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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 123 134 44 it is the complementary color RGB 132 121 211. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 123 134 44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 123 134 44 shade: RGB 128 134 39, RGB 145 152 58, RGB 162 170 77, RGB 179 188 96 and RGB 196 206 115

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 123 134 44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 123 134 44 shade: RGB 123 134 44, RGB 106 116 25, RGB 89 98 6, RGB 72 80 0 and RGB 55 62 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 123 134 44 shade: RGB 123 134 43, RGB 134 121 43, RGB 134 96 43, RGB 134 72 43 and RGB 134 47 43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 123 134 44 shade: RGB 123 134 43, RGB 99 134 43, RGB 74 134 43, RGB 49 134 43 and RGB 43 134 62

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 123 134 44 shade matches the following richer shades: RGB 123 134 43, RGB 134 149 29, RGB 145 163 14 and RGB 156 178 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 123 134 44 shade: RGB 123 134 43, RGB 112 120 58, RGB 101 105 72, RGB 90 91 87 and RGB 79 77 101

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 123 134 44 shade: RGB 134 96 43, RGB 134 121 43, RGB 124 134 43, RGB 99 134 43 and RGB 75 134 43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 123 134 44 shade: RGB 66 72 23, RGB 95 103 33, RGB 123 134 43, RGB 152 165 53 and RGB 178 193 67

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 123 134 44 shade: RGB 123 134 44, RGB 43 134 72 and RGB 108 43 134

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 123 134 44 shade: RGB 123 134 44, RGB 43 124 134 and RGB 134 43 124

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 123 134 44 shade: RGB 123 134 44, RGB 43 134 72, RGB 54 43 134 and RGB 134 43 105

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 123 134 44 shade: RGB 123 134 44, RGB 43 134 99, RGB 54 43 134 and RGB 134 43 78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 67 / 47

HEX #7B862C

RGB 123 134 44

HSL 67.33, 0.51%, 0.35%

LAB 53.43, -16.74, 45.25

 

Complementary color

CMYK 37 / 43 / 0 / 17

HEX #8479D3

RGB 132 121 211

HSL 247.33, 0.51%, 0.65%

LAB 55.36, 25.53, -45.05

 

CMYK 4 / 0 / 71 / 47

HEX #808627

RGB 128 134 39

HSL 63.79, 0.55%, 0.34%

LAB 53.8, -14.83, 47.84

 

CMYK 5 / 0 / 62 / 40

HEX #91983A

RGB 145 152 58

HSL 64.47, 0.45%, 0.41%

LAB 60.59, -15.55, 47.21

 

CMYK 5 / 0 / 55 / 33

HEX #A2AA4D

RGB 162 170 77

HSL 65.16, 0.38%, 0.48%

LAB 67.25, -16.1, 46.22

 

CMYK 5 / 0 / 49 / 26

HEX #B3BC60

RGB 179 188 96

HSL 65.87, 0.41%, 0.56%

LAB 73.8, -16.53, 45.1

 

CMYK 5 / 0 / 44 / 19

HEX #C4CE73

RGB 196 206 115

HSL 66.59, 0.48%, 0.63%

LAB 80.24, -16.87, 43.93

 

CMYK 8 / 0 / 67 / 47

HEX #7B862C

RGB 123 134 44

HSL 67.33, 0.51%, 0.35%

LAB 53.43, -16.74, 45.25

 

CMYK 9 / 0 / 78 / 55

HEX #6A7419

RGB 106 116 25

HSL 66.59, 0.65%, 0.28%

LAB 46.48, -15.96, 45.47

 

CMYK 9 / 0 / 94 / 62

HEX #596206

RGB 89 98 6

HSL 65.87, 0.88%, 0.2%

LAB 39.36, -14.87, 44.3

 

CMYK 10 / 0 / 100 / 69

HEX #485000

RGB 72 80 0

HSL 66, 1%, 0.16%

LAB 32.07, -13.31, 39.89

 

CMYK 11 / 0 / 100 / 76

HEX #373E00

RGB 55 62 0

HSL 66.77, 1%, 0.12%

LAB 24.51, -11.51, 32.98

 

