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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 124 201 118 it is the complementary color RGB 131 54 137. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 124 201 118. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 124 201 118 shade: RGB 129 201 113, RGB 146 219 132, RGB 163 237 151, RGB 180 255 170 and RGB 197 255 189

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 124 201 118. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 124 201 118 shade: RGB 124 201 118, RGB 107 183 99, RGB 90 165 80, RGB 73 147 61 and RGB 56 129 42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 124 201 118 shade: RGB 125 201 120, RGB 147 201 120, RGB 169 201 120, RGB 191 201 120 and RGB 201 188 120

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 124 201 118 shade: RGB 125 201 120, RGB 120 201 136, RGB 120 201 157, RGB 120 201 179 and RGB 120 200 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 124 201 118 shade matches the following richer shades: RGB 125 201 120, RGB 112 216 104, RGB 99 231 89 and RGB 86 247 74

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 124 201 118 shade: RGB 125 201 120, RGB 139 185 135, RGB 152 170 150, RGB 165 155 165 and RGB 178 140 181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 124 201 118 shade: RGB 170 201 120, RGB 148 201 120, RGB 126 201 120, RGB 120 201 134 and RGB 120 201 156

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 124 201 118 shade: RGB 75 170 68, RGB 97 189 90, RGB 125 201 120, RGB 154 212 149 and RGB 182 224 179

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 124 201 118 shade: RGB 124 201 118, RGB 120 191 201 and RGB 201 120 159

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 124 201 118 shade: RGB 124 201 118, RGB 120 126 201 and RGB 201 120 126

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 124 201 118 shade: RGB 124 201 118, RGB 120 191 201, RGB 194 120 201 and RGB 201 129 120

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 124 201 118 shade: RGB 124 201 118, RGB 120 167 201, RGB 194 120 201 and RGB 201 153 120

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 41 / 21

HEX #7CC976

RGB 124 201 118

HSL 115.66, 0.43%, 0.63%

LAB 74.42, -40.23, 34.14

 

Complementary color

CMYK 4 / 61 / 0 / 46

HEX #833689

RGB 131 54 137

HSL 295.66, 0.43%, 0.37%

LAB 36.5, 45.08, -31.39

 

CMYK 36 / 0 / 44 / 21

HEX #81C971

RGB 129 201 113

HSL 109.09, 0.45%, 0.62%

LAB 74.59, -39.35, 36.94

 

CMYK 33 / 0 / 40 / 14

HEX #92DB84

RGB 146 219 132

HSL 110.34, 0.55%, 0.69%

LAB 80.98, -39.16, 35.74

 

CMYK 31 / 0 / 36 / 7

HEX #A3ED97

RGB 163 237 151

HSL 111.63, 0.7%, 0.76%

LAB 87.29, -38.96, 34.58

 

CMYK 29 / 0 / 33 / 0

HEX #B4FFAA

RGB 180 255 170

HSL 112.94, 1%, 0.83%

LAB 93.51, -38.75, 33.47

 

CMYK 23 / 0 / 26 / 0

HEX #C5FFBD

RGB 197 255 189

HSL 112.73, 1%, 0.87%

LAB 94.77, -30.31, 25.77

 

CMYK 38 / 0 / 41 / 21

HEX #7CC976

RGB 124 201 118

HSL 115.66, 0.43%, 0.63%

LAB 74.42, -40.23, 34.14

 

CMYK 42 / 0 / 46 / 28

HEX #6BB763

RGB 107 183 99

HSL 114.29, 0.37%, 0.55%

LAB 67.94, -40.4, 35.39

 

CMYK 45 / 0 / 52 / 35

HEX #5AA550

RGB 90 165 80

HSL 112.94, 0.35%, 0.48%

LAB 61.36, -40.49, 36.68

 

CMYK 50 / 0 / 59 / 42

HEX #49933D

RGB 73 147 61

HSL 111.63, 0.41%, 0.41%

LAB 54.68, -40.45, 37.95

 

CMYK 57 / 0 / 67 / 49

HEX #38812A

RGB 56 129 42

HSL 110.34, 0.51%, 0.34%

LAB 47.89, -40.14, 39.05

 

