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Color name
RGB 123 50 49

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 123 50 49 it is the complementary color RGB 132 205 206. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 123 50 49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 123 50 49 shade: RGB 128 50 44, RGB 145 68 63, RGB 162 86 82, RGB 179 104 101 and RGB 196 122 120

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 123 50 49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 123 50 49 shade: RGB 123 50 49, RGB 106 32 30, RGB 89 14 11, RGB 72 0 0 and RGB 55 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 123 50 49 shade: RGB 123 50 49 and RGB 123 49 49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 123 50 49 shade: RGB 123 50 49, RGB 123 70 49, RGB 123 90 49, RGB 123 110 49 and RGB 117 123 49

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 123 50 49 shade matches the following richer shades: RGB 123 50 49, RGB 138 36 35, RGB 152 23 21 and RGB 166 9 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 123 50 49 shade: RGB 123 50 49, RGB 109 64 63, RGB 95 77 77, RGB 81 91 91 and RGB 67 105 105

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 123 50 49 shade: RGB 123 49 89, RGB 123 49 69, RGB 123 49 49, RGB 123 69 49 and RGB 123 89 49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 123 50 49 shade: RGB 64 26 25, RGB 94 38 37, RGB 123 50 49, RGB 153 62 61 and RGB 182 74 73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 123 50 49 shade: RGB 123 50 49, RGB 109 123 49 and RGB 49 79 123

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 123 50 49 shade: RGB 123 50 49, RGB 49 123 49 and RGB 49 49 123

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 123 50 49 shade: RGB 123 50 49, RGB 109 123 49, RGB 49 123 123 and RGB 64 49 123

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 123 50 49 shade: RGB 123 50 49, RGB 86 123 49, RGB 49 123 123 and RGB 86 49 123

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 60 / 52

HEX #7B3231

RGB 123 50 49

HSL 0.81, 0.43%, 0.34%

LAB 31.15, 31.74, 16.61

 

Complementary color

CMYK 36 / 0 / 0 / 19

HEX #84CDCE

RGB 132 205 206

HSL 180.81, 0.43%, 0.66%

LAB 77.89, -22.39, -7.71

 

CMYK 0 / 61 / 66 / 50

HEX #80322C

RGB 128 50 44

HSL 4.29, 0.49%, 0.34%

LAB 31.93, 33.32, 20.97

 

CMYK 0 / 53 / 57 / 43

HEX #91443F

RGB 145 68 63

HSL 3.66, 0.39%, 0.41%

LAB 38.75, 32.05, 18.45

 

CMYK 0 / 47 / 49 / 36

HEX #A25652

RGB 162 86 82

HSL 3, 0.33%, 0.48%

LAB 45.56, 30.81, 16.43

 

CMYK 0 / 42 / 44 / 30

HEX #B36865

RGB 179 104 101

HSL 2.31, 0.34%, 0.55%

LAB 52.31, 29.66, 14.74

 

CMYK 0 / 38 / 39 / 23

HEX #C47A78

RGB 196 122 120

HSL 1.58, 0.39%, 0.62%

LAB 58.98, 28.62, 13.3

 

CMYK 0 / 59 / 60 / 52

HEX #7B3231

RGB 123 50 49

HSL 0.81, 0.43%, 0.34%

LAB 31.15, 31.74, 16.61

 

CMYK 0 / 70 / 72 / 58

HEX #6A201E

RGB 106 32 30

HSL 1.58, 0.56%, 0.27%

LAB 24.29, 32.81, 19.64

 

CMYK 0 / 84 / 88 / 65

HEX #590E0B

RGB 89 14 11

HSL 2.31, 0.78%, 0.2%

LAB 17.75, 33.22, 22.54

 

CMYK 0 / 100 / 100 / 72

HEX #480000

RGB 72 0 0

HSL 0, 1%, 0.14%

LAB 11.81, 32.18, 18.57

 

CMYK 0 / 100 / 100 / 78

HEX #370000

RGB 55 0 0

HSL 0, 1%, 0.11%

LAB 7.34, 26.9, 11.59

 

