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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 127 30 129 it is the complementary color RGB 128 225 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 127 30 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 127 30 129 shade: RGB 132 30 124, RGB 149 48 143, RGB 166 66 162, RGB 183 84 181 and RGB 200 102 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 127 30 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 127 30 129 shade: RGB 127 30 129, RGB 110 12 110, RGB 93 0 91, RGB 76 0 72 and RGB 59 0 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 127 30 129 shade: RGB 126 30 128, RGB 128 30 103, RGB 128 30 77, RGB 128 30 50 and RGB 128 30 30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 127 30 129 shade: RGB 126 30 128, RGB 99 30 128, RGB 73 30 128, RGB 46 30 128 and RGB 30 30 128

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 127 30 129 shade matches the following richer shades: RGB 126 30 128, RGB 138 17 140 and RGB 150 4 153

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 127 30 129 shade: RGB 126 30 128, RGB 113 42 115, RGB 101 55 102, RGB 89 68 89 and RGB 76 81 76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 127 30 129 shade: RGB 72 30 128, RGB 98 30 128, RGB 124 30 128, RGB 128 30 105 and RGB 128 30 79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 127 30 129 shade: RGB 60 14 61, RGB 93 22 94, RGB 126 30 128, RGB 158 37 161 and RGB 191 45 194

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 127 30 129 shade: RGB 127 30 129, RGB 128 46 30 and RGB 30 128 85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 127 30 129 shade: RGB 127 30 129, RGB 128 124 30 and RGB 30 128 124

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 127 30 129 shade: RGB 127 30 129, RGB 128 46 30, RGB 33 128 30 and RGB 30 111 128

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 127 30 129 shade: RGB 127 30 129, RGB 128 75 30, RGB 33 128 30 and RGB 30 82 128

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 77 / 0 / 49

HEX #7F1E81

RGB 127 30 129

HSL 298.79, 0.62%, 0.31%

LAB 31.87, 52.48, -33.81

 

Complementary color

CMYK 43 / 0 / 44 / 12

HEX #80E17E

RGB 128 225 126

HSL 118.79, 0.62%, 0.69%

LAB 81.81, -48.17, 39.63

 

CMYK 0 / 77 / 6 / 48

HEX #841E7C

RGB 132 30 124

HSL 304.71, 0.63%, 0.32%

LAB 32.46, 52.77, -29.68

 

CMYK 0 / 68 / 4 / 42

HEX #95308F

RGB 149 48 143

HSL 303.56, 0.51%, 0.39%

LAB 38.7, 53.51, -31.4

 

CMYK 0 / 60 / 2 / 35

HEX #A642A2

RGB 166 66 162

HSL 302.4, 0.43%, 0.45%

LAB 45.1, 53.53, -32.6

 

CMYK 0 / 54 / 1 / 28

HEX #B754B5

RGB 183 84 181

HSL 301.21, 0.41%, 0.52%

LAB 51.55, 53.17, -33.49

 

CMYK 0 / 49 / 0 / 22

HEX #C866C8

RGB 200 102 200

HSL 300, 0.47%, 0.59%

LAB 57.99, 52.6, -34.18

 

CMYK 2 / 77 / 0 / 49

HEX #7F1E81

RGB 127 30 129

HSL 298.79, 0.62%, 0.31%

LAB 31.87, 52.48, -33.81

 

CMYK 0 / 89 / 0 / 57

HEX #6E0C6E

RGB 110 12 110

HSL 300, 0.8%, 0.24%

LAB 25.87, 50.54, -31.48

 

CMYK 0 / 100 / 2 / 64

HEX #5D005B

RGB 93 0 91

HSL 301.29, 1%, 0.18%

LAB 20.37, 46.67, -27.99

 

CMYK 0 / 100 / 5 / 70

HEX #4C0048

RGB 76 0 72

HSL 303.16, 1%, 0.15%

LAB 15.51, 40.25, -23.02

 

CMYK 0 / 100 / 10 / 77

HEX #3B0035

RGB 59 0 53

HSL 306.1, 1%, 0.12%

LAB 10.46, 33.57, -17.78

 

