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Color name
RGB 125 86 97

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 125 86 97 it is the complementary color RGB 130 169 158. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 125 86 97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 125 86 97 shade: RGB 130 86 92, RGB 147 104 111, RGB 164 122 130, RGB 181 140 149 and RGB 198 158 168

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 125 86 97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 125 86 97 shade: RGB 125 86 97, RGB 108 68 78, RGB 91 50 59, RGB 74 32 40 and RGB 57 14 21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 125 86 97 shade: RGB 123 85 96, RGB 123 85 86 and RGB 123 85 85

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 125 86 97 shade: RGB 123 85 96, RGB 123 85 106, RGB 123 85 116, RGB 119 85 123 and RGB 109 85 123

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 125 86 97 shade matches the following richer shades: RGB 123 85 96, RGB 140 68 88, RGB 157 51 81, RGB 174 34 74 and RGB 191 18 66

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 125 86 97 shade: RGB 123 85 96, RGB 106 102 103, RGB 89 119 111, RGB 72 136 118 and RGB 55 153 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 125 86 97 shade: RGB 123 85 116, RGB 123 85 106, RGB 123 85 96, RGB 123 85 86 and RGB 123 95 85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 125 86 97 shade: RGB 74 51 58, RGB 99 68 77, RGB 123 85 96, RGB 147 102 115 and RGB 165 126 137

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 125 86 97 shade: RGB 125 86 97, RGB 123 120 85 and RGB 85 111 123

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 125 86 97 shade: RGB 125 86 97, RGB 96 123 85 and RGB 85 96 123

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 125 86 97 shade: RGB 125 86 97, RGB 123 120 85, RGB 85 123 112 and RGB 85 88 123

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 125 86 97 shade: RGB 125 86 97, RGB 115 123 85, RGB 85 123 112 and RGB 93 85 123

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 22 / 51

HEX #7D5661

RGB 125 86 97

HSL 343.08, 0.18%, 0.41%

LAB 41.02, 17.91, 0.17

 

Complementary color

CMYK 23 / 0 / 7 / 34

HEX #82A99E

RGB 130 169 158

HSL 163.08, 0.18%, 0.59%

LAB 66.21, -15.55, 1.34

 

CMYK 0 / 34 / 29 / 49

HEX #82565C

RGB 130 86 92

HSL 351.82, 0.2%, 0.42%

LAB 41.49, 19.14, 4.01

 

CMYK 0 / 29 / 24 / 42

HEX #93686F

RGB 147 104 111

HSL 350.23, 0.17%, 0.49%

LAB 48.58, 18.32, 2.97

 

CMYK 0 / 26 / 21 / 36

HEX #A47A82

RGB 164 122 130

HSL 348.57, 0.19%, 0.56%

LAB 55.51, 17.6, 2.05

 

CMYK 0 / 23 / 18 / 29

HEX #B58C95

RGB 181 140 149

HSL 346.83, 0.22%, 0.63%

LAB 62.3, 16.96, 1.22

 

CMYK 0 / 20 / 15 / 22

HEX #C69EA8

RGB 198 158 168

HSL 345, 0.26%, 0.7%

LAB 68.96, 16.39, 0.45

 

CMYK 0 / 31 / 22 / 51

HEX #7D5661

RGB 125 86 97

HSL 343.08, 0.18%, 0.41%

LAB 41.02, 17.91, 0.17

 

CMYK 0 / 37 / 28 / 58

HEX #6C444E

RGB 108 68 78

HSL 345, 0.23%, 0.35%

LAB 33.72, 18.78, 1.19

 

CMYK 0 / 45 / 35 / 64

HEX #5B323B

RGB 91 50 59

HSL 346.83, 0.29%, 0.28%

LAB 26.22, 19.78, 2.44

 

CMYK 0 / 57 / 46 / 71

HEX #4A2028

RGB 74 32 40

HSL 348.57, 0.4%, 0.21%

LAB 18.55, 20.9, 4.11

 

CMYK 0 / 75 / 63 / 78

HEX #390E15

RGB 57 14 21

HSL 350.23, 0.61%, 0.14%

LAB 10.84, 21.9, 6.61

 

