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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 125 59 134 it is the complementary color RGB 130 196 121. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 125 59 134. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 125 59 134 shade: RGB 130 59 129, RGB 147 77 148, RGB 164 95 167, RGB 181 113 186 and RGB 198 131 205

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 125 59 134. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 125 59 134 shade: RGB 125 59 134, RGB 108 41 115, RGB 91 23 96, RGB 74 5 77 and RGB 57 0 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 125 59 134 shade: RGB 125 59 134, RGB 134 59 123, RGB 134 59 102, RGB 134 59 82 and RGB 134 59 62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 125 59 134 shade: RGB 125 59 134, RGB 105 59 134, RGB 84 59 134, RGB 64 59 134 and RGB 59 59 134

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 125 59 134 shade matches the following richer shades: RGB 125 59 134, RGB 137 43 150, RGB 149 27 166 and RGB 161 12 181

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 125 59 134 shade: RGB 125 59 134, RGB 113 74 119, RGB 101 90 103, RGB 89 106 87 and RGB 77 121 71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 125 59 134 shade: RGB 84 59 134, RGB 104 59 134, RGB 124 59 134, RGB 134 59 124 and RGB 134 59 104

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 125 59 134 shade: RGB 72 33 77, RGB 98 46 106, RGB 125 59 134, RGB 152 71 163 and RGB 172 92 183

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 125 59 134 shade: RGB 125 59 134, RGB 134 64 59 and RGB 59 134 94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 125 59 134 shade: RGB 125 59 134, RGB 134 124 59 and RGB 59 134 124

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 125 59 134 shade: RGB 125 59 134, RGB 134 64 59, RGB 69 134 59 and RGB 59 129 134

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 125 59 134 shade: RGB 125 59 134, RGB 134 86 59, RGB 69 134 59 and RGB 59 106 134

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 56 / 0 / 47

HEX #7D3B86

RGB 125 59 134

HSL 292.8, 0.39%, 0.38%

LAB 36.38, 40.29, -29.78

 

Complementary color

CMYK 34 / 0 / 38 / 23

HEX #82C479

RGB 130 196 121

HSL 112.8, 0.39%, 0.62%

LAB 73.29, -35.6, 31.18

 

CMYK 0 / 55 / 1 / 49

HEX #823B81

RGB 130 59 129

HSL 300.85, 0.38%, 0.37%

LAB 36.85, 40.77, -25.91

 

CMYK 1 / 48 / 0 / 42

HEX #934D94

RGB 147 77 148

HSL 299.15, 0.32%, 0.44%

LAB 43.73, 40.12, -26.58

 

CMYK 2 / 43 / 0 / 35

HEX #A45FA7

RGB 164 95 167

HSL 297.5, 0.29%, 0.51%

LAB 50.53, 39.36, -27.1

 

CMYK 3 / 39 / 0 / 27

HEX #B571BA

RGB 181 113 186

HSL 295.89, 0.35%, 0.59%

LAB 57.25, 38.59, -27.52

 

CMYK 3 / 36 / 0 / 20

HEX #C683CD

RGB 198 131 205

HSL 294.32, 0.43%, 0.66%

LAB 63.87, 37.83, -27.9

 

CMYK 7 / 56 / 0 / 47

HEX #7D3B86

RGB 125 59 134

HSL 292.8, 0.39%, 0.38%

LAB 36.38, 40.29, -29.78

 

CMYK 6 / 64 / 0 / 55

HEX #6C2973

RGB 108 41 115

HSL 294.32, 0.47%, 0.31%

LAB 29.44, 40.73, -29.03

 

CMYK 5 / 76 / 0 / 62

HEX #5B1760

RGB 91 23 96

HSL 295.89, 0.61%, 0.23%

LAB 22.59, 40.54, -27.79

 

CMYK 4 / 94 / 0 / 70

HEX #4A054D

RGB 74 5 77

HSL 297.5, 0.88%, 0.16%

LAB 16, 39.07, -25.71

 

CMYK 2 / 100 / 0 / 77

HEX #39003A

RGB 57 0 58

HSL 298.97, 1%, 0.11%

LAB 10.37, 34.04, -21.57

 

