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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 121 76 158 it is the complementary color RGB 134 179 97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 121 76 158. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 121 76 158 shade: RGB 126 76 153, RGB 143 94 172, RGB 160 112 191, RGB 177 130 210 and RGB 194 148 229

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 121 76 158. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 121 76 158 shade: RGB 121 76 158, RGB 104 58 139, RGB 87 40 120, RGB 70 22 101 and RGB 53 4 82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 121 76 158 shade: RGB 121 76 158, RGB 143 76 158, RGB 158 76 151, RGB 158 76 128 and RGB 158 76 106

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 121 76 158 shade: RGB 121 76 158, RGB 99 76 158, RGB 77 76 158 and RGB 76 76 158

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 121 76 158 shade matches the following richer shades: RGB 121 76 158, RGB 123 57 177, RGB 125 38 196, RGB 126 19 215 and RGB 128 0 234

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 121 76 158 shade: RGB 121 76 158, RGB 119 95 139, RGB 117 114 120, RGB 115 133 101 and RGB 113 152 82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 121 76 158 shade: RGB 76 76 158, RGB 98 76 158, RGB 120 76 158, RGB 141 76 158 and RGB 158 76 152

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 121 76 158 shade: RGB 78 49 102, RGB 99 62 130, RGB 121 76 158, RGB 141 96 178 and RGB 161 124 192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 121 76 158 shade: RGB 121 76 158, RGB 158 76 98 and RGB 76 158 87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 121 76 158 shade: RGB 121 76 158, RGB 158 120 76 and RGB 76 158 120

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 121 76 158 shade: RGB 121 76 158, RGB 158 76 98, RGB 114 158 76 and RGB 76 158 136

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 121 76 158 shade: RGB 121 76 158, RGB 158 78 76, RGB 114 158 76 and RGB 76 155 158

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 52 / 0 / 38

HEX #794C9E

RGB 121 76 158

HSL 272.93, 0.35%, 0.46%

LAB 40.74, 35.15, -37.5

 

Complementary color

CMYK 25 / 0 / 46 / 30

HEX #86B361

RGB 134 179 97

HSL 92.93, 0.35%, 0.54%

LAB 68.15, -29.58, 36.98

 

CMYK 18 / 50 / 0 / 40

HEX #7E4C99

RGB 126 76 153

HSL 278.96, 0.34%, 0.45%

LAB 41.06, 35.41, -33.95

 

CMYK 17 / 45 / 0 / 33

HEX #8F5EAC

RGB 143 94 172

HSL 277.69, 0.32%, 0.52%

LAB 48.04, 34.55, -34.1

 

CMYK 16 / 41 / 0 / 25

HEX #A070BF

RGB 160 112 191

HSL 276.46, 0.38%, 0.59%

LAB 54.89, 33.72, -34.24

 

CMYK 16 / 38 / 0 / 18

HEX #B182D2

RGB 177 130 210

HSL 275.25, 0.47%, 0.67%

LAB 61.62, 32.93, -34.37

 

CMYK 15 / 35 / 0 / 10

HEX #C294E5

RGB 194 148 229

HSL 274.07, 0.61%, 0.74%

LAB 68.25, 32.21, -34.5

 

CMYK 23 / 52 / 0 / 38

HEX #794C9E

RGB 121 76 158

HSL 272.93, 0.35%, 0.46%

LAB 40.74, 35.15, -37.5

 

CMYK 25 / 58 / 0 / 45

HEX #683A8B

RGB 104 58 139

HSL 274.07, 0.41%, 0.39%

LAB 33.63, 36.07, -37.4

 

CMYK 28 / 67 / 0 / 53

HEX #572878

RGB 87 40 120

HSL 275.25, 0.5%, 0.31%

LAB 26.45, 36.88, -37.17

 

CMYK 31 / 78 / 0 / 60

HEX #461665

RGB 70 22 101

HSL 276.46, 0.64%, 0.24%

LAB 19.29, 37.24, -36.57

 

CMYK 35 / 95 / 0 / 68

HEX #350452

RGB 53 4 82

HSL 277.69, 0.91%, 0.17%

LAB 12.31, 36.61, -35.32

 

