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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 125 118 57 it is the complementary color RGB 130 137 198. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 125 118 57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 125 118 57 shade: RGB 130 118 52, RGB 147 136 71, RGB 164 154 90, RGB 181 172 109 and RGB 198 190 128

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 125 118 57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 125 118 57 shade: RGB 125 118 57, RGB 108 100 38, RGB 91 82 19, RGB 74 64 0 and RGB 57 46 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 125 118 57 shade: RGB 125 118 57, RGB 125 100 57, RGB 125 82 57, RGB 125 63 57 and RGB 125 57 57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 125 118 57 shade: RGB 125 118 57, RGB 114 125 57, RGB 96 125 57, RGB 77 125 57 and RGB 59 125 57

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 125 118 57 shade matches the following richer shades: RGB 125 118 57, RGB 140 130 42, RGB 155 142 28 and RGB 170 154 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 125 118 57 shade: RGB 125 118 57, RGB 110 106 72, RGB 96 95 87, RGB 81 83 102 and RGB 66 71 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 125 118 57 shade: RGB 125 81 57, RGB 125 99 57, RGB 125 117 57, RGB 115 125 57 and RGB 97 125 57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 125 118 57 shade: RGB 69 65 31, RGB 97 92 44, RGB 125 118 57, RGB 154 145 70 and RGB 178 168 87

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 125 118 57 shade: RGB 125 118 57, RGB 57 125 63 and RGB 90 57 125

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 125 118 57 shade: RGB 125 118 57, RGB 57 125 117 and RGB 117 57 125

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 125 118 57 shade: RGB 125 118 57, RGB 57 125 63, RGB 57 65 125 and RGB 125 57 120

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 125 118 57 shade: RGB 125 118 57, RGB 57 125 83, RGB 57 65 125 and RGB 125 57 99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 54 / 51

HEX #7D7639

RGB 125 118 57

HSL 53.82, 0.37%, 0.36%

LAB 49.02, -6.08, 34.17

 

Complementary color

CMYK 34 / 31 / 0 / 22

HEX #8289C6

RGB 130 137 198

HSL 233.82, 0.37%, 0.64%

LAB 58.71, 12.03, -32.46

 

CMYK 0 / 9 / 60 / 49

HEX #827634

RGB 130 118 52

HSL 50.77, 0.43%, 0.36%

LAB 49.44, -4.24, 37.33

 

CMYK 0 / 7 / 52 / 42

HEX #938847

RGB 147 136 71

HSL 51.32, 0.35%, 0.43%

LAB 56.35, -4.99, 36.08

 

CMYK 0 / 6 / 45 / 36

HEX #A49A5A

RGB 164 154 90

HSL 51.89, 0.29%, 0.5%

LAB 63.13, -5.59, 34.8

 

CMYK 0 / 5 / 40 / 29

HEX #B5AC6D

RGB 181 172 109

HSL 52.5, 0.33%, 0.57%

LAB 69.78, -6.07, 33.55

 

CMYK 0 / 4 / 35 / 22

HEX #C6BE80

RGB 198 190 128

HSL 53.14, 0.38%, 0.64%

LAB 76.31, -6.46, 32.36

 

CMYK 0 / 6 / 54 / 51

HEX #7D7639

RGB 125 118 57

HSL 53.82, 0.37%, 0.36%

LAB 49.02, -6.08, 34.17

 

CMYK 0 / 7 / 65 / 58

HEX #6C6426

RGB 108 100 38

HSL 53.14, 0.48%, 0.29%

LAB 41.91, -5.28, 35.35

 

CMYK 0 / 10 / 79 / 64

HEX #5B5213

RGB 91 82 19

HSL 52.5, 0.65%, 0.22%

LAB 34.61, -4.18, 36.06

 

CMYK 0 / 14 / 100 / 71

HEX #4A4000

RGB 74 64 0

HSL 51.89, 1%, 0.15%

LAB 27.08, -2.73, 36.06

 

CMYK 0 / 19 / 100 / 78

HEX #392E00

RGB 57 46 0

HSL 48.42, 1%, 0.11%

LAB 19.32, -0.37, 27.53

 

CMYK 0 / 6 / 54 / 51

HEX #7D7639

RGB 125 118 57

HSL 53.82, 0.37%, 0.36%

LAB 49.02, -6.08, 34.17

 

