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Color name
RGB 126 139 80

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 126 139 80 it is the complementary color RGB 129 116 175. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 126 139 80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 126 139 80 shade: RGB 131 139 75, RGB 148 157 94, RGB 165 175 113, RGB 182 193 132 and RGB 199 211 151

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 126 139 80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 126 139 80 shade: RGB 126 139 80, RGB 109 121 61, RGB 92 103 42, RGB 75 85 23 and RGB 58 67 4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 126 139 80 shade: RGB 126 139 80, RGB 139 136 80, RGB 139 120 80, RGB 139 104 80 and RGB 139 88 80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 126 139 80 shade: RGB 126 139 80, RGB 110 139 80, RGB 94 139 80, RGB 80 139 81 and RGB 80 139 97

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 126 139 80 shade matches the following richer shades: RGB 126 139 80, RGB 136 156 62, RGB 146 174 44, RGB 155 192 26 and RGB 165 210 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 126 139 80 shade: RGB 126 139 80, RGB 116 121 97, RGB 106 103 115, RGB 96 86 133 and RGB 86 68 151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 126 139 80 shade: RGB 139 120 80, RGB 139 136 80, RGB 126 139 80, RGB 110 139 80 and RGB 94 139 80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 126 139 80 shade: RGB 78 86 49, RGB 102 113 64, RGB 126 139 80, RGB 149 163 96 and RGB 166 179 122

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 126 139 80 shade: RGB 126 139 80, RGB 80 139 104 and RGB 128 80 139

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 126 139 80 shade: RGB 126 139 80, RGB 80 126 139 and RGB 139 80 126

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 126 139 80 shade: RGB 126 139 80, RGB 80 139 104, RGB 92 80 139 and RGB 139 80 114

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 126 139 80 shade: RGB 126 139 80, RGB 80 139 122, RGB 92 80 139 and RGB 139 80 96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 42 / 45

HEX #7E8B50

RGB 126 139 80

HSL 73.22, 0.27%, 0.43%

LAB 55.56, -14.66, 29.94

 

Complementary color

CMYK 26 / 34 / 0 / 31

HEX #8174AF

RGB 129 116 175

HSL 253.22, 0.27%, 0.57%

LAB 52.12, 18.11, -29.57

 

CMYK 6 / 0 / 46 / 45

HEX #838B4B

RGB 131 139 75

HSL 67.5, 0.3%, 0.42%

LAB 55.89, -13.14, 33.1

 

CMYK 6 / 0 / 40 / 38

HEX #949D5E

RGB 148 157 94

HSL 68.57, 0.25%, 0.49%

LAB 62.69, -13.41, 31.86

 

CMYK 6 / 0 / 35 / 31

HEX #A5AF71

RGB 165 175 113

HSL 69.68, 0.28%, 0.56%

LAB 69.36, -13.61, 30.66

 

CMYK 6 / 0 / 32 / 24

HEX #B6C184

RGB 182 193 132

HSL 70.82, 0.33%, 0.64%

LAB 75.92, -13.77, 29.51

 

CMYK 6 / 0 / 28 / 17

HEX #C7D397

RGB 199 211 151

HSL 72, 0.41%, 0.71%

LAB 82.36, -13.89, 28.43

 

CMYK 9 / 0 / 42 / 45

HEX #7E8B50

RGB 126 139 80

HSL 73.22, 0.27%, 0.43%

LAB 55.56, -14.66, 29.94

 

CMYK 10 / 0 / 50 / 53

HEX #6D793D

RGB 109 121 61

HSL 72, 0.33%, 0.36%

LAB 48.59, -14.43, 31.2

 

CMYK 11 / 0 / 59 / 60

HEX #5C672A

RGB 92 103 42

HSL 70.82, 0.42%, 0.28%

LAB 41.44, -14.08, 32.42

 

CMYK 12 / 0 / 73 / 67

HEX #4B5517

RGB 75 85 23

HSL 69.68, 0.57%, 0.21%

LAB 34.1, -13.53, 33.31

 

CMYK 13 / 0 / 94 / 74

HEX #3A4304

RGB 58 67 4

HSL 68.57, 0.89%, 0.14%

LAB 26.51, -12.67, 33.32

 

CMYK 9 / 0 / 42 / 45

HEX #7E8B50

RGB 126 139 80

HSL 73.22, 0.27%, 0.43%

LAB 55.56, -14.66, 29.94

 

