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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 126 62 115 it is the complementary color RGB 129 193 140. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 126 62 115. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 126 62 115 shade: RGB 131 62 110, RGB 148 80 129, RGB 165 98 148, RGB 182 116 167 and RGB 199 134 186

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 126 62 115. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 126 62 115 shade: RGB 126 62 115, RGB 109 44 96, RGB 92 26 77, RGB 75 8 58 and RGB 58 0 39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 126 62 115 shade: RGB 126 62 115, RGB 126 62 98, RGB 126 62 80, RGB 126 62 63 and RGB 126 62 62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 126 62 115 shade: RGB 126 62 115, RGB 120 62 126, RGB 102 62 126, RGB 85 62 126 and RGB 68 62 126

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 126 62 115 shade matches the following richer shades: RGB 126 62 115, RGB 141 47 125, RGB 156 31 135, RGB 172 16 145 and RGB 187 1 155

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 126 62 115 shade: RGB 126 62 115, RGB 111 77 105, RGB 95 92 95, RGB 80 108 85 and RGB 65 123 75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 126 62 115 shade: RGB 102 62 126, RGB 120 62 126, RGB 126 62 115, RGB 126 62 98 and RGB 126 62 81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 126 62 115 shade: RGB 71 35 64, RGB 98 48 90, RGB 126 62 115, RGB 154 75 140 and RGB 176 95 162

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 126 62 115 shade: RGB 126 62 115, RGB 126 85 62 and RGB 62 126 111

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 126 62 115 shade: RGB 126 62 115, RGB 115 126 62 and RGB 62 115 126

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 126 62 115 shade: RGB 126 62 115, RGB 126 85 62, RGB 62 126 72 and RGB 62 102 126

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 126 62 115 shade: RGB 126 62 115, RGB 126 105 62, RGB 62 126 72 and RGB 62 83 126

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 9 / 51

HEX #7E3E73

RGB 126 62 115

HSL 310.31, 0.34%, 0.37%

LAB 36.21, 35.32, -18.25

 

Complementary color

CMYK 33 / 0 / 27 / 24

HEX #81C18C

RGB 129 193 140

HSL 130.31, 0.34%, 0.63%

LAB 72.69, -31.39, 20.36

 

CMYK 0 / 53 / 16 / 49

HEX #833E6E

RGB 131 62 110

HSL 318.26, 0.36%, 0.38%

LAB 36.74, 36.1, -14.25

 

CMYK 0 / 46 / 13 / 42

HEX #945081

RGB 148 80 129

HSL 316.76, 0.3%, 0.45%

LAB 43.68, 35.34, -15.16

 

CMYK 0 / 41 / 10 / 35

HEX #A56294

RGB 165 98 148

HSL 315.22, 0.27%, 0.52%

LAB 50.54, 34.54, -15.9

 

CMYK 0 / 36 / 8 / 29

HEX #B674A7

RGB 182 116 167

HSL 313.64, 0.31%, 0.58%

LAB 57.29, 33.75, -16.53

 

CMYK 0 / 33 / 7 / 22

HEX #C786BA

RGB 199 134 186

HSL 312, 0.37%, 0.65%

LAB 63.95, 33.01, -17.09

 

CMYK 0 / 51 / 9 / 51

HEX #7E3E73

RGB 126 62 115

HSL 310.31, 0.34%, 0.37%

LAB 36.21, 35.32, -18.25

 

CMYK 0 / 60 / 12 / 57

HEX #6D2C60

RGB 109 44 96

HSL 312, 0.42%, 0.3%

LAB 29.15, 35.94, -17.27

 

CMYK 0 / 72 / 16 / 64

HEX #5C1A4D

RGB 92 26 77

HSL 313.64, 0.56%, 0.23%

LAB 22.12, 36.11, -15.83

 

CMYK 0 / 89 / 23 / 71

HEX #4B083A

RGB 75 8 58

HSL 315.22, 0.81%, 0.16%

LAB 15.36, 35.1, -13.44

 

CMYK 0 / 100 / 33 / 77

HEX #3A0027

RGB 58 0 39

HSL 319.66, 1%, 0.11%

LAB 9.37, 31.2, -9.12

 

CMYK 0 / 51 / 9 / 51

HEX #7E3E73

RGB 126 62 115

HSL 310.31, 0.34%, 0.37%

LAB 36.21, 35.32, -18.25

 