CMYK 0 / 20 / 54 / 51

HEX #7D6439

RGB 125 100 57

HSL 37.94, 0.37%, 0.36%

LAB 43.9, 4.3, 28.01

 

CMYK 0 / 34 / 54 / 51

HEX #7D5239

RGB 125 82 57

HSL 22.06, 0.37%, 0.36%

LAB 39.05, 15.01, 21.94

 

CMYK 0 / 50 / 54 / 51

HEX #7D3F39

RGB 125 63 57

HSL 5.29, 0.37%, 0.36%

LAB 34.42, 26.15, 15.9

 

CMYK 0 / 54 / 54 / 51

HEX #7D3939

RGB 125 57 57

HSL 0, 0.37%, 0.36%

LAB 33.1, 29.5, 14.13

 

CMYK 0 / 6 / 54 / 51

HEX #7D7639

RGB 125 118 57

HSL 53.82, 0.37%, 0.36%

LAB 49.02, -6.08, 34.17

 

CMYK 9 / 0 / 54 / 51

HEX #727D39

RGB 114 125 57

HSL 69.71, 0.37%, 0.36%

LAB 50.14, -14.84, 35.25

 

CMYK 23 / 0 / 54 / 51

HEX #607D39

RGB 96 125 57

HSL 85.59, 0.37%, 0.36%

LAB 48.82, -22.48, 33.36

 

CMYK 38 / 0 / 54 / 51

HEX #4D7D39

RGB 77 125 57

HSL 102.35, 0.37%, 0.36%

LAB 47.68, -29.83, 31.71

 

CMYK 53 / 0 / 54 / 51

HEX #3B7D39

RGB 59 125 57

HSL 118.24, 0.37%, 0.36%

LAB 46.83, -35.77, 30.5

 

CMYK 0 / 6 / 54 / 51

HEX #7D7639

RGB 125 118 57

HSL 53.82, 0.37%, 0.36%

LAB 49.02, -6.08, 34.17

 

CMYK 0 / 7 / 70 / 45

HEX #8C822A

RGB 140 130 42

HSL 53.88, 0.54%, 0.36%

LAB 53.72, -7.04, 46.87

 

CMYK 0 / 8 / 82 / 39

HEX #9B8E1C

RGB 155 142 28

HSL 53.86, 0.69%, 0.36%

LAB 58.41, -7.37, 56.87

 

CMYK 0 / 9 / 92 / 33

HEX #AA9A0D

RGB 170 154 13

HSL 53.89, 0.86%, 0.36%

LAB 63.08, -7.37, 64.68

 

CMYK 0 / 6 / 54 / 51

HEX #7D7639

RGB 125 118 57

HSL 53.82, 0.37%, 0.36%

LAB 49.02, -6.08, 34.17

 

CMYK 0 / 4 / 35 / 57

HEX #6E6A48

RGB 110 106 72

HSL 53.68, 0.21%, 0.36%

LAB 44.36, -4.2, 19.69

 

CMYK 0 / 1 / 9 / 62

HEX #605F57

RGB 96 95 87

HSL 53.33, 0.05%, 0.36%

LAB 40.18, -1.2, 4.71

 

CMYK 21 / 19 / 0 / 60

HEX #515366

RGB 81 83 102

HSL 234.29, 0.11%, 0.36%

LAB 35.78, 3.72, -11.23

 

CMYK 44 / 39 / 0 / 54

HEX #424775

RGB 66 71 117

HSL 234.12, 0.28%, 0.36%

LAB 31.69, 10.89, -27.06

 

CMYK 0 / 35 / 54 / 51

HEX #7D5139

RGB 125 81 57

HSL 21.18, 0.37%, 0.36%

LAB 38.8, 15.61, 21.61

 

CMYK 0 / 21 / 54 / 51

HEX #7D6339

RGB 125 99 57

HSL 37.06, 0.37%, 0.36%

LAB 43.62, 4.89, 27.67

 

CMYK 0 / 6 / 54 / 51

HEX #7D7539

RGB 125 117 57

HSL 52.94, 0.37%, 0.36%

LAB 48.73, -5.51, 33.82

 

