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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 125 44 134 it is the complementary color RGB 130 211 121. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 125 44 134. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 125 44 134 shade: RGB 130 44 129, RGB 147 62 148, RGB 164 80 167, RGB 181 98 186 and RGB 198 116 205

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 125 44 134. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 125 44 134 shade: RGB 125 44 134, RGB 108 26 115, RGB 91 8 96, RGB 74 0 77 and RGB 57 0 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 125 44 134 shade: RGB 125 43 134, RGB 134 43 119, RGB 134 43 94, RGB 134 43 70 and RGB 134 43 45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 125 44 134 shade: RGB 125 43 134, RGB 101 43 134, RGB 76 43 134, RGB 52 43 134 and RGB 43 43 134

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 125 44 134 shade matches the following richer shades: RGB 125 43 134, RGB 137 29 149, RGB 148 14 163 and RGB 160 0 178

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 125 44 134 shade: RGB 125 43 134, RGB 114 58 120, RGB 102 72 105, RGB 91 87 91 and RGB 79 101 77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 125 44 134 shade: RGB 77 43 134, RGB 101 43 134, RGB 125 43 134, RGB 134 43 119 and RGB 134 43 95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 125 44 134 shade: RGB 67 23 72, RGB 96 33 103, RGB 125 43 134, RGB 154 53 165 and RGB 181 67 193

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 125 44 134 shade: RGB 125 44 134, RGB 134 52 43 and RGB 43 134 89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 125 44 134 shade: RGB 125 44 134, RGB 134 125 43 and RGB 43 134 125

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 125 44 134 shade: RGB 125 44 134, RGB 134 52 43, RGB 52 134 43 and RGB 43 125 134

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 125 44 134 shade: RGB 125 44 134, RGB 134 80 43, RGB 52 134 43 and RGB 43 98 134

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 67 / 0 / 47

HEX #7D2C86

RGB 125 44 134

HSL 294, 0.51%, 0.35%

LAB 33.74, 47.53, -33.97

 

Complementary color

CMYK 38 / 0 / 43 / 17

HEX #82D379

RGB 130 211 121

HSL 114, 0.51%, 0.65%

LAB 77.71, -42.31, 36.9

 

CMYK 0 / 66 / 1 / 49

HEX #822C81

RGB 130 44 129

HSL 300.7, 0.49%, 0.34%

LAB 34.26, 47.87, -29.99

 

CMYK 1 / 58 / 0 / 42

HEX #933E94

RGB 147 62 148

HSL 299.3, 0.41%, 0.41%

LAB 40.87, 47.72, -31.04

 

CMYK 2 / 52 / 0 / 35

HEX #A450A7

RGB 164 80 167

HSL 297.93, 0.35%, 0.48%

LAB 47.52, 47.22, -31.79

 

CMYK 3 / 47 / 0 / 27

HEX #B562BA

RGB 181 98 186

HSL 296.59, 0.39%, 0.56%

LAB 54.14, 46.55, -32.36

 

CMYK 3 / 43 / 0 / 20

HEX #C674CD

RGB 198 116 205

HSL 295.28, 0.47%, 0.63%

LAB 60.7, 45.82, -32.82

 

CMYK 7 / 67 / 0 / 47

HEX #7D2C86

RGB 125 44 134

HSL 294, 0.51%, 0.35%

LAB 33.74, 47.53, -33.97

 

CMYK 6 / 77 / 0 / 55

HEX #6C1A73

RGB 108 26 115

HSL 295.28, 0.63%, 0.28%

LAB 27.2, 47.04, -32.59

 

CMYK 5 / 92 / 0 / 62

HEX #5B0860

RGB 91 8 96

HSL 296.59, 0.85%, 0.2%

LAB 20.99, 45.16, -30.35

 

CMYK 4 / 100 / 0 / 70

HEX #4A004D

RGB 74 0 77

HSL 297.66, 1%, 0.15%

LAB 15.44, 40.72, -26.61

 

CMYK 2 / 100 / 0 / 77

HEX #39003A

RGB 57 0 58

HSL 298.97, 1%, 0.11%

LAB 10.37, 34.04, -21.57

 

