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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 125 196 43 it is the complementary color RGB 130 59 212. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 125 196 43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 125 196 43 shade: RGB 130 196 38, RGB 147 214 57, RGB 164 232 76, RGB 181 250 95 and RGB 198 255 114

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 125 196 43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 125 196 43 shade: RGB 125 196 43, RGB 108 178 24, RGB 91 160 5, RGB 74 142 0 and RGB 57 124 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 125 196 43 shade: RGB 125 196 43, RGB 166 196 43, RGB 196 184 43, RGB 196 143 43 and RGB 196 102 43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 125 196 43 shade: RGB 125 196 43, RGB 84 196 43, RGB 43 196 43, RGB 43 196 85 and RGB 43 196 126

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 125 196 43 shade matches the following richer shades: RGB 125 196 43, RGB 126 215 23 and RGB 128 235 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 125 196 43 shade: RGB 125 196 43, RGB 123 177 62, RGB 122 157 81, RGB 121 138 101 and RGB 119 118 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 125 196 43 shade: RGB 196 183 43, RGB 168 196 43, RGB 127 196 43, RGB 86 196 43 and RGB 45 196 43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 125 196 43 shade: RGB 82 128 28, RGB 103 162 35, RGB 125 196 43, RGB 145 213 67 and RGB 165 221 101

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 125 196 43 shade: RGB 125 196 43, RGB 43 196 142 and RGB 196 43 188

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 125 196 43 shade: RGB 125 196 43, RGB 43 127 196 and RGB 196 43 127

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 125 196 43 shade: RGB 125 196 43, RGB 43 196 142, RGB 112 43 196 and RGB 196 43 96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 125 196 43 shade: RGB 125 196 43, RGB 43 196 188, RGB 112 43 196 and RGB 196 43 50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 78 / 23

HEX #7DC42B

RGB 125 196 43

HSL 87.84, 0.64%, 0.47%

LAB 72.24, -45.15, 64.14

 

Complementary color

CMYK 39 / 72 / 0 / 17

HEX #823BD4

RGB 130 59 212

HSL 267.84, 0.64%, 0.53%

LAB 42.2, 59.16, -66.79

 

CMYK 34 / 0 / 81 / 23

HEX #82C426

RGB 130 196 38

HSL 85.06, 0.68%, 0.46%

LAB 72.47, -43.6, 65.89

 

CMYK 31 / 0 / 73 / 16

HEX #93D639

RGB 147 214 57

HSL 85.61, 0.66%, 0.53%

LAB 78.81, -44.16, 66.34

 

CMYK 29 / 0 / 67 / 9

HEX #A4E84C

RGB 164 232 76

HSL 86.15, 0.77%, 0.6%

LAB 85.06, -44.56, 66.12

 

CMYK 28 / 0 / 62 / 2

HEX #B5FA5F

RGB 181 250 95

HSL 86.71, 0.94%, 0.68%

LAB 91.24, -44.83, 65.51

 

CMYK 22 / 0 / 55 / 0

HEX #C6FF72

RGB 198 255 114

HSL 84.26, 1%, 0.72%

LAB 93.77, -39.32, 60.58

 

CMYK 36 / 0 / 78 / 23

HEX #7DC42B

RGB 125 196 43

HSL 87.84, 0.64%, 0.47%

LAB 72.24, -45.15, 64.14

 

CMYK 39 / 0 / 87 / 30

HEX #6CB218

RGB 108 178 24

HSL 87.27, 0.76%, 0.4%

LAB 65.82, -44.44, 63.05

 

CMYK 43 / 0 / 97 / 37

HEX #5BA005

RGB 91 160 5

HSL 86.71, 0.94%, 0.32%

LAB 59.32, -43.43, 60.53

 

CMYK 48 / 0 / 100 / 44

HEX #4A8E00

RGB 74 142 0

HSL 88.73, 1%, 0.28%

LAB 52.73, -42.01, 55.79

 

CMYK 54 / 0 / 100 / 51

HEX #397C00

RGB 57 124 0

HSL 92.42, 1%, 0.24%

LAB 46.02, -40.33, 50.23

 

