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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 126 56 127 it is the complementary color RGB 129 199 128. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 126 56 127. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 126 56 127 shade: RGB 131 56 122, RGB 148 74 141, RGB 165 92 160, RGB 182 110 179 and RGB 199 128 198

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 126 56 127. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 126 56 127 shade: RGB 126 56 127, RGB 109 38 108, RGB 92 20 89, RGB 75 2 70 and RGB 58 0 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 126 56 127 shade: RGB 126 55 127, RGB 127 55 109, RGB 127 55 89, RGB 127 55 70 and RGB 127 55 55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 126 56 127 shade: RGB 126 55 127, RGB 107 55 127, RGB 87 55 127, RGB 68 55 127 and RGB 55 55 127

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 126 56 127 shade matches the following richer shades: RGB 126 55 127, RGB 141 41 142, RGB 155 26 157 and RGB 169 11 172

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 126 56 127 shade: RGB 126 55 127, RGB 112 70 112, RGB 97 85 97, RGB 83 100 83 and RGB 68 115 68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 126 56 127 shade: RGB 88 55 127, RGB 107 55 127, RGB 126 55 127, RGB 127 55 109 and RGB 127 55 90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 126 56 127 shade: RGB 69 30 70, RGB 98 43 98, RGB 126 55 127, RGB 155 68 156 and RGB 179 85 180

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 126 56 127 shade: RGB 126 56 127, RGB 127 69 55 and RGB 55 127 97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 126 56 127 shade: RGB 126 56 127, RGB 127 126 55 and RGB 55 127 126

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 126 56 127 shade: RGB 126 56 127, RGB 127 69 55, RGB 57 127 55 and RGB 55 114 127

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 126 56 127 shade: RGB 126 56 127, RGB 127 90 55, RGB 57 127 55 and RGB 55 92 127

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 56 / 0 / 50

HEX #7E387F

RGB 126 56 127

HSL 299.15, 0.39%, 0.36%

LAB 35.59, 40.74, -26.69

 

Complementary color

CMYK 35 / 0 / 36 / 22

HEX #81C780

RGB 129 199 128

HSL 119.15, 0.39%, 0.64%

LAB 74.24, -36.21, 28.78

 

CMYK 0 / 57 / 7 / 49

HEX #83387A

RGB 131 56 122

HSL 307.2, 0.4%, 0.37%

LAB 36.1, 41.29, -22.73

 

CMYK 0 / 50 / 5 / 42

HEX #944A8D

RGB 148 74 141

HSL 305.68, 0.33%, 0.44%

LAB 42.94, 40.7, -23.57

 

CMYK 0 / 44 / 3 / 35

HEX #A55CA0

RGB 165 92 160

HSL 304.11, 0.29%, 0.5%

LAB 49.73, 39.97, -24.22

 

CMYK 0 / 40 / 2 / 29

HEX #B66EB3

RGB 182 110 179

HSL 302.5, 0.33%, 0.57%

LAB 56.44, 39.2, -24.75

 

CMYK 0 / 36 / 1 / 22

HEX #C780C6

RGB 199 128 198

HSL 300.85, 0.39%, 0.64%

LAB 63.06, 38.44, -25.21

 

CMYK 1 / 56 / 0 / 50

HEX #7E387F

RGB 126 56 127

HSL 299.15, 0.39%, 0.36%

LAB 35.59, 40.74, -26.69

 

CMYK 0 / 65 / 1 / 57

HEX #6D266C

RGB 109 38 108

HSL 300.85, 0.48%, 0.29%

LAB 28.7, 41.06, -25.73

 

CMYK 0 / 78 / 3 / 64

HEX #5C1459

RGB 92 20 89

HSL 302.5, 0.64%, 0.22%

LAB 21.93, 40.62, -24.18

 

CMYK 0 / 97 / 7 / 71

HEX #4B0246

RGB 75 2 70

HSL 304.11, 0.95%, 0.15%

LAB 15.39, 39.03, -21.84

 

CMYK 0 / 100 / 12 / 77

HEX #3A0033

RGB 58 0 51

HSL 307.24, 1%, 0.11%

LAB 10.1, 33.02, -16.91

 