CMYK 0 / 51 / 22 / 51

HEX #7E3E62

RGB 126 62 98

HSL 326.25, 0.34%, 0.37%

LAB 35.52, 32.4, -8.59

 

CMYK 0 / 51 / 37 / 51

HEX #7E3E50

RGB 126 62 80

HSL 343.13, 0.34%, 0.37%

LAB 34.92, 29.76, 1.98

 

CMYK 0 / 51 / 50 / 51

HEX #7E3E3F

RGB 126 62 63

HSL 359.06, 0.34%, 0.37%

LAB 34.48, 27.73, 12.21

 

CMYK 0 / 51 / 51 / 51

HEX #7E3E3E

RGB 126 62 62

HSL 0, 0.34%, 0.37%

LAB 34.45, 27.63, 12.81

 

CMYK 0 / 51 / 9 / 51

HEX #7E3E73

RGB 126 62 115

HSL 310.31, 0.34%, 0.37%

LAB 36.21, 35.32, -18.25

 

CMYK 5 / 51 / 0 / 51

HEX #783E7E

RGB 120 62 126

HSL 294.38, 0.34%, 0.37%

LAB 35.88, 35.54, -25.68

 

CMYK 19 / 51 / 0 / 51

HEX #663E7E

RGB 102 62 126

HSL 277.5, 0.34%, 0.37%

LAB 33.51, 30.01, -29.56

 

CMYK 33 / 51 / 0 / 51

HEX #553E7E

RGB 85 62 126

HSL 261.56, 0.34%, 0.37%

LAB 31.54, 24.95, -32.82

 

CMYK 46 / 51 / 0 / 51

HEX #443E7E

RGB 68 62 126

HSL 245.63, 0.34%, 0.37%

LAB 29.86, 20.26, -35.59

 

CMYK 0 / 51 / 9 / 51

HEX #7E3E73

RGB 126 62 115

HSL 310.31, 0.34%, 0.37%

LAB 36.21, 35.32, -18.25

 

CMYK 0 / 67 / 11 / 45

HEX #8D2F7D

RGB 141 47 125

HSL 310.21, 0.5%, 0.37%

LAB 36.32, 48.83, -24.13

 

CMYK 0 / 80 / 13 / 39

HEX #9C1F87

RGB 156 31 135

HSL 310.08, 0.67%, 0.37%

LAB 37.48, 59.65, -28.33

 

CMYK 0 / 91 / 16 / 33

HEX #AC1091

RGB 172 16 145

HSL 310.38, 0.83%, 0.37%

LAB 39.89, 67.52, -30.47

 

CMYK 0 / 99 / 17 / 27

HEX #BB019B

RGB 187 1 155

HSL 310.32, 0.99%, 0.37%

LAB 42.69, 73.33, -31.94

 

CMYK 0 / 51 / 9 / 51

HEX #7E3E73

RGB 126 62 115

HSL 310.31, 0.34%, 0.37%

LAB 36.21, 35.32, -18.25

 

CMYK 0 / 31 / 5 / 56

HEX #6F4D69

RGB 111 77 105

HSL 310.59, 0.18%, 0.37%

LAB 37.31, 19.35, -10.49

 

CMYK 0 / 3 / 0 / 63

HEX #5F5C5F

RGB 95 92 95

HSL 300, 0.02%, 0.37%

LAB 39.43, 1.82, -1.3

 

CMYK 26 / 0 / 21 / 58

HEX #506C55

RGB 80 108 85

HSL 130.71, 0.15%, 0.37%

LAB 42.89, -15.39, 9.6

 

CMYK 47 / 0 / 39 / 52

HEX #417B4B

RGB 65 123 75

HSL 130.34, 0.31%, 0.37%

LAB 46.71, -30.13, 20.51

 

CMYK 19 / 51 / 0 / 51

HEX #663E7E

RGB 102 62 126

HSL 277.5, 0.34%, 0.37%

LAB 33.51, 30.01, -29.56

 

CMYK 5 / 51 / 0 / 51

HEX #783E7E

RGB 120 62 126

HSL 294.38, 0.34%, 0.37%

LAB 35.88, 35.54, -25.68

 

CMYK 0 / 51 / 9 / 51

HEX #7E3E73

RGB 126 62 115

HSL 310.31, 0.34%, 0.37%

LAB 36.21, 35.32, -18.25

 

