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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 127 114 92 it is the complementary color RGB 128 141 163. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 127 114 92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 127 114 92 shade: RGB 132 114 87, RGB 149 132 106, RGB 166 150 125, RGB 183 168 144 and RGB 200 186 163

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 127 114 92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 127 114 92 shade: RGB 127 114 92, RGB 110 96 73, RGB 93 78 54, RGB 76 60 35 and RGB 59 42 16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 127 114 92 shade: RGB 127 114 92, RGB 127 104 92, RGB 127 95 92 and RGB 127 92 92

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 127 114 92 shade: RGB 127 114 92, RGB 127 123 92, RGB 121 127 92, RGB 111 127 92 and RGB 102 127 92

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 127 114 92 shade matches the following richer shades: RGB 127 114 92, RGB 144 118 74, RGB 162 123 56, RGB 180 127 38 and RGB 198 132 21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 127 114 92 shade: RGB 127 114 92, RGB 109 109 109, RGB 91 105 127, RGB 73 100 145 and RGB 56 95 163

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 127 114 92 shade: RGB 127 95 92, RGB 127 104 92, RGB 127 113 92, RGB 127 123 92 and RGB 121 127 92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 127 114 92 shade: RGB 79 71 57, RGB 103 92 74, RGB 127 114 92, RGB 150 135 110 and RGB 167 155 134

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 127 114 92 shade: RGB 127 114 92, RGB 98 127 92 and RGB 99 92 127

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 127 114 92 shade: RGB 127 114 92, RGB 92 127 113 and RGB 113 92 127

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 127 114 92 shade: RGB 127 114 92, RGB 98 127 92, RGB 92 105 127 and RGB 120 92 127

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 127 114 92 shade: RGB 127 114 92, RGB 92 127 96, RGB 92 105 127 and RGB 127 92 123

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 28 / 50

HEX #7F725C

RGB 127 114 92

HSL 37.71, 0.16%, 0.43%

LAB 48.66, 1.35, 14.05

 

Complementary color

CMYK 21 / 13 / 0 / 36

HEX #808DA3

RGB 128 141 163

HSL 217.71, 0.16%, 0.57%

LAB 58.3, 0.24, -13.2

 

CMYK 0 / 14 / 34 / 48

HEX #847257

RGB 132 114 87

HSL 36, 0.21%, 0.43%

LAB 49.04, 2.75, 17.58

 

CMYK 0 / 11 / 29 / 42

HEX #95846A

RGB 149 132 106

HSL 36.28, 0.17%, 0.5%

LAB 56.02, 2.26, 16.42

 

CMYK 0 / 10 / 25 / 35

HEX #A6967D

RGB 166 150 125

HSL 36.59, 0.19%, 0.57%

LAB 62.84, 1.85, 15.35

 

CMYK 0 / 8 / 21 / 28

HEX #B7A890

RGB 183 168 144

HSL 36.92, 0.21%, 0.64%

LAB 69.53, 1.49, 14.37

 

CMYK 0 / 7 / 19 / 22

HEX #C8BAA3

RGB 200 186 163

HSL 37.3, 0.25%, 0.71%

LAB 76.09, 1.18, 13.45

 

CMYK 0 / 10 / 28 / 50

HEX #7F725C

RGB 127 114 92

HSL 37.71, 0.16%, 0.43%

LAB 48.66, 1.35, 14.05

 

CMYK 0 / 13 / 34 / 57

HEX #6E6049

RGB 110 96 73

HSL 37.3, 0.2%, 0.36%

LAB 41.47, 1.82, 15.23

 

CMYK 0 / 16 / 42 / 64

HEX #5D4E36

RGB 93 78 54

HSL 36.92, 0.27%, 0.29%

LAB 34.07, 2.42, 16.54

 

CMYK 0 / 21 / 54 / 70

HEX #4C3C23

RGB 76 60 35

HSL 36.59, 0.37%, 0.22%

LAB 26.42, 3.25, 18.04

 

CMYK 0 / 29 / 73 / 77

HEX #3B2A10

RGB 59 42 16

HSL 36.28, 0.57%, 0.15%

LAB 18.47, 4.47, 19.64

 

CMYK 0 / 10 / 28 / 50

HEX #7F725C

RGB 127 114 92

HSL 37.71, 0.16%, 0.43%

LAB 48.66, 1.35, 14.05

 

