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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 125 216 152 it is the complementary color RGB 130 39 103. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 125 216 152. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 125 216 152 shade: RGB 130 216 147, RGB 147 234 166, RGB 164 252 185, RGB 181 255 204 and RGB 198 255 223

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 125 216 152. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 125 216 152 shade: RGB 125 216 152, RGB 108 198 133, RGB 91 180 114, RGB 74 162 95 and RGB 57 144 76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 125 216 152 shade: RGB 125 216 152, RGB 125 216 127, RGB 147 216 125, RGB 171 216 125 and RGB 196 216 125

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 125 216 152 shade: RGB 125 216 152, RGB 125 216 176, RGB 125 216 201, RGB 125 206 216 and RGB 125 182 216

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 125 216 152 shade matches the following richer shades: RGB 125 216 152, RGB 111 229 146 and RGB 98 243 141

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 125 216 152 shade: RGB 125 216 152, RGB 139 202 157, RGB 152 189 163, RGB 166 175 168 and RGB 179 161 174

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 125 216 152 shade: RGB 148 216 125, RGB 125 216 126, RGB 125 216 151, RGB 125 216 175 and RGB 125 216 199

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 125 216 152 shade: RGB 61 197 102, RGB 93 206 127, RGB 125 216 152, RGB 157 225 177 and RGB 188 235 202

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 125 216 152 shade: RGB 125 216 152, RGB 125 172 216 and RGB 216 125 136

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 125 216 152 shade: RGB 125 216 152, RGB 151 125 216 and RGB 216 151 125

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 125 216 152 shade: RGB 125 216 152, RGB 125 172 216, RGB 216 125 190 and RGB 216 169 125

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 125 216 152 shade: RGB 125 216 152, RGB 125 145 216, RGB 216 125 190 and RGB 216 196 125

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 30 / 15

HEX #7DD898

RGB 125 216 152

HSL 137.8, 0.54%, 0.67%

LAB 79.46, -40.96, 23.26

 

Complementary color

CMYK 0 / 70 / 21 / 49

HEX #822767

RGB 130 39 103

HSL 317.8, 0.54%, 0.33%

LAB 32.2, 45.67, -16.78

 

CMYK 40 / 0 / 32 / 15

HEX #82D893

RGB 130 216 147

HSL 131.86, 0.52%, 0.68%

LAB 79.59, -40.41, 26.07

 

CMYK 37 / 0 / 29 / 8

HEX #93EAA6

RGB 147 234 166

HSL 133.1, 0.67%, 0.75%

LAB 85.91, -40.15, 24.96

 

CMYK 35 / 0 / 27 / 1

HEX #A4FCB9

RGB 164 252 185

HSL 134.32, 0.94%, 0.82%

LAB 92.14, -39.89, 23.92

 

CMYK 29 / 0 / 20 / 0

HEX #B5FFCC

RGB 181 255 204

HSL 138.65, 1%, 0.85%

LAB 94.19, -32.81, 17.19

 

CMYK 22 / 0 / 13 / 0

HEX #C6FFDF

RGB 198 255 223

HSL 146.32, 1%, 0.89%

LAB 95.52, -24.12, 9.47

 

CMYK 42 / 0 / 30 / 15

HEX #7DD898

RGB 125 216 152

HSL 137.8, 0.54%, 0.67%

LAB 79.46, -40.96, 23.26

 

CMYK 45 / 0 / 33 / 22

HEX #6CC685

RGB 108 198 133

HSL 136.67, 0.44%, 0.6%

LAB 73.07, -41.19, 24.42

 

CMYK 49 / 0 / 37 / 29

HEX #5BB472

RGB 91 180 114

HSL 135.51, 0.37%, 0.53%

LAB 66.58, -41.37, 25.67

 

CMYK 54 / 0 / 41 / 36

HEX #4AA25F

RGB 74 162 95

HSL 134.32, 0.37%, 0.46%

LAB 60, -41.47, 27.02

 

CMYK 60 / 0 / 47 / 44

HEX #39904C

RGB 57 144 76

HSL 133.1, 0.43%, 0.39%

LAB 53.32, -41.4, 28.46

 

