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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 125 65 178 it is the complementary color RGB 130 190 77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 125 65 178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 125 65 178 shade: RGB 130 65 173, RGB 147 83 192, RGB 164 101 211, RGB 181 119 230 and RGB 198 137 249

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 125 65 178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 125 65 178 shade: RGB 125 65 178, RGB 108 47 159, RGB 91 29 140, RGB 74 11 121 and RGB 57 0 102

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 125 65 178 shade: RGB 125 64 179, RGB 156 64 179, RGB 179 64 171, RGB 179 64 140 and RGB 179 64 109

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 125 65 178 shade: RGB 125 64 179, RGB 94 64 179 and RGB 64 64 179

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 125 65 178 shade matches the following richer shades: RGB 125 64 179, RGB 127 45 199, RGB 128 25 219 and RGB 129 5 239

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 125 65 178 shade: RGB 125 64 179, RGB 124 84 160, RGB 123 104 140, RGB 122 124 120 and RGB 121 144 100

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 125 65 178 shade: RGB 64 66 179, RGB 93 64 179, RGB 124 64 179, RGB 154 64 179 and RGB 179 64 174

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 125 65 178 shade: RGB 83 43 119, RGB 104 53 149, RGB 125 64 179, RGB 146 90 195 and RGB 166 120 206

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 125 65 178 shade: RGB 125 65 178, RGB 179 64 97 and RGB 64 179 78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 125 65 178 shade: RGB 125 65 178, RGB 179 124 64 and RGB 64 179 124

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 125 65 178 shade: RGB 125 65 178, RGB 179 64 97, RGB 120 179 64 and RGB 64 179 147

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 125 65 178 shade: RGB 125 65 178, RGB 179 66 64, RGB 120 179 64 and RGB 64 178 179

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 63 / 0 / 30

HEX #7D41B2

RGB 125 65 178

HSL 271.86, 0.47%, 0.48%

LAB 40.17, 47.04, -50.27

 

Complementary color

CMYK 32 / 0 / 59 / 25

HEX #82BE4D

RGB 130 190 77

HSL 91.86, 0.47%, 0.52%

LAB 70.95, -38.32, 49.88

 

CMYK 25 / 62 / 0 / 32

HEX #8241AD

RGB 130 65 173

HSL 276.11, 0.45%, 0.47%

LAB 40.48, 47.04, -46.78

 

CMYK 23 / 57 / 0 / 25

HEX #9353C0

RGB 147 83 192

HSL 275.23, 0.46%, 0.54%

LAB 47.23, 46.27, -47.01

 

CMYK 22 / 52 / 0 / 17

HEX #A465D3

RGB 164 101 211

HSL 274.36, 0.56%, 0.61%

LAB 53.92, 45.43, -47.14

 

CMYK 21 / 48 / 0 / 10

HEX #B577E6

RGB 181 119 230

HSL 273.51, 0.69%, 0.68%

LAB 60.54, 44.57, -47.22

 

CMYK 20 / 45 / 0 / 2

HEX #C689F9

RGB 198 137 249

HSL 272.68, 0.9%, 0.76%

LAB 67.08, 43.73, -47.27

 

CMYK 30 / 63 / 0 / 30

HEX #7D41B2

RGB 125 65 178

HSL 271.86, 0.47%, 0.48%

LAB 40.17, 47.04, -50.27

 

CMYK 32 / 70 / 0 / 38

HEX #6C2F9F

RGB 108 47 159

HSL 272.68, 0.54%, 0.4%

LAB 33.4, 47.67, -49.95

 

CMYK 35 / 79 / 0 / 45

HEX #5B1D8C

RGB 91 29 140

HSL 273.51, 0.66%, 0.33%

LAB 26.72, 47.78, -49.25

 

CMYK 39 / 91 / 0 / 53

HEX #4A0B79

RGB 74 11 121

HSL 274.36, 0.83%, 0.26%

LAB 20.34, 46.7, -47.8

 

CMYK 44 / 100 / 0 / 60

HEX #390066

RGB 57 0 102

HSL 273.53, 1%, 0.2%

LAB 14.56, 43.41, -45.04

 