CMYK 36 / 0 / 78 / 23

HEX #7DC42B

RGB 125 196 43

HSL 87.84, 0.64%, 0.47%

LAB 72.24, -45.15, 64.14

 

CMYK 15 / 0 / 78 / 23

HEX #A6C42B

RGB 166 196 43

HSL 71.76, 0.64%, 0.47%

LAB 74.67, -29.4, 67.28

 

CMYK 0 / 6 / 78 / 23

HEX #C4B82B

RGB 196 184 43

HSL 55.29, 0.64%, 0.47%

LAB 73.67, -10.75, 67.24

 

CMYK 0 / 27 / 78 / 23

HEX #C48F2B

RGB 196 143 43

HSL 39.22, 0.64%, 0.47%

LAB 62.97, 11.1, 57.46

 

CMYK 0 / 48 / 78 / 23

HEX #C4662B

RGB 196 102 43

HSL 23.14, 0.64%, 0.47%

LAB 53.4, 33.37, 48.29

 

CMYK 36 / 0 / 78 / 23

HEX #7DC42B

RGB 125 196 43

HSL 87.84, 0.64%, 0.47%

LAB 72.24, -45.15, 64.14

 

CMYK 57 / 0 / 78 / 23

HEX #54C42B

RGB 84 196 43

HSL 103.92, 0.64%, 0.47%

LAB 70.55, -57.78, 61.95

 

CMYK 78 / 0 / 78 / 23

HEX #2BC42B

RGB 43 196 43

HSL 120, 0.64%, 0.47%

LAB 69.59, -65.82, 60.7

 

CMYK 78 / 0 / 57 / 23

HEX #2BC455

RGB 43 196 85

HSL 136.47, 0.64%, 0.47%

LAB 69.93, -61.65, 44.26

 

CMYK 78 / 0 / 36 / 23

HEX #2BC47E

RGB 43 196 126

HSL 152.55, 0.64%, 0.47%

LAB 70.52, -54.73, 24.38

 

CMYK 36 / 0 / 78 / 23

HEX #7DC42B

RGB 125 196 43

HSL 87.84, 0.64%, 0.47%

LAB 72.24, -45.15, 64.14

 

CMYK 41 / 0 / 89 / 16

HEX #7ED717

RGB 126 215 23

HSL 87.81, 0.81%, 0.47%

LAB 77.93, -53.25, 73.82

 

CMYK 46 / 0 / 98 / 8

HEX #80EB04

RGB 128 235 4

HSL 87.79, 0.97%, 0.47%

LAB 83.97, -60.55, 80.84

 

CMYK 36 / 0 / 78 / 23

HEX #7DC42B

RGB 125 196 43

HSL 87.84, 0.64%, 0.47%

LAB 72.24, -45.15, 64.14

 

CMYK 31 / 0 / 65 / 31

HEX #7BB13E

RGB 123 177 62

HSL 88.17, 0.48%, 0.47%

LAB 66.52, -36.37, 51.44

 

CMYK 22 / 0 / 48 / 38

HEX #7A9D51

RGB 122 157 81

HSL 87.63, 0.32%, 0.47%

LAB 60.65, -25.39, 35.69

 

CMYK 12 / 0 / 27 / 46

HEX #798A65

RGB 121 138 101

HSL 87.57, 0.15%, 0.47%

LAB 55.26, -13.15, 17.83

 

CMYK 1 / 2 / 0 / 53

HEX #777678

RGB 119 118 120

HSL 270, 0.01%, 0.47%

LAB 49.78, 0.79, -0.97

 

CMYK 0 / 7 / 78 / 23

HEX #C4B72B

RGB 196 183 43

HSL 54.9, 0.64%, 0.47%

LAB 73.4, -10.23, 67

 

CMYK 14 / 0 / 78 / 23

HEX #A8C42B

RGB 168 196 43

HSL 70.98, 0.64%, 0.47%

LAB 74.81, -28.58, 67.46

 

CMYK 35 / 0 / 78 / 23

HEX #7FC42B

RGB 127 196 43

HSL 87.06, 0.64%, 0.47%

LAB 72.34, -44.44, 64.28

 

CMYK 56 / 0 / 78 / 23

HEX #56C42B

RGB 86 196 43

HSL 103.14, 0.64%, 0.47%

LAB 70.62, -57.26, 62.04

 

