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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 125 144 102 it is the complementary color RGB 130 111 153. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 125 144 102. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 125 144 102 shade: RGB 130 144 97, RGB 147 162 116, RGB 164 180 135, RGB 181 198 154 and RGB 198 216 173

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 125 144 102. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 125 144 102 shade: RGB 125 144 102, RGB 108 126 83, RGB 91 108 64, RGB 74 90 45 and RGB 57 72 26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 125 144 102 shade: RGB 124 143 101, RGB 135 143 101, RGB 143 139 101, RGB 143 128 101 and RGB 143 117 101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 125 144 102 shade: RGB 124 143 101, RGB 113 143 101, RGB 101 143 101, RGB 101 143 112 and RGB 101 143 123

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 125 144 102 shade matches the following richer shades: RGB 124 143 101, RGB 126 163 81, RGB 128 182 61, RGB 130 202 42 and RGB 131 222 22

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 125 144 102 shade: RGB 124 143 101, RGB 122 123 121, RGB 120 103 141, RGB 118 83 161 and RGB 116 63 180

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 125 144 102 shade: RGB 143 139 101, RGB 135 143 101, RGB 124 143 101, RGB 113 143 101 and RGB 102 143 101

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 125 144 102 shade: RGB 82 94 67, RGB 103 119 84, RGB 124 143 101, RGB 144 162 123 and RGB 165 179 148

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 125 144 102 shade: RGB 125 144 102, RGB 101 143 128 and RGB 143 101 141

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 125 144 102 shade: RGB 125 144 102, RGB 101 124 143 and RGB 143 101 124

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 125 144 102 shade: RGB 125 144 102, RGB 101 143 128, RGB 120 101 143 and RGB 143 101 116

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 125 144 102 shade: RGB 125 144 102, RGB 101 143 141, RGB 120 101 143 and RGB 143 101 103

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 29 / 44

HEX #7D9066

RGB 125 144 102

HSL 87.14, 0.17%, 0.48%

LAB 57.33, -14.64, 20.13

 

Complementary color

CMYK 15 / 27 / 0 / 40

HEX #826F99

RGB 130 111 153

HSL 267.14, 0.17%, 0.52%

LAB 50, 16.07, -20.02

 

CMYK 10 / 0 / 33 / 44

HEX #829061

RGB 130 144 97

HSL 77.87, 0.2%, 0.47%

LAB 57.61, -13.42, 23.36

 

CMYK 9 / 0 / 28 / 36

HEX #93A274

RGB 147 162 116

HSL 79.57, 0.2%, 0.55%

LAB 64.41, -13.47, 22.22

 

CMYK 9 / 0 / 25 / 29

HEX #A4B487

RGB 164 180 135

HSL 81.33, 0.23%, 0.62%

LAB 71.07, -13.51, 21.16

 

CMYK 9 / 0 / 22 / 22

HEX #B5C69A

RGB 181 198 154

HSL 83.18, 0.28%, 0.69%

LAB 77.61, -13.54, 20.16

 

CMYK 8 / 0 / 20 / 15

HEX #C6D8AD

RGB 198 216 173

HSL 85.12, 0.36%, 0.76%

LAB 84.04, -13.56, 19.22

 

CMYK 13 / 0 / 29 / 44

HEX #7D9066

RGB 125 144 102

HSL 87.14, 0.17%, 0.48%

LAB 57.33, -14.64, 20.13

 

CMYK 14 / 0 / 34 / 51

HEX #6C7E53

RGB 108 126 83

HSL 85.12, 0.21%, 0.41%

LAB 50.37, -14.66, 21.3

 

CMYK 16 / 0 / 41 / 58

HEX #5B6C40

RGB 91 108 64

HSL 83.18, 0.26%, 0.34%

LAB 43.24, -14.66, 22.55

 

CMYK 18 / 0 / 50 / 65

HEX #4A5A2D

RGB 74 90 45

HSL 81.33, 0.33%, 0.26%

LAB 35.9, -14.6, 23.87

 

CMYK 21 / 0 / 64 / 72

HEX #39481A

RGB 57 72 26

HSL 79.57, 0.47%, 0.19%

LAB 28.32, -14.41, 25.16

 

CMYK 13 / 0 / 29 / 44

HEX #7C8F65

RGB 124 143 101

HSL 87.14, 0.17%, 0.48%

LAB 56.95, -14.66, 20.16

 

