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Color name
RGB 125 92 108

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 125 92 108 it is the complementary color RGB 130 163 147. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 125 92 108. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 125 92 108 shade: RGB 130 92 103, RGB 147 110 122, RGB 164 128 141, RGB 181 146 160 and RGB 198 164 179

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 125 92 108. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 125 92 108 shade: RGB 125 92 108, RGB 108 74 89, RGB 91 56 70, RGB 74 38 51 and RGB 57 20 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 125 92 108 shade: RGB 126 93 109, RGB 126 93 100 and RGB 126 93 93

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 125 92 108 shade: RGB 126 93 109, RGB 126 93 118, RGB 125 93 126, RGB 116 93 126 and RGB 107 93 126

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 125 92 108 shade matches the following richer shades: RGB 126 93 109, RGB 143 75 108, RGB 161 57 108, RGB 179 39 107 and RGB 197 22 106

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 125 92 108 shade: RGB 126 93 109, RGB 108 110 109, RGB 90 128 110, RGB 72 146 110 and RGB 55 164 111

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 125 92 108 shade: RGB 125 93 126, RGB 126 93 118, RGB 126 93 109, RGB 126 93 100 and RGB 126 94 93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 125 92 108 shade: RGB 78 58 68, RGB 102 75 88, RGB 126 93 109, RGB 148 111 129 and RGB 166 135 150

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 125 92 108 shade: RGB 125 92 108, RGB 126 116 93 and RGB 93 122 126

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 125 92 108 shade: RGB 125 92 108, RGB 109 126 93 and RGB 93 109 126

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 125 92 108 shade: RGB 125 92 108, RGB 126 116 93, RGB 93 126 109 and RGB 93 103 126

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 125 92 108 shade: RGB 125 92 108, RGB 126 126 93, RGB 93 126 109 and RGB 93 93 126

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 14 / 51

HEX #7D5C6C

RGB 125 92 108

HSL 330.91, 0.15%, 0.43%

LAB 42.91, 16.23, -3.81

 

Complementary color

CMYK 20 / 0 / 10 / 36

HEX #82A393

RGB 130 163 147

HSL 150.91, 0.15%, 0.57%

LAB 64.2, -14.71, 4.57

 

CMYK 0 / 29 / 21 / 49

HEX #825C67

RGB 130 92 103

HSL 342.63, 0.17%, 0.44%

LAB 43.33, 17.33, -0.07

 

CMYK 0 / 25 / 17 / 42

HEX #936E7A

RGB 147 110 122

HSL 340.54, 0.15%, 0.5%

LAB 50.41, 16.62, -0.92

 

CMYK 0 / 22 / 14 / 36

HEX #A4808D

RGB 164 128 141

HSL 338.33, 0.17%, 0.57%

LAB 57.32, 16, -1.68

 

CMYK 0 / 19 / 12 / 29

HEX #B592A0

RGB 181 146 160

HSL 336, 0.19%, 0.64%

LAB 64.1, 15.45, -2.38

 

CMYK 0 / 17 / 10 / 22

HEX #C6A4B3

RGB 198 164 179

HSL 333.53, 0.23%, 0.71%

LAB 70.74, 14.95, -3.04

 

CMYK 0 / 26 / 14 / 51

HEX #7D5C6C

RGB 125 92 108

HSL 330.91, 0.15%, 0.43%

LAB 42.91, 16.23, -3.81

 

CMYK 0 / 31 / 18 / 58

HEX #6C4A59

RGB 108 74 89

HSL 333.53, 0.19%, 0.36%

LAB 35.61, 16.97, -3.03

 

CMYK 0 / 38 / 23 / 64

HEX #5B3846

RGB 91 56 70

HSL 336, 0.24%, 0.29%

LAB 28.1, 17.83, -2.11

 

CMYK 0 / 49 / 31 / 71

HEX #4A2633

RGB 74 38 51

HSL 338.33, 0.32%, 0.22%

LAB 20.37, 18.82, -0.95

 

CMYK 0 / 65 / 44 / 78

HEX #391420

RGB 57 20 32

HSL 340.54, 0.48%, 0.15%

LAB 12.44, 19.85, 0.73

 

