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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 127 107 120 it is the complementary color RGB 128 148 135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 127 107 120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 127 107 120 shade: RGB 132 107 115, RGB 149 125 134, RGB 166 143 153, RGB 183 161 172 and RGB 200 179 191

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 127 107 120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 127 107 120 shade: RGB 127 107 120, RGB 110 89 101, RGB 93 71 82, RGB 76 53 63 and RGB 59 35 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 127 107 120 shade: RGB 127 106 120, RGB 127 106 114, RGB 127 106 109 and RGB 127 106 106

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 127 107 120 shade: RGB 127 106 120, RGB 127 106 126, RGB 123 106 127, RGB 118 106 127 and RGB 112 106 127

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 127 107 120 shade matches the following richer shades: RGB 127 106 120, RGB 146 87 126, RGB 165 68 131, RGB 184 49 137 and RGB 203 30 143

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 127 107 120 shade: RGB 127 106 120, RGB 108 125 114, RGB 89 144 109, RGB 70 163 103 and RGB 51 182 97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 127 107 120 shade: RGB 123 106 127, RGB 127 106 126, RGB 127 106 120, RGB 127 106 114 and RGB 127 106 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 127 107 120 shade: RGB 82 69 78, RGB 105 87 99, RGB 127 106 120, RGB 148 127 141 and RGB 167 149 161

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 127 107 120 shade: RGB 127 107 120, RGB 127 118 106 and RGB 106 127 126

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 127 107 120 shade: RGB 127 107 120, RGB 120 127 106 and RGB 106 120 127

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 127 107 120 shade: RGB 127 107 120, RGB 127 118 106, RGB 106 127 114 and RGB 106 116 127

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 127 107 120 shade: RGB 127 107 120, RGB 127 124 106, RGB 106 127 114 and RGB 106 109 127

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 6 / 50

HEX #7F6B78

RGB 127 107 120

HSL 321, 0.09%, 0.46%

LAB 47.47, 10.31, -4.28

 

Complementary color

CMYK 14 / 0 / 9 / 42

HEX #809487

RGB 128 148 135

HSL 141, 0.09%, 0.54%

LAB 59.45, -9.78, 4.48

 

CMYK 0 / 19 / 13 / 48

HEX #846B73

RGB 132 107 115

HSL 340.8, 0.1%, 0.47%

LAB 47.83, 11.31, -0.71

 

CMYK 0 / 16 / 10 / 42

HEX #957D86

RGB 149 125 134

HSL 337.5, 0.1%, 0.54%

LAB 54.84, 10.81, -1.43

 

CMYK 0 / 14 / 8 / 35

HEX #A68F99

RGB 166 143 153

HSL 333.91, 0.11%, 0.61%

LAB 61.7, 10.36, -2.1

 

CMYK 0 / 12 / 6 / 28

HEX #B7A1AC

RGB 183 161 172

HSL 330, 0.13%, 0.67%

LAB 68.41, 9.97, -2.74

 

CMYK 0 / 11 / 5 / 22

HEX #C8B3BF

RGB 200 179 191

HSL 325.71, 0.16%, 0.74%

LAB 75, 9.6, -3.35

 

CMYK 0 / 16 / 6 / 50

HEX #7F6B78

RGB 127 107 120

HSL 321, 0.09%, 0.46%

LAB 47.47, 10.31, -4.28

 

CMYK 0 / 19 / 8 / 57

HEX #6E5965

RGB 110 89 101

HSL 325.71, 0.11%, 0.39%

LAB 40.25, 10.82, -3.64

 

CMYK 0 / 24 / 12 / 64

HEX #5D4752

RGB 93 71 82

HSL 330, 0.13%, 0.32%

LAB 32.79, 11.42, -2.94

 

CMYK 0 / 30 / 17 / 70

HEX #4C353F

RGB 76 53 63

HSL 333.91, 0.18%, 0.25%

LAB 25.08, 12.14, -2.14

 

CMYK 0 / 41 / 25 / 77

HEX #3B232C

RGB 59 35 44

HSL 337.5, 0.26%, 0.18%

LAB 17.05, 13.03, -1.18

 

CMYK 0 / 17 / 6 / 50

HEX #7F6A78

RGB 127 106 120

HSL 320, 0.09%, 0.46%

LAB 47.2, 10.91, -4.68

 