CMYK 0 / 31 / 22 / 52

HEX #7B5560

RGB 123 85 96

HSL 342.63, 0.18%, 0.41%

LAB 40.5, 17.54, -0.01

 

CMYK 0 / 31 / 30 / 52

HEX #7B5556

RGB 123 85 86

HSL 358.42, 0.18%, 0.41%

LAB 40.21, 15.95, 5.76

 

CMYK 0 / 31 / 31 / 52

HEX #7B5555

RGB 123 85 85

HSL 0, 0.18%, 0.41%

LAB 40.19, 15.8, 6.34

 

CMYK 0 / 31 / 22 / 52

HEX #7B5560

RGB 123 85 96

HSL 342.63, 0.18%, 0.41%

LAB 40.5, 17.54, -0.01

 

CMYK 0 / 31 / 14 / 52

HEX #7B556A

RGB 123 85 106

HSL 326.84, 0.18%, 0.41%

LAB 40.81, 19.29, -5.72

 

CMYK 0 / 31 / 6 / 52

HEX #7B5574

RGB 123 85 116

HSL 311.05, 0.18%, 0.41%

LAB 41.17, 21.18, -11.34

 

CMYK 3 / 31 / 0 / 52

HEX #77557B

RGB 119 85 123

HSL 293.68, 0.18%, 0.41%

LAB 40.98, 21.16, -15.96

 

CMYK 11 / 31 / 0 / 52

HEX #6D557B

RGB 109 85 123

HSL 277.89, 0.18%, 0.41%

LAB 39.88, 17.62, -17.73

 

CMYK 0 / 31 / 22 / 52

HEX #7B5560

RGB 123 85 96

HSL 342.63, 0.18%, 0.41%

LAB 40.5, 17.54, -0.01

 

CMYK 0 / 51 / 37 / 45

HEX #8C4458

RGB 140 68 88

HSL 343.33, 0.35%, 0.41%

LAB 38.58, 32.8, 2.47

 

CMYK 0 / 68 / 48 / 38

HEX #9D3351

RGB 157 51 81

HSL 343.02, 0.51%, 0.41%

LAB 38.07, 46.26, 6.54

 

CMYK 0 / 80 / 57 / 32

HEX #AE224A

RGB 174 34 74

HSL 342.86, 0.67%, 0.41%

LAB 38.96, 56.79, 12.72

 

CMYK 0 / 91 / 65 / 25

HEX #BF1242

RGB 191 18 66

HSL 343.35, 0.83%, 0.41%

LAB 41.06, 64.2, 21.21

 

CMYK 0 / 31 / 22 / 52

HEX #7B5560

RGB 123 85 96

HSL 342.63, 0.18%, 0.41%

LAB 40.5, 17.54, -0.01

 

CMYK 0 / 4 / 3 / 58

HEX #6A6667

RGB 106 102 103

HSL 345, 0.02%, 0.41%

LAB 43.57, 1.77, -0.01

 

CMYK 25 / 0 / 7 / 53

HEX #59776F

RGB 89 119 111

HSL 164, 0.14%, 0.41%

LAB 47.58, -12.62, 0.88

 

CMYK 47 / 0 / 13 / 47

HEX #488876

RGB 72 136 118

HSL 163.13, 0.31%, 0.41%

LAB 52.17, -25.16, 3.31

 

CMYK 64 / 0 / 18 / 40

HEX #37997D

RGB 55 153 125

HSL 162.86, 0.47%, 0.41%

LAB 57.15, -35.43, 6.38

 

CMYK 0 / 31 / 6 / 52

HEX #7B5574

RGB 123 85 116

HSL 311.05, 0.18%, 0.41%

LAB 41.17, 21.18, -11.34

 

CMYK 0 / 31 / 14 / 52

HEX #7B556A

RGB 123 85 106

HSL 326.84, 0.18%, 0.41%

LAB 40.81, 19.29, -5.72

 

CMYK 0 / 31 / 22 / 52

HEX #7B5560

RGB 123 85 96

HSL 342.63, 0.18%, 0.41%

LAB 40.5, 17.54, -0.01

 