CMYK 77 / 0 / 78 / 23

HEX #2DC42B

RGB 45 196 43

HSL 119.22, 0.64%, 0.47%

LAB 69.62, -65.55, 60.74

 

CMYK 36 / 0 / 78 / 50

HEX #52801C

RGB 82 128 28

HSL 87.6, 0.64%, 0.31%

LAB 48.66, -32.05, 45.89

 

CMYK 36 / 0 / 78 / 36

HEX #67A223

RGB 103 162 35

HSL 87.87, 0.64%, 0.39%

LAB 60.65, -38.95, 55.34

 

CMYK 36 / 0 / 78 / 23

HEX #7DC42B

RGB 125 196 43

HSL 87.84, 0.64%, 0.47%

LAB 72.24, -45.15, 64.14

 

CMYK 32 / 0 / 69 / 16

HEX #91D543

RGB 145 213 67

HSL 87.95, 0.63%, 0.55%

LAB 78.47, -43.82, 62.39

 

CMYK 25 / 0 / 54 / 13

HEX #A5DD65

RGB 165 221 101

HSL 88, 0.64%, 0.63%

LAB 82.19, -37.26, 52.45

 

CMYK 36 / 0 / 78 / 23

HEX #7DC42B

RGB 125 196 43

HSL 87.84, 0.64%, 0.47%

LAB 72.24, -45.15, 64.14

 

CMYK 78 / 0 / 28 / 23

HEX #2BC48E

RGB 43 196 142

HSL 158.82, 0.64%, 0.47%

LAB 70.83, -51.3, 16.28

 

CMYK 0 / 78 / 4 / 23

HEX #C42BBC

RGB 196 43 188

HSL 303.14, 0.64%, 0.47%

LAB 48.38, 72.88, -42.43

 

CMYK 36 / 0 / 78 / 23

HEX #7DC42B

RGB 125 196 43

HSL 87.84, 0.64%, 0.47%

LAB 72.24, -45.15, 64.14

 

CMYK 78 / 35 / 0 / 23

HEX #2B7FC4

RGB 43 127 196

HSL 207.06, 0.64%, 0.47%

LAB 51.47, -0.8, -43

 

CMYK 0 / 78 / 35 / 23

HEX #C42B7F

RGB 196 43 127

HSL 327.06, 0.64%, 0.47%

LAB 45.63, 64.9, -10.25

 

CMYK 36 / 0 / 78 / 23

HEX #7DC42B

RGB 125 196 43

HSL 87.84, 0.64%, 0.47%

LAB 72.24, -45.15, 64.14

 

CMYK 78 / 0 / 28 / 23

HEX #2BC48E

RGB 43 196 142

HSL 158.82, 0.64%, 0.47%

LAB 70.83, -51.3, 16.28

 

CMYK 43 / 78 / 0 / 23

HEX #702BC4

RGB 112 43 196

HSL 267.06, 0.64%, 0.47%

LAB 36.29, 59.13, -67.25

 

CMYK 0 / 78 / 51 / 23

HEX #C42B60

RGB 196 43 96

HSL 339.22, 0.64%, 0.47%

LAB 44.67, 61.97, 7.48

 

CMYK 36 / 0 / 78 / 23

HEX #7DC42B

RGB 125 196 43

HSL 87.84, 0.64%, 0.47%

LAB 72.24, -45.15, 64.14

 

CMYK 78 / 0 / 4 / 23

HEX #2BC4BC

RGB 43 196 188

HSL 176.86, 0.64%, 0.47%

LAB 71.98, -39.48, -7.04

 

CMYK 43 / 78 / 0 / 23

HEX #702BC4

RGB 112 43 196

HSL 267.06, 0.64%, 0.47%

LAB 36.29, 59.13, -67.25

 

CMYK 0 / 78 / 74 / 23

HEX #C42B32

RGB 196 43 50

HSL 357.25, 0.64%, 0.47%

LAB 43.79, 59.21, 34.53

 

Description

Color code: RGB 125 196 43 | qconv.com Color code: RGB 125 196 43 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 196 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 196 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 78 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 78% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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