CMYK 42 / 0 / 30 / 15

HEX #7DD898

RGB 125 216 152

HSL 137.8, 0.54%, 0.67%

LAB 79.46, -40.96, 23.26

 

CMYK 42 / 0 / 41 / 15

HEX #7DD87F

RGB 125 216 127

HSL 121.32, 0.54%, 0.67%

LAB 79.04, -45.1, 35.55

 

CMYK 32 / 0 / 42 / 15

HEX #93D87D

RGB 147 216 125

HSL 105.49, 0.54%, 0.67%

LAB 80.06, -38.47, 38.08

 

CMYK 21 / 0 / 42 / 15

HEX #ABD87D

RGB 171 216 125

HSL 89.67, 0.54%, 0.67%

LAB 81.43, -30.1, 40.1

 

CMYK 9 / 0 / 42 / 15

HEX #C4D87D

RGB 196 216 125

HSL 73.19, 0.54%, 0.67%

LAB 83.09, -20.74, 42.54

 

CMYK 42 / 0 / 30 / 15

HEX #7DD898

RGB 125 216 152

HSL 137.8, 0.54%, 0.67%

LAB 79.46, -40.96, 23.26

 

CMYK 42 / 0 / 19 / 15

HEX #7DD8B0

RGB 125 216 176

HSL 153.63, 0.54%, 0.67%

LAB 79.96, -36.28, 11.3

 

CMYK 42 / 0 / 7 / 15

HEX #7DD8C9

RGB 125 216 201

HSL 170.11, 0.54%, 0.67%

LAB 80.57, -30.75, -1.13

 

CMYK 42 / 5 / 0 / 15

HEX #7DCED8

RGB 125 206 216

HSL 186.59, 0.54%, 0.67%

LAB 78.15, -22.19, -12.74

 

CMYK 42 / 16 / 0 / 15

HEX #7DB6D8

RGB 125 182 216

HSL 202.42, 0.54%, 0.67%

LAB 71.4, -9.75, -22.94

 

CMYK 42 / 0 / 30 / 15

HEX #7DD898

RGB 125 216 152

HSL 137.8, 0.54%, 0.67%

LAB 79.46, -40.96, 23.26

 

CMYK 52 / 0 / 36 / 10

HEX #6FE592

RGB 111 229 146

HSL 137.8, 0.69%, 0.67%

LAB 82.64, -51.23, 30.55

 

CMYK 60 / 0 / 42 / 5

HEX #62F38D

RGB 98 243 141

HSL 137.79, 0.86%, 0.67%

LAB 86.32, -60.5, 37.81

 

CMYK 42 / 0 / 30 / 15

HEX #7DD898

RGB 125 216 152

HSL 137.8, 0.54%, 0.67%

LAB 79.46, -40.96, 23.26

 

CMYK 31 / 0 / 22 / 21

HEX #8BCA9D

RGB 139 202 157

HSL 137.14, 0.37%, 0.67%

LAB 76.17, -29.42, 16.17

 

CMYK 20 / 0 / 14 / 26

HEX #98BDA3

RGB 152 189 163

HSL 137.84, 0.22%, 0.67%

LAB 73.36, -17.62, 9.08

 

CMYK 5 / 0 / 4 / 31

HEX #A6AFA8

RGB 166 175 168

HSL 133.33, 0.05%, 0.67%

LAB 70.59, -4.49, 2.48

 

CMYK 0 / 10 / 3 / 30

HEX #B3A1AE

RGB 179 161 174

HSL 316.67, 0.11%, 0.67%

LAB 68.12, 8.9, -4.33

 

CMYK 31 / 0 / 42 / 15

HEX #94D87D

RGB 148 216 125

HSL 104.84, 0.54%, 0.67%

LAB 80.12, -38.14, 38.16

 

CMYK 42 / 0 / 42 / 15

HEX #7DD87E

RGB 125 216 126

HSL 120.66, 0.54%, 0.67%

LAB 79.03, -45.25, 36.04

 

CMYK 42 / 0 / 30 / 15

HEX #7DD897

RGB 125 216 151

HSL 137.14, 0.54%, 0.67%

LAB 79.45, -41.14, 23.76

 

CMYK 42 / 0 / 19 / 15

HEX #7DD8AF

RGB 125 216 175

HSL 152.97, 0.54%, 0.67%

LAB 79.94, -36.49, 11.8

 