CMYK 0 / 26 / 13 / 51

HEX #7E5D6D

RGB 126 93 109

HSL 330.91, 0.15%, 0.43%

LAB 43.31, 16.2, -3.81

 

CMYK 0 / 26 / 21 / 51

HEX #7E5D64

RGB 126 93 100

HSL 347.27, 0.15%, 0.43%

LAB 43.04, 14.63, 1.28

 

CMYK 0 / 26 / 26 / 51

HEX #7E5D5D

RGB 126 93 93

HSL 0, 0.15%, 0.43%

LAB 42.85, 13.49, 5.27

 

CMYK 0 / 26 / 13 / 51

HEX #7E5D6D

RGB 126 93 109

HSL 330.91, 0.15%, 0.43%

LAB 43.31, 16.2, -3.81

 

CMYK 0 / 26 / 6 / 51

HEX #7E5D76

RGB 126 93 118

HSL 314.55, 0.15%, 0.43%

LAB 43.61, 17.9, -8.84

 

CMYK 1 / 26 / 0 / 51

HEX #7D5D7E

RGB 125 93 126

HSL 298.18, 0.15%, 0.43%

LAB 43.79, 19.14, -13.43

 

CMYK 8 / 26 / 0 / 51

HEX #745D7E

RGB 116 93 126

HSL 281.82, 0.15%, 0.43%

LAB 42.84, 15.89, -14.97

 

CMYK 15 / 26 / 0 / 51

HEX #6B5D7E

RGB 107 93 126

HSL 265.45, 0.15%, 0.43%

LAB 41.94, 12.7, -16.42

 

CMYK 0 / 26 / 13 / 51

HEX #7E5D6D

RGB 126 93 109

HSL 330.91, 0.15%, 0.43%

LAB 43.31, 16.2, -3.81

 

CMYK 0 / 48 / 24 / 44

HEX #8F4B6C

RGB 143 75 108

HSL 330.88, 0.31%, 0.43%

LAB 41.14, 32.9, -6.18

 

CMYK 0 / 65 / 33 / 37

HEX #A1396C

RGB 161 57 108

HSL 330.58, 0.48%, 0.43%

LAB 40.55, 47.92, -6.77

 

CMYK 0 / 78 / 40 / 30

HEX #B3276B

RGB 179 39 107

HSL 330.86, 0.64%, 0.43%

LAB 41.37, 59.58, -4.58

 

CMYK 0 / 89 / 46 / 23

HEX #C5166A

RGB 197 22 106

HSL 331.2, 0.8%, 0.43%

LAB 43.48, 67.82, -0.44

 

CMYK 0 / 26 / 13 / 51

HEX #7E5D6D

RGB 126 93 109

HSL 330.91, 0.15%, 0.43%

LAB 43.31, 16.2, -3.81

 

CMYK 2 / 0 / 1 / 57

HEX #6C6E6D

RGB 108 110 109

HSL 150, 0.01%, 0.43%

LAB 46.24, -0.97, 0.28

 

CMYK 30 / 0 / 14 / 50

HEX #5A806E

RGB 90 128 110

HSL 151.58, 0.17%, 0.43%

LAB 50.38, -17.42, 5.52

 

CMYK 51 / 0 / 25 / 43

HEX #48926E

RGB 72 146 110

HSL 150.81, 0.34%, 0.43%

LAB 55.14, -31.89, 12.13

 

CMYK 66 / 0 / 32 / 36

HEX #37A46F

RGB 55 164 111

HSL 150.83, 0.5%, 0.43%

LAB 60.35, -43.45, 18.69

 

CMYK 1 / 26 / 0 / 51

HEX #7D5D7E

RGB 125 93 126

HSL 298.18, 0.15%, 0.43%

LAB 43.79, 19.14, -13.43

 

CMYK 0 / 26 / 6 / 51

HEX #7E5D76

RGB 126 93 118

HSL 314.55, 0.15%, 0.43%

LAB 43.61, 17.9, -8.84

 

CMYK 0 / 26 / 13 / 51

HEX #7E5D6D

RGB 126 93 109

HSL 330.91, 0.15%, 0.43%

LAB 43.31, 16.2, -3.81

 

