code: RGB 121 177 184 | qconv.com Color code: RGB 121 177 184 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 177 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 177 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 4 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 4% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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