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Color name
RGB 123 107 172

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 123 107 172 it is the complementary color RGB 132 148 83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 123 107 172. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 123 107 172 shade: RGB 128 107 167, RGB 145 125 186, RGB 162 143 205, RGB 179 161 224 and RGB 196 179 243

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 123 107 172. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 123 107 172 shade: RGB 123 107 172, RGB 106 89 153, RGB 89 71 134, RGB 72 53 115 and RGB 55 35 96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 123 107 172 shade: RGB 123 108 172, RGB 141 108 172, RGB 158 108 172, RGB 172 108 168 and RGB 172 108 151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 123 107 172 shade: RGB 123 108 172 and RGB 108 108 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 123 107 172 shade matches the following richer shades: RGB 123 108 172, RGB 114 89 190, RGB 105 70 209, RGB 95 52 228 and RGB 86 33 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 123 107 172 shade: RGB 123 108 172, RGB 133 126 153, RGB 142 145 135, RGB 152 163 116 and RGB 161 182 98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 123 107 172 shade: RGB 108 127 172, RGB 108 110 172, RGB 123 108 172, RGB 140 108 172 and RGB 157 108 172

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 123 107 172 shade: RGB 84 71 126, RGB 102 86 153, RGB 123 108 172, RGB 147 134 187 and RGB 171 160 202

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 123 107 172 shade: RGB 123 107 172, RGB 172 108 144 and RGB 118 172 108

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 123 107 172 shade: RGB 123 107 172, RGB 172 123 108 and RGB 108 172 123

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 123 107 172 shade: RGB 123 107 172, RGB 172 108 144, RGB 157 172 108 and RGB 108 172 135

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 123 107 172 shade: RGB 123 107 172, RGB 172 108 125, RGB 157 172 108 and RGB 108 172 155

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 38 / 0 / 33

HEX #7B6BAC

RGB 123 107 172

HSL 254.77, 0.28%, 0.55%

LAB 49.14, 20.9, -32.53

 

Complementary color

CMYK 11 / 0 / 44 / 42

HEX #849453

RGB 132 148 83

HSL 74.77, 0.28%, 0.45%

LAB 58.7, -16.57, 32.39

 

CMYK 23 / 36 / 0 / 35

HEX #806BA7

RGB 128 107 167

HSL 261, 0.25%, 0.54%

LAB 49.37, 21.16, -29.21

 

CMYK 22 / 33 / 0 / 27

HEX #917DBA

RGB 145 125 186

HSL 259.67, 0.31%, 0.61%

LAB 56.32, 20.47, -29.26

 

CMYK 21 / 30 / 0 / 20

HEX #A28FCD

RGB 162 143 205

HSL 258.39, 0.38%, 0.68%

LAB 63.12, 19.85, -29.35

 

CMYK 20 / 28 / 0 / 12

HEX #B3A1E0

RGB 179 161 224

HSL 257.14, 0.5%, 0.75%

LAB 69.79, 19.29, -29.47

 

CMYK 19 / 26 / 0 / 5

HEX #C4B3F3

RGB 196 179 243

HSL 255.94, 0.73%, 0.83%

LAB 76.34, 18.79, -29.61

 

CMYK 28 / 38 / 0 / 33

HEX #7B6BAC

RGB 123 107 172

HSL 254.77, 0.28%, 0.55%

LAB 49.14, 20.9, -32.53

 

CMYK 31 / 42 / 0 / 40

HEX #6A5999

RGB 106 89 153

HSL 255.94, 0.26%, 0.47%

LAB 42.01, 21.73, -32.6

 

CMYK 34 / 47 / 0 / 47

HEX #594786

RGB 89 71 134

HSL 257.14, 0.31%, 0.4%

LAB 34.7, 22.69, -32.72

 

CMYK 37 / 54 / 0 / 55

HEX #483573

RGB 72 53 115

HSL 258.39, 0.37%, 0.33%

LAB 27.19, 23.82, -32.9

 

CMYK 43 / 64 / 0 / 62

HEX #372360

RGB 55 35 96

HSL 259.67, 0.47%, 0.26%

LAB 19.47, 25.11, -33.09

 

