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Color name
RGB 125 70 35

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 125 70 35 it is the complementary color RGB 130 185 220. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 125 70 35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 125 70 35 shade: RGB 130 70 30, RGB 147 88 49, RGB 164 106 68, RGB 181 124 87 and RGB 198 142 106

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 125 70 35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 125 70 35 shade: RGB 125 70 35, RGB 108 52 16, RGB 91 34 0, RGB 74 16 0 and RGB 57 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 125 70 35 shade: RGB 123 69 34, RGB 123 45 34 and RGB 123 34 34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 125 70 35 shade: RGB 123 69 34, RGB 123 93 34, RGB 123 116 34, RGB 105 123 34 and RGB 81 123 34

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 125 70 35 shade matches the following richer shades: RGB 123 69 34, RGB 136 66 21 and RGB 148 63 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 125 70 35 shade: RGB 123 69 34, RGB 110 72 47, RGB 97 74 60, RGB 84 77 73 and RGB 72 80 85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 125 70 35 shade: RGB 123 34 48, RGB 123 45 34, RGB 123 68 34, RGB 123 92 34 and RGB 123 115 34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 125 70 35 shade: RGB 58 33 16, RGB 91 51 25, RGB 123 69 34, RGB 155 87 43 and RGB 187 105 52

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 125 70 35 shade: RGB 125 70 35, RGB 71 123 34 and RGB 34 36 123

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 125 70 35 shade: RGB 125 70 35, RGB 34 123 68 and RGB 68 34 123

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 125 70 35 shade: RGB 125 70 35, RGB 71 123 34, RGB 34 89 123 and RGB 86 34 123

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 125 70 35 shade: RGB 125 70 35, RGB 45 123 34, RGB 34 89 123 and RGB 112 34 123

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 72 / 51

HEX #7D4623

RGB 125 70 35

HSL 23.33, 0.56%, 0.31%

LAB 35.72, 20.38, 30.68

 

Complementary color

CMYK 41 / 16 / 0 / 14

HEX #82B9DC

RGB 130 185 220

HSL 203.33, 0.56%, 0.69%

LAB 72.64, -9.01, -23.21

 

CMYK 0 / 46 / 77 / 49

HEX #82461E

RGB 130 70 30

HSL 24, 0.63%, 0.31%

LAB 36.4, 22.35, 34.32

 

CMYK 0 / 40 / 67 / 42

HEX #935831

RGB 147 88 49

HSL 23.88, 0.5%, 0.38%

LAB 43.37, 20.63, 32.47

 

CMYK 0 / 35 / 59 / 36

HEX #A46A44

RGB 164 106 68

HSL 23.75, 0.41%, 0.45%

LAB 50.24, 19.18, 30.68

 

CMYK 0 / 31 / 52 / 29

HEX #B57C57

RGB 181 124 87

HSL 23.62, 0.39%, 0.53%

LAB 57, 17.96, 29.05

 

CMYK 0 / 28 / 46 / 22

HEX #C68E6A

RGB 198 142 106

HSL 23.48, 0.45%, 0.6%

LAB 63.67, 16.91, 27.56

 

CMYK 0 / 44 / 72 / 51

HEX #7D4623

RGB 125 70 35

HSL 23.33, 0.56%, 0.31%

LAB 35.72, 20.38, 30.68

 

CMYK 0 / 52 / 85 / 58

HEX #6C3410

RGB 108 52 16

HSL 23.48, 0.74%, 0.24%

LAB 28.59, 22.3, 32.49

 

CMYK 0 / 63 / 100 / 64

HEX #5B2200

RGB 91 34 0

HSL 22.42, 1%, 0.18%

LAB 21.46, 24.44, 31.39

 

CMYK 0 / 78 / 100 / 71

HEX #4A1000

RGB 74 16 0

HSL 12.97, 1%, 0.15%

LAB 14.55, 26.5, 22.31

 

CMYK 0 / 100 / 100 / 78

HEX #390000

RGB 57 0 0

HSL 0, 1%, 0.11%

LAB 7.86, 27.6, 12.42

 