CMYK 7 / 68 / 0 / 47

HEX #7D2B86

RGB 125 43 134

HSL 294.07, 0.51%, 0.35%

LAB 33.58, 47.96, -34.22

 

CMYK 0 / 68 / 11 / 47

HEX #862B77

RGB 134 43 119

HSL 309.89, 0.51%, 0.35%

LAB 34.25, 47.63, -23.7

 

CMYK 0 / 68 / 30 / 47

HEX #862B5E

RGB 134 43 94

HSL 326.37, 0.51%, 0.35%

LAB 33.14, 43.89, -9.5

 

CMYK 0 / 68 / 48 / 47

HEX #862B46

RGB 134 43 70

HSL 342.2, 0.51%, 0.35%

LAB 32.34, 41.06, 4.91

 

CMYK 0 / 68 / 66 / 47

HEX #862B2D

RGB 134 43 45

HSL 358.68, 0.51%, 0.35%

LAB 31.77, 38.98, 20.38

 

CMYK 7 / 68 / 0 / 47

HEX #7D2B86

RGB 125 43 134

HSL 294.07, 0.51%, 0.35%

LAB 33.58, 47.96, -34.22

 

CMYK 25 / 68 / 0 / 47

HEX #652B86

RGB 101 43 134

HSL 278.24, 0.51%, 0.35%

LAB 29.95, 42.11, -40.23

 

CMYK 43 / 68 / 0 / 47

HEX #4C2B86

RGB 76 43 134

HSL 261.76, 0.51%, 0.35%

LAB 26.69, 36.44, -45.65

 

CMYK 61 / 68 / 0 / 47

HEX #342B86

RGB 52 43 134

HSL 245.93, 0.51%, 0.35%

LAB 24.25, 31.83, -49.73

 

CMYK 68 / 68 / 0 / 47

HEX #2B2B86

RGB 43 43 134

HSL 240, 0.51%, 0.35%

LAB 23.55, 30.41, -50.92

 

CMYK 7 / 68 / 0 / 47

HEX #7D2B86

RGB 125 43 134

HSL 294.07, 0.51%, 0.35%

LAB 33.58, 47.96, -34.22

 

CMYK 8 / 81 / 0 / 42

HEX #891D95

RGB 137 29 149

HSL 294, 0.67%, 0.35%

LAB 34.74, 58.42, -41.49

 

CMYK 9 / 91 / 0 / 36

HEX #940EA3

RGB 148 14 163

HSL 293.96, 0.84%, 0.35%

LAB 36.47, 66.09, -47.11

 

CMYK 10 / 100 / 0 / 30

HEX #A000B2

RGB 160 0 178

HSL 293.93, 1%, 0.35%

LAB 39.05, 72.17, -51.82

 

CMYK 7 / 68 / 0 / 47

HEX #7D2B86

RGB 125 43 134

HSL 294.07, 0.51%, 0.35%

LAB 33.58, 47.96, -34.22

 

CMYK 5 / 52 / 0 / 53

HEX #723A78

RGB 114 58 120

HSL 294.19, 0.35%, 0.35%

LAB 33.9, 34.65, -25.1

 

CMYK 3 / 31 / 0 / 59

HEX #664869

RGB 102 72 105

HSL 294.55, 0.19%, 0.35%

LAB 34.96, 19.08, -14.16

 

CMYK 0 / 4 / 0 / 64

HEX #5B575B

RGB 91 87 91

HSL 300, 0.02%, 0.35%

LAB 37.47, 2.45, -1.74

 

CMYK 22 / 0 / 24 / 60

HEX #4F654D

RGB 79 101 77

HSL 115, 0.13%, 0.35%

LAB 40.42, -13.47, 10.95

 

CMYK 43 / 68 / 0 / 47

HEX #4D2B86

RGB 77 43 134

HSL 262.42, 0.51%, 0.35%

LAB 26.81, 36.65, -45.46

 

CMYK 25 / 68 / 0 / 47

HEX #652B86

RGB 101 43 134

HSL 278.24, 0.51%, 0.35%

LAB 29.95, 42.11, -40.23

 

CMYK 7 / 68 / 0 / 47

HEX #7D2B86

RGB 125 43 134

HSL 294.07, 0.51%, 0.35%

LAB 33.58, 47.96, -34.22

 

