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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 121 18 204 it is the complementary color RGB 134 237 51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 121 18 204. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 121 18 204 shade: RGB 126 18 199, RGB 143 36 218, RGB 160 54 237, RGB 177 72 255 and RGB 194 90 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 121 18 204. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 121 18 204 shade: RGB 121 18 204, RGB 104 0 185, RGB 87 0 166, RGB 70 0 147 and RGB 53 0 128

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 121 18 204 shade: RGB 122 17 206, RGB 173 17 206, RGB 206 17 188, RGB 206 17 138 and RGB 206 17 87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 121 18 204 shade: RGB 122 17 206, RGB 71 17 206, RGB 20 17 206 and RGB 17 17 206

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 121 18 204 shade matches the following richer shades: RGB 122 17 206

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 121 18 204 shade: RGB 122 17 206, RGB 120 36 188, RGB 118 54 170, RGB 116 72 151 and RGB 114 90 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 121 18 204 shade: RGB 21 17 206, RGB 71 17 206, RGB 121 17 206, RGB 171 17 206 and RGB 206 17 190

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 121 18 204 shade: RGB 77 11 130, RGB 99 14 168, RGB 122 17 206, RGB 143 30 235 and RGB 162 68 238

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 121 18 204 shade: RGB 121 18 204, RGB 206 17 65 and RGB 17 206 46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 121 18 204 shade: RGB 121 18 204, RGB 206 121 17 and RGB 17 206 121

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 121 18 204 shade: RGB 121 18 204, RGB 206 17 65, RGB 102 206 17 and RGB 17 206 159

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 121 18 204 shade: RGB 121 18 204, RGB 206 27 17, RGB 102 206 17 and RGB 17 197 206

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 91 / 0 / 20

HEX #7912CC

RGB 121 18 204

HSL 273.23, 0.84%, 0.44%

LAB 35.71, 69.48, -72.82

 

Complementary color

CMYK 43 / 0 / 78 / 7

HEX #86ED33

RGB 134 237 51

HSL 93.23, 0.84%, 0.56%

LAB 84.93, -58.15, 73.8

 

CMYK 37 / 91 / 0 / 22

HEX #7E12C7

RGB 126 18 199

HSL 275.8, 0.83%, 0.43%

LAB 35.97, 69.01, -69.45

 

CMYK 34 / 83 / 0 / 15

HEX #8F24DA

RGB 143 36 218

HSL 275.27, 0.72%, 0.5%

LAB 41.47, 70.96, -71.34

 

CMYK 32 / 77 / 0 / 7

HEX #A036ED

RGB 160 54 237

HSL 274.75, 0.84%, 0.57%

LAB 47.27, 71.84, -72.59

 

CMYK 31 / 72 / 0 / 0

HEX #B148FF

RGB 177 72 255

HSL 274.43, 1%, 0.64%

LAB 53.17, 71.8, -72.97

 

CMYK 24 / 65 / 0 / 0

HEX #C25AFF

RGB 194 90 255

HSL 277.82, 1%, 0.68%

LAB 58.04, 67.52, -64.99

 

CMYK 41 / 91 / 0 / 20

HEX #7912CC

RGB 121 18 204

HSL 273.23, 0.84%, 0.44%

LAB 35.71, 69.48, -72.82

 

CMYK 44 / 100 / 0 / 27

HEX #6800B9

RGB 104 0 185

HSL 273.73, 1%, 0.36%

LAB 30.51, 66.48, -70.29

 

CMYK 48 / 100 / 0 / 35

HEX #5700A6

RGB 87 0 166

HSL 271.45, 1%, 0.33%

LAB 26.1, 60.82, -66.26

 

CMYK 52 / 100 / 0 / 42

HEX #460093

RGB 70 0 147

HSL 268.57, 1%, 0.29%

LAB 21.61, 55.09, -62.11

 

CMYK 59 / 100 / 0 / 50

HEX #350080

RGB 53 0 128

HSL 264.84, 1%, 0.25%

LAB 17.06, 49.28, -57.79

 

