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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 123 129 146 it is the complementary color RGB 132 126 109. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 123 129 146. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 123 129 146 shade: RGB 128 129 141, RGB 145 147 160, RGB 162 165 179, RGB 179 183 198 and RGB 196 201 217

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 123 129 146. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 123 129 146 shade: RGB 123 129 146, RGB 106 111 127, RGB 89 93 108, RGB 72 75 89 and RGB 55 57 70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 123 129 146 shade: RGB 123 129 147, RGB 123 123 147, RGB 129 123 147, RGB 136 123 147 and RGB 142 123 147

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 123 129 146 shade: RGB 123 129 147 and RGB 123 123 147

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 123 129 146 shade matches the following richer shades: RGB 123 129 147, RGB 103 120 166, RGB 84 110 185, RGB 64 101 205 and RGB 45 92 224

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 123 129 146 shade: RGB 123 129 147, RGB 142 138 127, RGB 161 147 108, RGB 181 157 88 and RGB 200 166 69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 123 129 146 shade: RGB 123 142 147, RGB 123 135 147, RGB 123 129 147, RGB 123 123 147 and RGB 129 123 147

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 123 129 146 shade: RGB 84 89 103, RGB 103 109 125, RGB 123 129 147, RGB 145 151 165 and RGB 168 172 184

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 123 129 146 shade: RGB 123 129 146, RGB 145 123 147 and RGB 139 147 123

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 123 129 146 shade: RGB 123 129 146, RGB 147 123 129 and RGB 129 147 123

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 123 129 146 shade: RGB 123 129 146, RGB 145 123 147, RGB 147 140 123 and RGB 124 147 123

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 123 129 146 shade: RGB 123 129 146, RGB 147 123 141, RGB 147 140 123 and RGB 123 147 128

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 12 / 0 / 43

HEX #7B8192

RGB 123 129 146

HSL 224.35, 0.1%, 0.53%

LAB 54.01, 1.48, -9.89

 

Complementary color

CMYK 0 / 5 / 17 / 48

HEX #847E6D

RGB 132 126 109

HSL 44.35, 0.1%, 0.47%

LAB 52.87, -0.79, 10.08

 

CMYK 9 / 9 / 0 / 45

HEX #80818D

RGB 128 129 141

HSL 235.38, 0.05%, 0.53%

LAB 54.25, 2.12, -6.59

 

CMYK 9 / 8 / 0 / 37

HEX #9193A0

RGB 145 147 160

HSL 232, 0.07%, 0.6%

LAB 61.16, 1.92, -7.09

 

CMYK 9 / 8 / 0 / 30

HEX #A2A5B3

RGB 162 165 179

HSL 229.41, 0.1%, 0.67%

LAB 67.91, 1.74, -7.58

 

CMYK 10 / 8 / 0 / 22

HEX #B3B7C6

RGB 179 183 198

HSL 227.37, 0.14%, 0.74%

LAB 74.53, 1.56, -8.06

 

CMYK 10 / 7 / 0 / 15

HEX #C4C9D9

RGB 196 201 217

HSL 225.71, 0.22%, 0.81%

LAB 81.03, 1.39, -8.54

 

CMYK 16 / 12 / 0 / 43

HEX #7B8192

RGB 123 129 146

HSL 224.35, 0.1%, 0.53%

LAB 54.01, 1.48, -9.89

 

CMYK 17 / 13 / 0 / 50

HEX #6A6F7F

RGB 106 111 127

HSL 225.71, 0.09%, 0.46%

LAB 46.93, 1.68, -9.47

 

CMYK 18 / 14 / 0 / 58

HEX #595D6C

RGB 89 93 108

HSL 227.37, 0.1%, 0.39%

LAB 39.64, 1.91, -9.06

 

CMYK 19 / 16 / 0 / 65

HEX #484B59

RGB 72 75 89

HSL 229.41, 0.11%, 0.32%

LAB 32.1, 2.16, -8.66

 

CMYK 21 / 19 / 0 / 73

HEX #373946

RGB 55 57 70

HSL 232, 0.12%, 0.25%

LAB 24.26, 2.45, -8.28

 

