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Color name
RGB 125 94 190

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 125 94 190 it is the complementary color RGB 130 161 65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 125 94 190. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 125 94 190 shade: RGB 130 94 185, RGB 147 112 204, RGB 164 130 223, RGB 181 148 242 and RGB 198 166 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 125 94 190. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 125 94 190 shade: RGB 125 94 190, RGB 108 76 171, RGB 91 58 152, RGB 74 40 133 and RGB 57 22 114

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 125 94 190 shade: RGB 126 95 189, RGB 151 95 189, RGB 176 95 189, RGB 189 95 177 and RGB 189 95 152

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 125 94 190 shade: RGB 126 95 189, RGB 100 95 189 and RGB 95 95 189

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 125 94 190 shade matches the following richer shades: RGB 126 95 189, RGB 119 77 208, RGB 113 59 226 and RGB 106 41 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 125 94 190 shade: RGB 126 95 189, RGB 132 113 171, RGB 138 131 153, RGB 145 150 135 and RGB 151 168 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 125 94 190 shade: RGB 95 116 189, RGB 100 95 189, RGB 125 95 189, RGB 150 95 189 and RGB 175 95 189

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 125 94 190 shade: RGB 86 58 144, RGB 104 70 173, RGB 126 95 189, RGB 149 124 201 and RGB 173 154 213

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 125 94 190 shade: RGB 125 94 190, RGB 189 95 141 and RGB 103 189 95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 125 94 190 shade: RGB 125 94 190, RGB 189 125 95 and RGB 95 189 125

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 125 94 190 shade: RGB 125 94 190, RGB 189 95 141, RGB 160 189 95 and RGB 95 189 144

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 125 94 190 shade: RGB 125 94 190, RGB 189 95 112, RGB 160 189 95 and RGB 95 189 172

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 51 / 0 / 25

HEX #7D5EBE

RGB 125 94 190

HSL 259.38, 0.42%, 0.56%

LAB 47.08, 33.94, -46.23

 

Complementary color

CMYK 19 / 0 / 60 / 37

HEX #82A141

RGB 130 161 65

HSL 79.38, 0.42%, 0.44%

LAB 62.18, -25.85, 45.46

 

CMYK 30 / 49 / 0 / 27

HEX #825EB9

RGB 130 94 185

HSL 263.74, 0.39%, 0.55%

LAB 47.31, 33.96, -42.94

 

CMYK 28 / 45 / 0 / 20

HEX #9370CC

RGB 147 112 204

HSL 262.83, 0.47%, 0.62%

LAB 54.19, 33.01, -42.85

 

CMYK 26 / 42 / 0 / 13

HEX #A482DF

RGB 164 130 223

HSL 261.94, 0.59%, 0.69%

LAB 60.94, 32.14, -42.79

 

CMYK 25 / 39 / 0 / 5

HEX #B594F2

RGB 181 148 242

HSL 261.06, 0.78%, 0.76%

LAB 67.59, 31.34, -42.76

 

CMYK 22 / 35 / 0 / 0

HEX #C6A6FF

RGB 198 166 255

HSL 261.57, 1%, 0.83%

LAB 73.87, 29.23, -39.9

 

CMYK 34 / 51 / 0 / 25

HEX #7D5EBE

RGB 125 94 190

HSL 259.38, 0.42%, 0.56%

LAB 47.08, 33.94, -46.23

 

CMYK 37 / 56 / 0 / 33

HEX #6C4CAB

RGB 108 76 171

HSL 260.21, 0.38%, 0.48%

LAB 40.08, 35.05, -46.39

 

CMYK 40 / 62 / 0 / 40

HEX #5B3A98

RGB 91 58 152

HSL 261.06, 0.45%, 0.41%

LAB 32.96, 36.24, -46.53

 

CMYK 44 / 70 / 0 / 48

HEX #4A2885

RGB 74 40 133

HSL 261.94, 0.54%, 0.34%

LAB 25.76, 37.42, -46.55

 

CMYK 50 / 81 / 0 / 55

HEX #391672

RGB 57 22 114

HSL 262.83, 0.68%, 0.27%

LAB 18.62, 38.26, -46.22

 