CMYK 23 / 52 / 0 / 38

HEX #794C9E

RGB 121 76 158

HSL 272.93, 0.35%, 0.46%

LAB 40.74, 35.15, -37.5

 

CMYK 9 / 52 / 0 / 38

HEX #8F4C9E

RGB 143 76 158

HSL 289.02, 0.35%, 0.46%

LAB 43.47, 41.46, -33

 

CMYK 0 / 52 / 4 / 38

HEX #9E4C97

RGB 158 76 151

HSL 305.12, 0.35%, 0.46%

LAB 45.18, 44.53, -26

 

CMYK 0 / 52 / 19 / 38

HEX #9E4C80

RGB 158 76 128

HSL 321.95, 0.35%, 0.46%

LAB 44.23, 40.65, -13.59

 

CMYK 0 / 52 / 33 / 38

HEX #9E4C6A

RGB 158 76 106

HSL 338.05, 0.35%, 0.46%

LAB 43.48, 37.46, -1.25

 

CMYK 23 / 52 / 0 / 38

HEX #794C9E

RGB 121 76 158

HSL 272.93, 0.35%, 0.46%

LAB 40.74, 35.15, -37.5

 

CMYK 37 / 52 / 0 / 38

HEX #634C9E

RGB 99 76 158

HSL 256.83, 0.35%, 0.46%

LAB 38.36, 29.14, -41.43

 

CMYK 51 / 52 / 0 / 38

HEX #4D4C9E

RGB 77 76 158

HSL 240.73, 0.35%, 0.46%

LAB 36.4, 23.71, -44.69

 

CMYK 52 / 52 / 0 / 38

HEX #4C4C9E

RGB 76 76 158

HSL 240, 0.35%, 0.46%

LAB 36.32, 23.48, -44.82

 

CMYK 23 / 52 / 0 / 38

HEX #794C9E

RGB 121 76 158

HSL 272.93, 0.35%, 0.46%

LAB 40.74, 35.15, -37.5

 

CMYK 31 / 68 / 0 / 31

HEX #7B39B1

RGB 123 57 177

HSL 273, 0.51%, 0.46%

LAB 38.4, 50.35, -52.56

 

CMYK 36 / 81 / 0 / 23

HEX #7D26C4

RGB 125 38 196

HSL 273.04, 0.68%, 0.46%

LAB 37.36, 62.95, -65.43

 

CMYK 41 / 91 / 0 / 16

HEX #7E13D7

RGB 126 19 215

HSL 272.76, 0.84%, 0.46%

LAB 37.49, 72.18, -76.23

 

CMYK 45 / 100 / 0 / 8

HEX #8000EA

RGB 128 0 234

HSL 272.82, 1%, 0.46%

LAB 38.78, 78.84, -84.99

 

CMYK 23 / 52 / 0 / 38

HEX #794C9E

RGB 121 76 158

HSL 272.93, 0.35%, 0.46%

LAB 40.74, 35.15, -37.5

 

CMYK 14 / 32 / 0 / 45

HEX #775F8B

RGB 119 95 139

HSL 272.73, 0.19%, 0.46%

LAB 44.19, 18.69, -20.72

 

CMYK 3 / 5 / 0 / 53

HEX #757278

RGB 117 114 120

HSL 270, 0.03%, 0.46%

LAB 48.48, 2.37, -2.9

 

CMYK 14 / 0 / 24 / 48

HEX #738565

RGB 115 133 101

HSL 93.75, 0.14%, 0.46%

LAB 53.34, -12.78, 15.13

 

CMYK 26 / 0 / 46 / 40

HEX #719852

RGB 113 152 82

HSL 93.43, 0.3%, 0.46%

LAB 58.58, -26.26, 32.48

 

CMYK 52 / 52 / 0 / 38

HEX #4C4C9E

RGB 76 76 158

HSL 240, 0.35%, 0.46%

LAB 36.32, 23.48, -44.82

 

CMYK 38 / 52 / 0 / 38

HEX #624C9E

RGB 98 76 158

HSL 256.1, 0.35%, 0.46%

LAB 38.26, 28.87, -41.6

 

CMYK 24 / 52 / 0 / 38

HEX #784C9E

RGB 120 76 158

HSL 272.2, 0.35%, 0.46%

LAB 40.62, 34.87, -37.69

 

