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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 122 20 208 it is the complementary color RGB 133 235 47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 122 20 208. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 122 20 208 shade: RGB 127 20 203, RGB 144 38 222, RGB 161 56 241, RGB 178 74 255 and RGB 195 92 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 122 20 208. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 122 20 208 shade: RGB 122 20 208, RGB 105 2 189, RGB 88 0 170, RGB 71 0 151 and RGB 54 0 132

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 122 20 208 shade: RGB 122 20 208, RGB 173 20 208, RGB 208 20 193, RGB 208 20 142 and RGB 208 20 91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 122 20 208 shade: RGB 122 20 208, RGB 71 20 208, RGB 21 20 208 and RGB 20 20 208

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 122 20 208 shade matches the following richer shades: RGB 122 20 208 and RGB 124 2 227

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 122 20 208 shade: RGB 122 20 208, RGB 121 39 190, RGB 119 57 171, RGB 118 76 153 and RGB 116 94 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 122 20 208 shade: RGB 20 20 208, RGB 70 20 208, RGB 121 20 208, RGB 171 20 208 and RGB 208 20 196

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 122 20 208 shade: RGB 78 13 133, RGB 100 16 171, RGB 122 20 208, RGB 143 37 233 and RGB 162 74 237

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 122 20 208 shade: RGB 122 20 208, RGB 208 20 70 and RGB 20 208 45

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 122 20 208 shade: RGB 122 20 208, RGB 208 121 20 and RGB 20 208 121

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 122 20 208 shade: RGB 122 20 208, RGB 208 20 70, RGB 108 208 20 and RGB 20 208 158

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 122 20 208 shade: RGB 122 20 208, RGB 208 26 20, RGB 108 208 20 and RGB 20 202 208

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 90 / 0 / 18

HEX #7A14D0

RGB 122 20 208

HSL 272.55, 0.82%, 0.45%

LAB 36.35, 70.06, -74.08

 

Complementary color

CMYK 43 / 0 / 80 / 8

HEX #85EB2F

RGB 133 235 47

HSL 92.55, 0.82%, 0.55%

LAB 84.28, -57.88, 74.27

 

CMYK 37 / 90 / 0 / 20

HEX #7F14CB

RGB 127 20 203

HSL 275.08, 0.82%, 0.44%

LAB 36.6, 69.58, -70.74

 

CMYK 35 / 83 / 0 / 13

HEX #9026DE

RGB 144 38 222

HSL 274.57, 0.74%, 0.51%

LAB 42.14, 71.38, -72.54

 

CMYK 33 / 77 / 0 / 5

HEX #A138F1

RGB 161 56 241

HSL 274.05, 0.87%, 0.58%

LAB 47.95, 72.14, -73.73

 

CMYK 30 / 71 / 0 / 0

HEX #B24AFF

RGB 178 74 255

HSL 274.48, 1%, 0.65%

LAB 53.58, 71.18, -72.29

 

CMYK 24 / 64 / 0 / 0

HEX #C35CFF

RGB 195 92 255

HSL 277.91, 1%, 0.68%

LAB 58.49, 66.85, -64.27

 

CMYK 41 / 90 / 0 / 18

HEX #7A14D0

RGB 122 20 208

HSL 272.55, 0.82%, 0.45%

LAB 36.35, 70.06, -74.08

 

CMYK 44 / 99 / 0 / 26

HEX #6902BD

RGB 105 2 189

HSL 273.05, 0.98%, 0.37%

LAB 31.16, 67.11, -71.58

 

CMYK 48 / 100 / 0 / 33

HEX #5800AA

RGB 88 0 170

HSL 271.06, 1%, 0.33%

LAB 26.67, 61.8, -67.73

 

CMYK 53 / 100 / 0 / 41

HEX #470097

RGB 71 0 151

HSL 268.21, 1%, 0.3%

LAB 22.21, 56.1, -63.59

 

CMYK 59 / 100 / 0 / 48

HEX #360084

RGB 54 0 132

HSL 264.55, 1%, 0.26%

LAB 17.69, 50.33, -59.28

 