CMYK 1 / 57 / 0 / 50

HEX #7E377F

RGB 126 55 127

HSL 299.17, 0.4%, 0.36%

LAB 35.4, 41.25, -26.99

 

CMYK 0 / 57 / 14 / 50

HEX #7F376D

RGB 127 55 109

HSL 315, 0.4%, 0.36%

LAB 34.7, 38.29, -16.79

 

CMYK 0 / 57 / 30 / 50

HEX #7F3759

RGB 127 55 89

HSL 331.67, 0.4%, 0.36%

LAB 33.91, 35.15, -5.25

 

CMYK 0 / 57 / 45 / 50

HEX #7F3746

RGB 127 55 70

HSL 347.5, 0.4%, 0.36%

LAB 33.32, 32.71, 6.13

 

CMYK 0 / 57 / 57 / 50

HEX #7F3737

RGB 127 55 55

HSL 0, 0.4%, 0.36%

LAB 32.96, 31.19, 15.29

 

CMYK 1 / 57 / 0 / 50

HEX #7E377F

RGB 126 55 127

HSL 299.17, 0.4%, 0.36%

LAB 35.4, 41.25, -26.99

 

CMYK 16 / 57 / 0 / 50

HEX #6B377F

RGB 107 55 127

HSL 283.33, 0.4%, 0.36%

LAB 32.68, 35.74, -31.46

 

CMYK 31 / 57 / 0 / 50

HEX #57377F

RGB 87 55 127

HSL 266.67, 0.4%, 0.36%

LAB 30.13, 30.11, -35.66

 

CMYK 46 / 57 / 0 / 50

HEX #44377F

RGB 68 55 127

HSL 250.83, 0.4%, 0.36%

LAB 28.1, 25.15, -39.04

 

CMYK 57 / 57 / 0 / 50

HEX #37377F

RGB 55 55 127

HSL 240, 0.4%, 0.36%

LAB 26.95, 22.15, -40.95

 

CMYK 1 / 57 / 0 / 50

HEX #7E377F

RGB 126 55 127

HSL 299.17, 0.4%, 0.36%

LAB 35.4, 41.25, -26.99

 

CMYK 1 / 71 / 0 / 44

HEX #8D298E

RGB 141 41 142

HSL 299.41, 0.55%, 0.36%

LAB 36.37, 54.09, -34.56

 

CMYK 1 / 83 / 0 / 38

HEX #9B1A9D

RGB 155 26 157

HSL 299.08, 0.72%, 0.36%

LAB 38.1, 64.09, -40.81

 

CMYK 2 / 94 / 0 / 33

HEX #A90BAC

RGB 169 11 172

HSL 298.88, 0.88%, 0.36%

LAB 40.66, 71.49, -45.57

 

CMYK 1 / 57 / 0 / 50

HEX #7E377F

RGB 126 55 127

HSL 299.17, 0.4%, 0.36%

LAB 35.4, 41.25, -26.99

 

CMYK 0 / 38 / 0 / 56

HEX #704670

RGB 112 70 112

HSL 300, 0.23%, 0.36%

LAB 35.97, 25.38, -16.9

 

CMYK 0 / 12 / 0 / 62

HEX #615561

RGB 97 85 97

HSL 300, 0.07%, 0.36%

LAB 37.66, 7.34, -5.13

 

CMYK 17 / 0 / 17 / 61

HEX #536453

RGB 83 100 83

HSL 120, 0.09%, 0.36%

LAB 40.54, -10.15, 7.52

 

CMYK 41 / 0 / 41 / 55

HEX #447344

RGB 68 115 68

HSL 120, 0.26%, 0.36%

LAB 44.1, -26.54, 21.1

 

CMYK 31 / 57 / 0 / 50

HEX #58377F

RGB 88 55 127

HSL 267.5, 0.4%, 0.36%

LAB 30.25, 30.38, -35.47

 

CMYK 16 / 57 / 0 / 50

HEX #6B377F

RGB 107 55 127

HSL 283.33, 0.4%, 0.36%

LAB 32.68, 35.74, -31.46

 

CMYK 1 / 57 / 0 / 50

HEX #7E377F

RGB 126 55 127

HSL 299.17, 0.4%, 0.36%

LAB 35.4, 41.25, -26.99

 

