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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 125 36 65 it is the complementary color RGB 130 219 190. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 125 36 65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 125 36 65 shade: RGB 130 36 60, RGB 147 54 79, RGB 164 72 98, RGB 181 90 117 and RGB 198 108 136

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 125 36 65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 125 36 65 shade: RGB 125 36 65, RGB 108 18 46, RGB 91 0 27, RGB 74 0 8 and RGB 57 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 125 36 65 shade: RGB 126 36 65, RGB 126 36 41 and RGB 126 36 36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 125 36 65 shade: RGB 126 36 65, RGB 126 36 90, RGB 126 36 114, RGB 114 36 126 and RGB 90 36 126

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 125 36 65 shade matches the following richer shades: RGB 126 36 65, RGB 139 23 61 and RGB 152 10 56

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 125 36 65 shade: RGB 126 36 65, RGB 113 49 70, RGB 100 63 75, RGB 86 76 79 and RGB 73 89 84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 125 36 65 shade: RGB 126 36 114, RGB 126 36 90, RGB 126 36 66, RGB 126 36 42 and RGB 126 54 36

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 125 36 65 shade: RGB 62 18 32, RGB 94 27 49, RGB 126 36 65, RGB 158 46 82 and RGB 190 55 99

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 125 36 65 shade: RGB 125 36 65, RGB 126 114 36 and RGB 36 102 126

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 125 36 65 shade: RGB 125 36 65, RGB 66 126 36 and RGB 36 66 126

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 125 36 65 shade: RGB 125 36 65, RGB 126 114 36, RGB 36 126 96 and RGB 36 48 126

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 125 36 65 shade: RGB 125 36 65, RGB 111 126 36, RGB 36 126 96 and RGB 51 36 126

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 48 / 51

HEX #7D2441

RGB 125 36 65

HSL 340.45, 0.55%, 0.32%

LAB 29.42, 40.6, 3.8

 

Complementary color

CMYK 41 / 0 / 13 / 14

HEX #82DBBE

RGB 130 219 190

HSL 160.45, 0.55%, 0.68%

LAB 81.36, -33.36, 5.91

 

CMYK 0 / 72 / 54 / 49

HEX #82243C

RGB 130 36 60

HSL 344.68, 0.57%, 0.33%

LAB 30.24, 41.76, 8.41

 

CMYK 0 / 63 / 46 / 42

HEX #93364F

RGB 147 54 79

HSL 343.87, 0.46%, 0.39%

LAB 36.75, 41.38, 5.7

 

CMYK 0 / 56 / 40 / 36

HEX #A44862

RGB 164 72 98

HSL 343.04, 0.39%, 0.46%

LAB 43.37, 40.64, 3.64

 

CMYK 0 / 50 / 35 / 29

HEX #B55A75

RGB 181 90 117

HSL 342.2, 0.38%, 0.53%

LAB 50, 39.76, 2

 

CMYK 0 / 45 / 31 / 22

HEX #C66C88

RGB 198 108 136

HSL 341.33, 0.44%, 0.6%

LAB 56.59, 38.86, 0.64

 

CMYK 0 / 71 / 48 / 51

HEX #7D2441

RGB 125 36 65

HSL 340.45, 0.55%, 0.32%

LAB 29.42, 40.6, 3.8

 

CMYK 0 / 83 / 57 / 58

HEX #6C122E

RGB 108 18 46

HSL 341.33, 0.71%, 0.25%

LAB 23.06, 40.15, 7.22

 

CMYK 0 / 100 / 70 / 64

HEX #5B001B

RGB 91 0 27

HSL 342.2, 1%, 0.18%

LAB 17, 38.78, 11.86

 

CMYK 0 / 100 / 89 / 71

HEX #4A0008

RGB 74 0 8

HSL 353.51, 1%, 0.15%

LAB 12.44, 33.08, 16.25

 

CMYK 0 / 100 / 100 / 78

HEX #390000

RGB 57 0 0

HSL 0, 1%, 0.11%

LAB 7.86, 27.6, 12.42

 

