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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 124 177 82 it is the complementary color RGB 131 78 173. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 124 177 82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 124 177 82 shade: RGB 129 177 77, RGB 146 195 96, RGB 163 213 115, RGB 180 231 134 and RGB 197 249 153

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 124 177 82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 124 177 82 shade: RGB 124 177 82, RGB 107 159 63, RGB 90 141 44, RGB 73 123 25 and RGB 56 105 6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 124 177 82 shade: RGB 124 177 82, RGB 150 177 82, RGB 175 177 82, RGB 177 153 82 and RGB 177 128 82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 124 177 82 shade: RGB 124 177 82, RGB 98 177 82, RGB 82 177 91, RGB 82 177 117 and RGB 82 177 143

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 124 177 82 shade matches the following richer shades: RGB 124 177 82, RGB 122 197 62, RGB 119 217 42 and RGB 117 238 21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 124 177 82 shade: RGB 124 177 82, RGB 126 157 102, RGB 129 137 123, RGB 131 116 143 and RGB 133 96 163

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 124 177 82 shade: RGB 175 177 82, RGB 150 177 82, RGB 125 177 82, RGB 99 177 82 and RGB 82 177 90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 124 177 82 shade: RGB 84 122 55, RGB 104 151 67, RGB 124 177 82, RGB 146 190 111 and RGB 167 203 139

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 124 177 82 shade: RGB 124 177 82, RGB 82 177 153 and RGB 177 82 163

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 124 177 82 shade: RGB 124 177 82, RGB 82 125 177 and RGB 177 82 125

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 124 177 82 shade: RGB 124 177 82, RGB 82 177 153, RGB 134 82 177 and RGB 177 82 106

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 124 177 82 shade: RGB 124 177 82, RGB 82 172 177, RGB 134 82 177 and RGB 177 87 82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 54 / 31

HEX #7CB152

RGB 124 177 82

HSL 93.47, 0.38%, 0.51%

LAB 66.78, -34.08, 42.62

 

Complementary color

CMYK 24 / 55 / 0 / 32

HEX #834EAD

RGB 131 78 173

HSL 273.47, 0.38%, 0.49%

LAB 43.2, 40.37, -42.43

 

CMYK 27 / 0 / 56 / 31

HEX #81B14D

RGB 129 177 77

HSL 88.8, 0.39%, 0.5%

LAB 67.01, -32.76, 45.36

 

CMYK 25 / 0 / 51 / 24

HEX #92C360

RGB 146 195 96

HSL 89.7, 0.45%, 0.57%

LAB 73.54, -32.81, 44.25

 

CMYK 23 / 0 / 46 / 16

HEX #A3D573

RGB 163 213 115

HSL 90.61, 0.54%, 0.64%

LAB 79.96, -32.81, 43.09

 

CMYK 22 / 0 / 42 / 9

HEX #B4E786

RGB 180 231 134

HSL 91.55, 0.67%, 0.72%

LAB 86.29, -32.77, 41.94

 

CMYK 21 / 0 / 39 / 2

HEX #C5F999

RGB 197 249 153

HSL 92.5, 0.89%, 0.79%

LAB 92.54, -32.7, 40.81

 

CMYK 30 / 0 / 54 / 31

HEX #7CB152

RGB 124 177 82

HSL 93.47, 0.38%, 0.51%

LAB 66.78, -34.08, 42.62

 

CMYK 33 / 0 / 60 / 38

HEX #6B9F3F

RGB 107 159 63

HSL 92.5, 0.43%, 0.44%

LAB 60.14, -34.01, 43.7

 

CMYK 36 / 0 / 69 / 45

HEX #5A8D2C

RGB 90 141 44

HSL 91.55, 0.52%, 0.36%

LAB 53.39, -33.81, 44.53

 

CMYK 41 / 0 / 80 / 52

HEX #497B19

RGB 73 123 25

HSL 90.61, 0.66%, 0.29%

LAB 46.52, -33.37, 44.72

 

CMYK 47 / 0 / 94 / 59

HEX #386906

RGB 56 105 6

HSL 89.7, 0.89%, 0.22%

LAB 39.51, -32.56, 43.53

 