CMYK 41 / 90 / 0 / 18

HEX #7A14D0

RGB 122 20 208

HSL 272.55, 0.82%, 0.45%

LAB 36.35, 70.06, -74.08

 

CMYK 17 / 90 / 0 / 18

HEX #AD14D0

RGB 173 20 208

HSL 288.83, 0.82%, 0.45%

LAB 44.14, 76.85, -61.04

 

CMYK 0 / 90 / 7 / 18

HEX #D014C1

RGB 208 20 193

HSL 304.79, 0.82%, 0.45%

LAB 49.2, 80.34, -43.9

 

CMYK 0 / 90 / 32 / 18

HEX #D0148E

RGB 208 20 142

HSL 321.06, 0.82%, 0.45%

LAB 46.79, 74.04, -17.4

 

CMYK 0 / 90 / 56 / 18

HEX #D0145B

RGB 208 20 91

HSL 337.34, 0.82%, 0.45%

LAB 45.17, 69.61, 11.64

 

CMYK 41 / 90 / 0 / 18

HEX #7A14D0

RGB 122 20 208

HSL 272.55, 0.82%, 0.45%

LAB 36.35, 70.06, -74.08

 

CMYK 66 / 90 / 0 / 18

HEX #4714D0

RGB 71 20 208

HSL 256.28, 0.82%, 0.45%

LAB 30.39, 65.58, -84.14

 

CMYK 90 / 90 / 0 / 18

HEX #1514D0

RGB 21 20 208

HSL 240.32, 0.82%, 0.45%

LAB 27.34, 63.66, -89.3

 

CMYK 90 / 90 / 0 / 18

HEX #1414D0

RGB 20 20 208

HSL 240, 0.82%, 0.45%

LAB 27.31, 63.64, -89.35

 

CMYK 41 / 90 / 0 / 18

HEX #7A14D0

RGB 122 20 208

HSL 272.55, 0.82%, 0.45%

LAB 36.35, 70.06, -74.08

 

CMYK 45 / 99 / 0 / 11

HEX #7C02E3

RGB 124 2 227

HSL 272.53, 0.98%, 0.45%

LAB 37.62, 76.81, -82.93

 

CMYK 41 / 90 / 0 / 18

HEX #7A14D0

RGB 122 20 208

HSL 272.55, 0.82%, 0.45%

LAB 36.35, 70.06, -74.08

 

CMYK 36 / 79 / 0 / 25

HEX #7927BE

RGB 121 39 190

HSL 272.58, 0.66%, 0.45%

LAB 36.43, 60.63, -63.44

 

CMYK 30 / 67 / 0 / 33

HEX #7739AB

RGB 119 57 171

HSL 272.63, 0.5%, 0.45%

LAB 37.46, 48.05, -50.53

 

CMYK 23 / 50 / 0 / 40

HEX #764C99

RGB 118 76 153

HSL 272.73, 0.34%, 0.45%

LAB 40.11, 33.08, -35.51

 

CMYK 13 / 30 / 0 / 47

HEX #745E86

RGB 116 94 134

HSL 273, 0.18%, 0.45%

LAB 43.42, 17.11, -18.92

 

CMYK 90 / 90 / 0 / 18

HEX #1414D0

RGB 20 20 208

HSL 240, 0.82%, 0.45%

LAB 27.31, 63.64, -89.35

 

CMYK 66 / 90 / 0 / 18

HEX #4614D0

RGB 70 20 208

HSL 255.96, 0.82%, 0.45%

LAB 30.29, 65.52, -84.29

 

CMYK 42 / 90 / 0 / 18

HEX #7914D0

RGB 121 20 208

HSL 272.23, 0.82%, 0.45%

LAB 36.21, 69.94, -74.31

 

CMYK 18 / 90 / 0 / 18

HEX #AB14D0

RGB 171 20 208

HSL 288.19, 0.82%, 0.45%

LAB 43.82, 76.55, -61.58

 

