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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 124 214 87 it is the complementary color RGB 131 41 168. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 124 214 87. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 124 214 87 shade: RGB 129 214 82, RGB 146 232 101, RGB 163 250 120, RGB 180 255 139 and RGB 197 255 158

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 124 214 87. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 124 214 87 shade: RGB 124 214 87, RGB 107 196 68, RGB 90 178 49, RGB 73 160 30 and RGB 56 142 11

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 124 214 87 shade: RGB 123 214 86, RGB 158 214 86, RGB 192 214 86, RGB 214 201 86 and RGB 214 167 86

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 124 214 87 shade: RGB 123 214 86, RGB 89 214 86, RGB 86 214 118, RGB 86 214 152 and RGB 86 214 187

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 124 214 87 shade matches the following richer shades: RGB 123 214 86, RGB 116 231 69 and RGB 109 248 52

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 124 214 87 shade: RGB 123 214 86, RGB 130 197 103, RGB 137 180 120, RGB 145 163 137 and RGB 152 146 154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 124 214 87 shade: RGB 192 214 86, RGB 158 214 86, RGB 124 214 86, RGB 90 214 86 and RGB 86 214 116

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 124 214 87 shade: RGB 81 175 42, RGB 97 206 53, RGB 123 214 86, RGB 149 222 119 and RGB 175 230 153

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 124 214 87 shade: RGB 124 214 87, RGB 86 214 201 and RGB 214 86 175

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 124 214 87 shade: RGB 124 214 87, RGB 86 124 214 and RGB 214 86 124

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 124 214 87 shade: RGB 124 214 87, RGB 86 214 201, RGB 175 86 214 and RGB 214 86 99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 124 214 87 shade: RGB 124 214 87, RGB 86 188 214, RGB 175 86 214 and RGB 214 112 86

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 59 / 16

HEX #7CD657

RGB 124 214 87

HSL 102.52, 0.61%, 0.59%

LAB 77.91, -49.59, 53.26

 

Complementary color

CMYK 22 / 76 / 0 / 34

HEX #8329A8

RGB 131 41 168

HSL 282.52, 0.61%, 0.41%

LAB 36.44, 56.9, -50.3

 

CMYK 40 / 0 / 62 / 16

HEX #81D652

RGB 129 214 82

HSL 98.64, 0.62%, 0.58%

LAB 78.09, -48.48, 55.69

 

CMYK 37 / 0 / 56 / 9

HEX #92E865

RGB 146 232 101

HSL 99.39, 0.74%, 0.65%

LAB 84.36, -48.58, 54.72

 

CMYK 35 / 0 / 52 / 2

HEX #A3FA78

RGB 163 250 120

HSL 100.15, 0.93%, 0.73%

LAB 90.56, -48.59, 53.64

 

CMYK 29 / 0 / 45 / 0

HEX #B4FF8B

RGB 180 255 139

HSL 98.79, 1%, 0.77%

LAB 93.05, -42.95, 48.03

 

CMYK 23 / 0 / 38 / 0

HEX #C5FF9E

RGB 197 255 158

HSL 95.88, 1%, 0.81%

LAB 94.25, -34.8, 40.57

 

CMYK 42 / 0 / 59 / 16

HEX #7CD657

RGB 124 214 87

HSL 102.52, 0.61%, 0.59%

LAB 77.91, -49.59, 53.26

 

CMYK 45 / 0 / 65 / 23

HEX #6BC444

RGB 107 196 68

HSL 101.72, 0.52%, 0.52%

LAB 71.57, -49.4, 54.15

 

CMYK 49 / 0 / 72 / 30

HEX #5AB231

RGB 90 178 49

HSL 100.93, 0.57%, 0.45%

LAB 65.15, -49, 54.69

 

CMYK 54 / 0 / 81 / 37

HEX #49A01E

RGB 73 160 30

HSL 100.15, 0.68%, 0.37%

LAB 58.65, -48.29, 54.54

 

CMYK 61 / 0 / 92 / 44

HEX #388E0B

RGB 56 142 11

HSL 99.39, 0.86%, 0.3%

LAB 52.07, -47.1, 53.07

 