CMYK 2 / 77 / 0 / 50

HEX #7E1E80

RGB 126 30 128

HSL 298.78, 0.62%, 0.31%

LAB 31.63, 52.08, -33.57

 

CMYK 0 / 77 / 20 / 50

HEX #801E67

RGB 128 30 103

HSL 315.31, 0.62%, 0.31%

LAB 30.63, 48.53, -19.24

 

CMYK 0 / 77 / 40 / 50

HEX #801E4D

RGB 128 30 77

HSL 331.22, 0.62%, 0.31%

LAB 29.55, 45.15, -3.91

 

CMYK 0 / 77 / 61 / 50

HEX #801E32

RGB 128 30 50

HSL 347.76, 0.62%, 0.31%

LAB 28.77, 42.62, 12.98

 

CMYK 0 / 77 / 77 / 50

HEX #801E1E

RGB 128 30 30

HSL 0, 0.62%, 0.31%

LAB 28.41, 41.43, 25.57

 

CMYK 2 / 77 / 0 / 50

HEX #7E1E80

RGB 126 30 128

HSL 298.78, 0.62%, 0.31%

LAB 31.63, 52.08, -33.57

 

CMYK 23 / 77 / 0 / 50

HEX #631E80

RGB 99 30 128

HSL 282.24, 0.62%, 0.31%

LAB 27.13, 46.19, -41.03

 

CMYK 43 / 77 / 0 / 50

HEX #491E80

RGB 73 30 128

HSL 266.33, 0.62%, 0.31%

LAB 23.35, 41.05, -47.34

 

CMYK 64 / 77 / 0 / 50

HEX #2E1E80

RGB 46 30 128

HSL 249.8, 0.62%, 0.31%

LAB 20.31, 36.72, -52.44

 

CMYK 77 / 77 / 0 / 50

HEX #1E1E80

RGB 30 30 128

HSL 240, 0.62%, 0.31%

LAB 19.07, 34.88, -54.53

 

CMYK 2 / 77 / 0 / 50

HEX #7E1E80

RGB 126 30 128

HSL 298.78, 0.62%, 0.31%

LAB 31.63, 52.08, -33.57

 

CMYK 1 / 88 / 0 / 45

HEX #8A118C

RGB 138 17 140

HSL 299.02, 0.78%, 0.31%

LAB 33.35, 59.98, -38.18

 

CMYK 2 / 97 / 0 / 40

HEX #960499

RGB 150 4 153

HSL 298.79, 0.95%, 0.31%

LAB 35.73, 66.1, -42.21

 

CMYK 2 / 77 / 0 / 50

HEX #7E1E80

RGB 126 30 128

HSL 298.78, 0.62%, 0.31%

LAB 31.63, 52.08, -33.57

 

CMYK 2 / 63 / 0 / 55

HEX #712A73

RGB 113 42 115

HSL 298.36, 0.46%, 0.31%

LAB 30.41, 41.62, -27.44

 

CMYK 1 / 46 / 0 / 60

HEX #653766

RGB 101 55 102

HSL 298.72, 0.3%, 0.31%

LAB 30.54, 28.39, -19.08

 

CMYK 0 / 24 / 0 / 65

HEX #594459

RGB 89 68 89

HSL 300, 0.13%, 0.31%

LAB 31.76, 13.17, -9.01

 

CMYK 6 / 0 / 6 / 68

HEX #4C514C

RGB 76 81 76

HSL 120, 0.03%, 0.31%

LAB 33.86, -3.1, 2.24

 

CMYK 44 / 77 / 0 / 50

HEX #481E80

RGB 72 30 128

HSL 265.71, 0.62%, 0.31%

LAB 23.22, 40.86, -47.56

 

CMYK 23 / 77 / 0 / 50

HEX #621E80

RGB 98 30 128

HSL 281.63, 0.62%, 0.31%

LAB 26.97, 45.98, -41.29

 

CMYK 3 / 77 / 0 / 50

HEX #7C1E80

RGB 124 30 128

HSL 297.55, 0.62%, 0.31%

LAB 31.28, 51.63, -34.14

 

CMYK 0 / 77 / 18 / 50

HEX #801E69

RGB 128 30 105

HSL 314.08, 0.62%, 0.31%

LAB 30.73, 48.82, -20.37

 

