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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 127 101 86 it is the complementary color RGB 128 154 169. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 127 101 86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 127 101 86 shade: RGB 132 101 81, RGB 149 119 100, RGB 166 137 119, RGB 183 155 138 and RGB 200 173 157

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 127 101 86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 127 101 86 shade: RGB 127 101 86, RGB 110 83 67, RGB 93 65 48, RGB 76 47 29 and RGB 59 29 10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 127 101 86 shade: RGB 127 101 86, RGB 127 90 86 and RGB 127 86 86

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 127 101 86 shade: RGB 127 101 86, RGB 127 112 86, RGB 127 123 86, RGB 120 127 86 and RGB 109 127 86

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 127 101 86 shade matches the following richer shades: RGB 127 101 86, RGB 144 96 69, RGB 162 92 52, RGB 179 87 34 and RGB 196 83 17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 127 101 86 shade: RGB 127 101 86, RGB 110 106 104, RGB 92 110 121, RGB 75 115 138 and RGB 58 120 156

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 127 101 86 shade: RGB 127 86 94, RGB 127 90 86, RGB 127 100 86, RGB 127 111 86 and RGB 127 122 86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 127 101 86 shade: RGB 78 62 53, RGB 102 82 70, RGB 127 101 86, RGB 151 121 103 and RGB 168 142 128

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 127 101 86 shade: RGB 127 101 86, RGB 105 127 86 and RGB 86 88 127

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 127 101 86 shade: RGB 127 101 86, RGB 86 127 100 and RGB 100 86 127

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 127 101 86 shade: RGB 127 101 86, RGB 105 127 86, RGB 86 113 127 and RGB 109 86 127

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 127 101 86 shade: RGB 127 101 86, RGB 92 127 86, RGB 86 113 127 and RGB 121 86 127

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 32 / 50

HEX #7F6556

RGB 127 101 86

HSL 21.95, 0.19%, 0.42%

LAB 44.93, 8.09, 12.45

 

Complementary color

CMYK 24 / 9 / 0 / 34

HEX #809AA9

RGB 128 154 169

HSL 201.95, 0.19%, 0.58%

LAB 62.14, -5.63, -10.84

 

CMYK 0 / 23 / 39 / 48

HEX #846551

RGB 132 101 81

HSL 23.53, 0.24%, 0.42%

LAB 45.37, 9.56, 16.12

 

CMYK 0 / 20 / 33 / 42

HEX #957764

RGB 149 119 100

HSL 23.27, 0.2%, 0.49%

LAB 52.4, 8.83, 14.89

 

CMYK 0 / 17 / 28 / 35

HEX #A68977

RGB 166 137 119

HSL 22.98, 0.21%, 0.56%

LAB 59.28, 8.22, 13.78

 

CMYK 0 / 15 / 25 / 28

HEX #B79B8A

RGB 183 155 138

HSL 22.67, 0.24%, 0.63%

LAB 66.02, 7.7, 12.76

 

CMYK 0 / 14 / 22 / 22

HEX #C8AD9D

RGB 200 173 157

HSL 22.33, 0.28%, 0.7%

LAB 72.63, 7.24, 11.82

 

CMYK 0 / 20 / 32 / 50

HEX #7F6556

RGB 127 101 86

HSL 21.95, 0.19%, 0.42%

LAB 44.93, 8.09, 12.45

 

CMYK 0 / 25 / 39 / 57

HEX #6E5343

RGB 110 83 67

HSL 22.33, 0.24%, 0.35%

LAB 37.67, 8.84, 13.71

 

CMYK 0 / 30 / 48 / 64

HEX #5D4130

RGB 93 65 48

HSL 22.67, 0.32%, 0.28%

LAB 30.21, 9.79, 15.18

 

CMYK 0 / 38 / 62 / 70

HEX #4C2F1D

RGB 76 47 29

HSL 22.98, 0.45%, 0.21%

LAB 22.51, 11.05, 16.94

 

CMYK 0 / 51 / 83 / 77

HEX #3B1D0A

RGB 59 29 10

HSL 23.27, 0.71%, 0.14%

LAB 14.57, 12.8, 17.69

 