CMYK 28 / 37 / 0 / 33

HEX #7B6CAC

RGB 123 108 172

HSL 254.06, 0.28%, 0.55%

LAB 49.39, 20.3, -32.13

 

CMYK 18 / 37 / 0 / 33

HEX #8D6CAC

RGB 141 108 172

HSL 270.94, 0.28%, 0.55%

LAB 51.11, 25.84, -29.31

 

CMYK 8 / 37 / 0 / 33

HEX #9E6CAC

RGB 158 108 172

HSL 286.88, 0.28%, 0.55%

LAB 52.92, 31.25, -26.37

 

CMYK 0 / 37 / 2 / 33

HEX #AC6CA8

RGB 172 108 168

HSL 303.75, 0.28%, 0.55%

LAB 54.37, 35, -21.68

 

CMYK 0 / 37 / 12 / 33

HEX #AC6C97

RGB 172 108 151

HSL 319.69, 0.28%, 0.55%

LAB 53.74, 31.94, -12.73

 

CMYK 28 / 37 / 0 / 33

HEX #7B6CAC

RGB 123 108 172

HSL 254.06, 0.28%, 0.55%

LAB 49.39, 20.3, -32.13

 

CMYK 37 / 37 / 0 / 33

HEX #6C6CAC

RGB 108 108 172

HSL 240, 0.28%, 0.55%

LAB 48.12, 15.93, -34.2

 

CMYK 28 / 37 / 0 / 33

HEX #7B6CAC

RGB 123 108 172

HSL 254.06, 0.28%, 0.55%

LAB 49.39, 20.3, -32.13

 

CMYK 40 / 53 / 0 / 25

HEX #7259BE

RGB 114 89 190

HSL 254.85, 0.44%, 0.55%

LAB 44.86, 34.12, -49.84

 

CMYK 50 / 67 / 0 / 18

HEX #6946D1

RGB 105 70 209

HSL 255.11, 0.6%, 0.55%

LAB 41.2, 48.49, -66.81

 

CMYK 58 / 77 / 0 / 11

HEX #5F34E4

RGB 95 52 228

HSL 254.66, 0.77%, 0.55%

LAB 38.71, 61.34, -81.81

 

CMYK 65 / 87 / 0 / 4

HEX #5621F6

RGB 86 33 246

HSL 254.93, 0.92%, 0.55%

LAB 37.34, 72.46, -94.31

 

CMYK 28 / 37 / 0 / 33

HEX #7B6CAC

RGB 123 108 172

HSL 254.06, 0.28%, 0.55%

LAB 49.39, 20.3, -32.13

 

CMYK 13 / 18 / 0 / 40

HEX #857E99

RGB 133 126 153

HSL 255.56, 0.12%, 0.55%

LAB 54.25, 8.26, -13.52

 

CMYK 2 / 0 / 7 / 43

HEX #8E9187

RGB 142 145 135

HSL 78, 0.04%, 0.55%

LAB 59.66, -3.01, 4.92

 

CMYK 7 / 0 / 29 / 36

HEX #98A374

RGB 152 163 116

HSL 74.04, 0.2%, 0.55%

LAB 65.07, -12.05, 23.18

 

CMYK 12 / 0 / 46 / 29

HEX #A1B662

RGB 161 182 98

HSL 75, 0.37%, 0.55%

LAB 70.81, -20.54, 40.17

 

CMYK 37 / 26 / 0 / 33

HEX #6C7FAC

RGB 108 127 172

HSL 222.19, 0.28%, 0.55%

LAB 53.33, 4.51, -26.1

 

CMYK 37 / 36 / 0 / 33

HEX #6C6EAC

RGB 108 110 172

HSL 238.13, 0.28%, 0.55%

LAB 48.66, 14.71, -33.36

 

CMYK 28 / 37 / 0 / 33

HEX #7B6CAC

RGB 123 108 172

HSL 254.06, 0.28%, 0.55%

LAB 49.39, 20.3, -32.13

 

CMYK 19 / 37 / 0 / 33

HEX #8C6CAC

RGB 140 108 172

HSL 270, 0.28%, 0.55%

LAB 51.01, 25.53, -29.48

 

