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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 125 151 237 it is the complementary color RGB 130 104 18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 125 151 237. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 125 151 237 shade: RGB 130 151 232, RGB 147 169 251, RGB 164 187 255, RGB 181 205 255 and RGB 198 223 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 125 151 237. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 125 151 237 shade: RGB 125 151 237, RGB 108 133 218, RGB 91 115 199, RGB 74 97 180 and RGB 57 79 161

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 125 151 237 shade: RGB 124 150 237, RGB 129 124 237, RGB 159 124 237, RGB 189 124 237 and RGB 219 124 237

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 125 151 237 shade: RGB 124 150 237 and RGB 124 124 237

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 125 151 237 shade matches the following richer shades: RGB 124 150 237 and RGB 112 144 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 125 151 237 shade: RGB 124 150 237, RGB 136 157 225, RGB 148 163 213, RGB 160 170 201 and RGB 172 176 189

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 125 151 237 shade: RGB 124 211 237, RGB 124 181 237, RGB 124 151 237, RGB 128 124 237 and RGB 158 124 237

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 125 151 237 shade: RGB 52 92 227, RGB 88 121 232, RGB 124 150 237, RGB 161 179 242 and RGB 197 209 247

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 125 151 237 shade: RGB 125 151 237, RGB 233 124 237 and RGB 196 237 124

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 125 151 237 shade: RGB 125 151 237, RGB 237 124 151 and RGB 151 237 124

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 125 151 237 shade: RGB 125 151 237, RGB 233 124 237, RGB 237 211 124 and RGB 128 237 124

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 125 151 237 shade: RGB 125 151 237, RGB 237 124 207, RGB 237 211 124 and RGB 124 237 154

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 36 / 0 / 7

HEX #7D97ED

RGB 125 151 237

HSL 226.07, 0.76%, 0.71%

LAB 63.84, 13.59, -46.19

 

Complementary color

CMYK 0 / 20 / 86 / 49

HEX #826812

RGB 130 104 18

HSL 46.07, 0.76%, 0.29%

LAB 45.21, 1.89, 47.53

 

CMYK 44 / 35 / 0 / 9

HEX #8297E8

RGB 130 151 232

HSL 227.65, 0.69%, 0.71%

LAB 63.92, 13.34, -43.29

 

CMYK 41 / 33 / 0 / 2

HEX #93A9FB

RGB 147 169 251

HSL 227.31, 0.93%, 0.78%

LAB 70.56, 12.63, -43.2

 

CMYK 36 / 27 / 0 / 0

HEX #A4BBFF

RGB 164 187 255

HSL 224.84, 1%, 0.82%

LAB 76.47, 8.07, -36.07

 

CMYK 29 / 20 / 0 / 0

HEX #B5CDFF

RGB 181 205 255

HSL 220.54, 1%, 0.85%

LAB 82.22, 3.01, -27.12

 

CMYK 22 / 13 / 0 / 0

HEX #C6DFFF

RGB 198 223 255

HSL 213.68, 1%, 0.89%

LAB 87.97, -1.55, -18.3

 

CMYK 47 / 36 / 0 / 7

HEX #7D97ED

RGB 125 151 237

HSL 226.07, 0.76%, 0.71%

LAB 63.84, 13.59, -46.19

 

CMYK 50 / 39 / 0 / 15

HEX #6C85DA

RGB 108 133 218

HSL 226.36, 0.6%, 0.64%

LAB 57.1, 14.52, -46.35

 

CMYK 54 / 42 / 0 / 22

HEX #5B73C7

RGB 91 115 199

HSL 226.67, 0.49%, 0.57%

LAB 50.23, 15.63, -46.56

 

CMYK 59 / 46 / 0 / 29

HEX #4A61B4

RGB 74 97 180

HSL 226.98, 0.42%, 0.5%

LAB 43.21, 16.98, -46.82

 