CMYK 0 / 18 / 28 / 50

HEX #7F685C

RGB 127 104 92

HSL 20.57, 0.16%, 0.43%

LAB 45.89, 7.2, 10.2

 

CMYK 0 / 25 / 28 / 50

HEX #7F5F5C

RGB 127 95 92

HSL 5.14, 0.16%, 0.43%

LAB 43.46, 12.55, 6.77

 

CMYK 0 / 28 / 28 / 50

HEX #7F5C5C

RGB 127 92 92

HSL 0, 0.16%, 0.43%

LAB 42.67, 14.34, 5.65

 

CMYK 0 / 10 / 28 / 50

HEX #7F725C

RGB 127 114 92

HSL 37.71, 0.16%, 0.43%

LAB 48.66, 1.35, 14.05

 

CMYK 0 / 3 / 28 / 50

HEX #7F7B5C

RGB 127 123 92

HSL 53.14, 0.16%, 0.43%

LAB 51.21, -3.81, 17.54

 

CMYK 5 / 0 / 28 / 50

HEX #797F5C

RGB 121 127 92

HSL 70.29, 0.16%, 0.43%

LAB 51.86, -8.54, 18.33

 

CMYK 13 / 0 / 28 / 50

HEX #6F7F5C

RGB 111 127 92

HSL 87.43, 0.16%, 0.43%

LAB 51.07, -12.59, 17.14

 

CMYK 20 / 0 / 28 / 50

HEX #667F5C

RGB 102 127 92

HSL 102.86, 0.16%, 0.43%

LAB 50.42, -16.11, 16.15

 

CMYK 0 / 10 / 28 / 50

HEX #7F725C

RGB 127 114 92

HSL 37.71, 0.16%, 0.43%

LAB 48.66, 1.35, 14.05

 

CMYK 0 / 18 / 49 / 44

HEX #90764A

RGB 144 118 74

HSL 37.71, 0.32%, 0.43%

LAB 51.13, 4.11, 27.96

 

CMYK 0 / 24 / 65 / 36

HEX #A27B38

RGB 162 123 56

HSL 37.92, 0.49%, 0.43%

LAB 54.17, 7.76, 41.56

 

CMYK 0 / 29 / 79 / 29

HEX #B47F26

RGB 180 127 38

HSL 37.61, 0.65%, 0.43%

LAB 57.1, 12.64, 53.22

 

CMYK 0 / 33 / 89 / 22

HEX #C68415

RGB 198 132 21

HSL 37.63, 0.81%, 0.43%

LAB 60.39, 17.37, 62.29

 

CMYK 0 / 10 / 28 / 50

HEX #7F725C

RGB 127 114 92

HSL 37.71, 0.16%, 0.43%

LAB 48.66, 1.35, 14.05

 

CMYK 0 / 0 / 0 / 57

HEX #6D6D6D

RGB 109 109 109

HSL 0, 0%, 0.43%

LAB 46.03, 0, -0.01

 

CMYK 28 / 17 / 0 / 50

HEX #5B697F

RGB 91 105 127

HSL 216.67, 0.17%, 0.43%

LAB 44.03, 0.15, -13.96

 

CMYK 50 / 31 / 0 / 43

HEX #496491

RGB 73 100 145

HSL 217.5, 0.33%, 0.43%

LAB 42.12, 3.2, -27.83

 

CMYK 66 / 42 / 0 / 36

HEX #385FA3

RGB 56 95 163

HSL 218.13, 0.49%, 0.43%

LAB 40.69, 8.8, -40.88

 

CMYK 0 / 25 / 28 / 50

HEX #7F5F5C

RGB 127 95 92

HSL 5.14, 0.16%, 0.43%

LAB 43.46, 12.55, 6.77

 

CMYK 0 / 18 / 28 / 50

HEX #7F685C

RGB 127 104 92

HSL 20.57, 0.16%, 0.43%

LAB 45.89, 7.2, 10.2

 

CMYK 0 / 11 / 28 / 50

HEX #7F715C

RGB 127 113 92

HSL 36, 0.16%, 0.43%

LAB 48.38, 1.93, 13.67

 