CMYK 33 / 50 / 0 / 26

HEX #7E5FBD

RGB 126 95 189

HSL 259.79, 0.42%, 0.56%

LAB 47.36, 33.35, -45.2

 

CMYK 20 / 50 / 0 / 26

HEX #975FBD

RGB 151 95 189

HSL 275.74, 0.42%, 0.56%

LAB 50.02, 40.16, -40.81

 

CMYK 7 / 50 / 0 / 26

HEX #B05FBD

RGB 176 95 189

HSL 291.7, 0.42%, 0.56%

LAB 53.05, 47.23, -35.84

 

CMYK 0 / 50 / 6 / 26

HEX #BD5FB1

RGB 189 95 177

HSL 307.66, 0.42%, 0.56%

LAB 54.21, 48.82, -26.96

 

CMYK 0 / 50 / 20 / 26

HEX #BD5F98

RGB 189 95 152

HSL 323.62, 0.42%, 0.56%

LAB 53.24, 44.77, -13.85

 

CMYK 33 / 50 / 0 / 26

HEX #7E5FBD

RGB 126 95 189

HSL 259.79, 0.42%, 0.56%

LAB 47.36, 33.35, -45.2

 

CMYK 47 / 50 / 0 / 26

HEX #645FBD

RGB 100 95 189

HSL 243.19, 0.42%, 0.56%

LAB 45.04, 26.85, -49.04

 

CMYK 50 / 50 / 0 / 26

HEX #5F5FBD

RGB 95 95 189

HSL 240, 0.42%, 0.56%

LAB 44.65, 25.7, -49.69

 

CMYK 33 / 50 / 0 / 26

HEX #7E5FBD

RGB 126 95 189

HSL 259.79, 0.42%, 0.56%

LAB 47.36, 33.35, -45.2

 

CMYK 43 / 63 / 0 / 18

HEX #774DD0

RGB 119 77 208

HSL 259.24, 0.58%, 0.56%

LAB 43.92, 47.06, -61.74

 

CMYK 50 / 74 / 0 / 11

HEX #713BE2

RGB 113 59 226

HSL 259.4, 0.74%, 0.56%

LAB 41.42, 59.96, -76.15

 

CMYK 57 / 83 / 0 / 4

HEX #6A29F4

RGB 106 41 244

HSL 259.21, 0.9%, 0.56%

LAB 39.88, 70.99, -88.9

 

CMYK 33 / 50 / 0 / 26

HEX #7E5FBD

RGB 126 95 189

HSL 259.79, 0.42%, 0.56%

LAB 47.36, 33.35, -45.2

 

CMYK 23 / 34 / 0 / 33

HEX #8471AB

RGB 132 113 171

HSL 259.66, 0.26%, 0.56%

LAB 51.45, 19.83, -28.28

 

CMYK 10 / 14 / 0 / 40

HEX #8A8399

RGB 138 131 153

HSL 259.09, 0.1%, 0.56%

LAB 56.02, 7.1, -10.8

 

CMYK 3 / 0 / 10 / 41

HEX #919687

RGB 145 150 135

HSL 80, 0.07%, 0.56%

LAB 61.29, -4.65, 7.28

 

CMYK 10 / 0 / 30 / 34

HEX #97A875

RGB 151 168 117

HSL 80, 0.23%, 0.56%

LAB 66.42, -14.92, 24.44

 

CMYK 50 / 39 / 0 / 26

HEX #5F74BD

RGB 95 116 189

HSL 226.6, 0.42%, 0.56%

LAB 50.21, 12.73, -40.83

 

CMYK 47 / 50 / 0 / 26

HEX #645FBD

RGB 100 95 189

HSL 243.19, 0.42%, 0.56%

LAB 45.04, 26.85, -49.04

 

CMYK 34 / 50 / 0 / 26

HEX #7D5FBD

RGB 125 95 189

HSL 259.15, 0.42%, 0.56%

LAB 47.26, 33.09, -45.36

 

CMYK 21 / 50 / 0 / 26

HEX #965FBD

RGB 150 95 189

HSL 275.11, 0.42%, 0.56%

LAB 49.91, 39.88, -40.99

 

