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Color name
RGB 128 111 112

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 128 111 112 it is the complementary color RGB 127 144 143. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 128 111 112. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 128 111 112 shade: RGB 133 111 107, RGB 150 129 126, RGB 167 147 145, RGB 184 165 164 and RGB 201 183 183

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 128 111 112. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 128 111 112 shade: RGB 128 111 112, RGB 111 93 93, RGB 94 75 74, RGB 77 57 55 and RGB 60 39 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 128 111 112 shade: RGB 128 111 112 and RGB 128 111 111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 128 111 112 shade: RGB 128 111 112, RGB 128 111 116, RGB 128 111 121, RGB 128 111 126 and RGB 125 111 128

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 128 111 112 shade matches the following richer shades: RGB 128 111 112, RGB 147 92 95, RGB 167 72 78, RGB 186 53 61 and RGB 205 33 44

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 128 111 112 shade: RGB 128 111 112, RGB 108 130 129, RGB 89 150 146, RGB 70 169 163 and RGB 50 189 180

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 128 111 112 shade: RGB 128 111 121, RGB 128 111 117, RGB 128 111 112, RGB 128 114 111 and RGB 128 119 111

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 128 111 112 shade: RGB 84 73 73, RGB 106 92 93, RGB 128 111 112, RGB 148 132 133 and RGB 167 154 155

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 128 111 112 shade: RGB 128 111 112, RGB 126 128 111 and RGB 111 119 128

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 128 111 112 shade: RGB 128 111 112, RGB 112 128 111 and RGB 111 112 128

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 128 111 112 shade: RGB 128 111 112, RGB 126 128 111, RGB 111 128 127 and RGB 113 111 128

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 128 111 112 shade: RGB 128 111 112, RGB 120 128 111, RGB 111 128 127 and RGB 118 111 128

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 13 / 50

HEX #806F70

RGB 128 111 112

HSL 356.47, 0.07%, 0.47%

LAB 48.42, 6.83, 1.89

 

Complementary color

CMYK 12 / 0 / 1 / 44

HEX #7F908F

RGB 127 144 143

HSL 176.47, 0.07%, 0.53%

LAB 58.45, -6.29, -1.54

 

CMYK 0 / 17 / 20 / 48

HEX #856F6B

RGB 133 111 107

HSL 9.23, 0.11%, 0.47%

LAB 48.78, 7.96, 5.45

 

CMYK 0 / 14 / 16 / 41

HEX #96817E

RGB 150 129 126

HSL 7.5, 0.1%, 0.54%

LAB 55.78, 7.49, 4.58

 

CMYK 0 / 12 / 13 / 35

HEX #A79391

RGB 167 147 145

HSL 5.45, 0.11%, 0.61%

LAB 62.61, 7.09, 3.78

 

CMYK 0 / 10 / 11 / 28

HEX #B8A5A4

RGB 184 165 164

HSL 3, 0.12%, 0.68%

LAB 69.31, 6.72, 3.03

 

CMYK 0 / 9 / 9 / 21

HEX #C9B7B7

RGB 201 183 183

HSL 0, 0.14%, 0.75%

LAB 75.89, 6.4, 2.31

 

CMYK 0 / 13 / 13 / 50

HEX #806F70

RGB 128 111 112

HSL 356.47, 0.07%, 0.47%

LAB 48.42, 6.83, 1.89

 

CMYK 0 / 16 / 16 / 56

HEX #6F5D5D

RGB 111 93 93

HSL 0, 0.09%, 0.4%

LAB 41.21, 7.29, 2.71

 

CMYK 0 / 20 / 21 / 63

HEX #5E4B4A

RGB 94 75 74

HSL 3, 0.12%, 0.33%

LAB 33.79, 7.84, 3.62

 

CMYK 0 / 26 / 29 / 70

HEX #4D3937

RGB 77 57 55

HSL 5.45, 0.17%, 0.26%

LAB 26.1, 8.52, 4.67

 

CMYK 0 / 35 / 40 / 76

HEX #3C2724

RGB 60 39 36

HSL 7.5, 0.25%, 0.19%

LAB 18.09, 9.41, 5.96

 