CMYK 0 / 77 / 38 / 50

HEX #801E4F

RGB 128 30 79

HSL 330, 0.62%, 0.31%

LAB 29.62, 45.38, -5.12

 

CMYK 2 / 77 / 0 / 76

HEX #3C0E3D

RGB 60 14 61

HSL 298.72, 0.63%, 0.15%

LAB 13.3, 29.27, -19.01

 

CMYK 1 / 77 / 0 / 63

HEX #5D165E

RGB 93 22 94

HSL 299.17, 0.62%, 0.23%

LAB 22.69, 41.04, -26.3

 

CMYK 2 / 77 / 0 / 50

HEX #7E1E80

RGB 126 30 128

HSL 298.78, 0.62%, 0.31%

LAB 31.63, 52.08, -33.57

 

CMYK 2 / 77 / 0 / 37

HEX #9E25A1

RGB 158 37 161

HSL 298.55, 0.63%, 0.39%

LAB 39.86, 62.44, -40.38

 

CMYK 2 / 77 / 0 / 24

HEX #BF2DC2

RGB 191 45 194

HSL 298.79, 0.62%, 0.47%

LAB 48.07, 72.26, -46.46

 

CMYK 2 / 77 / 0 / 49

HEX #7F1E81

RGB 127 30 129

HSL 298.79, 0.62%, 0.31%

LAB 31.87, 52.48, -33.81

 

CMYK 0 / 64 / 77 / 50

HEX #802E1E

RGB 128 46 30

HSL 9.8, 0.62%, 0.31%

LAB 30.97, 34.49, 28.41

 

CMYK 77 / 0 / 34 / 50

HEX #1E8055

RGB 30 128 85

HSL 153.67, 0.62%, 0.31%

LAB 47.46, -38.31, 15.61

 

CMYK 2 / 77 / 0 / 49

HEX #7F1E81

RGB 127 30 129

HSL 298.79, 0.62%, 0.31%

LAB 31.87, 52.48, -33.81

 

CMYK 0 / 3 / 77 / 50

HEX #807C1E

RGB 128 124 30

HSL 57.55, 0.62%, 0.31%

LAB 50.8, -9.9, 48.4

 

CMYK 77 / 0 / 3 / 50

HEX #1E807C

RGB 30 128 124

HSL 177.55, 0.62%, 0.31%

LAB 48.47, -27.82, -5.76

 

CMYK 2 / 77 / 0 / 49

HEX #7F1E81

RGB 127 30 129

HSL 298.79, 0.62%, 0.31%

LAB 31.87, 52.48, -33.81

 

CMYK 0 / 64 / 77 / 50

HEX #802E1E

RGB 128 46 30

HSL 9.8, 0.62%, 0.31%

LAB 30.97, 34.49, 28.41

 

CMYK 74 / 0 / 77 / 50

HEX #21801E

RGB 33 128 30

HSL 118.16, 0.62%, 0.31%

LAB 46.78, -46.32, 42.68

 

CMYK 77 / 13 / 0 / 50

HEX #1E6F80

RGB 30 111 128

HSL 190.41, 0.62%, 0.31%

LAB 43.07, -17.65, -16.29

 

CMYK 2 / 77 / 0 / 49

HEX #7F1E81

RGB 127 30 129

HSL 298.79, 0.62%, 0.31%

LAB 31.87, 52.48, -33.81

 

CMYK 0 / 41 / 77 / 50

HEX #804B1E

RGB 128 75 30

HSL 27.55, 0.62%, 0.31%

LAB 37.33, 18.53, 35.18

 

CMYK 74 / 0 / 77 / 50

HEX #21801E

RGB 33 128 30

HSL 118.16, 0.62%, 0.31%

LAB 46.78, -46.32, 42.68

 

CMYK 77 / 36 / 0 / 50

HEX #1E5280

RGB 30 82 128

HSL 208.16, 0.62%, 0.31%

LAB 33.71, -0.29, -30.85

 

Description

Color code: RGB 127 30 129 | qconv.com Color code: RGB 127 30 129 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 30 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 30 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 77 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 77% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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