CMYK 42 / 0 / 8 / 15

HEX #7DD8C7

RGB 125 216 199

HSL 168.79, 0.54%, 0.67%

LAB 80.51, -31.21, -0.14

 

CMYK 69 / 0 / 48 / 23

HEX #3DC566

RGB 61 197 102

HSL 138.09, 0.54%, 0.51%

LAB 70.79, -56.81, 37.15

 

CMYK 55 / 0 / 38 / 19

HEX #5DCE7F

RGB 93 206 127

HSL 138.05, 0.54%, 0.59%

LAB 74.83, -49.49, 29.81

 

CMYK 42 / 0 / 30 / 15

HEX #7DD898

RGB 125 216 152

HSL 137.8, 0.54%, 0.67%

LAB 79.46, -40.96, 23.26

 

CMYK 30 / 0 / 21 / 12

HEX #9DE1B1

RGB 157 225 177

HSL 137.65, 0.53%, 0.75%

LAB 84.07, -31.04, 16.79

 

CMYK 20 / 0 / 14 / 8

HEX #BCEBCA

RGB 188 235 202

HSL 137.87, 0.54%, 0.83%

LAB 89.1, -21.47, 11.08

 

CMYK 42 / 0 / 30 / 15

HEX #7DD898

RGB 125 216 152

HSL 137.8, 0.54%, 0.67%

LAB 79.46, -40.96, 23.26

 

CMYK 42 / 20 / 0 / 15

HEX #7DACD8

RGB 125 172 216

HSL 209.01, 0.54%, 0.67%

LAB 68.62, -4.32, -27.19

 

CMYK 0 / 42 / 37 / 15

HEX #D87D88

RGB 216 125 136

HSL 352.75, 0.54%, 0.67%

LAB 62.54, 36.44, 9.51

 

CMYK 42 / 0 / 30 / 15

HEX #7DD898

RGB 125 216 152

HSL 137.8, 0.54%, 0.67%

LAB 79.46, -40.96, 23.26

 

CMYK 30 / 42 / 0 / 15

HEX #977DD8

RGB 151 125 216

HSL 257.14, 0.54%, 0.67%

LAB 58.23, 29.65, -43.23

 

CMYK 0 / 30 / 42 / 15

HEX #D8977D

RGB 216 151 125

HSL 17.14, 0.54%, 0.67%

LAB 68.18, 21.26, 23.48

 

CMYK 42 / 0 / 30 / 15

HEX #7DD898

RGB 125 216 152

HSL 137.8, 0.54%, 0.67%

LAB 79.46, -40.96, 23.26

 

CMYK 42 / 20 / 0 / 15

HEX #7DACD8

RGB 125 172 216

HSL 209.01, 0.54%, 0.67%

LAB 68.62, -4.32, -27.19

 

CMYK 0 / 42 / 12 / 15

HEX #D87DBE

RGB 216 125 190

HSL 317.14, 0.54%, 0.67%

LAB 64.15, 44.08, -18.86

 

CMYK 0 / 22 / 42 / 15

HEX #D8A97D

RGB 216 169 125

HSL 29.01, 0.54%, 0.67%

LAB 72.53, 11.55, 29.29

 

CMYK 42 / 0 / 30 / 15

HEX #7DD898

RGB 125 216 152

HSL 137.8, 0.54%, 0.67%

LAB 79.46, -40.96, 23.26

 

CMYK 42 / 33 / 0 / 15

HEX #7D91D8

RGB 125 145 216

HSL 226.81, 0.54%, 0.67%

LAB 61.28, 10.99, -38.58

 

CMYK 0 / 42 / 12 / 15

HEX #D87DBE

RGB 216 125 190

HSL 317.14, 0.54%, 0.67%

LAB 64.15, 44.08, -18.86

 

CMYK 0 / 9 / 42 / 15

HEX #D8C47D

RGB 216 196 125

HSL 46.81, 0.54%, 0.67%

LAB 79.36, -2.73, 38.15

 

Description

Color code: RGB 125 216 152 | qconv.com Color code: RGB 125 216 152 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 216 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 216 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 30 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 30% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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