CMYK 0 / 2 / 42 / 45

HEX #8B8850

RGB 139 136 80

HSL 56.95, 0.27%, 0.43%

LAB 55.76, -7.53, 30.42

 

CMYK 0 / 14 / 42 / 45

HEX #8B7850

RGB 139 120 80

HSL 40.68, 0.27%, 0.43%

LAB 51.27, 1.44, 24.67

 

CMYK 0 / 25 / 42 / 45

HEX #8B6850

RGB 139 104 80

HSL 24.41, 0.27%, 0.43%

LAB 46.93, 10.7, 18.96

 

CMYK 0 / 37 / 42 / 45

HEX #8B5850

RGB 139 88 80

HSL 8.14, 0.27%, 0.43%

LAB 42.83, 20.07, 13.4

 

CMYK 9 / 0 / 42 / 45

HEX #7E8B50

RGB 126 139 80

HSL 73.22, 0.27%, 0.43%

LAB 55.56, -14.66, 29.94

 

CMYK 21 / 0 / 42 / 45

HEX #6E8B50

RGB 110 139 80

HSL 89.49, 0.27%, 0.43%

LAB 54.41, -21.15, 28.23

 

CMYK 32 / 0 / 42 / 45

HEX #5E8B50

RGB 94 139 80

HSL 105.76, 0.27%, 0.43%

LAB 53.41, -27.21, 26.76

 

CMYK 42 / 0 / 42 / 45

HEX #508B51

RGB 80 139 81

HSL 121.02, 0.27%, 0.43%

LAB 52.69, -31.86, 25.13

 

CMYK 42 / 0 / 30 / 45

HEX #508B61

RGB 80 139 97

HSL 137.29, 0.27%, 0.43%

LAB 52.99, -28.98, 16.59

 

CMYK 9 / 0 / 42 / 45

HEX #7E8B50

RGB 126 139 80

HSL 73.22, 0.27%, 0.43%

LAB 55.56, -14.66, 29.94

 

CMYK 13 / 0 / 60 / 39

HEX #889C3E

RGB 136 156 62

HSL 72.77, 0.43%, 0.43%

LAB 61.1, -21.14, 45.75

 

CMYK 16 / 0 / 75 / 32

HEX #92AE2C

RGB 146 174 44

HSL 72.92, 0.6%, 0.43%

LAB 66.95, -27.06, 59.27

 

CMYK 19 / 0 / 86 / 25

HEX #9BC01A

RGB 155 192 26

HSL 73.37, 0.76%, 0.43%

LAB 72.72, -32.59, 69.56

 

CMYK 21 / 0 / 96 / 18

HEX #A5D209

RGB 165 210 9

HSL 73.43, 0.92%, 0.43%

LAB 78.53, -37.13, 76.94

 

CMYK 9 / 0 / 42 / 45

HEX #7E8B50

RGB 126 139 80

HSL 73.22, 0.27%, 0.43%

LAB 55.56, -14.66, 29.94

 

CMYK 4 / 0 / 20 / 53

HEX #747961

RGB 116 121 97

HSL 72.5, 0.11%, 0.43%

LAB 49.8, -6.41, 12.55

 

CMYK 8 / 10 / 0 / 55

HEX #6A6773

RGB 106 103 115

HSL 255, 0.06%, 0.43%

LAB 44.24, 3.72, -6.3

 

CMYK 28 / 35 / 0 / 48

HEX #605685

RGB 96 86 133

HSL 252.77, 0.21%, 0.43%

LAB 39.3, 15.12, -24.84

 

CMYK 43 / 55 / 0 / 41

HEX #564497

RGB 86 68 151

HSL 253.01, 0.38%, 0.43%

LAB 34.7, 28.72, -43.14

 

CMYK 0 / 14 / 42 / 45

HEX #8B7850

RGB 139 120 80

HSL 40.68, 0.27%, 0.43%

LAB 51.27, 1.44, 24.67

 

CMYK 0 / 2 / 42 / 45

HEX #8B8850

RGB 139 136 80

HSL 56.95, 0.27%, 0.43%

LAB 55.76, -7.53, 30.42

 

CMYK 9 / 0 / 42 / 45

HEX #7E8B50

RGB 126 139 80

HSL 73.22, 0.27%, 0.43%

LAB 55.56, -14.66, 29.94

 

