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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 126 202 134 it is the complementary color RGB 129 53 121. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 126 202 134. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 126 202 134 shade: RGB 131 202 129, RGB 148 220 148, RGB 165 238 167, RGB 182 255 186 and RGB 199 255 205

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 126 202 134. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 126 202 134 shade: RGB 126 202 134, RGB 109 184 115, RGB 92 166 96, RGB 75 148 77 and RGB 58 130 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 126 202 134 shade: RGB 124 201 132, RGB 137 201 124, RGB 158 201 124, RGB 178 201 124 and RGB 199 201 124

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 126 202 134 shade: RGB 124 201 132, RGB 124 201 153, RGB 124 201 174, RGB 124 201 195 and RGB 124 187 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 126 202 134 shade matches the following richer shades: RGB 124 201 132, RGB 109 216 121, RGB 94 231 109 and RGB 80 246 97

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 126 202 134 shade: RGB 124 201 132, RGB 139 186 144, RGB 154 172 156, RGB 169 157 167 and RGB 184 142 179

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 126 202 134 shade: RGB 158 201 124, RGB 137 201 124, RGB 124 201 132, RGB 124 201 152 and RGB 124 201 173

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 126 202 134 shade: RGB 70 173 81, RGB 95 189 105, RGB 124 201 132, RGB 153 213 160 and RGB 183 225 187

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 126 202 134 shade: RGB 126 202 134, RGB 124 178 201 and RGB 201 124 147

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 126 202 134 shade: RGB 126 202 134, RGB 132 124 201 and RGB 201 132 124

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 126 202 134 shade: RGB 126 202 134, RGB 124 178 201, RGB 201 124 194 and RGB 201 147 124

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 126 202 134 shade: RGB 126 202 134, RGB 124 155 201, RGB 201 124 194 and RGB 201 170 124

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 34 / 21

HEX #7ECA86

RGB 126 202 134

HSL 126.32, 0.42%, 0.64%

LAB 75.08, -37.53, 26.74

 

Complementary color

CMYK 0 / 59 / 6 / 49

HEX #813579

RGB 129 53 121

HSL 306.32, 0.42%, 0.36%

LAB 35.19, 42.01, -23.55

 

CMYK 35 / 0 / 36 / 21

HEX #83CA81

RGB 131 202 129

HSL 118.36, 0.41%, 0.65%

LAB 75.23, -36.78, 29.6

 

CMYK 33 / 0 / 33 / 14

HEX #94DC94

RGB 148 220 148

HSL 120, 0.51%, 0.72%

LAB 81.63, -36.54, 28.45

 

CMYK 31 / 0 / 30 / 7

HEX #A5EEA7

RGB 165 238 167

HSL 121.64, 0.68%, 0.79%

LAB 87.94, -36.3, 27.36

 

CMYK 29 / 0 / 27 / 0

HEX #B6FFBA

RGB 182 255 186

HSL 123.29, 1%, 0.86%

LAB 93.89, -35.6, 25.95

 

CMYK 22 / 0 / 20 / 0

HEX #C7FFCD

RGB 199 255 205

HSL 126.43, 1%, 0.89%

LAB 95.19, -27.02, 18.23

 

CMYK 38 / 0 / 34 / 21

HEX #7ECA86

RGB 126 202 134

HSL 126.32, 0.42%, 0.64%

LAB 75.08, -37.53, 26.74

 

CMYK 41 / 0 / 38 / 28

HEX #6DB873

RGB 109 184 115

HSL 124.8, 0.35%, 0.57%

LAB 68.58, -37.77, 27.94

 

CMYK 45 / 0 / 42 / 35

HEX #5CA660

RGB 92 166 96

HSL 123.24, 0.29%, 0.51%

LAB 61.99, -37.98, 29.21

 

CMYK 49 / 0 / 48 / 42

HEX #4B944D

RGB 75 148 77

HSL 121.64, 0.33%, 0.44%

LAB 55.29, -38.1, 30.56

 

CMYK 55 / 0 / 55 / 49

HEX #3A823A

RGB 58 130 58

HSL 120, 0.38%, 0.37%

LAB 48.47, -38.06, 31.95

 

CMYK 38 / 0 / 34 / 21

HEX #7CC984

RGB 124 201 132

HSL 126.23, 0.42%, 0.64%

LAB 74.65, -38.03, 27.2

 