CMYK 0 / 71 / 48 / 51

HEX #7E2441

RGB 126 36 65

HSL 340.67, 0.56%, 0.32%

LAB 29.61, 40.92, 4.1

 

CMYK 0 / 71 / 67 / 51

HEX #7E2429

RGB 126 36 41

HSL 356.67, 0.56%, 0.32%

LAB 29.05, 38.96, 19.2

 

CMYK 0 / 71 / 71 / 51

HEX #7E2424

RGB 126 36 36

HSL 0, 0.56%, 0.32%

LAB 28.97, 38.66, 22.32

 

CMYK 0 / 71 / 48 / 51

HEX #7E2441

RGB 126 36 65

HSL 340.67, 0.56%, 0.32%

LAB 29.61, 40.92, 4.1

 

CMYK 0 / 71 / 29 / 51

HEX #7E245A

RGB 126 36 90

HSL 324, 0.56%, 0.32%

LAB 30.49, 43.89, -11.07

 

CMYK 0 / 71 / 10 / 51

HEX #7E2472

RGB 126 36 114

HSL 308, 0.56%, 0.32%

LAB 31.61, 47.52, -24.78

 

CMYK 10 / 71 / 0 / 51

HEX #72247E

RGB 114 36 126

HSL 292, 0.56%, 0.32%

LAB 30.27, 46.69, -34.61

 

CMYK 29 / 71 / 0 / 51

HEX #5A247E

RGB 90 36 126

HSL 276, 0.56%, 0.32%

LAB 26.57, 41.1, -40.75

 

CMYK 0 / 71 / 48 / 51

HEX #7E2441

RGB 126 36 65

HSL 340.67, 0.56%, 0.32%

LAB 29.61, 40.92, 4.1

 

CMYK 0 / 83 / 56 / 45

HEX #8B173D

RGB 139 23 61

HSL 340.34, 0.72%, 0.32%

LAB 30.49, 49, 8.37

 

CMYK 0 / 93 / 63 / 40

HEX #980A38

RGB 152 10 56

HSL 340.56, 0.88%, 0.32%

LAB 32.21, 54.82, 14.48

 

CMYK 0 / 71 / 48 / 51

HEX #7E2441

RGB 126 36 65

HSL 340.67, 0.56%, 0.32%

LAB 29.61, 40.92, 4.1

 

CMYK 0 / 57 / 38 / 56

HEX #713146

RGB 113 49 70

HSL 340.31, 0.4%, 0.32%

LAB 29.79, 30.66, 0.75

 

CMYK 0 / 37 / 25 / 61

HEX #643F4B

RGB 100 63 75

HSL 340.54, 0.23%, 0.32%

LAB 31.28, 18.05, -0.56

 

CMYK 0 / 12 / 8 / 66

HEX #564C4F

RGB 86 76 79

HSL 342, 0.06%, 0.32%

LAB 33.38, 4.77, -0.26

 

CMYK 18 / 0 / 6 / 65

HEX #495954

RGB 73 89 84

HSL 161.25, 0.1%, 0.32%

LAB 36.37, -7.34, 0.83

 

CMYK 0 / 71 / 10 / 51

HEX #7E2472

RGB 126 36 114

HSL 308, 0.56%, 0.32%

LAB 31.61, 47.52, -24.78

 

CMYK 0 / 71 / 29 / 51

HEX #7E245A

RGB 126 36 90

HSL 324, 0.56%, 0.32%

LAB 30.49, 43.89, -11.07

 

CMYK 0 / 71 / 48 / 51

HEX #7E2442

RGB 126 36 66

HSL 340, 0.56%, 0.32%

LAB 29.64, 41.02, 3.48

 

CMYK 0 / 71 / 67 / 51

HEX #7E242A

RGB 126 36 42

HSL 356, 0.56%, 0.32%

LAB 29.07, 39.02, 18.57

 