CMYK 7 / 56 / 0 / 47

HEX #7D3B86

RGB 125 59 134

HSL 292.8, 0.39%, 0.38%

LAB 36.38, 40.29, -29.78

 

CMYK 0 / 56 / 8 / 47

HEX #863B7B

RGB 134 59 123

HSL 308.8, 0.39%, 0.38%

LAB 37.16, 40.87, -21.66

 

CMYK 0 / 56 / 24 / 47

HEX #863B66

RGB 134 59 102

HSL 325.6, 0.39%, 0.38%

LAB 36.28, 37.4, -9.86

 

CMYK 0 / 56 / 39 / 47

HEX #863B52

RGB 134 59 82

HSL 341.6, 0.39%, 0.38%

LAB 35.61, 34.63, 1.85

 

CMYK 0 / 56 / 54 / 47

HEX #863B3E

RGB 134 59 62

HSL 357.6, 0.39%, 0.38%

LAB 35.09, 32.44, 13.89

 

CMYK 7 / 56 / 0 / 47

HEX #7D3B86

RGB 125 59 134

HSL 292.8, 0.39%, 0.38%

LAB 36.38, 40.29, -29.78

 

CMYK 22 / 56 / 0 / 47

HEX #693B86

RGB 105 59 134

HSL 276.8, 0.39%, 0.38%

LAB 33.67, 34.56, -34.25

 

CMYK 37 / 56 / 0 / 47

HEX #543B86

RGB 84 59 134

HSL 260, 0.39%, 0.38%

LAB 31.19, 28.81, -38.35

 

CMYK 52 / 56 / 0 / 47

HEX #403B86

RGB 64 59 134

HSL 244, 0.39%, 0.38%

LAB 29.26, 23.87, -41.56

 

CMYK 56 / 56 / 0 / 47

HEX #3B3B86

RGB 59 59 134

HSL 240, 0.39%, 0.38%

LAB 28.85, 22.76, -42.24

 

CMYK 7 / 56 / 0 / 47

HEX #7D3B86

RGB 125 59 134

HSL 292.8, 0.39%, 0.38%

LAB 36.38, 40.29, -29.78

 

CMYK 9 / 71 / 0 / 41

HEX #892B96

RGB 137 43 150

HSL 292.71, 0.55%, 0.38%

LAB 36.46, 53.85, -39.35

 

CMYK 10 / 84 / 0 / 35

HEX #951BA6

RGB 149 27 166

HSL 292.66, 0.72%, 0.38%

LAB 37.71, 64.24, -46.91

 

CMYK 11 / 93 / 0 / 29

HEX #A10CB5

RGB 161 12 181

HSL 292.9, 0.88%, 0.38%

LAB 39.88, 71.5, -52.25

 

CMYK 7 / 56 / 0 / 47

HEX #7D3B86

RGB 125 59 134

HSL 292.8, 0.39%, 0.38%

LAB 36.38, 40.29, -29.78

 

CMYK 5 / 38 / 0 / 53

HEX #714A77

RGB 113 74 119

HSL 292, 0.23%, 0.38%

LAB 37.37, 24.82, -19.09

 

CMYK 2 / 13 / 0 / 60

HEX #655A67

RGB 101 90 103

HSL 290.77, 0.07%, 0.38%

LAB 39.68, 7.1, -5.81

 

CMYK 16 / 0 / 18 / 58

HEX #596A57

RGB 89 106 87

HSL 113.68, 0.1%, 0.38%

LAB 42.94, -10.45, 8.56

 

CMYK 36 / 0 / 41 / 53

HEX #4D7947

RGB 77 121 71

HSL 112.8, 0.26%, 0.38%

LAB 46.59, -25.85, 22.73

 

CMYK 37 / 56 / 0 / 47

HEX #543B86

RGB 84 59 134

HSL 260, 0.39%, 0.38%

LAB 31.19, 28.81, -38.35

 

CMYK 22 / 56 / 0 / 47

HEX #683B86

RGB 104 59 134

HSL 276, 0.39%, 0.38%

LAB 33.55, 34.28, -34.46

 

CMYK 7 / 56 / 0 / 47

HEX #7C3B86

RGB 124 59 134

HSL 292, 0.39%, 0.38%

LAB 36.24, 40, -30.02

 