CMYK 0 / 13 / 13 / 50

HEX #806F70

RGB 128 111 112

HSL 356.47, 0.07%, 0.47%

LAB 48.42, 6.83, 1.89

 

CMYK 0 / 13 / 13 / 50

HEX #806F6F

RGB 128 111 111

HSL 0, 0.07%, 0.47%

LAB 48.39, 6.65, 2.45

 

CMYK 0 / 13 / 13 / 50

HEX #806F70

RGB 128 111 112

HSL 356.47, 0.07%, 0.47%

LAB 48.42, 6.83, 1.89

 

CMYK 0 / 13 / 9 / 50

HEX #806F74

RGB 128 111 116

HSL 342.35, 0.07%, 0.47%

LAB 48.53, 7.57, -0.32

 

CMYK 0 / 13 / 5 / 50

HEX #806F79

RGB 128 111 121

HSL 324.71, 0.07%, 0.47%

LAB 48.68, 8.52, -3.08

 

CMYK 0 / 13 / 2 / 50

HEX #806F7E

RGB 128 111 126

HSL 307.06, 0.07%, 0.47%

LAB 48.84, 9.51, -5.82

 

CMYK 2 / 13 / 0 / 50

HEX #7D6F80

RGB 125 111 128

HSL 289.41, 0.07%, 0.47%

LAB 48.62, 8.8, -7.37

 

CMYK 0 / 13 / 13 / 50

HEX #806F70

RGB 128 111 112

HSL 356.47, 0.07%, 0.47%

LAB 48.42, 6.83, 1.89

 

CMYK 0 / 37 / 35 / 42

HEX #935C5F

RGB 147 92 95

HSL 356.73, 0.23%, 0.47%

LAB 45.2, 22.95, 7.75

 

CMYK 0 / 57 / 53 / 35

HEX #A7484E

RGB 167 72 78

HSL 356.21, 0.4%, 0.47%

LAB 43.36, 39.68, 16.01

 

CMYK 0 / 72 / 67 / 27

HEX #BA353D

RGB 186 53 61

HSL 356.39, 0.56%, 0.47%

LAB 43.24, 53.32, 26.86

 

CMYK 0 / 84 / 79 / 20

HEX #CD212C

RGB 205 33 44

HSL 356.16, 0.72%, 0.47%

LAB 44.59, 64.15, 39.37

 

CMYK 0 / 13 / 13 / 50

HEX #806F70

RGB 128 111 112

HSL 356.47, 0.07%, 0.47%

LAB 48.42, 6.83, 1.89

 

CMYK 17 / 0 / 1 / 49

HEX #6C8281

RGB 108 130 129

HSL 177.27, 0.09%, 0.47%

LAB 52.66, -8.14, -2.12

 

CMYK 41 / 0 / 3 / 41

HEX #599692

RGB 89 150 146

HSL 176.07, 0.26%, 0.47%

LAB 58.05, -20.72, -4.11

 

CMYK 59 / 0 / 4 / 34

HEX #46A9A3

RGB 70 169 163

HSL 176.36, 0.41%, 0.47%

LAB 63.61, -30.1, -5.58

 

CMYK 74 / 0 / 5 / 26

HEX #32BDB4

RGB 50 189 180

HSL 176.12, 0.58%, 0.47%

LAB 69.73, -37.83, -5.98

 

CMYK 0 / 13 / 5 / 50

HEX #806F79

RGB 128 111 121

HSL 324.71, 0.07%, 0.47%

LAB 48.68, 8.52, -3.08

 

CMYK 0 / 13 / 9 / 50

HEX #806F75

RGB 128 111 117

HSL 338.82, 0.07%, 0.47%

LAB 48.56, 7.76, -0.87

 

CMYK 0 / 13 / 13 / 50

HEX #806F70

RGB 128 111 112

HSL 356.47, 0.07%, 0.47%

LAB 48.42, 6.83, 1.89

 

CMYK 0 / 11 / 13 / 50

HEX #80726F

RGB 128 114 111

HSL 10.59, 0.07%, 0.47%

LAB 49.22, 4.89, 3.64

 