CMYK 16 / 12 / 0 / 42

HEX #7B8193

RGB 123 129 147

HSL 225, 0.1%, 0.53%

LAB 54.05, 1.71, -10.42

 

CMYK 16 / 16 / 0 / 42

HEX #7B7B93

RGB 123 123 147

HSL 240, 0.1%, 0.53%

LAB 52.38, 5.2, -12.93

 

CMYK 12 / 16 / 0 / 42

HEX #817B93

RGB 129 123 147

HSL 255, 0.1%, 0.53%

LAB 52.88, 7.28, -12.12

 

CMYK 7 / 16 / 0 / 42

HEX #887B93

RGB 136 123 147

HSL 272.5, 0.1%, 0.53%

LAB 53.5, 9.75, -11.13

 

CMYK 3 / 16 / 0 / 42

HEX #8E7B93

RGB 142 123 147

HSL 287.5, 0.1%, 0.53%

LAB 54.05, 11.89, -10.25

 

CMYK 16 / 12 / 0 / 42

HEX #7B8193

RGB 123 129 147

HSL 225, 0.1%, 0.53%

LAB 54.05, 1.71, -10.42

 

CMYK 16 / 16 / 0 / 42

HEX #7B7B93

RGB 123 123 147

HSL 240, 0.1%, 0.53%

LAB 52.38, 5.2, -12.93

 

CMYK 16 / 12 / 0 / 42

HEX #7B8193

RGB 123 129 147

HSL 225, 0.1%, 0.53%

LAB 54.05, 1.71, -10.42

 

CMYK 38 / 28 / 0 / 35

HEX #6778A6

RGB 103 120 166

HSL 223.81, 0.26%, 0.53%

LAB 50.77, 5.54, -26.61

 

CMYK 55 / 41 / 0 / 27

HEX #546EB9

RGB 84 110 185

HSL 224.55, 0.42%, 0.53%

LAB 47.67, 12.61, -42.58

 

CMYK 69 / 51 / 0 / 20

HEX #4065CD

RGB 64 101 205

HSL 224.26, 0.59%, 0.53%

LAB 45.37, 21.49, -57.87

 

CMYK 80 / 59 / 0 / 12

HEX #2D5CE0

RGB 45 92 224

HSL 224.25, 0.74%, 0.53%

LAB 43.64, 31.96, -71.55

 

CMYK 16 / 12 / 0 / 42

HEX #7B8193

RGB 123 129 147

HSL 225, 0.1%, 0.53%

LAB 54.05, 1.71, -10.42

 

CMYK 0 / 3 / 11 / 44

HEX #8E8A7F

RGB 142 138 127

HSL 44, 0.06%, 0.53%

LAB 57.52, -0.54, 6.41

 

CMYK 0 / 9 / 33 / 37

HEX #A1936C

RGB 161 147 108

HSL 44.15, 0.22%, 0.53%

LAB 61.24, -0.9, 22.57

 

CMYK 0 / 13 / 51 / 29

HEX #B59D58

RGB 181 157 88

HSL 44.52, 0.39%, 0.53%

LAB 65.47, -0.18, 39.07

 

CMYK 0 / 17 / 66 / 22

HEX #C8A645

RGB 200 166 69

HSL 44.43, 0.54%, 0.53%

LAB 69.46, 1.7, 53.3

 

CMYK 16 / 3 / 0 / 42

HEX #7B8E93

RGB 123 142 147

HSL 192.5, 0.1%, 0.53%

LAB 57.72, -5.68, -4.95

 

CMYK 16 / 8 / 0 / 42

HEX #7B8793

RGB 123 135 147

HSL 210, 0.1%, 0.53%

LAB 55.73, -1.73, -7.9

 

CMYK 16 / 12 / 0 / 42

HEX #7B8193

RGB 123 129 147

HSL 225, 0.1%, 0.53%

LAB 54.05, 1.71, -10.42

 

CMYK 16 / 16 / 0 / 42

HEX #7B7B93

RGB 123 123 147

HSL 240, 0.1%, 0.53%

LAB 52.38, 5.2, -12.93

 