CMYK 0 / 90 / 6 / 18

HEX #D014C4

RGB 208 20 196

HSL 303.83, 0.82%, 0.45%

LAB 49.37, 80.76, -45.38

 

CMYK 41 / 90 / 0 / 48

HEX #4E0D85

RGB 78 13 133

HSL 272.5, 0.82%, 0.29%

LAB 22.31, 49.53, -52.18

 

CMYK 42 / 91 / 0 / 33

HEX #6410AB

RGB 100 16 171

HSL 272.52, 0.83%, 0.37%

LAB 29.46, 60.27, -63.67

 

CMYK 41 / 90 / 0 / 18

HEX #7A14D0

RGB 122 20 208

HSL 272.55, 0.82%, 0.45%

LAB 36.35, 70.06, -74.08

 

CMYK 39 / 84 / 0 / 9

HEX #8F25E9

RGB 143 37 233

HSL 272.45, 0.82%, 0.53%

LAB 42.83, 73.86, -77.67

 

CMYK 32 / 69 / 0 / 7

HEX #A24AED

RGB 162 74 237

HSL 272.39, 0.82%, 0.61%

LAB 50.33, 64.23, -67.61

 

CMYK 41 / 90 / 0 / 18

HEX #7A14D0

RGB 122 20 208

HSL 272.55, 0.82%, 0.45%

LAB 36.35, 70.06, -74.08

 

CMYK 0 / 90 / 66 / 18

HEX #D01446

RGB 208 20 70

HSL 344.04, 0.82%, 0.45%

LAB 44.73, 68.39, 24.13

 

CMYK 90 / 0 / 78 / 18

HEX #14D02D

RGB 20 208 45

HSL 127.98, 0.82%, 0.45%

LAB 73.19, -71.42, 63.46

 

CMYK 41 / 90 / 0 / 18

HEX #7A14D0

RGB 122 20 208

HSL 272.55, 0.82%, 0.45%

LAB 36.35, 70.06, -74.08

 

CMYK 0 / 42 / 90 / 18

HEX #D07914

RGB 208 121 20

HSL 32.23, 0.82%, 0.45%

LAB 59.1, 27.63, 62.11

 

CMYK 90 / 0 / 42 / 18

HEX #14D079

RGB 20 208 121

HSL 152.23, 0.82%, 0.45%

LAB 73.96, -61.96, 31.49

 

CMYK 41 / 90 / 0 / 18

HEX #7A14D0

RGB 122 20 208

HSL 272.55, 0.82%, 0.45%

LAB 36.35, 70.06, -74.08

 

CMYK 0 / 90 / 66 / 18

HEX #D01446

RGB 208 20 70

HSL 344.04, 0.82%, 0.45%

LAB 44.73, 68.39, 24.13

 

CMYK 48 / 0 / 90 / 18

HEX #6CD014

RGB 108 208 20

HSL 91.91, 0.82%, 0.45%

LAB 75.05, -56.35, 71.59

 

CMYK 90 / 0 / 24 / 18

HEX #14D09E

RGB 20 208 158

HSL 164.04, 0.82%, 0.45%

LAB 74.65, -54.08, 13.02

 

CMYK 41 / 90 / 0 / 18

HEX #7A14D0

RGB 122 20 208

HSL 272.55, 0.82%, 0.45%

LAB 36.35, 70.06, -74.08

 

CMYK 0 / 88 / 90 / 18

HEX #D01A14

RGB 208 26 20

HSL 1.91, 0.82%, 0.45%

LAB 44.52, 65.83, 51.52

 

CMYK 48 / 0 / 90 / 18

HEX #6CD014

RGB 108 208 20

HSL 91.91, 0.82%, 0.45%

LAB 75.05, -56.35, 71.59

 

CMYK 90 / 3 / 0 / 18

HEX #14CAD0

RGB 20 202 208

HSL 181.91, 0.82%, 0.45%

LAB 74.15, -37.9, -14.68

 

Description

Color code: RGB 122 20 208 | qconv.com Color code: RGB 122 20 208 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 20 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 20 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 90 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 90% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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