CMYK 8 / 0 / 68 / 47

HEX #7B862B

RGB 123 134 43

HSL 67.25, 0.51%, 0.35%

LAB 53.42, -16.81, 45.67

 

CMYK 0 / 10 / 68 / 47

HEX #86792B

RGB 134 121 43

HSL 51.43, 0.51%, 0.35%

LAB 50.59, -4.74, 43.02

 

CMYK 0 / 28 / 68 / 47

HEX #86602B

RGB 134 96 43

HSL 34.95, 0.51%, 0.35%

LAB 43.67, 9.68, 35.56

 

CMYK 0 / 46 / 68 / 47

HEX #86482B

RGB 134 72 43

HSL 19.12, 0.51%, 0.35%

LAB 37.62, 23.72, 28.69

 

CMYK 0 / 65 / 68 / 47

HEX #862F2B

RGB 134 47 43

HSL 2.64, 0.51%, 0.35%

LAB 32.43, 37.01, 22.46

 

CMYK 8 / 0 / 68 / 47

HEX #7B862B

RGB 123 134 43

HSL 67.25, 0.51%, 0.35%

LAB 53.42, -16.81, 45.67

 

CMYK 26 / 0 / 68 / 47

HEX #63862B

RGB 99 134 43

HSL 83.08, 0.51%, 0.35%

LAB 51.7, -27.07, 43.34

 

CMYK 45 / 0 / 68 / 47

HEX #4A862B

RGB 74 134 43

HSL 99.56, 0.51%, 0.35%

LAB 50.31, -36.5, 41.44

 

CMYK 63 / 0 / 68 / 47

HEX #31862B

RGB 49 134 43

HSL 116.04, 0.51%, 0.35%

LAB 49.35, -43.85, 40.12

 

CMYK 68 / 0 / 54 / 47

HEX #2B863E

RGB 43 134 62

HSL 132.53, 0.51%, 0.35%

LAB 49.39, -42.77, 30.88

 

CMYK 8 / 0 / 68 / 47

HEX #7B862B

RGB 123 134 43

HSL 67.25, 0.51%, 0.35%

LAB 53.42, -16.81, 45.67

 

CMYK 10 / 0 / 81 / 42

HEX #86951D

RGB 134 149 29

HSL 67.5, 0.67%, 0.35%

LAB 58.65, -20.46, 56.1

 

CMYK 11 / 0 / 91 / 36

HEX #91A30E

RGB 145 163 14

HSL 67.25, 0.84%, 0.35%

LAB 63.55, -23.14, 63.99

 

CMYK 12 / 0 / 100 / 30

HEX #9CB200

RGB 156 178 0

HSL 67.42, 1%, 0.35%

LAB 68.69, -25.99, 70.12

 

CMYK 8 / 0 / 68 / 47

HEX #7B862B

RGB 123 134 43

HSL 67.25, 0.51%, 0.35%

LAB 53.42, -16.81, 45.67

 

CMYK 7 / 0 / 52 / 53

HEX #70783A

RGB 112 120 58

HSL 67.74, 0.35%, 0.35%

LAB 48.49, -12.9, 32.73

 

CMYK 4 / 0 / 31 / 59

HEX #656948

RGB 101 105 72

HSL 67.27, 0.19%, 0.35%

LAB 43.27, -7.54, 18.09

 

CMYK 1 / 0 / 4 / 64

HEX #5A5B57

RGB 90 91 87

HSL 75, 0.02%, 0.35%

LAB 38.45, -1.23, 2.16

 

CMYK 22 / 24 / 0 / 60

HEX #4F4D65

RGB 79 77 101

HSL 245, 0.13%, 0.35%

LAB 33.79, 6.55, -13.64

 

CMYK 0 / 28 / 68 / 47

HEX #86602B

RGB 134 96 43

HSL 34.95, 0.51%, 0.35%

LAB 43.67, 9.68, 35.56

 

CMYK 0 / 10 / 68 / 47

HEX #86792B

RGB 134 121 43

HSL 51.43, 0.51%, 0.35%

LAB 50.59, -4.74, 43.02

 

CMYK 7 / 0 / 68 / 47

HEX #7C862B

RGB 124 134 43

HSL 66.59, 0.51%, 0.35%

LAB 53.5, -16.37, 45.78

 