CMYK 0 / 68 / 11 / 47

HEX #862B77

RGB 134 43 119

HSL 309.89, 0.51%, 0.35%

LAB 34.25, 47.63, -23.7

 

CMYK 0 / 68 / 29 / 47

HEX #862B5F

RGB 134 43 95

HSL 325.71, 0.51%, 0.35%

LAB 33.18, 44.03, -10.08

 

CMYK 7 / 68 / 0 / 72

HEX #431748

RGB 67 23 72

HSL 293.88, 0.52%, 0.19%

LAB 16.86, 29.18, -20.98

 

CMYK 7 / 68 / 0 / 60

HEX #602167

RGB 96 33 103

HSL 294, 0.51%, 0.27%

LAB 25.42, 38.88, -27.81

 

CMYK 7 / 68 / 0 / 47

HEX #7D2B86

RGB 125 43 134

HSL 294.07, 0.51%, 0.35%

LAB 33.58, 47.96, -34.22

 

CMYK 7 / 68 / 0 / 35

HEX #9A35A5

RGB 154 53 165

HSL 294.11, 0.51%, 0.43%

LAB 41.43, 56.61, -40.32

 

CMYK 6 / 65 / 0 / 24

HEX #B543C1

RGB 181 67 193

HSL 294.29, 0.5%, 0.51%

LAB 49.12, 62.35, -44.31

 

CMYK 7 / 67 / 0 / 47

HEX #7D2C86

RGB 125 44 134

HSL 294, 0.51%, 0.35%

LAB 33.74, 47.53, -33.97

 

CMYK 0 / 61 / 68 / 47

HEX #86342B

RGB 134 52 43

HSL 5.93, 0.51%, 0.35%

LAB 33.35, 34.56, 23.58

 

CMYK 68 / 0 / 34 / 47

HEX #2B8659

RGB 43 134 89

HSL 150.33, 0.51%, 0.35%

LAB 49.84, -37.76, 16.62

 

CMYK 7 / 67 / 0 / 47

HEX #7D2C86

RGB 125 44 134

HSL 294, 0.51%, 0.35%

LAB 33.74, 47.53, -33.97

 

CMYK 0 / 7 / 68 / 47

HEX #867D2B

RGB 134 125 43

HSL 54.07, 0.51%, 0.35%

LAB 51.74, -6.97, 44.22

 

CMYK 68 / 0 / 7 / 47

HEX #2B867D

RGB 43 134 125

HSL 174.07, 0.51%, 0.35%

LAB 50.74, -28.59, -2.97

 

CMYK 7 / 67 / 0 / 47

HEX #7D2C86

RGB 125 44 134

HSL 294, 0.51%, 0.35%

LAB 33.74, 47.53, -33.97

 

CMYK 0 / 61 / 68 / 47

HEX #86342B

RGB 134 52 43

HSL 5.93, 0.51%, 0.35%

LAB 33.35, 34.56, 23.58

 

CMYK 61 / 0 / 68 / 47

HEX #34862B

RGB 52 134 43

HSL 114.07, 0.51%, 0.35%

LAB 49.44, -43.1, 40.25

 

CMYK 68 / 7 / 0 / 47

HEX #2B7D86

RGB 43 125 134

HSL 185.93, 0.51%, 0.35%

LAB 48.14, -21.28, -12.13

 

CMYK 7 / 67 / 0 / 47

HEX #7D2C86

RGB 125 44 134

HSL 294, 0.51%, 0.35%

LAB 33.74, 47.53, -33.97

 

CMYK 0 / 40 / 68 / 47

HEX #86502B

RGB 134 80 43

HSL 24.4, 0.51%, 0.35%

LAB 39.55, 19.09, 30.92

 

CMYK 61 / 0 / 68 / 47

HEX #34862B

RGB 52 134 43

HSL 114.07, 0.51%, 0.35%

LAB 49.44, -43.1, 40.25

 

CMYK 68 / 27 / 0 / 47

HEX #2B6286

RGB 43 98 134

HSL 203.74, 0.51%, 0.35%

LAB 39.53, -5.96, -25.34

 

Description

Color code: RGB 125 44 134 | qconv.com Color code: RGB 125 44 134 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 44 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 44 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 67 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 67% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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