CMYK 0 / 20 / 32 / 50

HEX #7F6556

RGB 127 101 86

HSL 21.95, 0.19%, 0.42%

LAB 44.93, 8.09, 12.45

 

CMYK 0 / 29 / 32 / 50

HEX #7F5A56

RGB 127 90 86

HSL 5.85, 0.19%, 0.42%

LAB 41.99, 14.64, 8.35

 

CMYK 0 / 32 / 32 / 50

HEX #7F5656

RGB 127 86 86

HSL 0, 0.19%, 0.42%

LAB 40.96, 17.02, 6.89

 

CMYK 0 / 20 / 32 / 50

HEX #7F6556

RGB 127 101 86

HSL 21.95, 0.19%, 0.42%

LAB 44.93, 8.09, 12.45

 

CMYK 0 / 12 / 32 / 50

HEX #7F7056

RGB 127 112 86

HSL 38.05, 0.19%, 0.42%

LAB 47.97, 1.63, 16.63

 

CMYK 0 / 3 / 32 / 50

HEX #7F7B56

RGB 127 123 86

HSL 54.15, 0.19%, 0.42%

LAB 51.09, -4.67, 20.82

 

CMYK 6 / 0 / 32 / 50

HEX #787F56

RGB 120 127 86

HSL 70.24, 0.19%, 0.42%

LAB 51.66, -9.84, 21.47

 

CMYK 14 / 0 / 32 / 50

HEX #6D7F56

RGB 109 127 86

HSL 86.34, 0.19%, 0.42%

LAB 50.81, -14.34, 20.18

 

CMYK 0 / 20 / 32 / 50

HEX #7F6556

RGB 127 101 86

HSL 21.95, 0.19%, 0.42%

LAB 44.93, 8.09, 12.45

 

CMYK 0 / 33 / 52 / 44

HEX #906045

RGB 144 96 69

HSL 21.6, 0.35%, 0.42%

LAB 45.25, 16.34, 23.3

 

CMYK 0 / 43 / 68 / 36

HEX #A25C34

RGB 162 92 52

HSL 21.82, 0.51%, 0.42%

LAB 46.42, 25.06, 34.89

 

CMYK 0 / 51 / 81 / 30

HEX #B35722

RGB 179 87 34

HSL 21.93, 0.68%, 0.42%

LAB 47.64, 34, 45.98

 

CMYK 0 / 58 / 91 / 23

HEX #C45311

RGB 196 83 17

HSL 22.12, 0.84%, 0.42%

LAB 49.45, 42.29, 55.04

 

CMYK 0 / 20 / 32 / 50

HEX #7F6556

RGB 127 101 86

HSL 21.95, 0.19%, 0.42%

LAB 44.93, 8.09, 12.45

 

CMYK 0 / 4 / 5 / 57

HEX #6E6A68

RGB 110 106 104

HSL 20, 0.03%, 0.42%

LAB 45.11, 1.16, 1.67

 

CMYK 24 / 9 / 0 / 53

HEX #5C6E79

RGB 92 110 121

HSL 202.76, 0.14%, 0.42%

LAB 45.37, -4.03, -8.33

 

CMYK 46 / 17 / 0 / 46

HEX #4B738A

RGB 75 115 138

HSL 201.9, 0.3%, 0.42%

LAB 46.43, -7.47, -16.97

 

CMYK 63 / 23 / 0 / 39

HEX #3A789C

RGB 58 120 156

HSL 202.04, 0.46%, 0.42%

LAB 47.92, -8.59, -25.37

 

CMYK 0 / 32 / 26 / 50

HEX #7F565E

RGB 127 86 94

HSL 348.29, 0.19%, 0.42%

LAB 41.18, 18.23, 2.27

 

CMYK 0 / 29 / 32 / 50

HEX #7F5A56

RGB 127 90 86

HSL 5.85, 0.19%, 0.42%

LAB 41.99, 14.64, 8.35

 

CMYK 0 / 21 / 32 / 50

HEX #7F6456

RGB 127 100 86

HSL 20.49, 0.19%, 0.42%

LAB 44.66, 8.68, 12.08

 