CMYK 0 / 44 / 72 / 52

HEX #7B4522

RGB 123 69 34

HSL 23.6, 0.57%, 0.31%

LAB 35.17, 20.01, 30.54

 

CMYK 0 / 63 / 72 / 52

HEX #7B2D22

RGB 123 45 34

HSL 7.42, 0.57%, 0.31%

LAB 29.92, 33.26, 24.57

 

CMYK 0 / 72 / 72 / 52

HEX #7B2222

RGB 123 34 34

HSL 0, 0.57%, 0.31%

LAB 28.04, 38.34, 22.34

 

CMYK 0 / 44 / 72 / 52

HEX #7B4522

RGB 123 69 34

HSL 23.6, 0.57%, 0.31%

LAB 35.17, 20.01, 30.54

 

CMYK 0 / 24 / 72 / 52

HEX #7B5D22

RGB 123 93 34

HSL 39.78, 0.57%, 0.31%

LAB 41.46, 5.72, 37.3

 

CMYK 0 / 6 / 72 / 52

HEX #7B7422

RGB 123 116 34

HSL 55.28, 0.57%, 0.31%

LAB 48.03, -7.58, 43.99

 

CMYK 15 / 0 / 72 / 52

HEX #697B22

RGB 105 123 34

HSL 72.13, 0.57%, 0.31%

LAB 48.62, -19.61, 44.08

 

CMYK 34 / 0 / 72 / 52

HEX #517B22

RGB 81 123 34

HSL 88.31, 0.57%, 0.31%

LAB 47.01, -29.7, 41.94

 

CMYK 0 / 44 / 72 / 52

HEX #7B4522

RGB 123 69 34

HSL 23.6, 0.57%, 0.31%

LAB 35.17, 20.01, 30.54

 

CMYK 0 / 51 / 85 / 47

HEX #884215

RGB 136 66 21

HSL 23.48, 0.73%, 0.31%

LAB 36.34, 26.88, 38.94

 

CMYK 0 / 57 / 94 / 42

HEX #943F09

RGB 148 63 9

HSL 23.31, 0.89%, 0.31%

LAB 37.61, 33.23, 45.31

 

CMYK 0 / 44 / 72 / 52

HEX #7B4522

RGB 123 69 34

HSL 23.6, 0.57%, 0.31%

LAB 35.17, 20.01, 30.54

 

CMYK 0 / 35 / 57 / 57

HEX #6E482F

RGB 110 72 47

HSL 23.81, 0.4%, 0.31%

LAB 34.3, 13.25, 21.51

 

CMYK 0 / 24 / 38 / 62

HEX #614A3C

RGB 97 74 60

HSL 22.7, 0.24%, 0.31%

LAB 33.49, 7.57, 12.11

 

CMYK 0 / 8 / 13 / 67

HEX #544D49

RGB 84 77 73

HSL 21.82, 0.07%, 0.31%

LAB 33.29, 2.11, 3.41

 

CMYK 15 / 6 / 0 / 67

HEX #485055

RGB 72 80 85

HSL 203.08, 0.08%, 0.31%

LAB 33.5, -1.99, -4.03

 

CMYK 0 / 72 / 61 / 52

HEX #7B2230

RGB 123 34 48

HSL 350.56, 0.57%, 0.31%

LAB 28.3, 39.25, 13.5

 

CMYK 0 / 63 / 72 / 52

HEX #7B2D22

RGB 123 45 34

HSL 7.42, 0.57%, 0.31%

LAB 29.92, 33.26, 24.57

 

CMYK 0 / 45 / 72 / 52

HEX #7B4422

RGB 123 68 34

HSL 22.92, 0.57%, 0.31%

LAB 34.92, 20.6, 30.27

 

CMYK 0 / 25 / 72 / 52

HEX #7B5C22

RGB 123 92 34

HSL 39.1, 0.57%, 0.31%

LAB 41.19, 6.31, 37.01

 