CMYK 11 / 52 / 0 / 38

HEX #8D4C9E

RGB 141 76 158

HSL 287.56, 0.35%, 0.46%

LAB 43.21, 40.88, -33.43

 

CMYK 0 / 52 / 4 / 38

HEX #9E4C98

RGB 158 76 152

HSL 304.39, 0.35%, 0.46%

LAB 45.23, 44.71, -26.52

 

CMYK 24 / 52 / 0 / 60

HEX #4E3166

RGB 78 49 102

HSL 272.83, 0.35%, 0.3%

LAB 26.09, 24.51, -26.28

 

CMYK 24 / 52 / 0 / 49

HEX #633E82

RGB 99 62 130

HSL 272.65, 0.35%, 0.38%

LAB 33.37, 30.1, -32.3

 

CMYK 23 / 52 / 0 / 38

HEX #794C9E

RGB 121 76 158

HSL 272.93, 0.35%, 0.46%

LAB 40.74, 35.15, -37.5

 

CMYK 21 / 46 / 0 / 30

HEX #8D60B2

RGB 141 96 178

HSL 272.93, 0.35%, 0.54%

LAB 48.56, 34.2, -36.8

 

CMYK 16 / 35 / 0 / 25

HEX #A17CC0

RGB 161 124 192

HSL 272.65, 0.35%, 0.62%

LAB 57.84, 27.42, -30.2

 

CMYK 23 / 52 / 0 / 38

HEX #794C9E

RGB 121 76 158

HSL 272.93, 0.35%, 0.46%

LAB 40.74, 35.15, -37.5

 

CMYK 0 / 52 / 38 / 38

HEX #9E4C62

RGB 158 76 98

HSL 343.9, 0.35%, 0.46%

LAB 43.24, 36.44, 3.33

 

CMYK 52 / 0 / 45 / 38

HEX #4C9E57

RGB 76 158 87

HSL 128.05, 0.35%, 0.46%

LAB 58.68, -40.56, 29.58

 

CMYK 23 / 52 / 0 / 38

HEX #794C9E

RGB 121 76 158

HSL 272.93, 0.35%, 0.46%

LAB 40.74, 35.15, -37.5

 

CMYK 0 / 24 / 52 / 38

HEX #9E784C

RGB 158 120 76

HSL 32.2, 0.35%, 0.46%

LAB 53.19, 9.31, 29.77

 

CMYK 52 / 0 / 24 / 38

HEX #4C9E78

RGB 76 158 120

HSL 152.2, 0.35%, 0.46%

LAB 59.29, -34.27, 12.34

 

CMYK 23 / 52 / 0 / 38

HEX #794C9E

RGB 121 76 158

HSL 272.93, 0.35%, 0.46%

LAB 40.74, 35.15, -37.5

 

CMYK 0 / 52 / 38 / 38

HEX #9E4C62

RGB 158 76 98

HSL 343.9, 0.35%, 0.46%

LAB 43.24, 36.44, 3.33

 

CMYK 28 / 0 / 52 / 38

HEX #729E4C

RGB 114 158 76

HSL 92.2, 0.35%, 0.46%

LAB 60.39, -29.54, 37.79

 

CMYK 52 / 0 / 14 / 38

HEX #4C9E88

RGB 76 158 136

HSL 163.9, 0.35%, 0.46%

LAB 59.68, -30.54, 3.88

 

CMYK 23 / 52 / 0 / 38

HEX #794C9E

RGB 121 76 158

HSL 272.93, 0.35%, 0.46%

LAB 40.74, 35.15, -37.5

 

CMYK 0 / 51 / 52 / 38

HEX #9E4E4C

RGB 158 78 76

HSL 1.46, 0.35%, 0.46%

LAB 43.12, 32.98, 16.67

 

CMYK 28 / 0 / 52 / 38

HEX #729E4C

RGB 114 158 76

HSL 92.2, 0.35%, 0.46%

LAB 60.39, -29.54, 37.79

 

CMYK 52 / 2 / 0 / 38

HEX #4C9B9E

RGB 76 155 158

HSL 182.2, 0.35%, 0.46%

LAB 59.39, -23.28, -9.01

 

Description

Color code: RGB 121 76 158 | qconv.com Color code: RGB 121 76 158 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 76 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 76 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 52 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 52% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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