CMYK 0 / 7 / 13 / 50

HEX #80776F

RGB 128 119 111

HSL 28.24, 0.07%, 0.47%

LAB 50.61, 1.98, 5.63

 

CMYK 0 / 13 / 13 / 67

HEX #544949

RGB 84 73 73

HSL 0, 0.07%, 0.31%

LAB 32.1, 4.62, 1.69

 

CMYK 0 / 13 / 12 / 58

HEX #6A5C5D

RGB 106 92 93

HSL 355.71, 0.07%, 0.39%

LAB 40.42, 5.85, 1.51

 

CMYK 0 / 13 / 13 / 50

HEX #806F70

RGB 128 111 112

HSL 356.47, 0.07%, 0.47%

LAB 48.42, 6.83, 1.89

 

CMYK 0 / 11 / 10 / 42

HEX #948485

RGB 148 132 133

HSL 356.25, 0.07%, 0.55%

LAB 56.58, 6.23, 1.67

 

CMYK 0 / 8 / 7 / 35

HEX #A79A9B

RGB 167 154 155

HSL 355.38, 0.07%, 0.63%

LAB 64.72, 4.94, 1.19

 

CMYK 0 / 13 / 13 / 50

HEX #806F70

RGB 128 111 112

HSL 356.47, 0.07%, 0.47%

LAB 48.42, 6.83, 1.89

 

CMYK 2 / 0 / 13 / 50

HEX #7E806F

RGB 126 128 111

HSL 67.06, 0.07%, 0.47%

LAB 52.97, -3.96, 8.98

 

CMYK 13 / 7 / 0 / 50

HEX #6F7780

RGB 111 119 128

HSL 211.76, 0.07%, 0.47%

LAB 49.66, -1.02, -5.95

 

CMYK 0 / 13 / 13 / 50

HEX #806F70

RGB 128 111 112

HSL 356.47, 0.07%, 0.47%

LAB 48.42, 6.83, 1.89

 

CMYK 13 / 0 / 13 / 50

HEX #70806F

RGB 112 128 111

HSL 116.47, 0.07%, 0.47%

LAB 51.87, -9.35, 7.26

 

CMYK 13 / 13 / 0 / 50

HEX #6F7080

RGB 111 112 128

HSL 236.47, 0.07%, 0.47%

LAB 47.66, 3.1, -8.93

 

CMYK 0 / 13 / 13 / 50

HEX #806F70

RGB 128 111 112

HSL 356.47, 0.07%, 0.47%

LAB 48.42, 6.83, 1.89

 

CMYK 2 / 0 / 13 / 50

HEX #7E806F

RGB 126 128 111

HSL 67.06, 0.07%, 0.47%

LAB 52.97, -3.96, 8.98

 

CMYK 13 / 0 / 1 / 50

HEX #6F807F

RGB 111 128 127

HSL 176.47, 0.07%, 0.47%

LAB 52.23, -6.41, -1.56

 

CMYK 12 / 13 / 0 / 50

HEX #716F80

RGB 113 111 128

HSL 247.06, 0.07%, 0.47%

LAB 47.54, 4.41, -9.09

 

CMYK 0 / 13 / 13 / 50

HEX #806F70

RGB 128 111 112

HSL 356.47, 0.07%, 0.47%

LAB 48.42, 6.83, 1.89

 

CMYK 6 / 0 / 13 / 50

HEX #78806F

RGB 120 128 111

HSL 88.24, 0.07%, 0.47%

LAB 52.49, -6.3, 8.22

 

CMYK 13 / 0 / 1 / 50

HEX #6F807F

RGB 111 128 127

HSL 176.47, 0.07%, 0.47%

LAB 52.23, -6.41, -1.56

 

CMYK 8 / 13 / 0 / 50

HEX #766F80

RGB 118 111 128

HSL 264.71, 0.07%, 0.47%

LAB 47.98, 6.22, -8.39

 

Description

Color code: RGB 128 111 112 | qconv.com Color code: RGB 128 111 112 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 111 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 111 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 13 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 13% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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