CMYK 0 / 13 / 32 / 50

HEX #7F6F56

RGB 127 111 86

HSL 36.59, 0.19%, 0.42%

LAB 47.69, 2.21, 16.24

 

CMYK 0 / 4 / 32 / 50

HEX #7F7A56

RGB 127 122 86

HSL 52.68, 0.19%, 0.42%

LAB 50.81, -4.1, 20.44

 

CMYK 0 / 21 / 32 / 69

HEX #4E3E35

RGB 78 62 53

HSL 21.6, 0.19%, 0.26%

LAB 27.63, 5.4, 8.17

 

CMYK 0 / 20 / 31 / 60

HEX #665246

RGB 102 82 70

HSL 22.5, 0.19%, 0.34%

LAB 36.56, 6.33, 10.18

 

CMYK 0 / 20 / 32 / 50

HEX #7F6556

RGB 127 101 86

HSL 21.95, 0.19%, 0.42%

LAB 44.93, 8.09, 12.45

 

CMYK 0 / 20 / 32 / 41

HEX #977967

RGB 151 121 103

HSL 22.5, 0.19%, 0.5%

LAB 53.2, 8.93, 14.29

 

CMYK 0 / 15 / 24 / 34

HEX #A88E80

RGB 168 142 128

HSL 21, 0.19%, 0.58%

LAB 60.98, 7.54, 11.09

 

CMYK 0 / 20 / 32 / 50

HEX #7F6556

RGB 127 101 86

HSL 21.95, 0.19%, 0.42%

LAB 44.93, 8.09, 12.45

 

CMYK 17 / 0 / 32 / 50

HEX #697F56

RGB 105 127 86

HSL 92.2, 0.19%, 0.42%

LAB 50.52, -15.94, 19.74

 

CMYK 32 / 31 / 0 / 50

HEX #56587F

RGB 86 88 127

HSL 237.07, 0.19%, 0.42%

LAB 38.71, 9.01, -22.17

 

CMYK 0 / 20 / 32 / 50

HEX #7F6556

RGB 127 101 86

HSL 21.95, 0.19%, 0.42%

LAB 44.93, 8.09, 12.45

 

CMYK 32 / 0 / 21 / 50

HEX #567F64

RGB 86 127 100

HSL 140.49, 0.19%, 0.42%

LAB 49.59, -20.38, 10.2

 

CMYK 21 / 32 / 0 / 50

HEX #64567F

RGB 100 86 127

HSL 260.49, 0.19%, 0.42%

LAB 39.41, 14.86, -20.98

 

CMYK 0 / 20 / 32 / 50

HEX #7F6556

RGB 127 101 86

HSL 21.95, 0.19%, 0.42%

LAB 44.93, 8.09, 12.45

 

CMYK 17 / 0 / 32 / 50

HEX #697F56

RGB 105 127 86

HSL 92.2, 0.19%, 0.42%

LAB 50.52, -15.94, 19.74

 

CMYK 32 / 11 / 0 / 50

HEX #56717F

RGB 86 113 127

HSL 200.49, 0.19%, 0.42%

LAB 46.07, -6.2, -10.91

 

CMYK 14 / 32 / 0 / 50

HEX #6D567F

RGB 109 86 127

HSL 273.66, 0.19%, 0.42%

LAB 40.31, 17.94, -19.52

 

CMYK 0 / 20 / 32 / 50

HEX #7F6556

RGB 127 101 86

HSL 21.95, 0.19%, 0.42%

LAB 44.93, 8.09, 12.45

 

CMYK 28 / 0 / 32 / 50

HEX #5C7F56

RGB 92 127 86

HSL 111.22, 0.19%, 0.42%

LAB 49.65, -20.92, 18.43

 

CMYK 32 / 11 / 0 / 50

HEX #56717F

RGB 86 113 127

HSL 200.49, 0.19%, 0.42%

LAB 46.07, -6.2, -10.91

 

CMYK 5 / 32 / 0 / 50

HEX #79567F

RGB 121 86 127

HSL 291.22, 0.19%, 0.42%

LAB 41.62, 22.12, -17.4

 

Description

Color code: RGB 127 101 86 | qconv.com Color code: RGB 127 101 86 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 101 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 101 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 32 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 32% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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