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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 124 109 129 it is the complementary color RGB 131 146 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 124 109 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 124 109 129 shade: RGB 129 109 124, RGB 146 127 143, RGB 163 145 162, RGB 180 163 181 and RGB 197 181 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 124 109 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 124 109 129 shade: RGB 124 109 129, RGB 107 91 110, RGB 90 73 91, RGB 73 55 72 and RGB 56 37 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 124 109 129 shade: RGB 124 110 129, RGB 129 110 129, RGB 129 110 123, RGB 129 110 118 and RGB 129 110 113

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 124 109 129 shade: RGB 124 110 129, RGB 119 110 129, RGB 114 110 129 and RGB 110 110 129

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 124 109 129 shade matches the following richer shades: RGB 124 110 129, RGB 134 90 148, RGB 144 71 168, RGB 153 52 187 and RGB 163 32 207

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 124 109 129 shade: RGB 124 110 129, RGB 114 129 110, RGB 105 149 90, RGB 95 168 71 and RGB 85 187 51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 124 109 129 shade: RGB 114 110 129, RGB 119 110 129, RGB 124 110 129, RGB 129 110 129 and RGB 129 110 124

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 124 109 129 shade: RGB 81 72 84, RGB 103 91 107, RGB 124 110 129, RGB 145 131 149 and RGB 164 153 168

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 124 109 129 shade: RGB 124 109 129, RGB 129 110 111 and RGB 110 129 116

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 124 109 129 shade: RGB 124 109 129, RGB 129 124 110 and RGB 110 129 124

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 124 109 129 shade: RGB 124 109 129, RGB 129 110 111, RGB 115 129 110 and RGB 110 129 128

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 124 109 129 shade: RGB 124 109 129, RGB 129 115 110, RGB 115 129 110 and RGB 110 124 129

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 16 / 0 / 49

HEX #7C6D81

RGB 124 109 129

HSL 285, 0.08%, 0.47%

LAB 48.02, 9.83, -8.87

 

Complementary color

CMYK 10 / 0 / 14 / 43

HEX #83927E

RGB 131 146 126

HSL 105, 0.08%, 0.53%

LAB 58.87, -9.33, 8.79

 

CMYK 0 / 16 / 4 / 49

HEX #816D7C

RGB 129 109 124

HSL 315, 0.08%, 0.47%

LAB 48.34, 10.67, -5.37

 

CMYK 0 / 13 / 2 / 43

HEX #927F8F

RGB 146 127 143

HSL 309.47, 0.08%, 0.54%

LAB 55.35, 10.23, -5.94

 

CMYK 0 / 11 / 1 / 36

HEX #A391A2

RGB 163 145 162

HSL 303.33, 0.09%, 0.6%

LAB 62.21, 9.83, -6.49

 

CMYK 1 / 10 / 0 / 29

HEX #B4A3B5

RGB 180 163 181

HSL 296.67, 0.11%, 0.67%

LAB 68.92, 9.47, -7.02

 

CMYK 1 / 10 / 0 / 22

HEX #C5B5C8

RGB 197 181 200

HSL 290.53, 0.15%, 0.75%

LAB 75.51, 9.14, -7.54

 

CMYK 4 / 16 / 0 / 49

HEX #7C6D81

RGB 124 109 129

HSL 285, 0.08%, 0.47%

LAB 48.02, 9.83, -8.87

 

CMYK 3 / 17 / 0 / 57

HEX #6B5B6E

RGB 107 91 110

HSL 290.53, 0.09%, 0.39%

LAB 40.79, 10.29, -8.39

 

CMYK 1 / 20 / 0 / 64

HEX #5A495B

RGB 90 73 91

HSL 296.67, 0.11%, 0.32%

LAB 33.34, 10.82, -7.9

 

CMYK 0 / 25 / 1 / 71

HEX #493748

RGB 73 55 72

HSL 303.33, 0.14%, 0.25%

LAB 25.61, 11.45, -7.38

 

CMYK 0 / 34 / 5 / 78

HEX #382535

RGB 56 37 53

HSL 309.47, 0.2%, 0.18%

LAB 17.56, 12.22, -6.81

 