CMYK 43 / 0 / 60 / 16

HEX #7BD656

RGB 123 214 86

HSL 102.66, 0.61%, 0.59%

LAB 77.86, -50, 53.62

 

CMYK 26 / 0 / 60 / 16

HEX #9ED656

RGB 158 214 86

HSL 86.25, 0.61%, 0.59%

LAB 79.63, -38.06, 56.1

 

CMYK 10 / 0 / 60 / 16

HEX #C0D656

RGB 192 214 86

HSL 70.31, 0.61%, 0.59%

LAB 81.82, -24.96, 59.14

 

CMYK 0 / 6 / 60 / 16

HEX #D6C956

RGB 214 201 86

HSL 53.91, 0.61%, 0.59%

LAB 80.03, -9.51, 57.66

 

CMYK 0 / 22 / 60 / 16

HEX #D6A756

RGB 214 167 86

HSL 37.97, 0.61%, 0.59%

LAB 71.29, 8.29, 47.78

 

CMYK 43 / 0 / 60 / 16

HEX #7BD656

RGB 123 214 86

HSL 102.66, 0.61%, 0.59%

LAB 77.86, -50, 53.62

 

CMYK 58 / 0 / 60 / 16

HEX #59D656

RGB 89 214 86

HSL 118.59, 0.61%, 0.59%

LAB 76.61, -59.34, 51.87

 

CMYK 60 / 0 / 45 / 16

HEX #56D676

RGB 86 214 118

HSL 135, 0.61%, 0.59%

LAB 76.91, -55.72, 37.05

 

CMYK 60 / 0 / 29 / 16

HEX #56D698

RGB 86 214 152

HSL 150.94, 0.61%, 0.59%

LAB 77.48, -49.57, 20.32

 

CMYK 60 / 0 / 13 / 16

HEX #56D6BB

RGB 86 214 187

HSL 167.34, 0.61%, 0.59%

LAB 78.26, -41.7, 2.83

 

CMYK 43 / 0 / 60 / 16

HEX #7BD656

RGB 123 214 86

HSL 102.66, 0.61%, 0.59%

LAB 77.86, -50, 53.62

 

CMYK 50 / 0 / 70 / 9

HEX #74E745

RGB 116 231 69

HSL 102.59, 0.77%, 0.59%

LAB 82.54, -60.13, 65.42

 

CMYK 56 / 0 / 79 / 3

HEX #6DF834

RGB 109 248 52

HSL 102.55, 0.93%, 0.59%

LAB 87.31, -69.06, 75.4

 

CMYK 43 / 0 / 60 / 16

HEX #7BD656

RGB 123 214 86

HSL 102.66, 0.61%, 0.59%

LAB 77.86, -50, 53.62

 

CMYK 34 / 0 / 48 / 23

HEX #82C567

RGB 130 197 103

HSL 102.77, 0.45%, 0.59%

LAB 73.32, -38.56, 40.36

 

CMYK 24 / 0 / 33 / 29

HEX #89B478

RGB 137 180 120

HSL 103, 0.29%, 0.59%

LAB 68.98, -25.76, 26.08

 

CMYK 11 / 0 / 16 / 36

HEX #91A389

RGB 145 163 137

HSL 101.54, 0.12%, 0.59%

LAB 64.98, -11.32, 11.4

 

CMYK 1 / 5 / 0 / 40

HEX #98929A

RGB 152 146 154

HSL 285, 0.04%, 0.59%

LAB 61.28, 3.75, -3.43

 

CMYK 10 / 0 / 60 / 16

HEX #C0D656

RGB 192 214 86

HSL 70.31, 0.61%, 0.59%

LAB 81.82, -24.96, 59.14

 

CMYK 26 / 0 / 60 / 16

HEX #9ED656

RGB 158 214 86

HSL 86.25, 0.61%, 0.59%

LAB 79.63, -38.06, 56.1

 

CMYK 42 / 0 / 60 / 16

HEX #7CD656

RGB 124 214 86

HSL 102.19, 0.61%, 0.59%

LAB 77.9, -49.69, 53.69

 

CMYK 58 / 0 / 60 / 16

HEX #5AD656

RGB 90 214 86

HSL 118.13, 0.61%, 0.59%

LAB 76.64, -59.1, 51.91

 