CMYK 0 / 51 / 22 / 51

HEX #7E3E62

RGB 126 62 98

HSL 326.25, 0.34%, 0.37%

LAB 35.52, 32.4, -8.59

 

CMYK 0 / 51 / 36 / 51

HEX #7E3E51

RGB 126 62 81

HSL 342.19, 0.34%, 0.37%

LAB 34.95, 29.89, 1.39

 

CMYK 0 / 51 / 10 / 72

HEX #472340

RGB 71 35 64

HSL 311.67, 0.34%, 0.21%

LAB 19.69, 21.89, -11.01

 

CMYK 0 / 51 / 8 / 62

HEX #62305A

RGB 98 48 90

HSL 309.6, 0.34%, 0.29%

LAB 27.98, 29.01, -15.32

 

CMYK 0 / 51 / 9 / 51

HEX #7E3E73

RGB 126 62 115

HSL 310.31, 0.34%, 0.37%

LAB 36.21, 35.32, -18.25

 

CMYK 0 / 51 / 9 / 40

HEX #9A4B8C

RGB 154 75 140

HSL 310.63, 0.34%, 0.45%

LAB 43.94, 41.87, -21.35

 

CMYK 0 / 46 / 8 / 31

HEX #B05FA2

RGB 176 95 162

HSL 310.37, 0.34%, 0.53%

LAB 51.86, 42.22, -21.98

 

CMYK 0 / 51 / 9 / 51

HEX #7E3E73

RGB 126 62 115

HSL 310.31, 0.34%, 0.37%

LAB 36.21, 35.32, -18.25

 

CMYK 0 / 33 / 51 / 51

HEX #7E553E

RGB 126 85 62

HSL 21.56, 0.34%, 0.37%

LAB 40.05, 14.18, 20.26

 

CMYK 51 / 0 / 12 / 51

HEX #3E7E6F

RGB 62 126 111

HSL 165.94, 0.34%, 0.37%

LAB 48.38, -24.47, 1.87

 

CMYK 0 / 51 / 9 / 51

HEX #7E3E73

RGB 126 62 115

HSL 310.31, 0.34%, 0.37%

LAB 36.21, 35.32, -18.25

 

CMYK 9 / 0 / 51 / 51

HEX #737E3E

RGB 115 126 62

HSL 70.31, 0.34%, 0.37%

LAB 50.59, -14.43, 33.2

 

CMYK 51 / 9 / 0 / 51

HEX #3E737E

RGB 62 115 126

HSL 190.31, 0.34%, 0.37%

LAB 45.35, -14.41, -11.53

 

CMYK 0 / 51 / 9 / 51

HEX #7E3E73

RGB 126 62 115

HSL 310.31, 0.34%, 0.37%

LAB 36.21, 35.32, -18.25

 

CMYK 0 / 33 / 51 / 51

HEX #7E553E

RGB 126 85 62

HSL 21.56, 0.34%, 0.37%

LAB 40.05, 14.18, 20.26

 

CMYK 51 / 0 / 43 / 51

HEX #3E7E48

RGB 62 126 72

HSL 129.38, 0.34%, 0.37%

LAB 47.51, -32.96, 23.23

 

CMYK 51 / 19 / 0 / 51

HEX #3E667E

RGB 62 102 126

HSL 202.5, 0.34%, 0.37%

LAB 41.27, -6.91, -17.74

 

CMYK 0 / 51 / 9 / 51

HEX #7E3E73

RGB 126 62 115

HSL 310.31, 0.34%, 0.37%

LAB 36.21, 35.32, -18.25

 

CMYK 0 / 17 / 51 / 51

HEX #7E693E

RGB 126 105 62

HSL 40.31, 0.34%, 0.37%

LAB 45.48, 2.33, 27.18

 

CMYK 51 / 0 / 43 / 51

HEX #3E7E48

RGB 62 126 72

HSL 129.38, 0.34%, 0.37%

LAB 47.51, -32.96, 23.23

 

CMYK 51 / 34 / 0 / 51

HEX #3E537E

RGB 62 83 126

HSL 220.31, 0.34%, 0.37%

LAB 35.43, 4.89, -26.79

 

Description

Color code: RGB 126 62 115 | qconv.com Color code: RGB 126 62 115 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 62 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 62 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 9 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 9% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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