CMYK 6 / 0 / 29 / 44

HEX #878F65

RGB 135 143 101

HSL 71.43, 0.17%, 0.48%

LAB 57.79, -10.29, 21.43

 

CMYK 0 / 3 / 29 / 44

HEX #8F8B65

RGB 143 139 101

HSL 54.29, 0.17%, 0.48%

LAB 57.31, -4.84, 20.91

 

CMYK 0 / 10 / 29 / 44

HEX #8F8065

RGB 143 128 101

HSL 38.57, 0.17%, 0.48%

LAB 54.26, 1.33, 16.77

 

CMYK 0 / 18 / 29 / 44

HEX #8F7565

RGB 143 117 101

HSL 22.86, 0.17%, 0.48%

LAB 51.27, 7.63, 12.64

 

CMYK 13 / 0 / 29 / 44

HEX #7C8F65

RGB 124 143 101

HSL 87.14, 0.17%, 0.48%

LAB 56.95, -14.66, 20.16

 

CMYK 21 / 0 / 29 / 44

HEX #718F65

RGB 113 143 101

HSL 102.86, 0.17%, 0.48%

LAB 56.18, -18.88, 19

 

CMYK 29 / 0 / 29 / 44

HEX #658F65

RGB 101 143 101

HSL 120, 0.17%, 0.48%

LAB 55.43, -23.24, 17.85

 

CMYK 29 / 0 / 22 / 44

HEX #658F70

RGB 101 143 112

HSL 135.71, 0.17%, 0.48%

LAB 55.67, -21.17, 11.95

 

CMYK 29 / 0 / 14 / 44

HEX #658F7B

RGB 101 143 123

HSL 151.43, 0.17%, 0.48%

LAB 55.93, -18.9, 6.03

 

CMYK 13 / 0 / 29 / 44

HEX #7C8F65

RGB 124 143 101

HSL 87.14, 0.17%, 0.48%

LAB 56.95, -14.66, 20.16

 

CMYK 23 / 0 / 50 / 36

HEX #7EA351

RGB 126 163 81

HSL 87.07, 0.34%, 0.48%

LAB 62.7, -26.79, 38.25

 

CMYK 30 / 0 / 66 / 29

HEX #80B63D

RGB 128 182 61

HSL 86.78, 0.5%, 0.48%

LAB 68.3, -36.84, 53.84

 

CMYK 36 / 0 / 79 / 21

HEX #82CA2A

RGB 130 202 42

HSL 87, 0.66%, 0.48%

LAB 74.29, -45.95, 66.43

 

CMYK 41 / 0 / 90 / 13

HEX #83DE16

RGB 131 222 22

HSL 87.3, 0.82%, 0.48%

LAB 80.25, -54.37, 75.99

 

CMYK 13 / 0 / 29 / 44

HEX #7C8F65

RGB 124 143 101

HSL 87.14, 0.17%, 0.48%

LAB 56.95, -14.66, 20.16

 

CMYK 1 / 0 / 2 / 52

HEX #7A7B79

RGB 122 123 121

HSL 90, 0.01%, 0.48%

LAB 51.48, -0.77, 0.95

 

CMYK 15 / 27 / 0 / 45

HEX #78678D

RGB 120 103 141

HSL 266.84, 0.16%, 0.48%

LAB 46.47, 14.67, -18.41

 

CMYK 27 / 48 / 0 / 37

HEX #7653A1

RGB 118 83 161

HSL 266.92, 0.32%, 0.48%

LAB 42.17, 30.96, -37.04

 

CMYK 36 / 65 / 0 / 29

HEX #743FB4

RGB 116 63 180

HSL 267.18, 0.48%, 0.48%

LAB 38.84, 46.56, -53.67

 

CMYK 0 / 3 / 29 / 44

HEX #8F8B65

RGB 143 139 101

HSL 54.29, 0.17%, 0.48%

LAB 57.31, -4.84, 20.91

 

CMYK 6 / 0 / 29 / 44

HEX #878F65

RGB 135 143 101

HSL 71.43, 0.17%, 0.48%

LAB 57.79, -10.29, 21.43

 

CMYK 13 / 0 / 29 / 44

HEX #7C8F65

RGB 124 143 101

HSL 87.14, 0.17%, 0.48%

LAB 56.95, -14.66, 20.16

 