CMYK 0 / 57 / 71 / 51

HEX #7E3624

RGB 126 54 36

HSL 12, 0.56%, 0.32%

LAB 32.26, 29.91, 26.22

 

CMYK 0 / 71 / 48 / 76

HEX #3E1220

RGB 62 18 32

HSL 340.91, 0.55%, 0.16%

LAB 12.99, 23.01, 1.64

 

CMYK 0 / 71 / 48 / 63

HEX #5E1B31

RGB 94 27 49

HSL 340.3, 0.55%, 0.24%

LAB 21.53, 32.38, 2.56

 

CMYK 0 / 71 / 48 / 51

HEX #7E2441

RGB 126 36 65

HSL 340.67, 0.56%, 0.32%

LAB 29.61, 40.92, 4.1

 

CMYK 0 / 71 / 48 / 38

HEX #9E2E52

RGB 158 46 82

HSL 340.71, 0.55%, 0.4%

LAB 37.54, 48.71, 5.17

 

CMYK 0 / 71 / 48 / 25

HEX #BE3763

RGB 190 55 99

HSL 340.44, 0.55%, 0.48%

LAB 45.05, 56.57, 6.01

 

CMYK 0 / 71 / 48 / 51

HEX #7D2441

RGB 125 36 65

HSL 340.45, 0.55%, 0.32%

LAB 29.42, 40.6, 3.8

 

CMYK 0 / 10 / 71 / 51

HEX #7E7224

RGB 126 114 36

HSL 52, 0.56%, 0.32%

LAB 47.75, -4.94, 42.96

 

CMYK 71 / 19 / 0 / 51

HEX #24667E

RGB 36 102 126

HSL 196, 0.56%, 0.32%

LAB 40.22, -12.38, -19.44

 

CMYK 0 / 71 / 48 / 51

HEX #7D2441

RGB 125 36 65

HSL 340.45, 0.55%, 0.32%

LAB 29.42, 40.6, 3.8

 

CMYK 48 / 0 / 71 / 51

HEX #427E24

RGB 66 126 36

HSL 100, 0.56%, 0.32%

LAB 47.25, -36.36, 41.1

 

CMYK 71 / 48 / 0 / 51

HEX #24427E

RGB 36 66 126

HSL 220, 0.56%, 0.32%

LAB 28.84, 10.56, -37.34

 

CMYK 0 / 71 / 48 / 51

HEX #7D2441

RGB 125 36 65

HSL 340.45, 0.55%, 0.32%

LAB 29.42, 40.6, 3.8

 

CMYK 0 / 10 / 71 / 51

HEX #7E7224

RGB 126 114 36

HSL 52, 0.56%, 0.32%

LAB 47.75, -4.94, 42.96

 

CMYK 71 / 0 / 24 / 51

HEX #247E60

RGB 36 126 96

HSL 160, 0.56%, 0.32%

LAB 47.16, -33.86, 8.83

 

CMYK 71 / 62 / 0 / 51

HEX #24307E

RGB 36 48 126

HSL 232, 0.56%, 0.32%

LAB 23.66, 23.05, -45.73

 

CMYK 0 / 71 / 48 / 51

HEX #7D2441

RGB 125 36 65

HSL 340.45, 0.55%, 0.32%

LAB 29.42, 40.6, 3.8

 

CMYK 12 / 0 / 71 / 51

HEX #6F7E24

RGB 111 126 36

HSL 70, 0.56%, 0.32%

LAB 50.01, -18.39, 44.82

 

CMYK 71 / 0 / 24 / 51

HEX #247E60

RGB 36 126 96

HSL 160, 0.56%, 0.32%

LAB 47.16, -33.86, 8.83

 

CMYK 60 / 71 / 0 / 51

HEX #33247E

RGB 51 36 126

HSL 250, 0.56%, 0.32%

LAB 21.84, 33.3, -48.64

 

Description

Color code: RGB 125 36 65 | qconv.com Color code: RGB 125 36 65 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 36 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 36 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 48 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 48% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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