CMYK 32 / 0 / 38 / 21

HEX #89C97C

RGB 137 201 124

HSL 109.87, 0.42%, 0.64%

LAB 75.17, -35.13, 32.16

 

CMYK 21 / 0 / 38 / 21

HEX #9EC97C

RGB 158 201 124

HSL 93.51, 0.42%, 0.64%

LAB 76.37, -27.81, 33.96

 

CMYK 11 / 0 / 38 / 21

HEX #B2C97C

RGB 178 201 124

HSL 77.92, 0.42%, 0.64%

LAB 77.69, -20.36, 35.92

 

CMYK 1 / 0 / 38 / 21

HEX #C7C97C

RGB 199 201 124

HSL 61.56, 0.42%, 0.64%

LAB 79.25, -12.19, 38.24

 

CMYK 38 / 0 / 34 / 21

HEX #7CC984

RGB 124 201 132

HSL 126.23, 0.42%, 0.64%

LAB 74.65, -38.03, 27.2

 

CMYK 38 / 0 / 24 / 21

HEX #7CC999

RGB 124 201 153

HSL 142.6, 0.42%, 0.64%

LAB 75.05, -34.25, 16.63

 

CMYK 38 / 0 / 13 / 21

HEX #7CC9AE

RGB 124 201 174

HSL 158.96, 0.42%, 0.64%

LAB 75.52, -29.94, 6.02

 

CMYK 38 / 0 / 3 / 21

HEX #7CC9C3

RGB 124 201 195

HSL 175.32, 0.42%, 0.64%

LAB 76.07, -25.14, -4.52

 

CMYK 38 / 7 / 0 / 21

HEX #7CBBC9

RGB 124 187 201

HSL 190.91, 0.42%, 0.64%

LAB 72.26, -16.57, -13.45

 

CMYK 38 / 0 / 34 / 21

HEX #7CC984

RGB 124 201 132

HSL 126.23, 0.42%, 0.64%

LAB 74.65, -38.03, 27.2

 

CMYK 50 / 0 / 44 / 15

HEX #6DD879

RGB 109 216 121

HSL 126.73, 0.58%, 0.64%

LAB 78.31, -50.49, 37.49

 

CMYK 59 / 0 / 53 / 9

HEX #5EE76D

RGB 94 231 109

HSL 126.57, 0.74%, 0.64%

LAB 82.18, -61.6, 48

 

CMYK 67 / 0 / 61 / 4

HEX #50F661

RGB 80 246 97

HSL 126.14, 0.9%, 0.64%

LAB 86.25, -71.02, 58.04

 

CMYK 38 / 0 / 34 / 21

HEX #7CC984

RGB 124 201 132

HSL 126.23, 0.42%, 0.64%

LAB 74.65, -38.03, 27.2

 

CMYK 25 / 0 / 23 / 27

HEX #8BBA90

RGB 139 186 144

HSL 126.38, 0.25%, 0.64%

LAB 71.3, -24.01, 16.36

 

CMYK 10 / 0 / 9 / 33

HEX #9AAC9C

RGB 154 172 156

HSL 126.67, 0.1%, 0.64%

LAB 68.59, -9.39, 6.1

 

CMYK 0 / 7 / 1 / 34

HEX #A99DA7

RGB 169 157 167

HSL 310, 0.07%, 0.64%

LAB 66.01, 6.22, -3.63

 

CMYK 0 / 23 / 3 / 28

HEX #B88EB3

RGB 184 142 179

HSL 307.14, 0.23%, 0.64%

LAB 63.99, 22.18, -13.23

 

CMYK 21 / 0 / 38 / 21

HEX #9EC97C

RGB 158 201 124

HSL 93.51, 0.42%, 0.64%

LAB 76.37, -27.81, 33.96

 

CMYK 32 / 0 / 38 / 21

HEX #89C97C

RGB 137 201 124

HSL 109.87, 0.42%, 0.64%

LAB 75.17, -35.13, 32.16

 

CMYK 38 / 0 / 34 / 21

HEX #7CC984

RGB 124 201 132

HSL 126.23, 0.42%, 0.64%

LAB 74.65, -38.03, 27.2

 