CMYK 9 / 37 / 0 / 33

HEX #9D6CAC

RGB 157 108 172

HSL 285.94, 0.28%, 0.55%

LAB 52.81, 30.93, -26.55

 

CMYK 33 / 44 / 0 / 51

HEX #54477E

RGB 84 71 126

HSL 254.18, 0.28%, 0.39%

LAB 33.77, 18.94, -29.29

 

CMYK 33 / 44 / 0 / 40

HEX #665699

RGB 102 86 153

HSL 254.33, 0.28%, 0.47%

LAB 40.86, 22.41, -34.43

 

CMYK 28 / 37 / 0 / 33

HEX #7B6CAC

RGB 123 108 172

HSL 254.06, 0.28%, 0.55%

LAB 49.39, 20.3, -32.13

 

CMYK 21 / 28 / 0 / 27

HEX #9386BB

RGB 147 134 187

HSL 254.72, 0.28%, 0.63%

LAB 58.83, 16.11, -25.94

 

CMYK 15 / 21 / 0 / 21

HEX #ABA0CA

RGB 171 160 202

HSL 255.71, 0.28%, 0.71%

LAB 68.07, 12.42, -20.03

 

CMYK 28 / 38 / 0 / 33

HEX #7B6BAC

RGB 123 107 172

HSL 254.77, 0.28%, 0.55%

LAB 49.14, 20.9, -32.53

 

CMYK 0 / 37 / 16 / 33

HEX #AC6C90

RGB 172 108 144

HSL 326.25, 0.28%, 0.55%

LAB 53.5, 30.76, -8.98

 

CMYK 31 / 0 / 37 / 33

HEX #76AC6C

RGB 118 172 108

HSL 110.63, 0.28%, 0.55%

LAB 65.31, -30.41, 27.42

 

CMYK 28 / 38 / 0 / 33

HEX #7B6BAC

RGB 123 107 172

HSL 254.77, 0.28%, 0.55%

LAB 49.14, 20.9, -32.53

 

CMYK 0 / 28 / 37 / 33

HEX #AC7B6C

RGB 172 123 108

HSL 14.06, 0.28%, 0.55%

LAB 56.11, 17.08, 15.77

 

CMYK 37 / 0 / 28 / 33

HEX #6CAC7B

RGB 108 172 123

HSL 134.06, 0.28%, 0.55%

LAB 65.06, -31.14, 18.89

 

CMYK 28 / 38 / 0 / 33

HEX #7B6BAC

RGB 123 107 172

HSL 254.77, 0.28%, 0.55%

LAB 49.14, 20.9, -32.53

 

CMYK 0 / 37 / 16 / 33

HEX #AC6C90

RGB 172 108 144

HSL 326.25, 0.28%, 0.55%

LAB 53.5, 30.76, -8.98

 

CMYK 9 / 0 / 37 / 33

HEX #9DAC6C

RGB 157 172 108

HSL 74.06, 0.28%, 0.55%

LAB 67.84, -15.87, 31.2

 

CMYK 37 / 0 / 22 / 33

HEX #6CAC87

RGB 108 172 135

HSL 145.31, 0.28%, 0.55%

LAB 65.31, -28.81, 12.65

 

CMYK 28 / 38 / 0 / 33

HEX #7B6BAC

RGB 123 107 172

HSL 254.77, 0.28%, 0.55%

LAB 49.14, 20.9, -32.53

 

CMYK 0 / 37 / 27 / 33

HEX #AC6C7D

RGB 172 108 125

HSL 344.06, 0.28%, 0.55%

LAB 52.92, 27.81, 1.34

 

CMYK 9 / 0 / 37 / 33

HEX #9DAC6C

RGB 157 172 108

HSL 74.06, 0.28%, 0.55%

LAB 67.84, -15.87, 31.2

 

CMYK 37 / 0 / 10 / 33

HEX #6CAC9B

RGB 108 172 155

HSL 164.06, 0.28%, 0.55%

LAB 65.8, -24.48, 2.27

 

Description

Color code: RGB 123 107 172 | qconv.com Color code: RGB 123 107 172 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 107 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 107 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 38 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 38% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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