CMYK 30 / 64 / 0 / 30

HEX #7D40B3

RGB 125 64 179

HSL 271.83, 0.47%, 0.48%

LAB 40.05, 47.79, -51.06

 

CMYK 13 / 64 / 0 / 30

HEX #9C40B3

RGB 156 64 179

HSL 288, 0.47%, 0.48%

LAB 44.22, 55.06, -44.15

 

CMYK 0 / 64 / 4 / 30

HEX #B340AB

RGB 179 64 171

HSL 304.17, 0.47%, 0.48%

LAB 47.22, 59.28, -34.46

 

CMYK 0 / 64 / 22 / 30

HEX #B3408C

RGB 179 64 140

HSL 320.35, 0.47%, 0.48%

LAB 45.83, 54.52, -18.12

 

CMYK 0 / 64 / 39 / 30

HEX #B3406D

RGB 179 64 109

HSL 336.52, 0.47%, 0.48%

LAB 44.74, 50.61, -0.86

 

CMYK 30 / 64 / 0 / 30

HEX #7D40B3

RGB 125 64 179

HSL 271.83, 0.47%, 0.48%

LAB 40.05, 47.79, -51.06

 

CMYK 47 / 64 / 0 / 30

HEX #5E40B3

RGB 94 64 179

HSL 255.65, 0.47%, 0.48%

LAB 36.56, 41.15, -56.88

 

CMYK 64 / 64 / 0 / 30

HEX #4040B3

RGB 64 64 179

HSL 240, 0.47%, 0.48%

LAB 34.01, 35.87, -61.15

 

CMYK 30 / 64 / 0 / 30

HEX #7D40B3

RGB 125 64 179

HSL 271.83, 0.47%, 0.48%

LAB 40.05, 47.79, -51.06

 

CMYK 36 / 77 / 0 / 22

HEX #7F2DC7

RGB 127 45 199

HSL 271.95, 0.63%, 0.48%

LAB 38.75, 61.42, -64.9

 

CMYK 42 / 89 / 0 / 14

HEX #8019DB

RGB 128 25 219

HSL 271.86, 0.8%, 0.48%

LAB 38.55, 72.04, -76.79

 

CMYK 46 / 98 / 0 / 6

HEX #8105EF

RGB 129 5 239

HSL 271.79, 0.96%, 0.48%

LAB 39.59, 79.39, -86.47

 

CMYK 30 / 64 / 0 / 30

HEX #7D40B3

RGB 125 64 179

HSL 271.83, 0.47%, 0.48%

LAB 40.05, 47.79, -51.06

 

CMYK 23 / 48 / 0 / 37

HEX #7C54A0

RGB 124 84 160

HSL 271.58, 0.31%, 0.48%

LAB 43.01, 31.86, -35.08

 

CMYK 12 / 26 / 0 / 45

HEX #7B688C

RGB 123 104 140

HSL 271.67, 0.15%, 0.48%

LAB 46.98, 14.87, -17

 

CMYK 2 / 0 / 3 / 51

HEX #7A7C78

RGB 122 124 120

HSL 90, 0.02%, 0.48%

LAB 51.73, -1.55, 1.91

 

CMYK 16 / 0 / 31 / 44

HEX #799064

RGB 121 144 100

HSL 91.36, 0.18%, 0.48%

LAB 57.01, -16.51, 20.76

 

CMYK 64 / 63 / 0 / 30

HEX #4042B3

RGB 64 66 179

HSL 238.96, 0.47%, 0.48%

LAB 34.48, 34.63, -60.37

 

CMYK 48 / 64 / 0 / 30

HEX #5D40B3

RGB 93 64 179

HSL 255.13, 0.47%, 0.48%

LAB 36.46, 40.95, -57.05

 

CMYK 31 / 64 / 0 / 30

HEX #7C40B3

RGB 124 64 179

HSL 271.3, 0.47%, 0.48%

LAB 39.93, 47.56, -51.27

 

CMYK 14 / 64 / 0 / 30

HEX #9A40B3

RGB 154 64 179

HSL 286.96, 0.47%, 0.48%

LAB 43.93, 54.58, -44.62

 