CMYK 0 / 3 / 28 / 50

HEX #7F7B5C

RGB 127 123 92

HSL 53.14, 0.16%, 0.43%

LAB 51.21, -3.81, 17.54

 

CMYK 5 / 0 / 28 / 50

HEX #797F5C

RGB 121 127 92

HSL 70.29, 0.16%, 0.43%

LAB 51.86, -8.54, 18.33

 

CMYK 0 / 10 / 28 / 69

HEX #4F4739

RGB 79 71 57

HSL 38.18, 0.16%, 0.27%

LAB 30.55, 0.78, 9.66

 

CMYK 0 / 11 / 28 / 60

HEX #675C4A

RGB 103 92 74

HSL 37.24, 0.16%, 0.35%

LAB 39.63, 1.3, 11.99

 

CMYK 0 / 10 / 28 / 50

HEX #7F725C

RGB 127 114 92

HSL 37.71, 0.16%, 0.43%

LAB 48.66, 1.35, 14.05

 

CMYK 0 / 10 / 27 / 41

HEX #96876E

RGB 150 135 110

HSL 37.5, 0.16%, 0.51%

LAB 57.01, 1.56, 15.52

 

CMYK 0 / 7 / 20 / 35

HEX #A79B86

RGB 167 155 134

HSL 38.18, 0.16%, 0.59%

LAB 64.47, 0.85, 12.6

 

CMYK 0 / 10 / 28 / 50

HEX #7F725C

RGB 127 114 92

HSL 37.71, 0.16%, 0.43%

LAB 48.66, 1.35, 14.05

 

CMYK 23 / 0 / 28 / 50

HEX #627F5C

RGB 98 127 92

HSL 109.71, 0.16%, 0.43%

LAB 50.15, -17.63, 15.73

 

CMYK 22 / 28 / 0 / 50

HEX #635C7F

RGB 99 92 127

HSL 252, 0.16%, 0.43%

LAB 40.96, 10.8, -18.6

 

CMYK 0 / 10 / 28 / 50

HEX #7F725C

RGB 127 114 92

HSL 37.71, 0.16%, 0.43%

LAB 48.66, 1.35, 14.05

 

CMYK 28 / 0 / 11 / 50

HEX #5C7F71

RGB 92 127 113

HSL 156, 0.16%, 0.43%

LAB 50.27, -15.55, 3.62

RGB 92 127 113

CMYK 11 / 28 / 0 / 50

HEX #715C7F

RGB 113 92 127

HSL 276, 0.16%, 0.43%

LAB 42.3, 15.66, -16.42

RGB 113 92 127

CMYK 0 / 10 / 28 / 50

HEX #7F725C

RGB 127 114 92

HSL 37.71, 0.16%, 0.43%

LAB 48.66, 1.35, 14.05

 

CMYK 23 / 0 / 28 / 50

HEX #627F5C

RGB 98 127 92

HSL 109.71, 0.16%, 0.43%

LAB 50.15, -17.63, 15.73

 

CMYK 28 / 17 / 0 / 50

HEX #5C697F

RGB 92 105 127

HSL 217.71, 0.16%, 0.43%

LAB 44.1, 0.48, -13.84

 

CMYK 6 / 28 / 0 / 50

HEX #785C7F

RGB 120 92 127

HSL 288, 0.16%, 0.43%

LAB 43.03, 18.15, -15.24

 

CMYK 0 / 10 / 28 / 50

HEX #7F725C

RGB 127 114 92

HSL 37.71, 0.16%, 0.43%

LAB 48.66, 1.35, 14.05

 

CMYK 28 / 0 / 24 / 50

HEX #5C7F60

RGB 92 127 96

HSL 126.86, 0.16%, 0.43%

LAB 49.86, -19.09, 12.95

 

CMYK 28 / 17 / 0 / 50

HEX #5C697F

RGB 92 105 127

HSL 217.71, 0.16%, 0.43%

LAB 44.1, 0.48, -13.84

 

CMYK 0 / 28 / 3 / 50

HEX #7F5C7B

RGB 127 92 123

HSL 306.86, 0.16%, 0.43%

LAB 43.65, 19.86, -11.81

 

Description

Color code: RGB 127 114 92 | qconv.com Color code: RGB 127 114 92 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 114 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 114 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 28 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 28% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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