CMYK 0 / 26 / 21 / 51

HEX #7E5D64

RGB 126 93 100

HSL 347.27, 0.15%, 0.43%

LAB 43.04, 14.63, 1.28

 

CMYK 0 / 25 / 26 / 51

HEX #7E5E5D

RGB 126 94 93

HSL 1.82, 0.15%, 0.43%

LAB 43.11, 12.89, 5.65

 

CMYK 0 / 26 / 13 / 69

HEX #4E3A44

RGB 78 58 68

HSL 330, 0.15%, 0.27%

LAB 26.91, 10.72, -2.73

 

CMYK 0 / 26 / 14 / 60

HEX #664B58

RGB 102 75 88

HSL 331.11, 0.15%, 0.35%

LAB 35.13, 13.74, -3.19

 

CMYK 0 / 26 / 13 / 51

HEX #7E5D6D

RGB 126 93 109

HSL 330.91, 0.15%, 0.43%

LAB 43.31, 16.2, -3.81

 

CMYK 0 / 25 / 13 / 42

HEX #946F81

RGB 148 111 129

HSL 330.81, 0.15%, 0.51%

LAB 50.98, 17.64, -4.2

 

CMYK 0 / 19 / 10 / 35

HEX #A68796

RGB 166 135 150

HSL 330.97, 0.15%, 0.59%

LAB 59.56, 14.35, -3.54

 

CMYK 0 / 26 / 14 / 51

HEX #7D5C6C

RGB 125 92 108

HSL 330.91, 0.15%, 0.43%

LAB 42.91, 16.23, -3.81

 

CMYK 0 / 8 / 26 / 51

HEX #7E745D

RGB 126 116 93

HSL 41.82, 0.15%, 0.43%

LAB 49.15, -0.08, 14.13

 

CMYK 26 / 3 / 0 / 51

HEX #5D7A7E

RGB 93 122 126

HSL 187.27, 0.15%, 0.43%

LAB 49.19, -9.38, -5.6

 

CMYK 0 / 26 / 14 / 51

HEX #7D5C6C

RGB 125 92 108

HSL 330.91, 0.15%, 0.43%

LAB 42.91, 16.23, -3.81

 

CMYK 13 / 0 / 26 / 51

HEX #6D7E5D

RGB 109 126 93

HSL 90.91, 0.15%, 0.43%

LAB 50.64, -12.67, 15.95

 

CMYK 26 / 13 / 0 / 51

HEX #5D6D7E

RGB 93 109 126

HSL 210.91, 0.15%, 0.43%

LAB 45.32, -1.84, -11.4

 

CMYK 0 / 26 / 14 / 51

HEX #7D5C6C

RGB 125 92 108

HSL 330.91, 0.15%, 0.43%

LAB 42.91, 16.23, -3.81

 

CMYK 0 / 8 / 26 / 51

HEX #7E745D

RGB 126 116 93

HSL 41.82, 0.15%, 0.43%

LAB 49.15, -0.08, 14.13

 

CMYK 26 / 0 / 13 / 51

HEX #5D7E6D

RGB 93 126 109

HSL 149.09, 0.15%, 0.43%

LAB 49.92, -15.54, 5.47

 

CMYK 26 / 18 / 0 / 51

HEX #5D677E

RGB 93 103 126

HSL 221.82, 0.15%, 0.43%

LAB 43.56, 1.76, -14.07

 

CMYK 0 / 26 / 14 / 51

HEX #7D5C6C

RGB 125 92 108

HSL 330.91, 0.15%, 0.43%

LAB 42.91, 16.23, -3.81

 

CMYK 0 / 0 / 26 / 51

HEX #7E7E5D

RGB 126 126 93

HSL 60, 0.15%, 0.43%

LAB 52, -5.77, 18.03

 

CMYK 26 / 0 / 13 / 51

HEX #5D7E6D

RGB 93 126 109

HSL 149.09, 0.15%, 0.43%

LAB 49.92, -15.54, 5.47

 

CMYK 26 / 26 / 0 / 51

HEX #5D5D7E

RGB 93 93 126

HSL 240, 0.15%, 0.43%

LAB 40.67, 7.9, -18.47

 

Description

Color code: RGB 125 92 108 | qconv.com Color code: RGB 125 92 108 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 92 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 92 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 14 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 14% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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