CMYK 41 / 92 / 0 / 19

HEX #7A11CE

RGB 122 17 206

HSL 273.33, 0.85%, 0.44%

LAB 35.97, 70.2, -73.54

 

CMYK 16 / 92 / 0 / 19

HEX #AD11CE

RGB 173 17 206

HSL 289.52, 0.85%, 0.44%

LAB 43.86, 76.94, -60.34

 

CMYK 0 / 92 / 9 / 19

HEX #CE11BC

RGB 206 17 188

HSL 305.71, 0.85%, 0.44%

LAB 48.45, 79.65, -42.2

 

CMYK 0 / 92 / 33 / 19

HEX #CE118A

RGB 206 17 138

HSL 321.59, 0.85%, 0.44%

LAB 46.12, 73.58, -16.04

 

CMYK 0 / 92 / 58 / 19

HEX #CE1157

RGB 206 17 87

HSL 337.78, 0.85%, 0.44%

LAB 44.53, 69.27, 13.19

 

CMYK 41 / 92 / 0 / 19

HEX #7A11CE

RGB 122 17 206

HSL 273.33, 0.85%, 0.44%

LAB 35.97, 70.2, -73.54

 

CMYK 66 / 92 / 0 / 19

HEX #4711CE

RGB 71 17 206

HSL 257.14, 0.85%, 0.44%

LAB 29.9, 65.82, -83.77

 

CMYK 90 / 92 / 0 / 19

HEX #1411CE

RGB 20 17 206

HSL 240.95, 0.85%, 0.44%

LAB 26.75, 63.95, -89.11

 

CMYK 92 / 92 / 0 / 19

HEX #1111CE

RGB 17 17 206

HSL 240, 0.85%, 0.44%

LAB 26.67, 63.91, -89.25

 

CMYK 41 / 92 / 0 / 19

HEX #7A11CE

RGB 122 17 206

HSL 273.33, 0.85%, 0.44%

LAB 35.97, 70.2, -73.54

 

CMYK 41 / 92 / 0 / 19

HEX #7A11CE

RGB 122 17 206

HSL 273.33, 0.85%, 0.44%

LAB 35.97, 70.2, -73.54

 

CMYK 36 / 81 / 0 / 26

HEX #7824BC

RGB 120 36 188

HSL 273.16, 0.68%, 0.44%

LAB 35.76, 61.08, -63.36

 

CMYK 31 / 68 / 0 / 33

HEX #7636AA

RGB 118 54 170

HSL 273.1, 0.52%, 0.44%

LAB 36.73, 49.06, -51.12

 

CMYK 23 / 52 / 0 / 41

HEX #744897

RGB 116 72 151

HSL 273.42, 0.35%, 0.44%

LAB 38.87, 34.34, -36.3

 

CMYK 14 / 32 / 0 / 48

HEX #725A85

RGB 114 90 133

HSL 273.49, 0.19%, 0.44%

LAB 42.13, 18.62, -20.32

 

CMYK 90 / 92 / 0 / 19

HEX #1511CE

RGB 21 17 206

HSL 241.27, 0.85%, 0.44%

LAB 26.78, 63.97, -89.06

 

CMYK 66 / 92 / 0 / 19

HEX #4711CE

RGB 71 17 206

HSL 257.14, 0.85%, 0.44%

LAB 29.9, 65.82, -83.77

 

CMYK 41 / 92 / 0 / 19

HEX #7911CE

RGB 121 17 206

HSL 273.02, 0.85%, 0.44%

LAB 35.83, 70.09, -73.78

 

CMYK 17 / 92 / 0 / 19

HEX #AB11CE

RGB 171 17 206

HSL 288.89, 0.85%, 0.44%

LAB 43.53, 76.64, -60.89

 

CMYK 0 / 92 / 8 / 19

HEX #CE11BE

RGB 206 17 190

HSL 305.08, 0.85%, 0.44%

LAB 48.56, 79.92, -43.19

 