CMYK 0 / 31 / 30 / 52

HEX #7B5556

RGB 123 85 86

HSL 358.42, 0.18%, 0.41%

LAB 40.21, 15.95, 5.76

 

CMYK 0 / 23 / 31 / 52

HEX #7B5F55

RGB 123 95 85

HSL 15.79, 0.18%, 0.41%

LAB 42.84, 9.81, 10.08

 

CMYK 0 / 31 / 22 / 71

HEX #4A333A

RGB 74 51 58

HSL 341.74, 0.18%, 0.25%

LAB 24.09, 11.63, -0.27

 

CMYK 0 / 31 / 22 / 61

HEX #63444D

RGB 99 68 77

HSL 342.58, 0.19%, 0.33%

LAB 32.53, 14.87, -0.04

 

CMYK 0 / 31 / 22 / 52

HEX #7B5560

RGB 123 85 96

HSL 342.63, 0.18%, 0.41%

LAB 40.5, 17.54, -0.01

 

CMYK 0 / 31 / 22 / 42

HEX #936673

RGB 147 102 115

HSL 342.67, 0.18%, 0.49%

LAB 48.19, 20.12, 0.01

 

CMYK 0 / 24 / 17 / 35

HEX #A57E89

RGB 165 126 137

HSL 343.08, 0.18%, 0.57%

LAB 56.81, 16.84, -0.1

 

CMYK 0 / 31 / 22 / 51

HEX #7D5661

RGB 125 86 97

HSL 343.08, 0.18%, 0.41%

LAB 41.02, 17.91, 0.17

 

CMYK 0 / 2 / 31 / 52

HEX #7B7855

RGB 123 120 85

HSL 55.26, 0.18%, 0.41%

LAB 49.86, -4.81, 19.68

 

CMYK 31 / 10 / 0 / 52

HEX #556F7B

RGB 85 111 123

HSL 198.95, 0.18%, 0.41%

LAB 45.26, -6.41, -9.74

 

CMYK 0 / 31 / 22 / 51

HEX #7D5661

RGB 125 86 97

HSL 343.08, 0.18%, 0.41%

LAB 41.02, 17.91, 0.17

 

CMYK 22 / 0 / 31 / 52

HEX #607B55

RGB 96 123 85

HSL 102.63, 0.18%, 0.41%

LAB 48.65, -17.47, 17.69

 

CMYK 31 / 22 / 0 / 52

HEX #55607B

RGB 85 96 123

HSL 222.63, 0.18%, 0.41%

LAB 40.78, 2.59, -16.54

 

CMYK 0 / 31 / 22 / 51

HEX #7D5661

RGB 125 86 97

HSL 343.08, 0.18%, 0.41%

LAB 41.02, 17.91, 0.17

 

CMYK 0 / 2 / 31 / 52

HEX #7B7855

RGB 123 120 85

HSL 55.26, 0.18%, 0.41%

LAB 49.86, -4.81, 19.68

 

CMYK 31 / 0 / 9 / 52

HEX #557B70

RGB 85 123 112

HSL 162.63, 0.18%, 0.41%

LAB 48.59, -15.92, 1.73

 

CMYK 31 / 28 / 0 / 52

HEX #55587B

RGB 85 88 123

HSL 235.26, 0.18%, 0.41%

LAB 38.45, 7.57, -20.13

 

CMYK 0 / 31 / 22 / 51

HEX #7D5661

RGB 125 86 97

HSL 343.08, 0.18%, 0.41%

LAB 41.02, 17.91, 0.17

 

CMYK 7 / 0 / 31 / 52

HEX #737B55

RGB 115 123 85

HSL 72.63, 0.18%, 0.41%

LAB 50.06, -9.85, 19.83

 

CMYK 31 / 0 / 9 / 52

HEX #557B70

RGB 85 123 112

HSL 162.63, 0.18%, 0.41%

LAB 48.59, -15.92, 1.73

 

CMYK 24 / 31 / 0 / 52

HEX #5D557B

RGB 93 85 123

HSL 252.63, 0.18%, 0.41%

LAB 38.29, 12.1, -20.31

 

Description

Color code: RGB 125 86 97 | qconv.com Color code: RGB 125 86 97 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 86 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 86 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 22 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 22% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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