CMYK 21 / 0 / 29 / 44

HEX #718F65

RGB 113 143 101

HSL 102.86, 0.17%, 0.48%

LAB 56.18, -18.88, 19

 

CMYK 29 / 0 / 29 / 44

HEX #668F65

RGB 102 143 101

HSL 118.57, 0.17%, 0.48%

LAB 55.49, -22.89, 17.94

 

CMYK 13 / 0 / 29 / 63

HEX #525E43

RGB 82 94 67

HSL 86.67, 0.17%, 0.32%

LAB 38.21, -10.09, 13.99

 

CMYK 13 / 0 / 29 / 53

HEX #677754

RGB 103 119 84

HSL 87.43, 0.17%, 0.4%

LAB 47.9, -12.7, 17.35

 

CMYK 13 / 0 / 29 / 44

HEX #7C8F65

RGB 124 143 101

HSL 87.14, 0.17%, 0.48%

LAB 56.95, -14.66, 20.16

 

CMYK 11 / 0 / 24 / 36

HEX #90A27B

RGB 144 162 123

HSL 87.69, 0.17%, 0.56%

LAB 64.32, -13.54, 18.23

 

CMYK 8 / 0 / 17 / 30

HEX #A5B394

RGB 165 179 148

HSL 87.1, 0.17%, 0.64%

LAB 71.13, -10.54, 14.21

 

CMYK 13 / 0 / 29 / 44

HEX #7D9066

RGB 125 144 102

HSL 87.14, 0.17%, 0.48%

LAB 57.33, -14.64, 20.13

 

CMYK 29 / 0 / 10 / 44

HEX #658F80

RGB 101 143 128

HSL 158.57, 0.17%, 0.48%

LAB 56.06, -17.8, 3.35

 

CMYK 0 / 29 / 1 / 44

HEX #8F658D

RGB 143 101 141

HSL 302.86, 0.17%, 0.48%

LAB 48.35, 23.89, -15.32

 

CMYK 13 / 0 / 29 / 44

HEX #7D9066

RGB 125 144 102

HSL 87.14, 0.17%, 0.48%

LAB 57.33, -14.64, 20.13

 

CMYK 29 / 13 / 0 / 44

HEX #657C8F

RGB 101 124 143

HSL 207.14, 0.17%, 0.48%

LAB 50.88, -3.65, -13.02

 

CMYK 0 / 29 / 13 / 44

HEX #8F657C

RGB 143 101 124

HSL 327.14, 0.17%, 0.48%

LAB 47.75, 20.69, -6.07

 

CMYK 13 / 0 / 29 / 44

HEX #7D9066

RGB 125 144 102

HSL 87.14, 0.17%, 0.48%

LAB 57.33, -14.64, 20.13

 

CMYK 29 / 0 / 10 / 44

HEX #658F80

RGB 101 143 128

HSL 158.57, 0.17%, 0.48%

LAB 56.06, -17.8, 3.35

 

CMYK 16 / 29 / 0 / 44

HEX #78658F

RGB 120 101 143

HSL 267.14, 0.17%, 0.48%

LAB 46.02, 16.34, -20.28

 

CMYK 0 / 29 / 19 / 44

HEX #8F6574

RGB 143 101 116

HSL 338.57, 0.17%, 0.48%

LAB 47.51, 19.31, -1.64

 

CMYK 13 / 0 / 29 / 44

HEX #7D9066

RGB 125 144 102

HSL 87.14, 0.17%, 0.48%

LAB 57.33, -14.64, 20.13

 

CMYK 29 / 0 / 1 / 44

HEX #658F8D

RGB 101 143 141

HSL 177.14, 0.17%, 0.48%

LAB 56.42, -14.78, -3.58

 

CMYK 16 / 29 / 0 / 44

HEX #78658F

RGB 120 101 143

HSL 267.14, 0.17%, 0.48%

LAB 46.02, 16.34, -20.28

 

CMYK 0 / 29 / 28 / 44

HEX #8F6567

RGB 143 101 103

HSL 357.14, 0.17%, 0.48%

LAB 47.14, 17.24, 5.63

 

Description

Color code: RGB 125 144 102 | qconv.com Color code: RGB 125 144 102 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 144 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 144 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 29 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 29% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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