CMYK 60 / 0 / 46 / 16

HEX #56D674

RGB 86 214 116

HSL 134.06, 0.61%, 0.59%

LAB 76.88, -56.04, 38

 

CMYK 54 / 0 / 76 / 31

HEX #51AF2A

RGB 81 175 42

HSL 102.41, 0.61%, 0.43%

LAB 63.82, -50.96, 55.74

 

CMYK 53 / 0 / 74 / 19

HEX #61CE35

RGB 97 206 53

HSL 102.75, 0.61%, 0.51%

LAB 74.15, -57.31, 62.37

 

CMYK 43 / 0 / 60 / 16

HEX #7BD656

RGB 123 214 86

HSL 102.66, 0.61%, 0.59%

LAB 77.86, -50, 53.62

 

CMYK 33 / 0 / 46 / 13

HEX #95DE77

RGB 149 222 119

HSL 102.52, 0.61%, 0.67%

LAB 81.82, -41.26, 43.28

 

CMYK 24 / 0 / 33 / 10

HEX #AFE699

RGB 175 230 153

HSL 102.86, 0.61%, 0.75%

LAB 86.01, -31.48, 32

 

CMYK 42 / 0 / 59 / 16

HEX #7CD657

RGB 124 214 87

HSL 102.52, 0.61%, 0.59%

LAB 77.91, -49.59, 53.26

 

CMYK 60 / 0 / 6 / 16

HEX #56D6C9

RGB 86 214 201

HSL 173.91, 0.61%, 0.59%

LAB 78.63, -38.17, -4.13

 

CMYK 0 / 60 / 18 / 16

HEX #D656AF

RGB 214 86 175

HSL 318.28, 0.61%, 0.59%

LAB 56.13, 59.98, -22.54

 

CMYK 42 / 0 / 59 / 16

HEX #7CD657

RGB 124 214 87

HSL 102.52, 0.61%, 0.59%

LAB 77.91, -49.59, 53.26

 

CMYK 60 / 42 / 0 / 16

HEX #567CD6

RGB 86 124 214

HSL 222.19, 0.61%, 0.59%

LAB 53.22, 14.04, -50.34

 

CMYK 0 / 60 / 42 / 16

HEX #D6567C

RGB 214 86 124

HSL 342.19, 0.61%, 0.59%

LAB 54.46, 53.66, 4.9

 

CMYK 42 / 0 / 59 / 16

HEX #7CD657

RGB 124 214 87

HSL 102.52, 0.61%, 0.59%

LAB 77.91, -49.59, 53.26

 

CMYK 60 / 0 / 6 / 16

HEX #56D6C9

RGB 86 214 201

HSL 173.91, 0.61%, 0.59%

LAB 78.63, -38.17, -4.13

 

CMYK 18 / 60 / 0 / 16

HEX #AF56D6

RGB 175 86 214

HSL 281.72, 0.61%, 0.59%

LAB 52.54, 56.52, -50.97

 

CMYK 0 / 60 / 54 / 16

HEX #D65663

RGB 214 86 99

HSL 353.91, 0.61%, 0.59%

LAB 53.87, 51.36, 18.88

 

CMYK 42 / 0 / 59 / 16

HEX #7CD657

RGB 124 214 87

HSL 102.52, 0.61%, 0.59%

LAB 77.91, -49.59, 53.26

 

CMYK 60 / 12 / 0 / 16

HEX #56BCD6

RGB 86 188 214

HSL 192.19, 0.61%, 0.59%

LAB 71.42, -22.01, -21.97

 

CMYK 18 / 60 / 0 / 16

HEX #AF56D6

RGB 175 86 214

HSL 281.72, 0.61%, 0.59%

LAB 52.54, 56.52, -50.97

 

CMYK 0 / 48 / 60 / 16

HEX #D67056

RGB 214 112 86

HSL 12.19, 0.61%, 0.59%

LAB 58.56, 37.7, 32.47

 

Description

Color code: RGB 124 214 87 | qconv.com Color code: RGB 124 214 87 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 214 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 214 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 59 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 59% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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