CMYK 30 / 0 / 54 / 31

HEX #7CB152

RGB 124 177 82

HSL 93.47, 0.38%, 0.51%

LAB 66.78, -34.08, 42.62

 

CMYK 15 / 0 / 54 / 31

HEX #96B152

RGB 150 177 82

HSL 77.05, 0.38%, 0.51%

LAB 68.41, -24.1, 44.96

 

CMYK 1 / 0 / 54 / 31

HEX #AFB152

RGB 175 177 82

HSL 61.26, 0.38%, 0.51%

LAB 70.29, -13.83, 47.62

 

CMYK 0 / 14 / 54 / 31

HEX #B19952

RGB 177 153 82

HSL 44.84, 0.38%, 0.51%

LAB 63.95, -0.26, 40.21

 

CMYK 0 / 28 / 54 / 31

HEX #B18052

RGB 177 128 82

HSL 29.05, 0.38%, 0.51%

LAB 57.46, 13.56, 32.27

 

CMYK 30 / 0 / 54 / 31

HEX #7CB152

RGB 124 177 82

HSL 93.47, 0.38%, 0.51%

LAB 66.78, -34.08, 42.62

 

CMYK 45 / 0 / 54 / 31

HEX #62B152

RGB 98 177 82

HSL 109.89, 0.38%, 0.51%

LAB 65.48, -42.89, 40.75

 

CMYK 54 / 0 / 49 / 31

HEX #52B15B

RGB 82 177 91

HSL 125.68, 0.38%, 0.51%

LAB 64.96, -46.25, 35.5

 

CMYK 54 / 0 / 34 / 31

HEX #52B175

RGB 82 177 117

HSL 142.11, 0.38%, 0.51%

LAB 65.38, -41.85, 22.39

 

CMYK 54 / 0 / 19 / 31

HEX #52B18F

RGB 82 177 143

HSL 158.53, 0.38%, 0.51%

LAB 65.92, -36.38, 8.95

 

CMYK 30 / 0 / 54 / 31

HEX #7CB152

RGB 124 177 82

HSL 93.47, 0.38%, 0.51%

LAB 66.78, -34.08, 42.62

 

CMYK 38 / 0 / 69 / 23

HEX #7AC53E

RGB 122 197 62

HSL 93.33, 0.54%, 0.51%

LAB 72.51, -45.42, 57.76

 

CMYK 45 / 0 / 81 / 15

HEX #77D92A

RGB 119 217 42

HSL 93.6, 0.7%, 0.51%

LAB 78.3, -55.6, 69.92

 

CMYK 51 / 0 / 91 / 7

HEX #75EE15

RGB 117 238 21

HSL 93.46, 0.86%, 0.51%

LAB 84.48, -64.6, 79.39

 

CMYK 30 / 0 / 54 / 31

HEX #7CB152

RGB 124 177 82

HSL 93.47, 0.38%, 0.51%

LAB 66.78, -34.08, 42.62

 

CMYK 20 / 0 / 35 / 38

HEX #7E9D66

RGB 126 157 102

HSL 93.82, 0.22%, 0.51%

LAB 61.23, -21.03, 25.35

 

CMYK 6 / 0 / 10 / 46

HEX #81897B

RGB 129 137 123

HSL 94.29, 0.06%, 0.51%

LAB 56.08, -5.67, 6.5

 

CMYK 8 / 19 / 0 / 44

HEX #83748F

RGB 131 116 143

HSL 273.33, 0.11%, 0.51%

LAB 51.04, 11.22, -12.55

 

CMYK 18 / 41 / 0 / 36

HEX #8560A3

RGB 133 96 163

HSL 273.13, 0.27%, 0.51%

LAB 46.97, 28.27, -30.57

 

CMYK 1 / 0 / 54 / 31

HEX #AFB152

RGB 175 177 82

HSL 61.26, 0.38%, 0.51%

LAB 70.29, -13.83, 47.62

 

CMYK 15 / 0 / 54 / 31

HEX #96B152

RGB 150 177 82

HSL 77.05, 0.38%, 0.51%

LAB 68.41, -24.1, 44.96

 

CMYK 29 / 0 / 54 / 31

HEX #7DB152

RGB 125 177 82

HSL 92.84, 0.38%, 0.51%

LAB 66.83, -33.71, 42.71

 