CMYK 38 / 0 / 40 / 21

HEX #7DC978

RGB 125 201 120

HSL 116.3, 0.43%, 0.63%

LAB 74.5, -39.62, 33.23

 

CMYK 27 / 0 / 40 / 21

HEX #93C978

RGB 147 201 120

HSL 100, 0.43%, 0.63%

LAB 75.66, -32.28, 34.95

 

CMYK 16 / 0 / 40 / 21

HEX #A9C978

RGB 169 201 120

HSL 83.7, 0.43%, 0.63%

LAB 77.02, -24.27, 36.97

 

CMYK 5 / 0 / 40 / 21

HEX #BFC978

RGB 191 201 120

HSL 67.41, 0.43%, 0.63%

LAB 78.58, -15.79, 39.28

 

CMYK 0 / 6 / 40 / 21

HEX #C9BC78

RGB 201 188 120

HSL 50.37, 0.43%, 0.63%

LAB 75.91, -5.14, 36.04

 

CMYK 38 / 0 / 40 / 21

HEX #7DC978

RGB 125 201 120

HSL 116.3, 0.43%, 0.63%

LAB 74.5, -39.62, 33.23

 

CMYK 40 / 0 / 32 / 21

HEX #78C988

RGB 120 201 136

HSL 131.85, 0.43%, 0.63%

LAB 74.54, -38.55, 24.91

 

CMYK 40 / 0 / 22 / 21

HEX #78C99D

RGB 120 201 157

HSL 147.41, 0.43%, 0.63%

LAB 74.95, -34.61, 14.33

 

CMYK 40 / 0 / 11 / 21

HEX #78C9B3

RGB 120 201 179

HSL 163.7, 0.43%, 0.63%

LAB 75.46, -29.92, 3.22

 

CMYK 40 / 0 / 0 / 21

HEX #78C8C9

RGB 120 200 201

HSL 180.74, 0.43%, 0.63%

LAB 75.77, -24.21, -8.22

 

CMYK 38 / 0 / 40 / 21

HEX #7DC978

RGB 125 201 120

HSL 116.3, 0.43%, 0.63%

LAB 74.5, -39.62, 33.23

 

CMYK 48 / 0 / 52 / 15

HEX #70D868

RGB 112 216 104

HSL 115.71, 0.59%, 0.63%

LAB 78.2, -52.03, 45.67

 

CMYK 57 / 0 / 61 / 9

HEX #63E759

RGB 99 231 89

HSL 115.77, 0.75%, 0.63%

LAB 82.12, -62.78, 56.91

 

CMYK 65 / 0 / 70 / 3

HEX #56F74A

RGB 86 247 74

HSL 115.84, 0.92%, 0.63%

LAB 86.5, -72.4, 67.42

 

CMYK 38 / 0 / 40 / 21

HEX #7DC978

RGB 125 201 120

HSL 116.3, 0.43%, 0.63%

LAB 74.5, -39.62, 33.23

 

CMYK 25 / 0 / 27 / 27

HEX #8BB987

RGB 139 185 135

HSL 115.2, 0.26%, 0.63%

LAB 70.83, -25.08, 20.57

 

CMYK 11 / 0 / 12 / 33

HEX #98AA96

RGB 152 170 150

HSL 114, 0.11%, 0.63%

LAB 67.74, -10.16, 8.19

 

CMYK 0 / 6 / 0 / 35

HEX #A59BA5

RGB 165 155 165

HSL 300, 0.05%, 0.63%

LAB 65.09, 5.52, -3.9

 

CMYK 2 / 23 / 0 / 29

HEX #B28CB5

RGB 178 140 181

HSL 295.61, 0.22%, 0.63%

LAB 62.98, 21.62, -15.95

 

CMYK 15 / 0 / 40 / 21

HEX #AAC978

RGB 170 201 120

HSL 82.96, 0.43%, 0.63%

LAB 77.09, -23.89, 37.07

 

CMYK 26 / 0 / 40 / 21

HEX #94C978

RGB 148 201 120

HSL 99.26, 0.43%, 0.63%

LAB 75.72, -31.93, 35.03

 

CMYK 37 / 0 / 40 / 21

HEX #7EC978

RGB 126 201 120

HSL 115.56, 0.43%, 0.63%

LAB 74.55, -39.3, 33.3

 