CMYK 4 / 15 / 0 / 49

HEX #7C6E81

RGB 124 110 129

HSL 284.21, 0.08%, 0.47%

LAB 48.29, 9.23, -8.47

 

CMYK 0 / 15 / 0 / 49

HEX #816E81

RGB 129 110 129

HSL 300, 0.08%, 0.47%

LAB 48.77, 11.08, -7.7

 

CMYK 0 / 15 / 5 / 49

HEX #816E7B

RGB 129 110 123

HSL 318.95, 0.08%, 0.47%

LAB 48.57, 9.89, -4.42

 

CMYK 0 / 15 / 9 / 49

HEX #816E76

RGB 129 110 118

HSL 334.74, 0.08%, 0.47%

LAB 48.42, 8.92, -1.67

 

CMYK 0 / 15 / 12 / 49

HEX #816E71

RGB 129 110 113

HSL 350.53, 0.08%, 0.47%

LAB 48.27, 8, 1.1

 

CMYK 4 / 15 / 0 / 49

HEX #7C6E81

RGB 124 110 129

HSL 284.21, 0.08%, 0.47%

LAB 48.29, 9.23, -8.47

 

CMYK 8 / 15 / 0 / 49

HEX #776E81

RGB 119 110 129

HSL 268.42, 0.08%, 0.47%

LAB 47.83, 7.4, -9.2

 

CMYK 12 / 15 / 0 / 49

HEX #726E81

RGB 114 110 129

HSL 252.63, 0.08%, 0.47%

LAB 47.38, 5.59, -9.91

 

CMYK 15 / 15 / 0 / 49

HEX #6E6E81

RGB 110 110 129

HSL 240, 0.08%, 0.47%

LAB 47.04, 4.16, -10.46

 

CMYK 4 / 15 / 0 / 49

HEX #7C6E81

RGB 124 110 129

HSL 284.21, 0.08%, 0.47%

LAB 48.29, 9.23, -8.47

 

CMYK 9 / 39 / 0 / 42

HEX #865A94

RGB 134 90 148

HSL 285.52, 0.24%, 0.47%

LAB 44.97, 28.7, -24.77

 

CMYK 14 / 58 / 0 / 34

HEX #9047A8

RGB 144 71 168

HSL 285.15, 0.41%, 0.47%

LAB 43.16, 46.43, -39.44

 

CMYK 18 / 72 / 0 / 27

HEX #9934BB

RGB 153 52 187

HSL 284.89, 0.56%, 0.47%

LAB 42.48, 60.99, -51.65

 

CMYK 21 / 85 / 0 / 19

HEX #A320CF

RGB 163 32 207

HSL 284.91, 0.73%, 0.47%

LAB 43.25, 72.83, -61.99

 

CMYK 4 / 15 / 0 / 49

HEX #7C6E81

RGB 124 110 129

HSL 284.21, 0.08%, 0.47%

LAB 48.29, 9.23, -8.47

 

CMYK 12 / 0 / 15 / 49

HEX #72816E

RGB 114 129 110

HSL 107.37, 0.08%, 0.47%

LAB 52.29, -9.34, 8.46

 

CMYK 30 / 0 / 40 / 42

HEX #69955A

RGB 105 149 90

HSL 104.75, 0.25%, 0.47%

LAB 57.3, -26.63, 26.48

 

CMYK 43 / 0 / 58 / 34

HEX #5FA847

RGB 95 168 71

HSL 105.15, 0.41%, 0.47%

LAB 62.42, -41.31, 42.4

 

CMYK 55 / 0 / 73 / 27

HEX #55BB33

RGB 85 187 51

HSL 105, 0.57%, 0.47%

LAB 67.81, -53.71, 56.59

 

CMYK 12 / 15 / 0 / 49

HEX #726E81

RGB 114 110 129

HSL 252.63, 0.08%, 0.47%

LAB 47.38, 5.59, -9.91

 

CMYK 8 / 15 / 0 / 49

HEX #776E81

RGB 119 110 129

HSL 268.42, 0.08%, 0.47%

LAB 47.83, 7.4, -9.2

 

CMYK 4 / 15 / 0 / 49

HEX #7C6E81

RGB 124 110 129

HSL 284.21, 0.08%, 0.47%

LAB 48.29, 9.23, -8.47

 