CMYK 12 / 16 / 0 / 42

HEX #817B93

RGB 129 123 147

HSL 255, 0.1%, 0.53%

LAB 52.88, 7.28, -12.12

 

CMYK 18 / 14 / 0 / 60

HEX #545967

RGB 84 89 103

HSL 224.21, 0.1%, 0.37%

LAB 37.86, 1.32, -8.69

 

CMYK 18 / 13 / 0 / 51

HEX #676D7D

RGB 103 109 125

HSL 223.64, 0.1%, 0.45%

LAB 46.04, 1.34, -9.63

 

CMYK 16 / 12 / 0 / 42

HEX #7B8193

RGB 123 129 147

HSL 225, 0.1%, 0.53%

LAB 54.05, 1.71, -10.42

 

CMYK 12 / 8 / 0 / 35

HEX #9197A5

RGB 145 151 165

HSL 222, 0.1%, 0.61%

LAB 62.4, 0.75, -8.07

 

CMYK 9 / 7 / 0 / 28

HEX #A8ACB8

RGB 168 172 184

HSL 225, 0.1%, 0.69%

LAB 70.38, 0.97, -6.63

 

CMYK 16 / 12 / 0 / 43

HEX #7B8192

RGB 123 129 146

HSL 224.35, 0.1%, 0.53%

LAB 54.01, 1.48, -9.89

 

CMYK 1 / 16 / 0 / 42

HEX #917B93

RGB 145 123 147

HSL 295, 0.1%, 0.53%

LAB 54.34, 12.97, -9.79

 

CMYK 5 / 0 / 16 / 42

HEX #8B937B

RGB 139 147 123

HSL 80, 0.1%, 0.53%

LAB 59.7, -7.39, 11.74

 

CMYK 16 / 12 / 0 / 43

HEX #7B8192

RGB 123 129 146

HSL 224.35, 0.1%, 0.53%

LAB 54.01, 1.48, -9.89

 

CMYK 0 / 16 / 12 / 42

HEX #937B81

RGB 147 123 129

HSL 345, 0.1%, 0.53%

LAB 53.98, 10.3, 0.19

 

CMYK 12 / 0 / 16 / 42

HEX #81937B

RGB 129 147 123

HSL 105, 0.1%, 0.53%

LAB 58.94, -11.17, 10.57

 

CMYK 16 / 12 / 0 / 43

HEX #7B8192

RGB 123 129 146

HSL 224.35, 0.1%, 0.53%

LAB 54.01, 1.48, -9.89

 

CMYK 1 / 16 / 0 / 42

HEX #917B93

RGB 145 123 147

HSL 295, 0.1%, 0.53%

LAB 54.34, 12.97, -9.79

 

CMYK 0 / 5 / 16 / 42

HEX #938C7B

RGB 147 140 123

HSL 42.5, 0.1%, 0.53%

LAB 58.4, -0.41, 10.01

 

CMYK 16 / 0 / 16 / 42

HEX #7C937B

RGB 124 147 123

HSL 117.5, 0.1%, 0.53%

LAB 58.59, -13.01, 10.02

 

CMYK 16 / 12 / 0 / 43

HEX #7B8192

RGB 123 129 146

HSL 224.35, 0.1%, 0.53%

LAB 54.01, 1.48, -9.89

 

CMYK 0 / 16 / 4 / 42

HEX #937B8D

RGB 147 123 141

HSL 315, 0.1%, 0.53%

LAB 54.34, 12.52, -6.28

 

CMYK 0 / 5 / 16 / 42

HEX #938C7B

RGB 147 140 123

HSL 42.5, 0.1%, 0.53%

LAB 58.4, -0.41, 10.01

 

CMYK 16 / 0 / 13 / 42

HEX #7B9380

RGB 123 147 128

HSL 132.5, 0.1%, 0.53%

LAB 58.64, -12.41, 7.24

 

Description

Color code: RGB 123 129 146 | qconv.com Color code: RGB 123 129 146 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 129 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 129 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 12 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 12% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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