CMYK 8 / 0 / 54 / 51

HEX #737D39

RGB 115 125 57

HSL 68.82, 0.37%, 0.36%

LAB 50.22, -14.4, 35.36

 

CMYK 22 / 0 / 54 / 51

HEX #617D39

RGB 97 125 57

HSL 84.71, 0.37%, 0.36%

LAB 48.89, -22.07, 33.46

 

CMYK 0 / 6 / 55 / 73

HEX #45411F

RGB 69 65 31

HSL 53.68, 0.38%, 0.2%

LAB 27.14, -3.86, 21.2

 

CMYK 0 / 5 / 55 / 62

HEX #615C2C

RGB 97 92 44

HSL 54.34, 0.38%, 0.28%

LAB 38.51, -5.3, 28.06

 

CMYK 0 / 6 / 54 / 51

HEX #7D7639

RGB 125 118 57

HSL 53.82, 0.37%, 0.36%

LAB 49.02, -6.08, 34.17

 

CMYK 0 / 6 / 55 / 40

HEX #9A9146

RGB 154 145 70

HSL 53.57, 0.38%, 0.44%

LAB 59.49, -6.94, 40.47

 

CMYK 0 / 6 / 51 / 30

HEX #B2A857

RGB 178 168 87

HSL 53.41, 0.37%, 0.52%

LAB 68.14, -7.44, 42.73

 

CMYK 0 / 6 / 54 / 51

HEX #7D7639

RGB 125 118 57

HSL 53.82, 0.37%, 0.36%

LAB 49.02, -6.08, 34.17

 

CMYK 54 / 0 / 50 / 51

HEX #397D3F

RGB 57 125 63

HSL 125.29, 0.37%, 0.36%

LAB 46.84, -35.46, 27.28

 

CMYK 28 / 54 / 0 / 51

HEX #5A397D

RGB 90 57 125

HSL 269.12, 0.37%, 0.36%

LAB 30.83, 29.21, -33.28

 

CMYK 0 / 6 / 54 / 51

HEX #7D7639

RGB 125 118 57

HSL 53.82, 0.37%, 0.36%

LAB 49.02, -6.08, 34.17

 

CMYK 54 / 0 / 6 / 51

HEX #397D75

RGB 57 125 117

HSL 172.94, 0.37%, 0.36%

LAB 48.03, -23.57, -2.2

 

CMYK 6 / 54 / 0 / 51

HEX #75397D

RGB 117 57 125

HSL 292.94, 0.37%, 0.36%

LAB 34.37, 37.15, -27.45

 

CMYK 0 / 6 / 54 / 51

HEX #7D7639

RGB 125 118 57

HSL 53.82, 0.37%, 0.36%

LAB 49.02, -6.08, 34.17

 

CMYK 54 / 0 / 50 / 51

HEX #397D3F

RGB 57 125 63

HSL 125.29, 0.37%, 0.36%

LAB 46.84, -35.46, 27.28

 

CMYK 54 / 48 / 0 / 51

HEX #39417D

RGB 57 65 125

HSL 232.94, 0.37%, 0.36%

LAB 29.74, 15.18, -35.21

 

CMYK 0 / 54 / 4 / 51

HEX #7D3978

RGB 125 57 120

HSL 304.41, 0.37%, 0.36%

LAB 35.29, 38.59, -22.82

 

CMYK 0 / 6 / 54 / 51

HEX #7D7639

RGB 125 118 57

HSL 53.82, 0.37%, 0.36%

LAB 49.02, -6.08, 34.17

 

CMYK 54 / 0 / 34 / 51

HEX #397D53

RGB 57 125 83

HSL 142.94, 0.37%, 0.36%

LAB 47.19, -31.81, 16.52

 

CMYK 54 / 48 / 0 / 51

HEX #39417D

RGB 57 65 125

HSL 232.94, 0.37%, 0.36%

LAB 29.74, 15.18, -35.21

 

CMYK 0 / 54 / 21 / 51

HEX #7D3963

RGB 125 57 99

HSL 322.94, 0.37%, 0.36%

LAB 34.37, 34.92, -10.99

 

Description

Color code: RGB 125 118 57 | qconv.com Color code: RGB 125 118 57 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 118 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 118 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 54 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 54% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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