CMYK 65 / 51 / 0 / 37

HEX #394FA1

RGB 57 79 161

HSL 227.31, 0.48%, 0.43%

LAB 36.05, 18.68, -47.11

 

CMYK 48 / 37 / 0 / 7

HEX #7C96ED

RGB 124 150 237

HSL 226.19, 0.76%, 0.71%

LAB 63.52, 13.93, -46.71

 

CMYK 46 / 48 / 0 / 7

HEX #817CED

RGB 129 124 237

HSL 242.65, 0.76%, 0.71%

LAB 57.27, 30.38, -56.61

 

CMYK 33 / 48 / 0 / 7

HEX #9F7CED

RGB 159 124 237

HSL 258.58, 0.76%, 0.71%

LAB 59.8, 37.68, -52.43

 

CMYK 20 / 48 / 0 / 7

HEX #BD7CED

RGB 189 124 237

HSL 274.51, 0.76%, 0.71%

LAB 62.8, 45.6, -47.48

 

CMYK 8 / 48 / 0 / 7

HEX #DB7CED

RGB 219 124 237

HSL 290.44, 0.76%, 0.71%

LAB 66.21, 53.84, -41.89

 

CMYK 48 / 37 / 0 / 7

HEX #7C96ED

RGB 124 150 237

HSL 226.19, 0.76%, 0.71%

LAB 63.52, 13.93, -46.71

 

CMYK 48 / 48 / 0 / 7

HEX #7C7CED

RGB 124 124 237

HSL 240, 0.76%, 0.71%

LAB 56.89, 29.25, -57.23

 

CMYK 48 / 37 / 0 / 7

HEX #7C96ED

RGB 124 150 237

HSL 226.19, 0.76%, 0.71%

LAB 63.52, 13.93, -46.71

 

CMYK 55 / 42 / 0 / 2

HEX #7090F9

RGB 112 144 249

HSL 225.99, 0.92%, 0.71%

LAB 61.85, 18.51, -55.99

 

CMYK 48 / 37 / 0 / 7

HEX #7C96ED

RGB 124 150 237

HSL 226.19, 0.76%, 0.71%

LAB 63.52, 13.93, -46.71

 

CMYK 40 / 30 / 0 / 12

HEX #889DE1

RGB 136 157 225

HSL 225.84, 0.6%, 0.71%

LAB 65.58, 9.46, -36.8

 

CMYK 31 / 23 / 0 / 16

HEX #94A3D5

RGB 148 163 213

HSL 226.15, 0.44%, 0.71%

LAB 67.5, 6.23, -27.15

 

CMYK 20 / 15 / 0 / 21

HEX #A0AAC9

RGB 160 170 201

HSL 225.37, 0.28%, 0.71%

LAB 69.78, 3.11, -16.96

 

CMYK 9 / 7 / 0 / 26

HEX #ACB0BD

RGB 172 176 189

HSL 225.88, 0.11%, 0.71%

LAB 71.89, 1.17, -7.11

 

CMYK 48 / 11 / 0 / 7

HEX #7CD3ED

RGB 124 211 237

HSL 193.81, 0.76%, 0.71%

LAB 80.17, -19.45, -20.94

 

CMYK 48 / 24 / 0 / 7

HEX #7CB5ED

RGB 124 181 237

HSL 209.73, 0.76%, 0.71%

LAB 71.86, -3.62, -33.68

 

CMYK 48 / 36 / 0 / 7

HEX #7C97ED

RGB 124 151 237

HSL 225.66, 0.76%, 0.71%

LAB 63.78, 13.35, -46.29

 

CMYK 46 / 48 / 0 / 7

HEX #807CED

RGB 128 124 237

HSL 242.12, 0.76%, 0.71%

LAB 57.19, 30.15, -56.74

 

CMYK 33 / 48 / 0 / 7

HEX #9E7CED

RGB 158 124 237

HSL 258.05, 0.76%, 0.71%

LAB 59.71, 37.42, -52.58

 