CMYK 0 / 64 / 3 / 30

HEX #B340AE

RGB 179 64 174

HSL 302.61, 0.47%, 0.48%

LAB 47.37, 59.78, -35.99

 

CMYK 30 / 64 / 0 / 53

HEX #532B77

RGB 83 43 119

HSL 271.58, 0.47%, 0.32%

LAB 26.44, 33.97, -36.56

 

CMYK 30 / 64 / 0 / 42

HEX #683595

RGB 104 53 149

HSL 271.88, 0.48%, 0.4%

LAB 33.26, 41.3, -44.12

 

CMYK 30 / 64 / 0 / 30

HEX #7D40B3

RGB 125 64 179

HSL 271.83, 0.47%, 0.48%

LAB 40.05, 47.79, -51.06

 

CMYK 25 / 54 / 0 / 24

HEX #925AC3

RGB 146 90 195

HSL 272, 0.47%, 0.56%

LAB 48.71, 42.95, -46.38

 

CMYK 19 / 42 / 0 / 19

HEX #A678CE

RGB 166 120 206

HSL 272.09, 0.47%, 0.64%

LAB 58.03, 34.37, -37.81

 

CMYK 30 / 63 / 0 / 30

HEX #7D41B2

RGB 125 65 178

HSL 271.86, 0.47%, 0.48%

LAB 40.17, 47.04, -50.27

 

CMYK 0 / 64 / 46 / 30

HEX #B34061

RGB 179 64 97

HSL 342.78, 0.47%, 0.48%

LAB 44.4, 49.35, 6.05

 

CMYK 64 / 0 / 56 / 30

HEX #40B34E

RGB 64 179 78

HSL 127.3, 0.47%, 0.48%

LAB 64.87, -53.12, 41.67

 

CMYK 30 / 63 / 0 / 30

HEX #7D41B2

RGB 125 65 178

HSL 271.86, 0.47%, 0.48%

LAB 40.17, 47.04, -50.27

 

CMYK 0 / 31 / 64 / 30

HEX #B37C40

RGB 179 124 64

HSL 31.3, 0.47%, 0.48%

LAB 56.46, 15.25, 40.65

 

CMYK 64 / 0 / 31 / 30

HEX #40B37C

RGB 64 179 124

HSL 151.3, 0.47%, 0.48%

LAB 65.58, -45.24, 18.8

 

CMYK 30 / 63 / 0 / 30

HEX #7D41B2

RGB 125 65 178

HSL 271.86, 0.47%, 0.48%

LAB 40.17, 47.04, -50.27

 

CMYK 0 / 64 / 46 / 30

HEX #B34061

RGB 179 64 97

HSL 342.78, 0.47%, 0.48%

LAB 44.4, 49.35, 6.05

 

CMYK 33 / 0 / 64 / 30

HEX #78B340

RGB 120 179 64

HSL 90.78, 0.47%, 0.48%

LAB 66.98, -38.2, 51.04

 

CMYK 64 / 0 / 18 / 30

HEX #40B393

RGB 64 179 147

HSL 163.3, 0.47%, 0.48%

LAB 66.09, -40, 6.91

 

CMYK 30 / 63 / 0 / 30

HEX #7D41B2

RGB 125 65 178

HSL 271.86, 0.47%, 0.48%

LAB 40.17, 47.04, -50.27

 

CMYK 0 / 63 / 64 / 30

HEX #B34240

RGB 179 66 64

HSL 1.04, 0.47%, 0.48%

LAB 44.02, 45.79, 25.75

 

CMYK 33 / 0 / 64 / 30

HEX #78B340

RGB 120 179 64

HSL 90.78, 0.47%, 0.48%

LAB 66.98, -38.2, 51.04

 

CMYK 64 / 1 / 0 / 30

HEX #40B2B3

RGB 64 178 179

HSL 180.52, 0.47%, 0.48%

LAB 66.66, -31.01, -9.96

 

Description

Color code: RGB 125 65 178 | qconv.com Color code: RGB 125 65 178 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 65 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 65 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 63 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 63% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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