CMYK 0 / 59 / 60 / 52

HEX #7B3231

RGB 123 50 49

HSL 0.81, 0.43%, 0.34%

LAB 31.15, 31.74, 16.61

 

CMYK 0 / 60 / 60 / 52

HEX #7B3131

RGB 123 49 49

HSL 0, 0.43%, 0.34%

LAB 30.95, 32.27, 16.35

 

CMYK 0 / 59 / 60 / 52

HEX #7B3231

RGB 123 50 49

HSL 0.81, 0.43%, 0.34%

LAB 31.15, 31.74, 16.61

 

CMYK 0 / 43 / 60 / 52

HEX #7B4631

RGB 123 70 49

HSL 17.03, 0.43%, 0.34%

LAB 35.62, 20.51, 22.34

 

CMYK 0 / 27 / 60 / 52

HEX #7B5A31

RGB 123 90 49

HSL 33.24, 0.43%, 0.34%

LAB 40.81, 8.58, 28.69

 

CMYK 0 / 11 / 60 / 52

HEX #7B6E31

RGB 123 110 49

HSL 49.46, 0.43%, 0.34%

LAB 46.42, -3.15, 35.25

 

CMYK 5 / 0 / 60 / 52

HEX #757B31

RGB 117 123 49

HSL 64.86, 0.43%, 0.34%

LAB 49.7, -13.15, 38.8

 

CMYK 0 / 59 / 60 / 52

HEX #7B3231

RGB 123 50 49

HSL 0.81, 0.43%, 0.34%

LAB 31.15, 31.74, 16.61

 

CMYK 0 / 74 / 75 / 46

HEX #8A2423

RGB 138 36 35

HSL 0.58, 0.6%, 0.34%

LAB 31.32, 42.75, 26.31

 

CMYK 0 / 85 / 86 / 40

HEX #981715

RGB 152 23 21

HSL 0.92, 0.76%, 0.34%

LAB 32.57, 50.8, 36.66

 

CMYK 0 / 95 / 96 / 35

HEX #A60907

RGB 166 9 7

HSL 0.75, 0.92%, 0.34%

LAB 34.64, 57.02, 45.84

 

CMYK 0 / 59 / 60 / 52

HEX #7B3231

RGB 123 50 49

HSL 0.81, 0.43%, 0.34%

LAB 31.15, 31.74, 16.61

 

CMYK 0 / 41 / 42 / 57

HEX #6D403F

RGB 109 64 63

HSL 1.3, 0.27%, 0.34%

LAB 32.43, 19.46, 8.98

 

CMYK 0 / 19 / 19 / 63

HEX #5F4D4D

RGB 95 77 77

HSL 0, 0.1%, 0.34%

LAB 34.55, 7.55, 2.84

 

CMYK 11 / 0 / 0 / 64

HEX #515B5B

RGB 81 91 91

HSL 180, 0.06%, 0.34%

LAB 37.82, -3.89, -1.33

 

CMYK 36 / 0 / 0 / 59

HEX #436969

RGB 67 105 105

HSL 180, 0.22%, 0.34%

LAB 41.71, -13.39, -4.29

 

CMYK 0 / 60 / 28 / 52

HEX #7B3159

RGB 123 49 89

HSL 327.57, 0.43%, 0.34%

LAB 32.1, 36.86, -8.03

 

CMYK 0 / 60 / 44 / 52

HEX #7B3145

RGB 123 49 69

HSL 343.78, 0.43%, 0.34%

LAB 31.43, 34.24, 4

 

CMYK 0 / 60 / 60 / 52

HEX #7B3131

RGB 123 49 49

HSL 0, 0.43%, 0.34%

LAB 30.95, 32.27, 16.35

 

CMYK 0 / 44 / 60 / 52

HEX #7B4531

RGB 123 69 49

HSL 16.22, 0.43%, 0.34%

LAB 35.38, 21.1, 22.04

 