CMYK 44 / 0 / 54 / 31

HEX #63B152

RGB 99 177 82

HSL 109.26, 0.38%, 0.51%

LAB 65.52, -42.57, 40.82

 

CMYK 54 / 0 / 49 / 31

HEX #52B15A

RGB 82 177 90

HSL 125.05, 0.38%, 0.51%

LAB 64.94, -46.4, 35.99

 

CMYK 31 / 0 / 55 / 52

HEX #547A37

RGB 84 122 55

HSL 94.03, 0.38%, 0.35%

LAB 47.08, -26, 32.14

 

CMYK 31 / 0 / 56 / 41

HEX #689743

RGB 104 151 67

HSL 93.57, 0.39%, 0.43%

LAB 57.54, -30.99, 38.75

 

CMYK 30 / 0 / 54 / 31

HEX #7CB152

RGB 124 177 82

HSL 93.47, 0.38%, 0.51%

LAB 66.78, -34.08, 42.62

 

CMYK 23 / 0 / 42 / 25

HEX #92BE6F

RGB 146 190 111

HSL 93.42, 0.38%, 0.59%

LAB 72.29, -28.64, 35.21

 

CMYK 18 / 0 / 32 / 20

HEX #A7CB8B

RGB 167 203 139

HSL 93.75, 0.38%, 0.67%

LAB 77.75, -23.41, 28.11

 

CMYK 30 / 0 / 54 / 31

HEX #7CB152

RGB 124 177 82

HSL 93.47, 0.38%, 0.51%

LAB 66.78, -34.08, 42.62

 

CMYK 54 / 0 / 14 / 31

HEX #52B199

RGB 82 177 153

HSL 164.84, 0.38%, 0.51%

LAB 66.17, -34.01, 3.78

 

CMYK 0 / 54 / 8 / 31

HEX #B152A3

RGB 177 82 163

HSL 308.84, 0.38%, 0.51%

LAB 49.53, 49.29, -26.17

 

CMYK 30 / 0 / 54 / 31

HEX #7CB152

RGB 124 177 82

HSL 93.47, 0.38%, 0.51%

LAB 66.78, -34.08, 42.62

 

CMYK 54 / 29 / 0 / 31

HEX #527DB1

RGB 82 125 177

HSL 212.84, 0.38%, 0.51%

LAB 51.42, 0.45, -32.06

 

CMYK 0 / 54 / 29 / 31

HEX #B1527D

RGB 177 82 125

HSL 332.84, 0.38%, 0.51%

LAB 48.09, 43.49, -5.69

 

CMYK 30 / 0 / 54 / 31

HEX #7CB152

RGB 124 177 82

HSL 93.47, 0.38%, 0.51%

LAB 66.78, -34.08, 42.62

 

CMYK 54 / 0 / 14 / 31

HEX #52B199

RGB 82 177 153

HSL 164.84, 0.38%, 0.51%

LAB 66.17, -34.01, 3.78

 

CMYK 24 / 54 / 0 / 31

HEX #8652B1

RGB 134 82 177

HSL 272.84, 0.38%, 0.51%

LAB 44.63, 39.91, -42.49

 

CMYK 0 / 54 / 40 / 31

HEX #B1526A

RGB 177 82 106

HSL 344.84, 0.38%, 0.51%

LAB 47.52, 41.12, 4.97

 

CMYK 30 / 0 / 54 / 31

HEX #7CB152

RGB 124 177 82

HSL 93.47, 0.38%, 0.51%

LAB 66.78, -34.08, 42.62

 

CMYK 54 / 3 / 0 / 31

HEX #52ACB1

RGB 82 172 177

HSL 183.16, 0.38%, 0.51%

LAB 65.34, -25.32, -10.78

 

CMYK 24 / 54 / 0 / 31

HEX #8652B1

RGB 134 82 177

HSL 272.84, 0.38%, 0.51%

LAB 44.63, 39.91, -42.49

 

CMYK 0 / 51 / 54 / 31

HEX #B15752

RGB 177 87 82

HSL 3.16, 0.38%, 0.51%

LAB 47.97, 36.12, 20.05

 

Description

Color code: RGB 124 177 82 | qconv.com Color code: RGB 124 177 82 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 177 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 177 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 54 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 54% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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