CMYK 38 / 0 / 24 / 21

HEX #7CC998

RGB 124 201 152

HSL 141.82, 0.42%, 0.64%

LAB 75.03, -34.44, 17.14

 

CMYK 38 / 0 / 14 / 21

HEX #7CC9AD

RGB 124 201 173

HSL 158.18, 0.42%, 0.64%

LAB 75.5, -30.16, 6.53

 

CMYK 60 / 0 / 53 / 32

HEX #46AD51

RGB 70 173 81

HSL 126.41, 0.42%, 0.48%

LAB 63.16, -49.1, 38.21

 

CMYK 50 / 0 / 44 / 26

HEX #5FBD69

RGB 95 189 105

HSL 126.38, 0.42%, 0.56%

LAB 69.36, -45.6, 34.03

 

CMYK 38 / 0 / 34 / 21

HEX #7CC984

RGB 124 201 132

HSL 126.23, 0.42%, 0.64%

LAB 74.65, -38.03, 27.2

 

CMYK 28 / 0 / 25 / 16

HEX #99D5A0

RGB 153 213 160

HSL 127, 0.42%, 0.72%

LAB 80.12, -29.66, 20.19

 

CMYK 19 / 0 / 17 / 12

HEX #B7E1BB

RGB 183 225 187

HSL 125.71, 0.41%, 0.8%

LAB 85.76, -20.89, 14.14

 

CMYK 38 / 0 / 34 / 21

HEX #7ECA86

RGB 126 202 134

HSL 126.32, 0.42%, 0.64%

LAB 75.08, -37.53, 26.74

 

CMYK 38 / 11 / 0 / 21

HEX #7CB2C9

RGB 124 178 201

HSL 197.92, 0.42%, 0.64%

LAB 69.71, -11.84, -17.28

 

CMYK 0 / 38 / 27 / 21

HEX #C97C93

RGB 201 124 147

HSL 342.08, 0.42%, 0.64%

LAB 60.73, 32.91, 0.35

 

CMYK 38 / 0 / 34 / 21

HEX #7ECA86

RGB 126 202 134

HSL 126.32, 0.42%, 0.64%

LAB 75.08, -37.53, 26.74

 

CMYK 34 / 38 / 0 / 21

HEX #847CC9

RGB 132 124 201

HSL 246.23, 0.42%, 0.64%

LAB 55.62, 21.04, -38.98

 

CMYK 0 / 34 / 38 / 21

HEX #C9847C

RGB 201 132 124

HSL 6.23, 0.42%, 0.64%

LAB 61.98, 25.58, 15.27

 

CMYK 38 / 0 / 34 / 21

HEX #7ECA86

RGB 126 202 134

HSL 126.32, 0.42%, 0.64%

LAB 75.08, -37.53, 26.74

 

CMYK 38 / 11 / 0 / 21

HEX #7CB2C9

RGB 124 178 201

HSL 197.92, 0.42%, 0.64%

LAB 69.71, -11.84, -17.28

 

CMYK 0 / 38 / 3 / 21

HEX #C97CC2

RGB 201 124 194

HSL 305.45, 0.42%, 0.64%

LAB 62.28, 40.49, -24.13

 

CMYK 0 / 27 / 38 / 21

HEX #C9937C

RGB 201 147 124

HSL 17.92, 0.42%, 0.64%

LAB 65.55, 17.37, 20.18

 

CMYK 38 / 0 / 34 / 21

HEX #7ECA86

RGB 126 202 134

HSL 126.32, 0.42%, 0.64%

LAB 75.08, -37.53, 26.74

 

CMYK 38 / 23 / 0 / 21

HEX #7C9BC9

RGB 124 155 201

HSL 215.84, 0.42%, 0.64%

LAB 63.3, 0.8, -27.08

 

CMYK 0 / 38 / 3 / 21

HEX #C97CC2

RGB 201 124 194

HSL 305.45, 0.42%, 0.64%

LAB 62.28, 40.49, -24.13

 

CMYK 0 / 15 / 38 / 21

HEX #C9AA7C

RGB 201 170 124

HSL 35.84, 0.42%, 0.64%

LAB 71.3, 4.86, 27.92

 

Description

Color code: RGB 126 202 134 | qconv.com Color code: RGB 126 202 134 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 202 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 202 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 34 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 34% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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