CMYK 40 / 0 / 33 / 21

HEX #78C986

RGB 120 201 134

HSL 130.37, 0.43%, 0.63%

LAB 74.5, -38.9, 25.92

 

CMYK 40 / 0 / 22 / 21

HEX #78C99C

RGB 120 201 156

HSL 146.67, 0.43%, 0.63%

LAB 74.93, -34.81, 14.83

 

CMYK 56 / 0 / 60 / 33

HEX #4BAA44

RGB 75 170 68

HSL 115.88, 0.43%, 0.47%

LAB 62.22, -48.34, 43.38

 

CMYK 49 / 0 / 52 / 26

HEX #61BD5A

RGB 97 189 90

HSL 115.76, 0.43%, 0.55%

LAB 69.24, -47.16, 41.39

 

CMYK 38 / 0 / 40 / 21

HEX #7DC978

RGB 125 201 120

HSL 116.3, 0.43%, 0.63%

LAB 74.5, -39.62, 33.23

 

CMYK 27 / 0 / 30 / 17

HEX #9AD495

RGB 154 212 149

HSL 115.24, 0.42%, 0.71%

LAB 79.69, -30.71, 25.36

 

CMYK 19 / 0 / 20 / 12

HEX #B6E0B3

RGB 182 224 179

HSL 116, 0.42%, 0.79%

LAB 85.26, -22.12, 17.62

 

CMYK 38 / 0 / 41 / 21

HEX #7CC976

RGB 124 201 118

HSL 115.66, 0.43%, 0.63%

LAB 74.42, -40.23, 34.14

 

CMYK 40 / 5 / 0 / 21

HEX #78BFC9

RGB 120 191 201

HSL 187.41, 0.43%, 0.63%

LAB 73.2, -19.67, -12.05

 

CMYK 0 / 40 / 21 / 21

HEX #C9789F

RGB 201 120 159

HSL 331.11, 0.43%, 0.63%

LAB 60.21, 36.81, -7.31

 

CMYK 38 / 0 / 41 / 21

HEX #7CC976

RGB 124 201 118

HSL 115.66, 0.43%, 0.63%

LAB 74.42, -40.23, 34.14

 

CMYK 40 / 37 / 0 / 21

HEX #787EC9

RGB 120 126 201

HSL 235.56, 0.43%, 0.63%

LAB 55.21, 16.6, -39.69

 

CMYK 0 / 40 / 37 / 21

HEX #C9787E

RGB 201 120 126

HSL 355.56, 0.43%, 0.63%

LAB 59.3, 32.33, 10.38

 

CMYK 38 / 0 / 41 / 21

HEX #7CC976

RGB 124 201 118

HSL 115.66, 0.43%, 0.63%

LAB 74.42, -40.23, 34.14

 

CMYK 40 / 5 / 0 / 21

HEX #78BFC9

RGB 120 191 201

HSL 187.41, 0.43%, 0.63%

LAB 73.2, -19.67, -12.05

 

CMYK 3 / 40 / 0 / 21

HEX #C278C9

RGB 194 120 201

HSL 294.81, 0.43%, 0.63%

LAB 60.89, 41.74, -30.3

 

CMYK 0 / 36 / 40 / 21

HEX #C98178

RGB 201 129 120

HSL 6.67, 0.43%, 0.63%

LAB 61.2, 26.75, 16.46

 

CMYK 38 / 0 / 41 / 21

HEX #7CC976

RGB 124 201 118

HSL 115.66, 0.43%, 0.63%

LAB 74.42, -40.23, 34.14

 

CMYK 40 / 17 / 0 / 21

HEX #78A7C9

RGB 120 167 201

HSL 205.19, 0.43%, 0.63%

LAB 66.4, -6.96, -22.33

 

CMYK 3 / 40 / 0 / 21

HEX #C278C9

RGB 194 120 201

HSL 294.81, 0.43%, 0.63%

LAB 60.89, 41.74, -30.3

 

CMYK 0 / 24 / 40 / 21

HEX #C99978

RGB 201 153 120

HSL 24.44, 0.43%, 0.63%

LAB 66.94, 13.62, 24.28

 

Description

Color code: RGB 124 201 118 | qconv.com Color code: RGB 124 201 118 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 201 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 201 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 41 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 41% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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