CMYK 26 / 0 / 68 / 47

HEX #63862B

RGB 99 134 43

HSL 83.08, 0.51%, 0.35%

LAB 51.7, -27.07, 43.34

 

CMYK 44 / 0 / 68 / 47

HEX #4B862B

RGB 75 134 43

HSL 98.9, 0.51%, 0.35%

LAB 50.36, -36.16, 41.51

 

CMYK 8 / 0 / 68 / 72

HEX #424817

RGB 66 72 23

HSL 67.35, 0.52%, 0.19%

LAB 29.04, -10.39, 27.75

 

CMYK 8 / 0 / 68 / 60

HEX #5F6721

RGB 95 103 33

HSL 66.86, 0.51%, 0.27%

LAB 41.6, -13.47, 37.06

 

CMYK 8 / 0 / 68 / 47

HEX #7B862B

RGB 123 134 43

HSL 67.25, 0.51%, 0.35%

LAB 53.42, -16.81, 45.67

 

CMYK 8 / 0 / 68 / 35

HEX #98A535

RGB 152 165 53

HSL 66.96, 0.51%, 0.43%

LAB 64.84, -19.56, 53.98

 

CMYK 8 / 0 / 65 / 24

HEX #B2C143

RGB 178 193 67

HSL 67.14, 0.5%, 0.51%

LAB 74.83, -21.75, 59.27

 

CMYK 8 / 0 / 67 / 47

HEX #7B862C

RGB 123 134 44

HSL 67.33, 0.51%, 0.35%

LAB 53.43, -16.74, 45.25

 

CMYK 68 / 0 / 46 / 47

HEX #2B8648

RGB 43 134 72

HSL 139.12, 0.51%, 0.35%

LAB 49.53, -41.12, 25.72

 

CMYK 19 / 68 / 0 / 47

HEX #6C2B86

RGB 108 43 134

HSL 282.86, 0.51%, 0.35%

LAB 30.97, 43.79, -38.54

 

CMYK 8 / 0 / 67 / 47

HEX #7B862C

RGB 123 134 44

HSL 67.33, 0.51%, 0.35%

LAB 53.43, -16.74, 45.25

 

CMYK 68 / 7 / 0 / 47

HEX #2B7C86

RGB 43 124 134

HSL 186.59, 0.51%, 0.35%

LAB 47.82, -20.75, -12.62

 

CMYK 0 / 68 / 7 / 47

HEX #862B7C

RGB 134 43 124

HSL 306.59, 0.51%, 0.35%

LAB 34.5, 48.46, -26.44

 

CMYK 8 / 0 / 67 / 47

HEX #7B862C

RGB 123 134 44

HSL 67.33, 0.51%, 0.35%

LAB 53.43, -16.74, 45.25

 

CMYK 68 / 0 / 46 / 47

HEX #2B8648

RGB 43 134 72

HSL 139.12, 0.51%, 0.35%

LAB 49.53, -41.12, 25.72

 

CMYK 60 / 68 / 0 / 47

HEX #362B86

RGB 54 43 134

HSL 247.25, 0.51%, 0.35%

LAB 24.43, 32.17, -49.44

 

CMYK 0 / 68 / 22 / 47

HEX #862B69

RGB 134 43 105

HSL 319.12, 0.51%, 0.35%

LAB 33.6, 45.45, -15.85

 

CMYK 8 / 0 / 67 / 47

HEX #7B862C

RGB 123 134 44

HSL 67.33, 0.51%, 0.35%

LAB 53.43, -16.74, 45.25

 

CMYK 68 / 0 / 26 / 47

HEX #2B8663

RGB 43 134 99

HSL 156.92, 0.51%, 0.35%

LAB 50.05, -35.47, 11.18

 

CMYK 60 / 68 / 0 / 47

HEX #362B86

RGB 54 43 134

HSL 247.25, 0.51%, 0.35%

LAB 24.43, 32.17, -49.44

 

CMYK 0 / 68 / 42 / 47

HEX #862B4E

RGB 134 43 78

HSL 336.92, 0.51%, 0.35%

LAB 32.58, 41.92, 0.03

 

Description

Color code: RGB 123 134 44 | qconv.com Color code: RGB 123 134 44 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 134 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 134 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 67 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 67% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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