CMYK 41 / 92 / 0 / 49

HEX #4D0B82

RGB 77 11 130

HSL 273.28, 0.84%, 0.28%

LAB 21.69, 49.22, -51.31

 

CMYK 41 / 92 / 0 / 34

HEX #630EA8

RGB 99 14 168

HSL 273.12, 0.85%, 0.36%

LAB 28.89, 59.91, -62.82

 

CMYK 41 / 92 / 0 / 19

HEX #7A11CE

RGB 122 17 206

HSL 273.33, 0.85%, 0.44%

LAB 35.97, 70.2, -73.54

 

CMYK 39 / 87 / 0 / 8

HEX #8F1EEB

RGB 143 30 235

HSL 273.07, 0.84%, 0.52%

LAB 42.41, 76.06, -79.5

 

CMYK 32 / 71 / 0 / 7

HEX #A244EE

RGB 162 68 238

HSL 273.18, 0.83%, 0.6%

LAB 49.48, 67.03, -69.54

 

CMYK 41 / 91 / 0 / 20

HEX #7912CC

RGB 121 18 204

HSL 273.23, 0.84%, 0.44%

LAB 35.71, 69.48, -72.82

 

CMYK 0 / 92 / 68 / 19

HEX #CE1141

RGB 206 17 65

HSL 344.76, 0.85%, 0.44%

LAB 44.1, 68.05, 26.33

 

CMYK 92 / 0 / 78 / 19

HEX #11CE2E

RGB 17 206 46

HSL 129.21, 0.85%, 0.44%

LAB 72.53, -70.96, 62.52

 

CMYK 41 / 91 / 0 / 20

HEX #7912CC

RGB 121 18 204

HSL 273.23, 0.84%, 0.44%

LAB 35.71, 69.48, -72.82

 

CMYK 0 / 41 / 92 / 19

HEX #CE7911

RGB 206 121 17

HSL 33.02, 0.85%, 0.44%

LAB 58.82, 26.74, 62.5

 

CMYK 92 / 0 / 41 / 19

HEX #11CE79

RGB 17 206 121

HSL 153.02, 0.85%, 0.44%

LAB 73.31, -61.42, 30.64

 

CMYK 41 / 91 / 0 / 20

HEX #7912CC

RGB 121 18 204

HSL 273.23, 0.84%, 0.44%

LAB 35.71, 69.48, -72.82

 

CMYK 0 / 92 / 68 / 19

HEX #CE1141

RGB 206 17 65

HSL 344.76, 0.85%, 0.44%

LAB 44.1, 68.05, 26.33

 

CMYK 50 / 0 / 92 / 19

HEX #66CE11

RGB 102 206 17

HSL 93.02, 0.85%, 0.44%

LAB 74.19, -57.46, 71.23

 

CMYK 92 / 0 / 23 / 19

HEX #11CE9F

RGB 17 206 159

HSL 165.08, 0.85%, 0.44%

LAB 74.04, -53.2, 11.62

 

CMYK 41 / 91 / 0 / 20

HEX #7912CC

RGB 121 18 204

HSL 273.23, 0.84%, 0.44%

LAB 35.71, 69.48, -72.82

 

CMYK 0 / 87 / 92 / 19

HEX #CE1B11

RGB 206 27 17

HSL 3.17, 0.85%, 0.44%

LAB 44.16, 65.06, 52.26

 

CMYK 50 / 0 / 92 / 19

HEX #66CE11

RGB 102 206 17

HSL 93.02, 0.85%, 0.44%

LAB 74.19, -57.46, 71.23

 

CMYK 92 / 4 / 0 / 19

HEX #11C5CE

RGB 17 197 206

HSL 182.86, 0.85%, 0.44%

LAB 72.57, -36.33, -15.99

 

Description

Color code: RGB 121 18 204 | qconv.com Color code: RGB 121 18 204 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 18 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 18 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 91 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 91% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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