CMYK 0 / 56 / 7 / 47

HEX #863B7C

RGB 134 59 124

HSL 308, 0.39%, 0.38%

LAB 37.21, 41.05, -22.21

 

CMYK 0 / 56 / 22 / 47

HEX #863B68

RGB 134 59 104

HSL 324, 0.39%, 0.38%

LAB 36.36, 37.71, -11.01

 

CMYK 6 / 57 / 0 / 70

HEX #48214D

RGB 72 33 77

HSL 293.18, 0.4%, 0.22%

LAB 20.05, 26.24, -19.32

 

CMYK 8 / 57 / 0 / 58

HEX #622E6A

RGB 98 46 106

HSL 292, 0.39%, 0.3%

LAB 28.36, 33.41, -25.09

 

CMYK 7 / 56 / 0 / 47

HEX #7D3B86

RGB 125 59 134

HSL 292.8, 0.39%, 0.38%

LAB 36.38, 40.29, -29.78

 

CMYK 7 / 56 / 0 / 36

HEX #9847A3

RGB 152 71 163

HSL 292.83, 0.39%, 0.46%

LAB 43.98, 47.58, -35.09

 

CMYK 6 / 50 / 0 / 28

HEX #AC5CB7

RGB 172 92 183

HSL 292.75, 0.39%, 0.54%

LAB 51.66, 46.46, -34.58

 

CMYK 7 / 56 / 0 / 47

HEX #7D3B86

RGB 125 59 134

HSL 292.8, 0.39%, 0.38%

LAB 36.38, 40.29, -29.78

 

CMYK 0 / 52 / 56 / 47

HEX #86403B

RGB 134 64 59

HSL 4, 0.39%, 0.38%

LAB 36.08, 29.47, 17.1

 

CMYK 56 / 0 / 30 / 47

HEX #3B865E

RGB 59 134 94

HSL 148, 0.39%, 0.38%

LAB 50.44, -33.13, 14.66

 

CMYK 7 / 56 / 0 / 47

HEX #7D3B86

RGB 125 59 134

HSL 292.8, 0.39%, 0.38%

LAB 36.38, 40.29, -29.78

 

CMYK 0 / 7 / 56 / 47

HEX #867C3B

RGB 134 124 59

HSL 52, 0.39%, 0.38%

LAB 51.61, -5.2, 36.37

 

CMYK 56 / 0 / 7 / 47

HEX #3B867C

RGB 59 134 124

HSL 172, 0.39%, 0.38%

LAB 51.19, -25.77, -1.66

 

CMYK 7 / 56 / 0 / 47

HEX #7D3B86

RGB 125 59 134

HSL 292.8, 0.39%, 0.38%

LAB 36.38, 40.29, -29.78

 

CMYK 0 / 52 / 56 / 47

HEX #86403B

RGB 134 64 59

HSL 4, 0.39%, 0.38%

LAB 36.08, 29.47, 17.1

 

CMYK 49 / 0 / 56 / 47

HEX #45863B

RGB 69 134 59

HSL 112, 0.39%, 0.38%

LAB 50.25, -36.36, 33.68

 

CMYK 56 / 4 / 0 / 47

HEX #3B8186

RGB 59 129 134

HSL 184, 0.39%, 0.38%

LAB 49.92, -20.35, -9.4

 

CMYK 7 / 56 / 0 / 47

HEX #7D3B86

RGB 125 59 134

HSL 292.8, 0.39%, 0.38%

LAB 36.38, 40.29, -29.78

 

CMYK 0 / 36 / 56 / 47

HEX #86563B

RGB 134 86 59

HSL 21.6, 0.39%, 0.38%

LAB 41.28, 16.84, 23.82

 

CMYK 49 / 0 / 56 / 47

HEX #45863B

RGB 69 134 59

HSL 112, 0.39%, 0.38%

LAB 50.25, -36.36, 33.68

 

CMYK 56 / 21 / 0 / 47

HEX #3B6A86

RGB 59 106 134

HSL 202.4, 0.39%, 0.38%

LAB 42.7, -7.45, -20.37

 

Description

Color code: RGB 125 59 134 | qconv.com Color code: RGB 125 59 134 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 59 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 59 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 56 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 56% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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