CMYK 0 / 17 / 10 / 50

HEX #7F6A72

RGB 127 106 114

HSL 337.14, 0.09%, 0.46%

LAB 47.02, 9.76, -1.36

 

CMYK 0 / 17 / 14 / 50

HEX #7F6A6D

RGB 127 106 109

HSL 351.43, 0.09%, 0.46%

LAB 46.87, 8.85, 1.43

 

CMYK 0 / 17 / 17 / 50

HEX #7F6A6A

RGB 127 106 106

HSL 0, 0.09%, 0.46%

LAB 46.79, 8.32, 3.1

 

CMYK 0 / 17 / 6 / 50

HEX #7F6A78

RGB 127 106 120

HSL 320, 0.09%, 0.46%

LAB 47.2, 10.91, -4.68

 

CMYK 0 / 17 / 1 / 50

HEX #7F6A7E

RGB 127 106 126

HSL 302.86, 0.09%, 0.46%

LAB 47.4, 12.1, -7.98

 

CMYK 3 / 17 / 0 / 50

HEX #7B6A7F

RGB 123 106 127

HSL 288.57, 0.09%, 0.46%

LAB 47.04, 10.82, -9.15

 

CMYK 7 / 17 / 0 / 50

HEX #766A7F

RGB 118 106 127

HSL 274.29, 0.09%, 0.46%

LAB 46.57, 8.99, -9.91

 

CMYK 12 / 17 / 0 / 50

HEX #706A7F

RGB 112 106 127

HSL 257.14, 0.09%, 0.46%

LAB 46.02, 6.81, -10.78

 

CMYK 0 / 17 / 6 / 50

HEX #7F6A78

RGB 127 106 120

HSL 320, 0.09%, 0.46%

LAB 47.2, 10.91, -4.68

 

CMYK 0 / 40 / 14 / 43

HEX #92577E

RGB 146 87 126

HSL 320.34, 0.25%, 0.46%

LAB 44.85, 30.22, -11.59

 

CMYK 0 / 59 / 21 / 35

HEX #A54483

RGB 165 68 131

HSL 321.03, 0.42%, 0.46%

LAB 43.9, 47.29, -15.81

 

CMYK 0 / 73 / 26 / 28

HEX #B83189

RGB 184 49 137

HSL 320.89, 0.58%, 0.46%

LAB 44.51, 61.16, -18.26

 

CMYK 0 / 85 / 30 / 20

HEX #CB1E8F

RGB 203 30 143

HSL 320.81, 0.74%, 0.46%

LAB 46.46, 71.42, -18.61

 

CMYK 0 / 17 / 6 / 50

HEX #7F6A78

RGB 127 106 120

HSL 320, 0.09%, 0.46%

LAB 47.2, 10.91, -4.68

 

CMYK 14 / 0 / 9 / 51

HEX #6C7D72

RGB 108 125 114

HSL 141.18, 0.07%, 0.46%

LAB 50.77, -8.56, 3.89

 

CMYK 38 / 0 / 24 / 44

HEX #59906D

RGB 89 144 109

HSL 141.82, 0.24%, 0.46%

LAB 55.25, -26.22, 12.97

 

CMYK 57 / 0 / 37 / 36

HEX #46A367

RGB 70 163 103

HSL 141.29, 0.4%, 0.46%

LAB 60.32, -41.44, 23.1

 

CMYK 72 / 0 / 47 / 29

HEX #33B661

RGB 51 182 97

HSL 141.07, 0.56%, 0.46%

LAB 65.77, -53.81, 33.28

 

CMYK 3 / 17 / 0 / 50

HEX #7B6A7F

RGB 123 106 127

HSL 288.57, 0.09%, 0.46%

LAB 47.04, 10.82, -9.15

 

CMYK 0 / 17 / 1 / 50

HEX #7F6A7E

RGB 127 106 126

HSL 302.86, 0.09%, 0.46%

LAB 47.4, 12.1, -7.98

 

CMYK 0 / 17 / 6 / 50

HEX #7F6A78

RGB 127 106 120

HSL 320, 0.09%, 0.46%

LAB 47.2, 10.91, -4.68

 