CMYK 21 / 0 / 42 / 45

HEX #6E8B50

RGB 110 139 80

HSL 89.49, 0.27%, 0.43%

LAB 54.41, -21.15, 28.23

 

CMYK 32 / 0 / 42 / 45

HEX #5E8B50

RGB 94 139 80

HSL 105.76, 0.27%, 0.43%

LAB 53.41, -27.21, 26.76

 

CMYK 9 / 0 / 43 / 66

HEX #4E5631

RGB 78 86 49

HSL 72.97, 0.27%, 0.26%

LAB 35, -9.99, 20.48

 

CMYK 10 / 0 / 43 / 56

HEX #667140

RGB 102 113 64

HSL 73.47, 0.28%, 0.35%

LAB 45.64, -12.72, 25.79

 

CMYK 9 / 0 / 42 / 45

HEX #7E8B50

RGB 126 139 80

HSL 73.22, 0.27%, 0.43%

LAB 55.56, -14.66, 29.94

 

CMYK 9 / 0 / 41 / 36

HEX #95A360

RGB 149 163 96

HSL 72.54, 0.27%, 0.51%

LAB 64.51, -15.9, 33.12

 

CMYK 7 / 0 / 32 / 30

HEX #A6B37A

RGB 166 179 122

HSL 73.68, 0.27%, 0.59%

LAB 70.7, -14.1, 27.66

 

CMYK 9 / 0 / 42 / 45

HEX #7E8B50

RGB 126 139 80

HSL 73.22, 0.27%, 0.43%

LAB 55.56, -14.66, 29.94

 

CMYK 42 / 0 / 25 / 45

HEX #508B68

RGB 80 139 104

HSL 144.41, 0.27%, 0.43%

LAB 53.14, -27.56, 12.81

 

CMYK 8 / 42 / 0 / 45

HEX #80508B

RGB 128 80 139

HSL 288.81, 0.27%, 0.43%

LAB 41.52, 30.61, -24.77

 

CMYK 9 / 0 / 42 / 45

HEX #7E8B50

RGB 126 139 80

HSL 73.22, 0.27%, 0.43%

LAB 55.56, -14.66, 29.94

 

CMYK 42 / 9 / 0 / 45

HEX #507E8B

RGB 80 126 139

HSL 193.22, 0.27%, 0.43%

LAB 50.09, -12.1, -11.99

 

CMYK 0 / 42 / 9 / 45

HEX #8B507E

RGB 139 80 126

HSL 313.22, 0.27%, 0.43%

LAB 42.36, 31.72, -15.46

 

CMYK 9 / 0 / 42 / 45

HEX #7E8B50

RGB 126 139 80

HSL 73.22, 0.27%, 0.43%

LAB 55.56, -14.66, 29.94

 

CMYK 42 / 0 / 25 / 45

HEX #508B68

RGB 80 139 104

HSL 144.41, 0.27%, 0.43%

LAB 53.14, -27.56, 12.81

 

CMYK 34 / 42 / 0 / 45

HEX #5C508B

RGB 92 80 139

HSL 252.2, 0.27%, 0.43%

LAB 37.62, 19.31, -31.16

 

CMYK 0 / 42 / 18 / 45

HEX #8B5072

RGB 139 80 114

HSL 325.42, 0.27%, 0.43%

LAB 41.91, 29.62, -8.79

 

CMYK 9 / 0 / 42 / 45

HEX #7E8B50

RGB 126 139 80

HSL 73.22, 0.27%, 0.43%

LAB 55.56, -14.66, 29.94

 

CMYK 42 / 0 / 12 / 45

HEX #508B7A

RGB 80 139 122

HSL 162.71, 0.27%, 0.43%

LAB 53.57, -23.5, 3.08

 

CMYK 34 / 42 / 0 / 45

HEX #5C508B

RGB 92 80 139

HSL 252.2, 0.27%, 0.43%

LAB 37.62, 19.31, -31.16

 

CMYK 0 / 42 / 31 / 45

HEX #8B5060

RGB 139 80 96

HSL 343.73, 0.27%, 0.43%

LAB 41.33, 26.81, 1.45

 

Description

Color code: RGB 126 139 80 | qconv.com Color code: RGB 126 139 80 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 139 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 139 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 42 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 42% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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