CMYK 0 / 7 / 72 / 52

HEX #7B7322

RGB 123 115 34

HSL 54.61, 0.57%, 0.31%

LAB 47.74, -7.02, 43.7

 

CMYK 0 / 43 / 72 / 77

HEX #3A2110

RGB 58 33 16

HSL 24.29, 0.57%, 0.15%

LAB 15.62, 10.05, 16.12

 

CMYK 0 / 44 / 73 / 64

HEX #5B3319

RGB 91 51 25

HSL 23.64, 0.57%, 0.23%

LAB 25.75, 15.46, 23.82

 

CMYK 0 / 44 / 72 / 52

HEX #7B4522

RGB 123 69 34

HSL 23.6, 0.57%, 0.31%

LAB 35.17, 20.01, 30.54

 

CMYK 0 / 44 / 72 / 39

HEX #9B572B

RGB 155 87 43

HSL 23.57, 0.57%, 0.39%

LAB 44.17, 24.32, 36.91

 

CMYK 0 / 44 / 72 / 27

HEX #BB6934

RGB 187 105 52

HSL 23.56, 0.56%, 0.47%

LAB 52.86, 28.46, 43.01

 

CMYK 0 / 44 / 72 / 51

HEX #7D4623

RGB 125 70 35

HSL 23.33, 0.56%, 0.31%

LAB 35.72, 20.38, 30.68

 

CMYK 42 / 0 / 72 / 52

HEX #477B22

RGB 71 123 34

HSL 95.06, 0.57%, 0.31%

LAB 46.47, -33.47, 41.21

 

CMYK 72 / 71 / 0 / 52

HEX #22247B

RGB 34 36 123

HSL 238.65, 0.57%, 0.31%

LAB 20.17, 29.74, -49.53

 

CMYK 0 / 44 / 72 / 51

HEX #7D4623

RGB 125 70 35

HSL 23.33, 0.56%, 0.31%

LAB 35.72, 20.38, 30.68

 

CMYK 72 / 0 / 45 / 52

HEX #227B44

RGB 34 123 68

HSL 142.92, 0.57%, 0.31%

LAB 45.53, -39.14, 22.72

 

CMYK 45 / 72 / 0 / 52

HEX #44227B

RGB 68 34 123

HSL 262.92, 0.57%, 0.31%

LAB 23.01, 36.65, -44.76

 

CMYK 0 / 44 / 72 / 51

HEX #7D4623

RGB 125 70 35

HSL 23.33, 0.56%, 0.31%

LAB 35.72, 20.38, 30.68

 

CMYK 42 / 0 / 72 / 52

HEX #477B22

RGB 71 123 34

HSL 95.06, 0.57%, 0.31%

LAB 46.47, -33.47, 41.21

 

CMYK 72 / 28 / 0 / 52

HEX #22597B

RGB 34 89 123

HSL 202.92, 0.57%, 0.31%

LAB 35.82, -6.01, -24.44

 

CMYK 30 / 72 / 0 / 52

HEX #56227B

RGB 86 34 123

HSL 275.06, 0.57%, 0.31%

LAB 25.42, 40.45, -40.73

 

CMYK 0 / 44 / 72 / 51

HEX #7D4623

RGB 125 70 35

HSL 23.33, 0.56%, 0.31%

LAB 35.72, 20.38, 30.68

 

CMYK 63 / 0 / 72 / 52

HEX #2D7B22

RGB 45 123 34

HSL 112.58, 0.57%, 0.31%

LAB 45.41, -41.52, 39.78

 

CMYK 72 / 28 / 0 / 52

HEX #22597B

RGB 34 89 123

HSL 202.92, 0.57%, 0.31%

LAB 35.82, -6.01, -24.44

 

CMYK 9 / 72 / 0 / 52

HEX #70227B

RGB 112 34 123

HSL 292.58, 0.57%, 0.31%

LAB 29.46, 46.45, -34.03

 

Description

Color code: RGB 125 70 35 | qconv.com Color code: RGB 125 70 35 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 70 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 70 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 72 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 72% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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