CMYK 0 / 17 / 10 / 50

HEX #7F6A72

RGB 127 106 114

HSL 337.14, 0.09%, 0.46%

LAB 47.02, 9.76, -1.36

 

CMYK 0 / 17 / 14 / 50

HEX #7F6A6D

RGB 127 106 109

HSL 351.43, 0.09%, 0.46%

LAB 46.87, 8.85, 1.43

 

CMYK 0 / 16 / 5 / 68

HEX #52454E

RGB 82 69 78

HSL 318.46, 0.09%, 0.3%

LAB 30.88, 7.35, -3.34

 

CMYK 0 / 17 / 6 / 59

HEX #695763

RGB 105 87 99

HSL 320, 0.09%, 0.38%

LAB 39.11, 9.67, -4.15

 

CMYK 0 / 17 / 6 / 50

HEX #7F6A78

RGB 127 106 120

HSL 320, 0.09%, 0.46%

LAB 47.2, 10.91, -4.68

 

CMYK 0 / 14 / 5 / 42

HEX #947F8D

RGB 148 127 141

HSL 320, 0.09%, 0.54%

LAB 55.48, 10.58, -4.57

 

CMYK 0 / 11 / 4 / 35

HEX #A795A1

RGB 167 149 161

HSL 320, 0.09%, 0.62%

LAB 63.58, 8.83, -3.86

 

CMYK 0 / 16 / 6 / 50

HEX #7F6B78

RGB 127 107 120

HSL 321, 0.09%, 0.46%

LAB 47.47, 10.31, -4.28

 

CMYK 0 / 7 / 17 / 50

HEX #7F766A

RGB 127 118 106

HSL 34.29, 0.09%, 0.46%

LAB 50.11, 1.29, 7.85

 

CMYK 17 / 0 / 1 / 50

HEX #6A7F7E

RGB 106 127 126

HSL 177.14, 0.09%, 0.46%

LAB 51.55, -7.82, -2.01

 

CMYK 0 / 16 / 6 / 50

HEX #7F6B78

RGB 127 107 120

HSL 321, 0.09%, 0.46%

LAB 47.47, 10.31, -4.28

 

CMYK 6 / 0 / 17 / 50

HEX #787F6A

RGB 120 127 106

HSL 80, 0.09%, 0.46%

LAB 52.08, -6.64, 10.55

 

CMYK 17 / 6 / 0 / 50

HEX #6A787F

RGB 106 120 127

HSL 200, 0.09%, 0.46%

LAB 49.53, -3.59, -5.59

 

CMYK 0 / 16 / 6 / 50

HEX #7F6B78

RGB 127 107 120

HSL 321, 0.09%, 0.46%

LAB 47.47, 10.31, -4.28

 

CMYK 0 / 7 / 17 / 50

HEX #7F766A

RGB 127 118 106

HSL 34.29, 0.09%, 0.46%

LAB 50.11, 1.29, 7.85

 

CMYK 17 / 0 / 10 / 50

HEX #6A7F72

RGB 106 127 114

HSL 142.86, 0.09%, 0.46%

LAB 51.22, -10.42, 4.52

 

CMYK 17 / 9 / 0 / 50

HEX #6A747F

RGB 106 116 127

HSL 211.43, 0.09%, 0.46%

LAB 48.37, -1.26, -7.32

 

CMYK 0 / 16 / 6 / 50

HEX #7F6B78

RGB 127 107 120

HSL 321, 0.09%, 0.46%

LAB 47.47, 10.31, -4.28

 

CMYK 0 / 2 / 17 / 50

HEX #7F7C6A

RGB 127 124 106

HSL 51.43, 0.09%, 0.46%

LAB 51.8, -2.16, 10.25

 

CMYK 17 / 0 / 10 / 50

HEX #6A7F72

RGB 106 127 114

HSL 142.86, 0.09%, 0.46%

LAB 51.22, -10.42, 4.52

 

CMYK 17 / 14 / 0 / 50

HEX #6A6D7F

RGB 106 109 127

HSL 231.43, 0.09%, 0.46%

LAB 46.36, 2.88, -10.33

 

Description

Color code: RGB 127 107 120 | qconv.com Color code: RGB 127 107 120 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 107 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 107 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 6 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 6% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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