CMYK 0 / 28 / 60 / 52

HEX #7B5931

RGB 123 89 49

HSL 32.43, 0.43%, 0.34%

LAB 40.54, 9.18, 28.37

 

CMYK 0 / 59 / 61 / 75

HEX #401A19

RGB 64 26 25

HSL 1.54, 0.44%, 0.17%

LAB 14.95, 18.39, 9.53

 

CMYK 0 / 60 / 61 / 63

HEX #5E2625

RGB 94 38 37

HSL 1.05, 0.44%, 0.26%

LAB 23.34, 25.51, 13.3

 

CMYK 0 / 59 / 60 / 52

HEX #7B3231

RGB 123 50 49

HSL 0.81, 0.43%, 0.34%

LAB 31.15, 31.74, 16.61

 

CMYK 0 / 59 / 60 / 40

HEX #993E3D

RGB 153 62 61

HSL 0.65, 0.43%, 0.42%

LAB 38.82, 38.06, 20.03

 

CMYK 0 / 59 / 60 / 29

HEX #B64A49

RGB 182 74 73

HSL 0.55, 0.43%, 0.5%

LAB 46.07, 43.76, 23.08

 

CMYK 0 / 59 / 60 / 52

HEX #7B3231

RGB 123 50 49

HSL 0.81, 0.43%, 0.34%

LAB 31.15, 31.74, 16.61

 

CMYK 11 / 0 / 60 / 52

HEX #6D7B31

RGB 109 123 49

HSL 71.35, 0.43%, 0.34%

LAB 49.06, -16.7, 37.9

 

CMYK 60 / 36 / 0 / 52

HEX #314F7B

RGB 49 79 123

HSL 215.68, 0.43%, 0.34%

LAB 33.3, 3.28, -28.35

 

CMYK 0 / 59 / 60 / 52

HEX #7B3231

RGB 123 50 49

HSL 0.81, 0.43%, 0.34%

LAB 31.15, 31.74, 16.61

 

CMYK 60 / 0 / 60 / 52

HEX #317B31

RGB 49 123 49

HSL 120, 0.43%, 0.34%

LAB 45.69, -38.82, 33.16

 

CMYK 60 / 60 / 0 / 52

HEX #31317B

RGB 49 49 123

HSL 240, 0.43%, 0.34%

LAB 24.58, 23.53, -42.3

 

CMYK 0 / 59 / 60 / 52

HEX #7B3231

RGB 123 50 49

HSL 0.81, 0.43%, 0.34%

LAB 31.15, 31.74, 16.61

 

CMYK 11 / 0 / 60 / 52

HEX #6D7B31

RGB 109 123 49

HSL 71.35, 0.43%, 0.34%

LAB 49.06, -16.7, 37.9

 

CMYK 60 / 0 / 0 / 52

HEX #317B7B

RGB 49 123 123

HSL 180, 0.43%, 0.34%

LAB 47.3, -22.54, -6.87

 

CMYK 48 / 60 / 0 / 52

HEX #40317B

RGB 64 49 123

HSL 252.16, 0.43%, 0.34%

LAB 25.91, 26.79, -40.07

 

CMYK 0 / 59 / 60 / 52

HEX #7B3231

RGB 123 50 49

HSL 0.81, 0.43%, 0.34%

LAB 31.15, 31.74, 16.61

 

CMYK 30 / 0 / 60 / 52

HEX #567B31

RGB 86 123 49

HSL 90, 0.43%, 0.34%

LAB 47.45, -26.38, 35.65

 

CMYK 60 / 0 / 0 / 52

HEX #317B7B

RGB 49 123 123

HSL 180, 0.43%, 0.34%

LAB 47.3, -22.54, -6.87

 

CMYK 30 / 60 / 0 / 52

HEX #56317B

RGB 86 49 123

HSL 270, 0.43%, 0.34%

LAB 28.39, 32.34, -35.95

 

Description

Color code: RGB 123 50 49 | qconv.com Color code: RGB 123 50 49 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 50 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 50 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 60 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 60% 52% C M Y K

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Provide designers and agencies with accurate color values.

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