CMYK 7 / 50 / 0 / 26

HEX #AF5FBD

RGB 175 95 189

HSL 291.06, 0.42%, 0.56%

LAB 52.92, 46.95, -36.05

 

CMYK 40 / 60 / 0 / 44

HEX #563A90

RGB 86 58 144

HSL 259.53, 0.43%, 0.4%

LAB 31.85, 32.79, -43.45

 

CMYK 40 / 60 / 0 / 32

HEX #6846AD

RGB 104 70 173

HSL 259.81, 0.42%, 0.48%

LAB 38.45, 38.14, -50.22

 

CMYK 33 / 50 / 0 / 26

HEX #7E5FBD

RGB 126 95 189

HSL 259.79, 0.42%, 0.56%

LAB 47.36, 33.35, -45.2

 

CMYK 26 / 38 / 0 / 21

HEX #957CC9

RGB 149 124 201

HSL 259.48, 0.42%, 0.64%

LAB 57.1, 25.91, -36.56

 

CMYK 19 / 28 / 0 / 16

HEX #AD9AD5

RGB 173 154 213

HSL 259.32, 0.41%, 0.72%

LAB 67.13, 18.87, -27.55

 

CMYK 34 / 51 / 0 / 25

HEX #7D5EBE

RGB 125 94 190

HSL 259.38, 0.42%, 0.56%

LAB 47.08, 33.94, -46.23

 

CMYK 0 / 50 / 25 / 26

HEX #BD5F8D

RGB 189 95 141

HSL 330.64, 0.42%, 0.56%

LAB 52.87, 43.15, -7.93

 

CMYK 46 / 0 / 50 / 26

HEX #67BD5F

RGB 103 189 95

HSL 114.89, 0.42%, 0.56%

LAB 69.54, -44.75, 39.37

 

CMYK 34 / 51 / 0 / 25

HEX #7D5EBE

RGB 125 94 190

HSL 259.38, 0.42%, 0.56%

LAB 47.08, 33.94, -46.23

 

CMYK 0 / 34 / 50 / 26

HEX #BD7D5F

RGB 189 125 95

HSL 19.15, 0.42%, 0.56%

LAB 58.33, 21.49, 26.49

 

CMYK 50 / 0 / 34 / 26

HEX #5FBD7D

RGB 95 189 125

HSL 139.15, 0.42%, 0.56%

LAB 69.69, -42.22, 24.01

 

CMYK 34 / 51 / 0 / 25

HEX #7D5EBE

RGB 125 94 190

HSL 259.38, 0.42%, 0.56%

LAB 47.08, 33.94, -46.23

 

CMYK 0 / 50 / 25 / 26

HEX #BD5F8D

RGB 189 95 141

HSL 330.64, 0.42%, 0.56%

LAB 52.87, 43.15, -7.93

 

CMYK 15 / 0 / 50 / 26

HEX #A0BD5F

RGB 160 189 95

HSL 78.51, 0.42%, 0.56%

LAB 72.69, -24.72, 43.92

 

CMYK 50 / 0 / 24 / 26

HEX #5FBD90

RGB 95 189 144

HSL 151.28, 0.42%, 0.56%

LAB 70.06, -38.47, 14.32

 

CMYK 34 / 51 / 0 / 25

HEX #7D5EBE

RGB 125 94 190

HSL 259.38, 0.42%, 0.56%

LAB 47.08, 33.94, -46.23

 

CMYK 0 / 50 / 41 / 26

HEX #BD5F70

RGB 189 95 112

HSL 349.15, 0.42%, 0.56%

LAB 52.03, 39.46, 8.05

 

CMYK 15 / 0 / 50 / 26

HEX #A0BD5F

RGB 160 189 95

HSL 78.51, 0.42%, 0.56%

LAB 72.69, -24.72, 43.92

 

CMYK 50 / 0 / 9 / 26

HEX #5FBDAC

RGB 95 189 172

HSL 169.15, 0.42%, 0.56%

LAB 70.74, -32.07, 0.02

 

Description

Color code: RGB 125 94 190 | qconv.com Color code: RGB 125 94 190 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 94 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 94 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 51 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 51% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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