CMYK 0 / 15 / 0 / 49

HEX #816E81

RGB 129 110 129

HSL 300, 0.08%, 0.47%

LAB 48.77, 11.08, -7.7

 

CMYK 0 / 15 / 4 / 49

HEX #816E7C

RGB 129 110 124

HSL 315.79, 0.08%, 0.47%

LAB 48.6, 10.08, -4.97

 

CMYK 4 / 14 / 0 / 67

HEX #514854

RGB 81 72 84

HSL 285, 0.08%, 0.31%

LAB 31.86, 6.34, -5.74

 

CMYK 4 / 15 / 0 / 58

HEX #675B6B

RGB 103 91 107

HSL 285, 0.08%, 0.39%

LAB 40.29, 8.12, -7.34

 

CMYK 4 / 15 / 0 / 49

HEX #7C6E81

RGB 124 110 129

HSL 284.21, 0.08%, 0.47%

LAB 48.29, 9.23, -8.47

 

CMYK 3 / 12 / 0 / 42

HEX #918395

RGB 145 131 149

HSL 286.67, 0.08%, 0.55%

LAB 56.51, 8.75, -7.71

 

CMYK 2 / 9 / 0 / 34

HEX #A499A8

RGB 164 153 168

HSL 284, 0.08%, 0.63%

LAB 64.57, 6.87, -6.37

 

CMYK 4 / 16 / 0 / 49

HEX #7C6D81

RGB 124 109 129

HSL 285, 0.08%, 0.47%

LAB 48.02, 9.83, -8.87

 

CMYK 0 / 15 / 14 / 49

HEX #816E6F

RGB 129 110 111

HSL 356.84, 0.08%, 0.47%

LAB 48.22, 7.64, 2.21

 

CMYK 15 / 0 / 10 / 49

HEX #6E8174

RGB 110 129 116

HSL 138.95, 0.08%, 0.47%

LAB 52.15, -9.66, 4.73

 

CMYK 4 / 16 / 0 / 49

HEX #7C6D81

RGB 124 109 129

HSL 285, 0.08%, 0.47%

LAB 48.02, 9.83, -8.87

 

CMYK 0 / 4 / 15 / 49

HEX #817C6E

RGB 129 124 110

HSL 44.21, 0.08%, 0.47%

LAB 52.07, -0.67, 8.32

 

CMYK 15 / 0 / 4 / 49

HEX #6E817C

RGB 110 129 124

HSL 164.21, 0.08%, 0.47%

LAB 52.37, -7.98, 0.38

 

CMYK 4 / 16 / 0 / 49

HEX #7C6D81

RGB 124 109 129

HSL 285, 0.08%, 0.47%

LAB 48.02, 9.83, -8.87

 

CMYK 0 / 15 / 14 / 49

HEX #816E6F

RGB 129 110 111

HSL 356.84, 0.08%, 0.47%

LAB 48.22, 7.64, 2.21

 

CMYK 11 / 0 / 15 / 49

HEX #73816E

RGB 115 129 110

HSL 104.21, 0.08%, 0.47%

LAB 52.37, -8.96, 8.58

 

CMYK 15 / 0 / 1 / 49

HEX #6E8180

RGB 110 129 128

HSL 176.84, 0.08%, 0.47%

LAB 52.48, -7.1, -1.79

 

CMYK 4 / 16 / 0 / 49

HEX #7C6D81

RGB 124 109 129

HSL 285, 0.08%, 0.47%

LAB 48.02, 9.83, -8.87

 

CMYK 0 / 11 / 15 / 49

HEX #81736E

RGB 129 115 110

HSL 15.79, 0.08%, 0.47%

LAB 49.56, 4.53, 4.74

 

CMYK 11 / 0 / 15 / 49

HEX #73816E

RGB 115 129 110

HSL 104.21, 0.08%, 0.47%

LAB 52.37, -8.96, 8.58

 

CMYK 15 / 4 / 0 / 49

HEX #6E7C81

RGB 110 124 129

HSL 195.79, 0.08%, 0.47%

LAB 51.05, -4.03, -4.48

 

Description

Color code: RGB 124 109 129 | qconv.com Color code: RGB 124 109 129 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 109 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 109 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 16 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 16% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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