CMYK 0 / 57 / 14 / 50

HEX #7F376D

RGB 127 55 109

HSL 315, 0.4%, 0.36%

LAB 34.7, 38.29, -16.79

 

CMYK 0 / 57 / 29 / 50

HEX #7F375A

RGB 127 55 90

HSL 330.83, 0.4%, 0.36%

LAB 33.95, 35.29, -5.84

 

CMYK 1 / 57 / 0 / 73

HEX #451E46

RGB 69 30 70

HSL 298.5, 0.4%, 0.2%

LAB 18.52, 25.46, -16.97

 

CMYK 0 / 56 / 0 / 62

HEX #622B62

RGB 98 43 98

HSL 300, 0.39%, 0.28%

LAB 27.31, 33.38, -21.56

 

CMYK 1 / 57 / 0 / 50

HEX #7E377F

RGB 126 55 127

HSL 299.17, 0.4%, 0.36%

LAB 35.4, 41.25, -26.99

 

CMYK 1 / 56 / 0 / 39

HEX #9B449C

RGB 155 68 156

HSL 299.32, 0.39%, 0.44%

LAB 43.51, 48.54, -31.63

 

CMYK 1 / 53 / 0 / 29

HEX #B355B4

RGB 179 85 180

HSL 299.37, 0.39%, 0.52%

LAB 51.12, 51.4, -33.61

 

CMYK 1 / 56 / 0 / 50

HEX #7E387F

RGB 126 56 127

HSL 299.15, 0.39%, 0.36%

LAB 35.59, 40.74, -26.69

 

CMYK 0 / 46 / 57 / 50

HEX #7F4537

RGB 127 69 55

HSL 11.67, 0.4%, 0.36%

LAB 36.07, 23.37, 19.37

 

CMYK 57 / 0 / 24 / 50

HEX #377F61

RGB 55 127 97

HSL 155, 0.4%, 0.36%

LAB 48.08, -30.17, 9.61

 

CMYK 1 / 56 / 0 / 50

HEX #7E387F

RGB 126 56 127

HSL 299.15, 0.39%, 0.36%

LAB 35.59, 40.74, -26.69

 

CMYK 0 / 1 / 57 / 50

HEX #7F7E37

RGB 127 126 55

HSL 59.17, 0.4%, 0.36%

LAB 51.51, -9.8, 38.11

 

CMYK 57 / 0 / 1 / 50

HEX #377F7E

RGB 55 127 126

HSL 179.17, 0.4%, 0.36%

LAB 48.88, -22.5, -6.26

 

CMYK 1 / 56 / 0 / 50

HEX #7E387F

RGB 126 56 127

HSL 299.15, 0.39%, 0.36%

LAB 35.59, 40.74, -26.69

 

CMYK 0 / 46 / 57 / 50

HEX #7F4537

RGB 127 69 55

HSL 11.67, 0.4%, 0.36%

LAB 36.07, 23.37, 19.37

 

CMYK 55 / 0 / 57 / 50

HEX #397F37

RGB 57 127 55

HSL 118.33, 0.4%, 0.36%

LAB 47.4, -37.49, 32.2

 

CMYK 57 / 10 / 0 / 50

HEX #37727F

RGB 55 114 127

HSL 190.83, 0.4%, 0.36%

LAB 44.77, -15.2, -13.03

 

CMYK 1 / 56 / 0 / 50

HEX #7E387F

RGB 126 56 127

HSL 299.15, 0.39%, 0.36%

LAB 35.59, 40.74, -26.69

 

CMYK 0 / 29 / 57 / 50

HEX #7F5A37

RGB 127 90 55

HSL 29.17, 0.4%, 0.36%

LAB 41.37, 10.96, 26.08

 

CMYK 55 / 0 / 57 / 50

HEX #397F37

RGB 57 127 55

HSL 118.33, 0.4%, 0.36%

LAB 47.4, -37.49, 32.2

 

CMYK 57 / 28 / 0 / 50

HEX #375C7F

RGB 55 92 127

HSL 209.17, 0.4%, 0.36%

LAB 37.84, -2.22, -23.67

 

Description

Color code: RGB 126 56 127 | qconv.com Color code: RGB 126 56 127 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 56 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 56 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 56 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 56% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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