CMYK 77 / 59 / 0 / 11

HEX #345CE3

RGB 52 92 227

HSL 226.29, 0.76%, 0.55%

LAB 44.13, 33.71, -72.44

 

CMYK 62 / 48 / 0 / 9

HEX #5879E8

RGB 88 121 232

HSL 226.25, 0.76%, 0.63%

LAB 53.57, 22.29, -59.89

 

CMYK 48 / 37 / 0 / 7

HEX #7C96ED

RGB 124 150 237

HSL 226.19, 0.76%, 0.71%

LAB 63.52, 13.93, -46.71

 

CMYK 33 / 26 / 0 / 5

HEX #A1B3F2

RGB 161 179 242

HSL 226.67, 0.76%, 0.79%

LAB 73.69, 8.34, -33.37

 

CMYK 20 / 15 / 0 / 3

HEX #C5D1F7

RGB 197 209 247

HSL 225.6, 0.76%, 0.87%

LAB 84.06, 3.76, -19.98

 

CMYK 47 / 36 / 0 / 7

HEX #7D97ED

RGB 125 151 237

HSL 226.07, 0.76%, 0.71%

LAB 63.84, 13.59, -46.19

 

CMYK 2 / 48 / 0 / 7

HEX #E97CED

RGB 233 124 237

HSL 297.88, 0.76%, 0.71%

LAB 67.91, 57.72, -39.1

 

CMYK 17 / 0 / 48 / 7

HEX #C4ED7C

RGB 196 237 124

HSL 81.77, 0.76%, 0.71%

LAB 88.81, -30.89, 50.1

 

CMYK 47 / 36 / 0 / 7

HEX #7D97ED

RGB 125 151 237

HSL 226.07, 0.76%, 0.71%

LAB 63.84, 13.59, -46.19

 

CMYK 0 / 48 / 36 / 7

HEX #ED7C97

RGB 237 124 151

HSL 345.66, 0.76%, 0.71%

LAB 65.48, 46.19, 5.53

 

CMYK 36 / 0 / 48 / 7

HEX #97ED7C

RGB 151 237 124

HSL 105.66, 0.76%, 0.71%

LAB 86.31, -46.48, 46.47

 

CMYK 47 / 36 / 0 / 7

HEX #7D97ED

RGB 125 151 237

HSL 226.07, 0.76%, 0.71%

LAB 63.84, 13.59, -46.19

 

CMYK 2 / 48 / 0 / 7

HEX #E97CED

RGB 233 124 237

HSL 297.88, 0.76%, 0.71%

LAB 67.91, 57.72, -39.1

 

CMYK 0 / 11 / 48 / 7

HEX #EDD37C

RGB 237 211 124

HSL 46.19, 0.76%, 0.71%

LAB 85.02, -2.14, 46.15

 

CMYK 46 / 0 / 48 / 7

HEX #80ED7C

RGB 128 237 124

HSL 117.88, 0.76%, 0.71%

LAB 85.31, -53.36, 45.01

 

CMYK 47 / 36 / 0 / 7

HEX #7D97ED

RGB 125 151 237

HSL 226.07, 0.76%, 0.71%

LAB 63.84, 13.59, -46.19

 

CMYK 0 / 48 / 13 / 7

HEX #ED7CCF

RGB 237 124 207

HSL 315.93, 0.76%, 0.71%

LAB 67.22, 53.85, -23.48

 

CMYK 0 / 11 / 48 / 7

HEX #EDD37C

RGB 237 211 124

HSL 46.19, 0.76%, 0.71%

LAB 85.02, -2.14, 46.15

 

CMYK 48 / 0 / 35 / 7

HEX #7CED9A

RGB 124 237 154

HSL 135.93, 0.76%, 0.71%

LAB 85.6, -49.88, 30.51

 

Description

Color code: RGB 125 151 237 | qconv.com Color code: RGB 125 151 237 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 151 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 151 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 36 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 36% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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